Literature And The Bastinado

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Title:     Literature And The Bastinado
Author: Ben Hecht

Surveying the trend of modern literature one must, unless one's mental processes be complicated with opaque prejudices, wonder at the provoking laxity of the national censorship. I write from the viewpoint of an aggrieved iconoclast.

It becomes yearly more obvious that the duly elected, commissioned and delegated high priests of the nation's morale are growing blind to the dangers which assail them. If not, then how does it come that such enemies of the public weal as H. L. Mencken, Floyd Dell, Sherwood Anderson, Theodore Dreiser, Dos Passos, Mr. Cabell, Mr. Rascoe, Mr. Sandburg, Mr. Sinclair Lewis are not in jail? How does it come Professor Frinck of Cornell is not in jail? Bodenheim, Margaret Anderson, Mr. John Weaver are not in jail.

Were I the President of the United States sworn to uphold the dignity of its psychopathic repressions, pledged on a stack of Bibles to promote the relentless pursuit and annihilation of other people's happiness, I would have begun my reign by clapping H. L. Mencken into irons forthwith. Mr. Cabell, I would have sent to Russia. Sherwood Anderson I would have boiled in oil.

But what is the situation? Observe these gentlemen and their kin enjoying not only their bodily liberty but allowed to prosper on the royalties derived from the sale of incendiary volumes designed to destroy the principles upon which the integrity of the commonwealth depends. The spectacle is one aggravating to an iconoclast. There is no affront as distressing as the tolerance of one's enemies.

Mr. H. L. Mencken is, perhaps, the outstanding victim of this depravity of indifference which more and more characterizes the enemy. Mr. Mencken, hurling himself for ten years against the Bugaboo of Puritanism--a fearless and wonderfully caparisoned Knight of Alarums, Prince of Darkness, Evangel of Chaos--Mr. Mencken pauses for a moment out of breath casting about slyly for fresher and deadlier weapons and lo! the Bugaboo with a gentle smile reaches out and embraces him and plants the kiss of love on both his cheeks, strokes his hair wistfully, and invites him to sit on the front porch. Alas, poor Mencken! It is the fate that awaits us all. Zarathustra in the market-place feeding ground glass to the populace is gathered to the bosom of the City Fathers and gleefully enrolled as a member of the Guild.

This is no idle rhetoric. Dissent in the Republic has come upon hard ways. Ten years ago the name of Mencken would have stood against the world. Today no college freshman, no lowly professor, no charity worker, or local alderman too puritanical to do him homage.

Whereupon the argument is that an era of enlightenment has set in, that this same Mencken and his contemporary throat-cutters have vanquished the Bugaboo, and that, as a result, a spirit of high intellectual life prevails through the land. The proletaire have risen and are thumbing their nose at the gods. Brander Matthews has sent in a five years' subscription to the Little Review. The Comstocks overcome with the vision of their ghastly complexes are appealing to Sigmund Freud for advice and relief. But the argument is superficial. "Victory!" cry the iconoclasts grinding their teeth at the absence of a foe.

But it is a victory that rankles in the soul. The foe is not vanquished but, seemingly, bored to death has fallen asleep. It is, in any event, a phenomenon. Many generalizations offer themselves as solace.

The first paradox of this phenomenon is that Puritanism, beaten to a pulp by an ever-increasing herd of first, second, third, and fourth rate iconoclasts, has triumphed completely in the legislatures of the country. With every new volume exposing the gruesome mainsprings of the national virtue, further taboos and restrictions crowd themselves into the statute books.

In a sense it would seem as if the bete populaire, becoming increasingly drunk with the consciousness of its own power, is elatedly preoccupied in cutting off its own nose, tying itself up into knots, and kicking itself in the rear, proclaiming simultaneously and in triumphant tones, "Observe how powerful I am. I can pass laws making ipecac a compulsory diet."

