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A short story by Stephen Crane |
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A Street Scene In New York |
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Title: A Street Scene In New York Author: Stephen Crane [More Titles by Crane] The man and the boy conversed in Italian, mumbling the soft syllables and making little, quick egotistical gestures. Suddenly the man glared and wavered on his limbs for a moment as if some blinding light had flashed before his vision; then he swayed like a drunken man and fell. The boy grasped his arm convulsively, and made an attempt to support his companion so that the body slid to the side-walk with an easy motion like a corpse sinking into the sea. The boy screamed. Instantly people from all directions turned their gaze upon that figure prone upon the side-walk. In a moment there was a dodging, peering, pushing crowd about the man. A volley of questions, replies, speculations flew to and fro among all the bobbing heads. "What's th' matter? what's th' matter?" "Oh, a jag, I guess!" "Aw, he's got a fit!" "What's th' matter? what's th' matter?" Two streams of people coming from different directions met at this point to form a great crowd. Others came from across the street. Down under their feet, almost lost under this mass of people, lay a man, hidden in the shadows caused by their forms, which, in fact, barely allowed a particle of light to pass between them. Those in the foremost rank bended down eagerly, anxious to see everything. Others behind them crowded savagely like starving men fighting for bread. Always, the question could be heard flying in the air. "What's th' matter." Some, near to the body, and perhaps feeling the danger of being forced over upon it, twisted their heads and protested violently to those unheeding ones who were scuffling in the rear: "Say, quit yer shovin', can't yeh? What do yeh want, anyhow? Quit!" Somebody back in the throng suddenly said: "Say, young feller, cheese that pushin'! I ain't no peach!" Another voice said: "Well, dat's all right--" The boy who had been with the Italian was standing helplessly, a frightened look in his eyes, and holding the man's hand. Sometimes he looked about him dumbly, with indefinite hope, as if he expected sudden assistance to come from the clouds. The men about him frequently jostled him until he was obliged to put his hand upon the breast of the body to maintain his balance. Those nearest the man upon the sidewalk at first saw his body go through a singular contortion. It was as if an invisible hand had reached up from the earth and had seized him by the hair. He seemed dragged slowly, pitilessly backward, while his body stiffened convulsively, his hands clenched, and his arms swung rigidly upward. Through his pallid, half-closed lids one could see the steel-coloured, assassin-like gleam of his eye, that shone with a mystic light as a corpse might glare at those live ones who seemed about to trample it under foot. As for the men near, they hung back, appearing as if they expected it might spring erect and grab them. Their eyes, however, were held in a spell of fascination. They scarce seemed to breathe. They were contemplating a depth into which a human being had sunk, and the marvel of this mystery of life or death held them chained. Occasionally from the rear a man came thrusting his way impetuously, satisfied that there was a horror to be seen, and apparently insane to get a view of it. More self-contained men swore at these persons when they tread upon their toes. The street cars jingled past this scene in endless parade. Occasionally, down where the elevated road crossed the street, one could hear sometimes a thunder, suddenly begun and suddenly ended. Over the heads of the crowd hung an immovable canvas sign: "Regular Dinner twenty cents." The body on the pave seemed like a bit of debris sunk in this human ocean. But after the first spasm of curiosity had passed away, there were those in the crowd who began to bethink themselves of some way to help. A voice called out: "Rub his wrists." The boy and a man on the other side of the body began to rub the wrists and slap the palms of the man. A tall German suddenly appeared, and resolutely began to push the crowd back. "Get back there--get back," he repeated continually while he pushed at them. He seemed to have authority; the crowd obeyed him. He and another man knelt down by the man in the darkness and loosened his shirt at the throat. Once they struck a match and held it close to the man's face. This livid visage suddenly appearing under their feet in the light of the match's yellow glare, made the crowd shudder. Half articulate exclamations could be heard. There were men who nearly created a riot in the madness of their desire to see the thing. Meanwhile others had been questioning the boy. "What's his name? Where does he live?" Then a policeman appeared. The first part of this little drama had gone on without his assistance, but now he came, striding swiftly, his helmet towering over the crowd and shading that impenetrable police face. He charged the crowd as if he were a squadron of Irish Lancers. The people fairly withered before this onslaught. Occasionally he shouted: "Come, make way there. Come, now!" He was evidently a man whose life was half-pestered out of him by people who were sufficiently unreasonable and stupid as to insist on walking in the streets. He felt the rage toward them that a placid cow feels toward the flies that hover in clouds and disturb its repose. When he arrived at the centre of the crowd he first said, threateningly: "What's th' matter here?" And then when he saw that human bit of wreckage at the bottom of the sea of men, he said to it: "Come, git up out that! Git out a here!" Whereupon hands were raised in the crowd and a volley of decorated information was blazed at the officer. "Ah, he's got a fit, can't yeh see?" "He's got a fit!" "What th'ell yeh doin'? Leave 'im be!" The policeman menaced with a glance the crowd from whose safe precincts the defiant voices had emerged. A doctor had come. He and the policeman bended down at the man's side. Occasionally the officer reared up to create room. The crowd fell away before his admonitions, his threats, his sarcastic questions, and before the sweep of those two huge buckskin gloves. At last the peering ones saw the man on the side-walk begin to breathe heavily, strainedly, as if he had just come to the surface from some deep water. He uttered a low cry in his foreign way. It was like a baby's squeal or the side wail of a little storm-tossed kitten. As this cry went forth to all those eager ears the jostling, crowding recommenced again furiously, until the doctor was obliged to yell warningly a dozen times. The policeman had gone to send the ambulance call. Then a man struck another match, and in its meagre light the doctor felt the skull of the prostrate man carefully to discover if any wound had been caused by his fall to the stone side-walk. The crowd pressed and crushed again. It was as if they fully expected to see blood by the light of the match, and the desire made them appear almost insane. The policeman returned and fought with them. The doctor looked up occasionally to scold and demand room. At last, out of the faint haze of light far up the street, there came the sound of a gong beating rapidly. A monstrous truck loaded to the sky with barrels scurried to one side with marvellous agility. And then the black waggon, with its gleam of gold lettering and bright brass gong, clattered into view, the horse galloping. A young man, as imperturbable almost as if he were at a picnic, sat upon the rear seat. When they picked up the limp body, from which came little moans and howls, the crowd almost turned into a mob. When the ambulance started on its banging and clanging return, they stood and gazed until it was quite out of sight. Some resumed their way with an air of relief. Others still continued to stare after the vanished ambulance and its burden as if they had been cheated, as if the curtain had been rung down on a tragedy that was but half completed; and this impenetrable blanket intervening between a sufferer and their curiosity seemed to make them feel an injustice. [The end] GO TO TOP OF SCREEN |