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An essay by Dallas Lore Sharp |
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A Pilgrim From Dubuque |
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Title: A Pilgrim From Dubuque Author: Dallas Lore Sharp [More Titles by Sharp] It is a long road from anywhere to Mullein Hill, and only the rural postman and myself travel it at all frequently. The postman goes by, if he can, every weekday, somewhere between dawn and dark, the absolute uncertainty of his passing quite relieving the road of its wooded loneliness. I go back and forth somewhat regularly; now and then a neighbor takes this route to the village, and at rarer intervals an automobile speeds over the "roller coaster road"; but seldom does a stranger on foot appear so far from the beaten track. One who walks to Mullein Hill deserves and receives a welcome. I may be carting gravel when he comes, as I was the day the Pilgrim from Dubuque arrived. Swinging the horses into the yard with their staggering load, I noticed him laboring up the Hill by the road in front. He stopped in the climb for a breathing spell,--a tall, erect old man in black, with soft, high-crowned hat, and about him something, even at the distance, that was--I don't know--unusual--old-fashioned--Presbyterian. Dropping the lines, I went down to greet the stranger, though I saw he carried a big blue book under his arm. To my knowledge no book-agent had ever been seen on the Hill. But had I never seen one anywhere I should have known this man had not come to sell me a book. "More likely," I thought, "he has come to give me a book. We shall see." Yet I could not quite make him out, for while he was surely professional, he was not exactly clerical, in spite of a certain Scotch-Covenanter-something in his appearance. He had never preached at men, I knew, as instinctively as I knew he had never persuaded them with books or stocks or corner-lots in Lhassa. He had a fine, kindly face, that was singularly clear and simple, in which blent the shadows and sorrows of years with the serene and mellow light of good thoughts. "Is this Mullein Hill?" he began, shifting the big blue copy of the "Edinburgh Review" from under his arm. "You're on Mullein Hill," I replied, "and welcome." "Is--are--you Dallas Lore--" "Sharp?" I said, finishing for him. "Yes, sir, this is Dallas Lore Sharp, but these are not his over-alls--not yet; for they have never been washed and are about three sizes too large for him." He looked at me, a little undone, I thought, disappointed, maybe, and a bit embarrassed at having been betrayed by overalls and rolled-up sleeves and shovels. He had not expected the overalls, not new ones, anyhow. And why are new overalls so terribly new and unwashed! Only a woman, only a man's wife, is fitted to buy his overalls, for she only is capable of allowing enough for shrinkage. To-day I was in my new pair, but not of them, not being able to get near enough to them for that. "I am getting old," he went on quickly, his face clearing; "my perceptions are not so keen, nor my memory so quick as it used to be. I should have known that 'good writing must have a pre-literary existence as lived reality; the writing must be only the necessary accident of its being lived over again in thought'"--quoting verbatim, though I was slow in discovering it, from an essay of mine, published years before. It was now my turn to allow for shrinkage. Had he learned this passage for the visit and applied it thus by chance? My face must have showed my wonder, my incredulity, indeed, for explaining himself he said,-- "I am a literary pilgrim, sir--" "Who has surely lost his way," I ventured. Then with a smile that made no more allowances necessary he assured me,-- "Oh, no, sir! I am quite at home in the hills of Hingham. I have been out at Concord for a few days, and am now on the main road from Concord to Dubuque. I am Mr. Kinnier, Dr. Kinnier, of Dubuque, Iowa, and"--releasing my hand--"let me see"--pausing as we reached the top of the hill, and looking about in search of something--"Ah, yes [to himself], there on the horizon they stand, those two village spires, 'those tapering steeples where they look up to worship toward the sky, and look down to scowl across the street'"--quoting again, word for word, from another of my essays. Then to me: "They are a little farther away and a little closer together than I expected to see them--too close [to himself again] for God to tell from which side of the street the prayers and praises come, mingling as they must in the air." He said it with such thought-out conviction, such sweet sorrow, and with such relief that I began now to fear for what he might quote next and _miss_ from the landscape. The spires were indeed there (may neither one of them now