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An essay by Isaac Disraeli |
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A National Work Which Could Find No Patronage |
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Title: A National Work Which Could Find No Patronage Author: Isaac Disraeli [More Titles by Disraeli] The author who is now before us is DE LOLME! I shall consider as an English author that foreigner, who flew to our country as the asylum of Europe, who composed a noble work on our Constitution, and, having imbibed its spirit, acquired even the language of a free country. I do not know an example in our literary history that so loudly accuses our tardy and phlegmatic feeling respecting authors, as the treatment De Lolme experienced in this country. His book on our Constitution still enters into the studies of an English patriot, and is not the worse for flattering and elevating the imagination, painting everything beautiful, to encourage our love as well as our reverence for the most perfect system of governments. It was a noble as well as ingenious effort in a foreigner--it claimed national attention--but could not obtain even individual patronage. The fact is mortifying to record, that the author who wanted every aid, received less encouragement than if he had solicited subscriptions for a raving novel, or an idle poem. De Lolme was compelled to traffic with booksellers for this work; and, as he was a theoretical rather than a practical politician, he was a bad trader, and acquired the smallest remuneration. He lived, in the country to which he had rendered a national service, in extreme obscurity and decay; and the walls of the Fleet too often enclosed the English Montesquieu. He never appears to have received a solitary attention,[1] and became so disgusted with authorship, that he preferred silently to endure its poverty rather than its other vexations. He ceased almost to write. Of De Lolme I have heard little recorded but his high-mindedness; a strong sense that he stood degraded beneath that rank in society which his book entitled him to enjoy. The cloud of poverty that covered him only veiled without concealing its object; with the manners and dress of a decayed gentleman, he still showed the few who met him that he cherished a spirit perpetually at variance with the adversity of his circumstances. Our author, in a narrative prefixed to his work, is the proud historian of his own injured feelings; he smiled in bitterness on his contemporaries, confident it was a tale reserved for posterity. After having written the work whose systematic principles refuted those political notions which prevailed at the era of the American revolution,--and whose truth has been so fatally demonstrated in our own times, in two great revolutions, which have shown all the defects and all the mischief of nations rushing into a state of freedom before they are worthy of it,--the author candidly acknowledges he counted on some sort of encouragement, and little expected to find the mere publication had drawn him into great inconvenience. "When my enlarged English edition was ready for the press, had I acquainted ministers that I was preparing to boil my tea-kettle with it, for want of being able to afford the expenses of printing it;" ministers, it seems, would not have considered that he was lighting his fire with "myrrh, and cassia, and precious ointment." In the want of encouragement from great men, and even from booksellers, De Lolme had recourse to a subscription; and his account of the manner he was received, and the indignities he endured, all which are narrated with great simplicity, show that whatever his knowledge of our Constitution might be, "his knowledge of the country was, at that time, very incomplete." At length, when he shared the profits of his work with the booksellers, they were "but scanty and slow." After all, our author sarcastically congratulates himself, that he-- "Was allowed to carry on the above business of selling my book, without any objection being formed against me, from my not having served a regular apprenticeship, and without being molested by the Inquisition." And further he adds-- "Several authors have chosen to relate, in writings published after death, the personal advantages by which their performances had been followed; as for me, I have thought otherwise--and I will see it printed while I am yet living." This, indeed, is the language of irritation! and De Lolme degrades himself in the loudness of his complaint. But if the philosopher lost his temper, that misfortune will not take away the dishonour of the occasion that produced it. The country's shame is not lessened because the author who had raised its glory throughout Europe, and instructed the nation in its best lesson, grew indignant at the ingratitude of his pupil. De Lolme ought not to have congratulated himself that he had been allowed the liberty of the press unharassed by an inquisition: this sarcasm is senseless! or his book is a mere fiction!
[1] Except by the hand of literary charity; he was more than once relieved by the Literary Fund. Such are the authors only whom it is wise to patronise. [The end] GO TO TOP OF SCREEN |