The Rockies

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Title:     The Rockies
Author: Rupert Brooke [More Titles by Brooke]

At Calgary, if you can spare a minute from more important matters, slip beyond the hurrying white city, climb the golf links, and gaze west. A low bank of dark clouds disturbs you by the fixity of its outline. It is the Rockies, seventy miles away. On a good day, it is said, they are visible twice as far, so clear and serene is this air. Five hundred miles west is the coast of British Columbia, a region with a different climate, different country, and different problems. It is cut off from the prairies by vast tracts of wild country and uninhabitable ranges. For nearly two hundred miles the train pants through the homeless grandeur of the Rockies and the Selkirks. Four or five hotels, a few huts or tents, and a rare mining-camp--that is all the habitation in many thousands of square miles. Little even of that is visible from the train. That is one of the chief differences between the effect of the Rockies and that of the Alps. There, you are always in sight of a civilisation which has nestled for ages at the feet of those high places. They stand, enrobed with worship, and grander by contrast with the lives of men. These un-memoried heights are inhuman--or rather, irrelevant to humanity. No recorded Hannibal has struggled across them; their shadow lies on no remembered literature. They acknowledge claims neither of the soul nor of the body of man. He is a stranger, neither Nature's enemy nor her child. She is there alone, scarcely a unity in the heaped confusion of these crags, almost without grandeur among the chaos of earth.

Yet this horrid and solitary wildness is but one aspect. There is beauty here, at length, for the first time in Canada, the real beauty that is always too sudden for mortal eyes, and brings pain with its comfort. The Rockies have a remoter, yet a kindlier, beauty than the Alps. Their rock is of a browner colour, and such rugged peaks and crowns as do not attain snow continually suggest gigantic castellations, or the ramparts of Titans. Eastward, the foothills are few and low, and the mountains stand superbly. The heart lifts to see them. They guard the sunset. Into this rocky wilderness you plunge, and toil through it hour by hour, viewing it from the rear of the Observation-Car. The Observation-Car is a great invention of the new world. At the end of the train is a compartment with large windows, and a little platform behind it, roofed over, but exposed otherwise to the air, On this platform are sixteen little perches, for which you fight with Americans. Victorious, you crouch on one, and watch the ever-receding panorama behind the train. It is an admirable way of viewing scenery. But a day of being perpetually drawn backwards at a great pace through some of the grandest mountains in the world has a queer effect. Like life, it leaves you with a dizzy irritation. For, as in life, you never see the glories till they are past, and then they vanish with incredible rapidity. And if you crane to see the dwindling further peaks, you miss the new splendours.

The day I went through most of the Rockies was, by some standards, a bad one for the view. Rain scudded by in forlorn, grey showers, and the upper parts of the mountains were wrapped in cloud, which was but rarely blown aside to reveal the heights. Sublimity, therefore, was left to the imagination; but desolation was most vividly present. In no weather could the impression of loneliness be stronger. The pines drooped and sobbed. Cascades, born somewhere in the dun firmament above, dropped down the mountain sides in ever-growing white threads. The rivers roared and plunged with aimless passion down the ravines. Stray little clouds, left behind when the wrack lifted a little, ran bleating up and down the forlorn hill-sides. More often, the clouds trailed along the valleys, a long procession of shrouded, melancholy figures, seeming to pause, as with an indeterminate, tragic, vain gesture, before passing out of sight up some ravine.

Yet desolation is not the final impression that will remain of the Rockies and the Selkirks. I was advised by various people to 'stop off' at Banff and at Lake Louise, in the Rockies. I did so. They are supposed to be equally the beauty-spots of the mountains. How perplexing it is that advisers are always so kindly and willing to help, and always so undiscriminating. It is equally disastrous to be a sceptic and to be credulous. Banff is an ordinary little tourist-resort in mountainous country, with hills and a stream and snow-peaks beyond. Beautiful enough, and invigorating. But Lake Louise--Lake Louise is of another world. Imagine a little round lake 6000 feet up, a mile across, closed in by great cliffs of brown rock, round the shoulders of which are thrown mantles of close dark pine. At one end the lake is fed by a vast glacier, and its milky tumbling stream; and the glacier climbs to snowfields of one of the highest and loveliest peaks in the Rockies, which keeps perpetual guard over the scene. To this place you go up three or four miles from the railway. There is the hotel at one end of the lake, facing the glacier; else no sign of humanity. From the windows you may watch the water and the peaks all day, and never see the same view twice. In the lake, ever-changing, is Beauty herself, as nearly visible to mortal eyes as she may ever be. The water, beyond the flowers, is green, always a different green. Sometimes it is tranquil, glassy, shot with blue, of a peacock tint. Then a little wind awakes in the distance, and ruffles the surface, yard by yard, covering it with a myriad tiny wrinkles, till half the lake is milky emerald, while the rest still sleeps. And, at length, the whole is astir, and the sun catches it, and Lake Louise is a web of laughter, the opal distillation of all the buds of all the spring. On either side go up the dark processional pines, mounting to the sacred peaks, devout, kneeling, motionless, in an ecstasy of homely adoration, like the donors and their families in a Flemish picture. Among these you may wander for hours by little rambling paths, over white and red and golden flowers, and, continually, you spy little lakes, hidden away, each a shy, soft jewel of a new strange tint of green or blue, mutable and lovely.... And beyond all is the glacier and the vast fields and peaks of eternal snow.