Whereupon the laws are passed and the noble masses with heroic grimaces fall to devouring ipecac, to the confusion of all free-born stomachs. In fact this species of ballot flagellatism, this diverting pastime of hitting itself on the head with a stuffed club has gradually elevated the body politic to the enviable position occupied by the all-powerful king of Fernando Po. This mysterious being lives in the lowest depths of the crater of Riabba. His power is in direct ratio to the taboos which hem him in. Convinced that bathing is a crime against his dignity, that sunlight is incompatible with his royal lineage; convinced that his prestige is dependent upon a weekly three days' fast and a cautious observation of the taboos against all variants of social intercourse--piously convinced of these astounding things, the all-powerful monarch of Fernando Po sits year in and year out motionless on his throne in the lowest depths of the crater of Riabba, awed by himself and overcome with the contemplation of his all-powerfulness. We have here, I trust, an illuminating analogy.

The Republic, like this King of Fernando Po, imposes daily upon itself new taboos, new rituals. Yet there is the phenomenon of its tolerance toward the idol breakers. From the lowest depths of the crater of Riabba in which he sits enthroned the monarch of the Laongos condemns to death with a twitch of his brows all who seek to question the sanctity of the taboos. But this other occupant of the crater of Riabba-our Republic-raises gentle eyes to the idol wreckers, to the taboo destroyers. An occasional, "tut tut" escapes him. And nothing more.

Whereupon the argument is that our monarch of the pit is an impotent fellow. Again, a superficial deduction. For behold the censorships with which he belabors himself.

Censorship, almost extinct in the restriction of the national literature, thrives in every other field. Censorships abound. Food, drink, movies, politics, baseball, diversion, dress--all these are under the jurisdiction of a continually aroused censorship. The pulpits and editorial pages emit sonorous hymns of taboo. Every caption writer is an Isaiah, every welfare worker fancies himself the handwriting on the wall. Unchallenged by the vote of the masses or by any outward evidence of mass dissent, the platitudes pile up, the nation is filled from morning to morning with stentorian clamor. Puritanism in a frenetic finale approaches a climax.

But, and we tiptoe towards the crux of this phenomenon, the Bacchanal of Presbyterianism is an artificial climax. Unlike the day of the later Caesars, the populace does not abandon itself in imitation of its Neros and Caligulas. Instead, we have the spectacle of a populace apathetic toward the spirit of its time.

The Puritan debauch is the logical culmination of the anti-Paganism and backworldism launched two hundred centuries back. The Christian ethic, to the bewildered chagrin of its advocates, has triumphed. Not a triumph this time that offers itself as a cloak for Jesuitism, colonization, or empire juggling. But an unimpeachable triumph entirely beyond the control of the most adroit of the choir-Machiavellis.

In other words the body politic finds itself betrayed by its own platitudes. A moral frenzy animates its horizon. But it is a frenzy of idea escaped control, an idea grown too huge and luminous to direct any longer. The moral frenzy of the war was the moral frenzy of such an idea--virtue become a Frankenstein. This virtue--the Golden Rule, the Thou Shalt Nots, the thousand and one unassailable maxims, adages, old saws invented chiefly for the protection of the weak and the solace of the inferior--this virtue has taken itself out of the hands of its hitherto adroit worshippers. A snowball rolling uphill toward God and gathering furious dimensions, it has escaped the shrewd janitors of orthodoxy who from age to age were able to keep it within bounds.

Thus in the war, confronted with the platitude that the world must be made safe for democracy and with the further platitude that democracy and equality were the goals of Christianity and with a dozen similar platitudes none of which had any authentic contact with the life of the nation, thus confronted, the proletaire was forced to lift itself up by its boot straps and rise to the defence of a Frankenstein idealism of which it was the parent-victim. Disillusionment with the causes of the war has, however, served no high purpose. The Frankenstein God, the Frankenstein virtue is still enshrined in the Heaven of the Copy Books. And we find the proletaire still worshipping, albeit with the squirmings and grimacings, a horrible idealization of itself.

The Thou Shalt Nots have escaped. They increase and multiply with a life of their own. Logic is the most irresponsible of the manias which operate in life. Logic demands that ideas be carried to their climax and this demand, as inexorable as Mr. Newton's law, has made a Frankenstein of the unsuspecting Galilean.

Hypnotized by the demands of logic, bewildered by the contemplation of this code of backworldism which he himself seems somehow to have created, the ballot maniac stands riveted at the polls and sacrifices to his own image by hitting himself on the head with further virtuous restrictions--a gesture necessary to prevent his own image from giving him the lie. He must, in other words, prove himself as virtuous, whenever public demonstration demands, as the Frankenstein platitudes proclaim him to be.