be struck by lightning!); but what a terrible memory the man has! Had he come from Dubuque to prove me-- The spires, however, seemed to satisfy him; he could steer by them; and to my great relief, he did not demand a chart to each of the wonders of Mullein Hill--my thirty-six woodchuck holes, etc., etc., nor ask, as John Burroughs did, for a sight of the fox that performed in one of my books somewhat after the manner of modern _literary_ foxes. Literary foxes! One or another of us watches this Hilltop day and night with a gun for literary foxes! I want no pilgrims from Dubuque, no naturalists from Woodchuck Lodge, poking into the landscape or under the stumps for spires and foxes and boa constrictors and things that they cannot find outside the book. I had often wondered what I would do if such visitors ever came. Details, I must confess, might on many pages be difficult to verify; but for some years now I have faithfully kept my four boys here in the woods to prove the reality of my main theme. This morning, with heaps of gravel in the yard, the hilltop looked anything but like the green and fruitful mountain of the book, still less like a way station between anywhere and _Concord_! And as for myself--it was no wonder he said to me,-- "Now, sir, please go on with your teaming. I ken the lay of the land about Mullein Hill
Not one book was he giving me, but many. The tiny leather-bound copy of Burns that he drew from his coat pocket he did not give me, however, but fondly holding it in his hands said:-- "It was my mother's. She always read to us out of it. She knew every line of it by heart as I do. "'Some books are lies frae end to end'-- but this is no one of them. I have carried it these many years." Our walk brought us back to the house and into the cool living-room where a few sticks were burning on the hearth. Taking one of the rocking-chairs before the fireplace, the Pilgrim sat for a time looking into the blaze. Then he began to rock gently back and forth, his eyes fixed upon the fire, quite forgetful evidently of my presence, and while he rocked his lips moved as, half audibly, he began to speak with some one--not with me--with some one invisible to me who had come to him out of the flame. I listened as he spoke, but it was a language that I could not understand. Then remembering where he was he turned to me and said, his eyes going back again beyond the fire,-- "She often comes to me like this; but I am very lonely since she left me,--lonely--lonely--and so I came on to Concord to visit Thoreau's grave." And this too was language I could not understand. I watched him in silence, wondering what was behind his visit to me. "Thoreau was a lonely man," he went on, "as most writers are, I think, but Thoreau was very lonely." "Wild," Burroughs had called him; "irritating," I had called him; and on the table beside the Pilgrim lay even then a letter from Mr. Burroughs, in which he had taken me to task on behalf of Thoreau. "I feel like scolding you a little," ran the letter, "for disparaging Thoreau for my benefit. Thoreau is nearer the stars than I am. I may be more human, but he is certainly more divine. His moral and ethical value I think is much greater, and he has a heroic quality that I cannot approach." There was something queer in this. Why had I not understood Thoreau? Wild he surely was, and irritating too, because of a certain strain and self-consciousness. A "counter-irritant" he called himself. Was this not true? As if in answer to my question, as if to explain his coming out to Mullein Hill, the Pilgrim drew forth a folded sheet of paper from his pocket and without opening it or looking at it, said:-- "I wrote it the other day beside Thoreau's grave. You love your Thoreau--you will understand." And then in a low, thrilling voice, timed as to some solemn chant, he began, the paper still folded in his hands:-- "He turned his feet from common ways of men, "He paced the woodland paths in rain and sun; "Truth was the beacon ray that lured him on. "Close by the hoary birch and swaying pine "The robin piped his morning song for him; "For him the squirrels gamboled in the pines, "To him the earth was all a fruitful field. "There the essential facts of life he found. "Against the fixed and complex ways of life "Men met him, looked and passed, but knew him not, "He passed without regret,--oft had his breath
The chanting voice died away and--the room was still; but I seem to hear that voice every time I open the pages of "The Week" or "Walden." And the other day, as I stood on the shores of the pond, adding my stone to the cairn where the cabin used to stand, a woodthrush off in the trees (trees that have grown great since Thoreau last looked upon them), began to chant--or was it the Pilgrim from Dubuque?-- [The end] GO TO TOP OF SCREEN |