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A poem by Walt Mason |
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Theory And Practice |
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Title: Theory And Practice Author: Walt Mason [More Titles by Mason] In public I talk of Milton and give him ecstatic praise, and say that I love to ponder for hours o'er his living lays; I speak of his noble epic, that jewel which proudly shines, and quote from his splendid sonnets (I know maybe twenty lines); but when I am home John Milton is left on the bookcase shelf; he's rather too dull for reading--you know how it is yourself; to lighten the weight of sorrow that over my spirit hangs, I dig up the works of Irwin or Nesbit or Kendrick Bangs. I talk much of Thomas Hardy when I'm with the cultured crowd, and say that few modern writers so richly have been endowed; I speak of his subtle treatment of life and its grim distress, and quote from "The Trumpet Major" or spiel a few lines from "Tess." But when I am in my chamber, where no one can see me read, remote from the highbrow people and all that the highbrows need, I never have known a longing to reach for the Hardy tomes; I put in a joyous evening with Watson and Sherlock Holmes. I talk a good deal of Wagner in parlor and drawing room, and speak of the gorgeous fabrics he wove on his wondrous loom, the fabrics of sound and beauty, the wonderful scroll of tone, and say that this mighty genius remains in a class alone. I whistle "The Pilgrims' Chorus," and chortle of "Lohengrin," and say that all other music is merely a venial sin. But when at my own piano Susannah sits down to play, I beg her to cut out Wagner and shoo all his noise away. "I'm weary and worn and beaten; my spirits," I say, "are low; so give us some helpful music--a few bars of Jungle Joe!" [The end] GO TO TOP OF SCREEN |