The Puritanism of the nation, remorselessly upheld by its laws and its public factotums is an extraneous and artificial pose into which the blundering proletaire has tricked itself. There are innumerable consequences. We have, firstly, the spectacle of the masses disporting themselves slyly in the undertow of cynicism.

"Modesty," bellows Sir Frankenstein from pulpit and press, "is a cardinal virtue." "Right O," echoes the feminine contingent and promptly bobs its hair, shortens its skirts, and rolls down its socks.

"Abstinence, sobriety, are an economic and spiritual necessity," bellows Sir Frankenstein. Whereupon the male contingent votes the land dry and gets drunk.

From the foregoing we may derive glimmers of truth concerning the public tolerance of iconoclasts. "Main Street," a volume fathered by Mencken, Freud, and the other Chaos-Bringers, leaps into prominence as a best seller. It is devoured and acclaimed by the ballot maniac who reads it, smacks his lips over its "truths" and sallies forth to vote further canonizations of hypocrisy into the legal code. Even I, who ten years ago prided myself upon being as indigestible a type of the Incoherent Young as the land afforded, find myself for one month a best seller [Footnote: "Erik Dorn," Mr. Hecht's first novel.--Ed.] on my native heath. Woe the prophet who is with honor in his country! He will flee in disgust in quest of hair shirts and a bastinado.

Thus, the citizens. With the left hand they greet the iconoclasts and hand them royalties. With the right hand they pass further laws for the iconoclasts to denounce. A phenomenon results. With the thought of the masses becoming more and more neutral in the highty-tighty war between Good and Evil, the laws created by these same masses grow more and more rabid. But it must be borne in mind that although the masses, carried away by flagellant impulses, assist in the creation of these laws, in the main, they are laws, self-created platitudes which give birth to new platitudes. Logic is the most pernicious of the Holy Ghosts responsible for the conception of undesirable Gods.

I am prepared now to make further revelations. The foregoing, although bristling with inconsistencies, seems to me, nevertheless, a ground work. I will begin the apocalyptic finale with a resume of the choir-leaders, the high priests, the Mahatmas of Sir Frankenstein.

Item one: It is obvious that the laws of the land being the ghastly climaxes of artificial logic and not of human desires or biological necessities, therefore the salaried apostles of these laws must function similarly outside nature.

The high priests, it develops indeed upon investigation, diligently lickspittling to Sir Frankenstein, have no following. The masses are not going to Heaven in their wake. They, the high priests, are magically out of touch with their worshippers. And from day to day they grow further out of touch until they are to be seen high in the clouds tending the fugitive altars that are soaring toward God on their own power.

These high priests are the creatures elected, commissioned and delegated by the proletaire to perpetuate its grandiose and impossible image. And this they do. They are the custodians of the public morals, meaning the protectors of the huge trick mirror out of which the complexes, neurasthenias, and morbid fears of the public stare back at it in the guise of Virtue, Honor, Decency, and Love. These custodians are also, to leap into the denouement, the censors here under discussion; censors not only tolerated but insisted upon by the people to annoy and harass them and inspire them to further ballot flagellations in order that they, the people, may be spared the disaster of discovering themselves different from what two hundred centuries of self-idealization have driven them into believing themselves to be.

This, the high priests do. In every village, hamlet and farm they have their say. They chastise. They make things fit for decent people to see or wear or drink, and people flattered to death at the idea of being considered decent submit piously to the distastement infringements and taboos.

All-powerful are the censors. But despite this all-powerfulness they labor under a wretched handicap. They are stupid. Stupidity is the paradox to be found most often in all-powerful Gods. They are stupid, the censors. And the Devil is clever. The Seven Arts which are the Seven Incarnations of Dionysius, the Seven Masks of an unrepentant Lucifer, elude them in the horrific struggle. Or at least partially elude them. Occasionally a cloven hoof is spied and sliced to the bone.

* * * * *

We return now with proud and tranquil ease to the beginning of this tale, to the phenomenon of a tolerated literary iconoclasm in a land alive with caterwaulings of virtue.

