________________________________________________
Title: Earthly Paradise: May: The Writing On The Image
Author: William Morris [
More Titles by Morris]
ARGUMENT.
How on an image that stood anciently in Rome were written certain words, which none understood, until a Scholar, coming there, knew their meaning, and thereby discovered great marvels, but withal died miserably.
In half-forgotten days of old,
As by our fathers we were told,
Within the town of Rome there stood
An image cut of cornel wood,
And on the upraised hand of it
Men might behold these letters writ:
"PERCUTE HIC:" which is to say,
In that tongue that we speak to-day,
"_Strike here!_" nor yet did any know
The cause why this was written so.
Thus in the middle of the square,
In the hot sun and summer air,
The snow-drift and the driving rain,
That image stood, with little pain,
For twice a hundred years and ten;
While many a band of striving men
Were driven betwixt woe and mirth
Swiftly across the weary earth,
From nothing unto dark nothing:
And many an emperor and king,
Passing with glory or with shame,
Left little record of his name,
And no remembrance of the face
Once watched with awe for gifts or grace
Fear little, then, I counsel you,
What any son of man can do;
Because a log of wood will last
While many a life of man goes past,
And all is over in short space.
Now so it chanced that to this place
There came a man of Sicily,
Who when the image he did see,
Knew full well who, in days of yore,
Had set it there; for much strange lore,
In Egypt and in Babylon,
This man with painful toil had won;
And many secret things could do;
So verily full well he knew
That master of all sorcery
Who wrought the thing in days gone by,
And doubted not that some great spell
It guarded, but could nowise tell
What it might be. So, day by day,
Still would he loiter on the way,
And watch the image carefully,
Well mocked of many a passer-by.
And on a day he stood and gazed
Upon the slender finger, raised
Against a doubtful cloudy sky,
Nigh noontide; and thought, "Certainly
The master who made thee so fair
By wondrous art, had not stopped there,
But made thee speak, had he not thought
That thereby evil might be brought
Upon his spell." But as he spoke,
From out a cloud the noon sun broke
With watery light, and shadows cold:
Then did the Scholar well behold
How, from that finger carved to tell
Those words, a short black shadow fell
Upon a certain spot of ground,
And thereon, looking all around
And seeing none heeding, went straightway
Whereas the finger's shadow lay,
And with his knife about the place
A little circle did he trace;
Then home he turned with throbbing head,
And forthright gat him to his bed,
And slept until the night was late
And few men stirred from gate to gate.
So when at midnight he did wake,
Pickaxe and shovel did he take,
And, going to that now silent square,
He found the mark his knife made there,
And quietly with many a stroke
The pavement of the place he broke:
And so, the stones being set apart,
He 'gan to dig with beating heart,
And from the hole in haste he cast
The marl and gravel; till at last,
Full shoulder high, his arms were jarred,
For suddenly his spade struck hard
With clang against some metal thing:
And soon he found a brazen ring,
All green with rust, twisted, and great
As a man's wrist, set in a plate
Of copper, wrought all curiously
With words unknown though plain to see,
Spite of the rust; and flowering trees,
And beasts, and wicked images,
Whereat he shuddered: for he knew
What ill things he might come to do,
If he should still take part with these
And that Great Master strive to please.
But small time had he then to stand
And think, so straight he set his hand
Unto the ring, but where he thought
That by main strength it must be brought
From out its place, lo! easily
It came away, and let him see
A winding staircase wrought of stone,
Wherethrough the new-come wind did moan.
Then thought he, "If I come alive
From out this place well shall I thrive,
For I may look here certainly
The treasures of a king to see,
A mightier man than men are now.
So in few days what man shall know
The needy Scholar, seeing me
Great in the place where great men be,
The richest man in all the land?
Beside the best then shall I stand,
And some unheard-of palace have;
And if my soul I may not save
In heaven, yet here in all men's eyes
Will I make some sweet paradise,
With marble cloisters, and with trees
And bubbling wells, and fantasies,
And things all men deem strange and rare,
And crowds of women kind and fair,
That I may see, if so I please,
Laid on the flowers, or mid the trees
With half-clad bodies wandering.