If you watch the great white cliff, from the foot of which the glacier flows--seven miles away, but it seems two--you will sometimes see a little puff of silvery smoke go up, thin, and vanish. A few seconds later comes the roar of terrific, distant thunder. The mountains tower and smile unregarding in the sun. It was an avalanche. And if you climb any of the ridges or peaks around, there are discovered other valleys and heights and ranges, wild and desert, stretching endlessly away. As day draws to an end the shadows on the snow turn bluer, the crying of innumerable waters hushes, and the immense, bare ramparts of westward- facing rock that guard the great valley win a rich, golden-brown radiance. Long after the sun has set they seem to give forth the splendour of the day, and the tranquillity of their centuries, in undiminished fulness. They have that other-worldly serenity which a perfect old age possesses. And as with a perfect old age, so here, the colour and the light ebb so gradually out of things that you could swear nothing of the radiance and glory gone up to the very moment before the dark.

It was on such a height, and at some such hour as this, that I sat and considered the nature of the country in this continent. There was perceptible, even here, though less urgent than elsewhere, the strangeness I had noticed in woods by the St Lawrence, and on the banks of the Delaware (where are red-haired girls who sing at dawn), and in British Columbia, and afterwards among the brown hills and colossal trees of California, but especially by that lonely golden beach in Manitoba, where the high-stepping little brown deer run down to drink, and the wild geese through the evening go flying and crying. It is an empty land. To love the country here--mountains are worshipped, not loved--is like embracing a wraith. A European can find nothing to satisfy the hunger of his heart. The air is too thin to breathe. He requires haunted woods, and the friendly presence of ghosts. The immaterial soil of England is heavy and fertile with the decaying stuff of past seasons and generations. Here is the floor of a new wood, yet uncumbered by one year's autumn fall. We Europeans find the Orient stale and too luxuriantly fetid by reason of the multitude of bygone lives and thoughts, oppressive with the crowded presence of the dead, both men and gods. So, I imagine, a Canadian would feel our woods and fields heavy with the past and the invisible, and suffer claustrophobia in an English countryside beneath the dreadful pressure of immortals. For his own forests and wild places are windswept and empty. That is their charm, and their terror. You may lie awake all night and never feel the passing of evil presences, nor hear printless feet; neither do you lapse into slumber with the comfortable consciousness of those friendly watchers who sit invisibly by a lonely sleeper under an English sky. Even an Irishman would not see a row of little men with green caps lepping along beneath the fire-weed and the golden daisies; nor have the subtler fairies of England found these wilds. It has never paid a steamship or railway company to arrange for their emigration.

In the bush of certain islands of the South Seas you may hear a crashing on windless noons, and, looking up, see a corpse swinging along head downwards at a great speed from tree to tree, holding by its toes, grimacing, dripping with decay. Americans, so active in this life, rest quiet afterwards. And though every stone of Wall Street have its separate Lar, their kind have not gone out beyond city-lots. The maple and the birch conceal no dryads, and Pan has never been heard amongst these reedbeds. Look as long as you like upon a cataract of the New World, you shall not see a white arm in the foam. A godless place. And the dead do not return. That is why there is nothing lurking in the heart of the shadows, and no human mystery in the colours, and neither the same joy nor the kind of peace in dawn and sunset that older lands know. It is, indeed, a new world. How far away seem those grassy, moonlit places in England that have been Roman camps or roads, where there is always serenity, and the spirit of a purpose at rest, and the sunlight flashes upon more than flint! Here one is perpetually a first- comer. The land is virginal, the wind cleaner than elsewhere, and every lake new-born, and each day is the first day. The flowers are less conscious than English flowers, the breezes have nothing to remember, and everything to promise. There walk, as yet, no ghosts of lovers in Canadian lanes. This is the essence of the grey freshness and brisk melancholy of this land. And for all the charm of those qualities, it is also the secret of a European's discontent. For it is possible, at a pinch, to do without gods. But one misses the dead.

[The end]
Rupert Brooke's essay: The Rockies

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