As hinted above not all the Arts escape, nor do any of them escape all the time. Music, whose sly and terrible vices were for centuries unperceived by the high priests, has been brought to earth in places. "Jazz Incites to Sin. Syncopation is Devil's Ally." Discovered! One reads the morning paper and feels a return of hope. The High Priests are aroused. They have disembowelled an ally. There is hope then of a bloody fray. Another Edition and they will be on our own heads, swinging their snickersnees. Mencken will be arrested and burned in public. Anderson will be strung up by the heels and his estates confiscated. There will be war--red war, and we in the army of the iconoclasts growling impotently at each other will face about and have at them with hullaballo and manifesto and snickersnee in turn.

"Nude Painting Banned From Window. Nab Store Keeper." We read on. The snickersnee swings towards the vitals of Hollywood. "Movie Magnate Charges Work of Art Cut; Sues Censors. Seeks Redress in Courts."

Valhalla! They are closing in. Another forced march and they are upon us.

Alas, our coffee cools as we wait impatiently for the alarms to sound. We are intact. Mencken still lives. Anderson still lives. The tide of battle sweeps us by, passes us up, and there's the end to it.

Again, our victory rankling, we cast about for reasons. Do not the censors read our books? Yes, the censors read our books. And scratching their necks pensively and immediately below their left ears, the censors fall asleep. Our books were over their heads. Our broadsides aimed for their vitals whizzed by their ears and lulled them into slumber. A hideous victory is in our hands.

Voltaire blew God out of France for a century. But that was because God was still an emotion in his day and not a Frankenstein of logic. He blew up the high priests. But that was because the high priests still had enough intelligence in that time to know what constituted an epoch-shaking explosion.

Our enemies the censors, the hallelujah flingers, commissioned, elected, delegated by the proletaire are not worthy our steel. Having no longer any contact with the masses, they need no genius to perpetuate themselves. The masses care not what they are so long as they are. Figureheads for Frankenstein, they need only shriek themselves blue and their will, will be done. Shrewdness, intelligence, are qualities non-essential since virtue, no longer feeding upon shrewdness and intelligence, fattens upon its own monstrous logic.

The high priests are vital to the lie which man has created for himself as a heaven and out of which his own image leers godlike back at him. They are vital for nothing else.

Therefore our immunity. Since they need no grey matter, they have none. And unable to understand us, they ignore us. And if we grow too insistent, as has Mencken, they put an end to the business by embracing us and pulling our fangs by disgusting us with their stupidity.

Given free reign under the conditions herein outlined, the youth of the land is abandoning itself to a safe and sane orgie of iconoclasm. Satanic epigrams cloud the air of the very market-place. Poets, column conductors, hack literary reviewers, hack romancers, lecturers, realists, imagists, and all are gloatingly engaged in sacking the Temple, in thumbing their nose at the taboos.

In fact so widespread is the unlicensed and unrebuked iconoclasm of the day that a great disgust is being born in the hearts of the pioneers. Every dog has his paradox, every hack his anti-Christ, they bewail. And surveying the horizon despairingly they see no enemy rushing upon them with the wind.

There are, of course, scattered here and there among the keepers of the Seal, observant priests. They omit isolated groans. They launch Quixotic sorties. But they retire and collapse without waiting combat. To their denunciation of "degenerate, sinful and corrupting cesspools of alleged art" (I quote from a review of some of my own work appearing in an issue of the Springfield (Ill.) Republican), there is no answering response. They are left abandoned, the Fiery Cross burning down to their fingers and flickering out. They cannot be glorified into an enemy.

On the whole I fear for the result. Ideas favor a bloody battle-ground for birthplace. And here we stand, drawn up in battle array discharging broadsides of "Winesburgs, Ohios," "Main Streets," "Cornhuskers" and the like; flying our colors valiantly--but there is no battle. The enemy sleeps. Or the enemy wakes up and issues an indifferent invitation that we stay to tea.

Comrade Dreiser may demur at all this and, peeling his vest, reveal us wounds, honorable wounds acquired in honorable battle. And further, he may regale us with tales of hair shirts and bastinadoes suffered by him in the Republic. But alas, he is Telemachus, grey-bearded and full of memories. And the youth of Athens, fallen upon softer ways, listen with envious incredulity to such tall tales.

[The end]
Ben Hecht's essay: Literature And The Bastinado

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