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Title: Against The Love Of Great Ones
Author: Richard Lovelace [
More Titles by Lovelace]
Unhappy youth, betrayd by Fate
To such a love<1> hath sainted hate,
And damned those celestiall bands<2>
Are onely knit with equal hands;
The love of great ones is a love,<3>
Gods are incapable to prove:
For where there is a joy uneven,
There never, never can be Heav'n:
'Tis such a love as is not sent
To fiends as yet for punishment;
IXION willingly doth feele
The gyre of his eternal wheele,
Nor would he now exchange his pain
For cloudes and goddesses againe.
Wouldst thou with tempests lye? Then bow
To th' rougher furrows of her brow,
Or make a thunder-bolt thy choyce?
Then catch at her more fatal voyce;
Or 'gender with the lightning? trye
The subtler<4> flashes of her eye:
Poore SEMELE<5> wel knew the same,
Who<6> both imbrac't her God and flame;
And not alone in soule did burne,
But in this love did ashes turne.
How il doth majesty injoy
The bow and gaity oth' boy,
As if the purple-roabe should sit,
And sentence give ith' chayr of wit.
Say, ever-dying wretch, to whom
Each answer is a certaine doom,<7>
What is it that you would possesse,
The Countes, or the naked Besse?<8>
Would you her gowne or title do?
Her box or gem, the<9> thing or show?
If you meane HER, the very HER,
Abstracted from her caracter,
Unhappy boy! you may as soone
With fawning wanton with the Moone,
Or with an amorous complaint
Get prostitute your very saint;
Not that we are not mortal, or
Fly VENUS altars, and<10> abhor
The selfesame knack, for which you pine;
But we (defend us!) are divine,
[Not] female, but madam born,<11> and come
From a right-honourable wombe.
Shal we then mingle with the base,
And bring a silver-tinsell race?
Whilst th' issue noble wil not passe
The gold alloyd<12> (almost halfe brasse),
And th' blood in each veine doth appeare,
Part thick Booreinn, part Lady Cleare;
Like to the sordid insects sprung
From Father Sun and Mother Dung:
Yet lose we not the hold we have,
But faster graspe the trembling slave;
Play at baloon with's heart, and winde
The strings like scaines, steale into his minde
Ten thousand false<13> and feigned joyes
Far worse then they; whilst, like whipt boys,
After this scourge hee's hush with toys.
This<14> heard, Sir, play stil in her eyes,
And be a dying, live<15> like flyes
Caught by their angle-legs, and whom
The torch laughs peece-meale to consume.
Notes:
<1> i.e. THAT hath sainted, &c.
<2> So the Editor's MS. copy already described; the printed copy has BONDS.
<3> So Editor's MS. Printed copy has--
"The Love of Great Ones? 'Tis a Love."
<4> Subtle--Editor's MS.
<5> Semele she--Editor's MS.
<49.6> She--Ibid.
<49.7> Dombe--LUCASTA.
<49.8> BESS is used in the following passage as a phrase for a sort of female TOM-O-BEDLAM--
"We treat mad-Bedlams, TOMS and BESSES,
With ceremonies and caresses!"
Dixon's CANIDIA, 1683, part i. canto 2.
And the word seems also to have been employed to signify the loose women who, in early times, made Covent Garden and its neighbourhood their special haunt. See Cotgrave's WITS INTERPRETER, 1662, p. 236. But here "naked Besse," means only a woman who, in contradistinction to a lady of rank, has no adventitious qualities to recommend her.
<9> Original reads HER.
<10> Altars, or--LUCASTA.
<11> Borne--LUCASTA.
<12> Allay'd--LUCASTA.
<13> So Editor's MS. LUCASTA has HELLS.
<14> From this word down to LIVES is omitted in the MS. copy.
<15> Original has LIVES.
[The end]
Richard Lovelace's poem: Against The Love Of Great Ones
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