There, dwelling happier than the king,
What lovely days may yet be mine!
How shall I live with love and wine,
And music, till I come to die!
And then----Who knoweth certainly
What haps to us when we are dead?
Truly I think by likelihead
Nought haps to us of good or bad;
Therefore on earth will I be glad
A short space, free from hope or fear;
And fearless will I enter here
And meet my fate, whatso it be."
Now on his back a bag had he,
To bear what treasure he might win,
And therewith now did he begin
To go adown the winding stair;
And found the walls all painted fair
With images of many a thing,
Warrior and priest, and queen and king,
But nothing knew what they might be.
Which things full clearly could he see,
For lamps were hung up here and there
Of strange device, but wrought right fair,
And pleasant savour came from them.
At last a curtain, on whose hem
Unknown words in red gold were writ,
He reached, and softly raising it
Stepped back, for now did he behold
A goodly hall hung round with gold,
And at the upper end could see
Sitting, a glorious company:
Therefore he trembled, thinking well
They were no men, but fiends of hell.
But while he waited, trembling sore,
And doubtful of his late-earned lore,
A cold blast of the outer air
Blew out the lamps upon the stair
And all was dark behind him; then
Did he fear less to face those men
Than, turning round, to leave them there
While he went groping up the stair.
Yea, since he heard no cry or call
Or any speech from them at all,
He doubted they were images
Set there some dying king to please
By that Great Master of the art;
Therefore at last with stouter heart
He raised the cloth and entered in
In hope that happy life to win,
And drawing nigher did behold
That these were bodies dead and cold
Attired in full royal guise,
And wrought by art in such a wise
That living they all seemed to be,
Whose very eyes he well could see,
That now beheld not foul or fair,
Shining as though alive they were.
And midmost of that company
An ancient king that man could see,
A mighty man, whose beard of grey
A foot over his gold gown lay;
And next beside him sat his queen
Who in a flowery gown of green
And golden mantle well was clad,
And on her neck a collar had
Too heavy for her dainty breast;
Her loins by such a belt were prest
That whoso in his treasury
Held that alone, a king might be.
On either side of these, a lord
Stood heedfully before the board,
And in their hands held bread and wine
For service; behind these did shine
The armour of the guards, and then
The well-attired serving-men,
The minstrels clad in raiment meet;
And over against the royal seat
Was hung a lamp, although no flame
Was burning there, but there was set
Within its open golden fret
A huge carbuncle, red and bright;
Wherefrom there shone forth such a light
That great hall was as clear by it,
As though by wax it had been lit,
As some great church at Easter-tide.
Now set a little way aside,
Six paces from the dais stood
An image made of brass and wood,
In likeness of a full-armed knight
Who pointed 'gainst the ruddy light
A huge shaft ready in a bow.
Pondering how he could come to know
What all these marvellous matters meant,
About the hall the Scholar went,
Trembling, though nothing moved as yet;
And for awhile did he forget
The longings that had brought him there
In wondering at these marvels fair;
And still for fear he doubted much
One jewel of their robes to touch.
But as about the hall he passed
He grew more used to them at last,
And thought, "Swiftly the time goes by,
And now no doubt the day draws nigh
Folk will be stirring: by my head
A fool I am to fear the dead,
Who have seen living things enow,
Whose very names no man can know,
Whose shapes brave men might well affright
More than the lion in the night
Wandering for food;" therewith he drew
Unto those royal corpses two,
That on dead brows still wore the crown;
And midst the golden cups set down
The rugged wallet from his back,
Patched of strong leather, brown and black.
Then, opening wide its mouth, took up
From off the board, a golden cup
The King's dead hand was laid upon,
Whose unmoved eyes upon him shone
And recked no more of that last shame
Than if he were the beggar lame,
Who in old days was wont to wait
For a dog's meal beside the gate.
Of which shame nought our man did reck.
