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An essay by E. Lynn Linton

Engagements

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Title:     Engagements
Author: E. Lynn Linton [More Titles by Linton]

A great writer has pathetically described the last days of a man under sentence of death. He has found appropriate expression for every phase of the protracted agony with characteristic richness and variety of language; we are made to taste each drop in the bitter cup--the remorse and the awful expectation, and the desperate clinging to deceitful straws of hope. Indeed it scarcely requires the eloquence of a first-rate writer to impress upon us the fact that it is very unpleasant to expect to be hanged. Every man's imagination is sufficient to realize some of the unpleasant consequences of such a state of mind; for though the number of persons who have encountered this particular experience is inconsiderable, most of us have gone through something more or less analogous--we have been significantly told to wait after school, or have paid visits to dentists, or have been candidates at competitive examinations, or have been engaged to be married. These and many other situations, though varying in the intrinsic pain or pleasure of the anticipated event, have thus much in common, that they are all states of abnormal suspense. The nerves are kept in a state of equal tension by the uncomfortable feeling that we are in for it, whatever the "it" may turn out to be.

The first impression is simple; it resembles that felt by a man who has just slipped upon the side of a mountain, and knows that he is inevitably going to the bottom. He has not time to think whether he will fall upon snow or rocks, whether he will have merely a pleasant slide or be dashed into a thousand fragments; he does not make up his mind to be heroic or to be frightened; the one thought that flashes across his mind is that here at last is the situation which he has so often feebly pictured to himself; he will know all about it before he has time to reflect upon its pains or pleasures. People who have escaped drowning sometimes assert that they have remembered their whole lives in a few instants, though it does not quite appear how they can remember that they remembered the series of incidents without remembering the incidents themselves. But, so far as we have been able to collect evidence, the general rule in any sudden catastrophe is that which we have described. There is nothing but a dazzling flash of surprise, which almost excludes any decided judgment as to the painfulness or otherwise of the situation.

If, then, we may venture to conjecture the frame of mind in which a lady or gentleman first enters upon an engagement, we should say that it was this sense of startled suspense. They feel as Guy Faux would have felt after lighting the train of gunpowder--that they have done something which they may probably never repeat in their lifetime, and every other emotion will be for the moment absorbed. But as engagements are generally more protracted than most of the critical situations we have mentioned, the surprise dies away, and the victims have time to look about them, and analyze more closely the emotions produced by their position. To do any justice to the complicated and varying frame of mind into which even an average lover may be thrown in the course of a few weeks would of course require the pen, not of men, but of angels. It would involve a condensation of a large fraction of all the poetry that has been written in the world, and no small part of the cynical criticism by which it has been opposed. But, taking for granted the mass of commonplaces which has been accumulated in the course of centuries, there are a few special modifications of the position under our present social arrangements which are more fitted for remark. The state of mind known as being in love is confined to no particular race or period, but the position of the engaged persons may vary indefinitely. In a good simple state of society, the gentleman pays down his money or his sheep or his oxen, and takes away the lady without any superfluous sentiment. Even in more civilized states, a marriage may be substantially a bargain carried out in a business-like spirit. However unsatisfactory such a mode of proceeding may be from certain points of view, it is at any rate intelligible; all parties to the contract understand their relative positions, and have a plain line of conduct traced for them.

But in a modern English engagement the form is necessarily different, even when the substance of the arrangement is identical. For once in his experience a man feels called upon to accept that view of life for which novelists are unjustly condemned. We say unjustly, for it is inevitable that a novelist should frequently represent marriage as being the one great crisis of a man's history. It is not his function to give a complete theory of life, but to describe such scenes as are most interesting and most dramatic. He is quite justified in often writing as though two lovers should really think about nothing under heaven except their chances of union, and should be dismissed, when the happy event has once taken place, in a certainty of living very happily ever afterwards. He has no concern with the lover's briefs or sermons or operations on the Stock Exchange, which may really take up by far the greater part of the man's waking thoughts; and it would spoil the unity of his work if he were to dwell upon them proportionately. It would be as absurd to mistake the novelist's views for a complete one as to condemn it because it is incomplete. In novels which depend, as ninety-nine out of a hundred must depend, upon a love story, the importance of marriage, or at least the degree in which it occupies the thoughts of the characters, will necessarily be overstated. The engaged persons, however, find that, in the eyes of their friends, if not in their own, they are temporarily accepting the novelist's ideal. For the time they are considered exclusively as persons about to marry, and all their other relations in life retire into the background.

