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A poem by Theophile Gautier

The Poem Of Woman, Marble Of Paros

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Title:     The Poem Of Woman, Marble Of Paros
Author: Theophile Gautier [More Titles by Gautier]

Unto the dreamer once whose heart she had,
As she was showing forth her treasures rare,
Minded she was to read a poem fair,
The poem of her form with beauty glad.

First stately and superb she swept before
His gazing eyes, with high, Infanta mien,
Trailing behind her all the splendid sheen
Of nacarat floods of velvet that she wore.

Thus at the opera had he watched her bend
From out her box, her body one bright flame,
When all the air was ringing with her name,
And every song made her fair praise ascend.

Then had her art another way, for look!
The weighty velvet dropped, and in its place
A pale and cloudy fabric proved the grace
Of every line her glowing body took;

Till softly from her shoulder marble-sweet
The veil diaphanous fell, the folds whereof
Came fluttering downward like a snowy dove,
To nestle in the wonder of her feet.

She posed as for Apelles pridefully,
A lovely flesh and marble womanhood:--
Anadyomene, she upright stood
Naked upon the margent of the sea.

Fairer than any foam-drops crystalline,
Great pearls of Venice lay upon her breast,
Jewels of milky wonder lightly pressed
Upon the cool, fresh satin of her skin.

Exhaustless as the waves that kiss the brim,
Under the gleaming moon of many moods,
Were all the strophes of her attitudes.
What fascination sang her beauty's hymn!

But soon, grown weary of an art antique,
Of Phidias and of Venus, lo! again
Within another new and plastic strain
She grouped her charms unveiled and unique.

Upon a cashmere opulently spread,
Sultana of Seraglio then she lay,
Laughing unto her little mirror gay,
That laughed again with lips of coral red;

The indolent, soft Georgian, posturing
With her long, supple narghile at lip,
Showing the glorious fashion of her hip,
One foot upon the other languishing.

And, like to Ingres' Odalisque, supine,
Defying prurient modesty turned she,
Displaying in her beauty candidly
Wonder of curve and purity of line.

But hence, thou idle Odalisque! for life
Hath now its own fair picture to display--
The diamond in its rare effulgent ray,--
Beauty in Love hath reached its blossom rife.

She sways her body, bendeth back her head.
Her breathing comes more subtle and more fast.
Rocked in her dream's alluring arms, at last
Down hath she fallen upon her costly bed.

Her eyelids beat like fluttering pinions lit
Upon the darkened silver of her eyes.
Her bright, voluptuous glances upward rise
Into the vague and nacreous infinite.

Deck her with sweet, lush violets, instead
Of death-flowers with their every pearl a tear;
Scatter their purple clusters on her bier,
Who of her being's ecstasy lies dead.

And bear her very gently to her tomb--
Her bed of white. There let the poet stay,
Long hours upon his bended knees to pray,
When night shall close around the funeral room.


[The end]
Theophile Gautier's poem: Poem Of Woman, Marble Of Paros

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