But laid his hand upon the neck
Of the slim Queen, and thence undid
The jewelled collar, that straight slid
Down her smooth bosom to the board.
And when these matters he had stored
Safe in his sack, with both their crowns,
The jewelled parts of their rich gowns,
Their shoes and belts, brooches and rings,
And cleared the board of all rich things,
He staggered with them down the hall.
But as he went his eyes did fall
Upon a wonderful green stone,
Upon the hall-floor laid alone;
He said, "Though thou art not so great
To add by much unto the weight
Of this my sack indeed, yet thou,
Certes, would make me rich enow,
That verily with thee I might
Wage one-half of the world to fight
The other half of it, and I
The lord of all the world might die;--
I will not leave thee;" therewithal
He knelt down midmost of the hall,
Thinking it would come easily
Into his hand; but when that he
Gat hold of it, full fast it stack,
So fuming, down he laid his sack,
And with both hands pulled lustily,
But as he strained, he cast his eye
Back to the dais; there he saw
The bowman image 'gin to draw
The mighty bowstring to his ear,
So, shrieking out aloud for fear,
Of that rich stone he loosed his hold
And catching up his bag of gold,
Gat to his feet: but ere he stood
The evil thing of brass and wood
Up to his ear the notches drew;
And clanging, forth the arrow flew,
And midmost of the carbuncle
Clanging again, the forked barbs fell,
And all was dark as pitch straightway.
So there until the judgment day
Shall come and find his bones laid low
And raise them up for weal or woe,
This man must bide; cast down he lay
While all his past life day by day
In one short moment he could see
Drawn out before him, while that he
In terror by that fatal stone
Was laid, and scarcely dared to moan.
But in a while his hope returned,
And then, though nothing he discerned,
He gat him up upon his feet,
And all about the walls he beat
To find some token of the door,
But never could he find it more,
For by some dreadful sorcery
All was sealed close as it might be
And midst the marvels of that hall
This scholar found the end of all.
But in the town on that same night,
An hour before the dawn of light,
Such storm upon the place there fell,
That not the oldest man could tell
Of such another: and thereby
The image was burnt utterly,
Being stricken from the clouds above;
And folk deemed that same bolt did move
The pavement where that wretched one
Unto his foredoomed fate had gone,
Because the plate was set again
Into its place, and the great rain
Washed the earth down, and sorcery
Had hid the place where it did lie.
So soon the stones were set all straight,
But yet the folk, afraid of fate,
Where once the man of cornel wood
Through many a year of bad and good
Had kept his place, set up alone
Great Jove himself, cut in white stone,
But thickly overlaid with gold.
"Which," saith my tale, "you may behold
Unto this day, although indeed
Some Lord or other, being in need,
Took every ounce of gold away."
But now, this tale in some past day
Being writ, I warrant all is gone,
Both gold and weather-beaten stone.
Be merry, masters, while ye may,
For men much quicker pass away.
* * * * *
They praised the tale, and for awhile they talked
Of other tales of treasure-seekers balked,
And shame and loss for men insatiate stored,
Nitocris' tomb, the Niblungs' fatal hoard,
The serpent-guarded treasures of the dead;
Then of how men would be remembered
When they are gone; and more than one could tell
Of what unhappy things therefrom befell;
Or how by folly men have gained a name;
A name indeed, not hallowed by the fame
Of any deeds remembered: and some thought,--
"Strange hopes and fears for what shall be but nought
To dead men! better it would be to give
What things they may, while on the earth they live
Unto the earth, and from the bounteous earth
To take their pay of sorrow or of mirth,
Hatred or love, and get them on their way;
And let the teeming earth fresh troubles make
For other men, and ever for their sake
Use what they left, when they are gone from it."
But while amid such musings they did sit,
Dark night being come, men lighted up the hall,
And the chief man for minstrelsy did call,
And other talk their dull thoughts chased away,
Nor did they part till night was mixed with day.
[The end]
William Morris's poem: Earthly Paradise: May: The Writing On The Image
________________________________________________
GO TO TOP OF SCREEN