The difficulty of the position depends upon the extent to which this conventional assumption diverges from the true facts of the case. The lady, for example, suffers less than the gentleman, because, in spite of Dr. Mary Walker and other martyrs to the cause of woman's rights, it is still true that marriage fills a larger space in her life than in that of the other sex. She can take up the character with a certain triumph, as of one who has more or less fulfilled her mission and passed from the ranks of the aspirants to those of the successful candidates for matrimony. At any rate, even if she takes a loftier view of feminine duties, there is nothing ridiculous about her position. She may busy herself about trousseaux or wedding-dresses or marriage-presents, with perfect satisfaction to herself and to the envy of her female friends. But her unfortunate accomplice, especially if he is of mature age, is in a far more uncomfortable position.

Few men who have become immersed in any profession or business can act the character without an unpleasantly strong sense of being in a false position. There is nothing indeed intrinsically ludicrous about it; the chances are that the lover is doing a very sensible thing, and that his wisest friends approve of his conduct. Still it is undeniable that he moves about, to his own apprehension at least, in a universal atmosphere of ridicule. He feels that he is really a quiet hard-working young man, full of law it may be, or of plans for improving his parish, or of Parliamentary notices of motion. He can talk about his own topics with interest and intelligence, and may possibly be an authority in a small way. He is quite conscious, too, that there are many sides to his character which do not come out in his ordinary every-day business. Unluckily that is just the fact which his friends are apt to ignore.

We soon learn to associate our acquaintance with the positions in which we have been accustomed to see them, and forget that they may have sentiments and faculties of which we know nothing. Consequently an engagement seems to imply an entire metamorphosis. Our friend, or his image in our minds, was a comparatively simple compound of two or three characters at most; whereas men generally have a far more complex organization. In business hours, perhaps, he was simply a machine for grinding out law, and at other times a lively talker and a good whist-player. No process of transmutation will convert either of those into the conventional lover, who can think of nothing but the object of his affections; the apparent incongruity is too violent not to produce a sense of the ludicrous; and our friend is bound in decency to make it as violent as possible. From which it follows that we laugh, and that he knows that we are laughing, at him. Intensely awkward congratulations are exchanged, according to two or three formulas which have been handed down from distant generations. If the congratulator is a married man, he hopes that his friend may enjoy as much happiness as he has found himself in the married state; if a bachelor, he assures him that, although unable hitherto to act up to his principles, he has always thought marriage the right thing. There are persons who can repeat one of these common forms with all the air of making an original observation, as there are men who can begin an oration by asserting that they are unaccustomed to public speaking; but, as a rule, it is said in such a way as to imply that the speaker, whilst admitting the absurdity of connecting the ideas of his friend and marriage, is willing to pay the necessary compliments, if he may do it as cheaply as possible.

In short, until a man is engaged to be married, he scarcely knows how narrow a view his friends take of his character, and how easily they are amused at what is after all rather a commonplace proceeding. When his own friends look upon him so distinctly in the light of a joke, he of course cannot expect much quarter from the friends of the lady. He has a painful impression that he is coming out in a part for which he has had no practice, under the eyes of hostile critics. Every man thinks it only due to himself to criticise a friend's new purchases of horses or pictures or wines; if he did not find fault with them he would miss an opportunity of establishing his superior acumen. And of course the principle extends to lovers. There is probably a narrow circle who are bound officially to approve; but the unfortunate victim feels that, outside of it, every acquaintance of the lady will take pleasure in a keen observation of his defects, and he trembles accordingly. It is said (rather unfairly, perhaps) that shyness is a form of conceit; but the least self-conscious of mankind can hardly fail to feel uncomfortable when he is called upon to perform such a highflown part under so severe a scrutiny.

Of course the torment is far greater in the case of a middle-aged professional gentleman, who is habitually employed upon some incongruous work, than to a youth in whom any sort of folly is graceful; but there can be few persons to whom the position is not to a certain extent irksome. When a man is married, or when he is a bachelor, he is allowed to be a rational being, taking rational views of life. He feels it rather hard that in the interval society insists upon his being in a state of temporary insanity, and then laughs at him because it doesn't look natural. He begins to long even for that climax of misery when, if the custom be not already dead, he will have to commit one of the most absurd actions of which a human being can be guilty--namely, making a speech in the morning, at an anomalous and dreary meal, exactly when his shamefacedness is at its highest pitch. That so many people survive engagements without any perceptible sourness of temper is some proof of the goodness of human nature, or of the fact that there are compensations in the state of being in love which go to neutralize the discomfort of being engaged.


[The end]
E. Lynn Linton's essay: Engagements

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