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Idler 056 [No. 56: Virtuosos whimsical] |
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Title: Idler 056 [No. 56: Virtuosos whimsical] Author: Samuel Johnson [More Titles by Johnson] Idler No. 56. Saturday, May 12, 1759.
To those who are accustomed to value every thing by its use, and have no such superfluity of time or money, as may prompt them to unnatural wants or capricious emulations, nothing appears more improbable or extravagant than the love of curiosities, or that desire of accumulating trifles, which distinguishes many by whom no other distinction could have ever been obtained. He that has lived without knowing to what height desire may be raised by vanity, with what rapture baubles are snatched out of the hands of rival collectors, how the eagerness of one raises eagerness in another, and one worthless purchase makes a second necessary, may, by passing a few hours at an auction, learn more than can be shown by many volumes of maxims or essays. The advertisement of a sale is a signal which, at once, puts a thousand hearts in motion, and brings contenders from every part to the scene of distribution. He that had resolved to buy no more, feels his constancy subdued; there is now something in the catalogue which completes his cabinet, and which he was never before able to find. He whose sober reflections inform him, that of adding collection to collection there is no end, and that it is wise to leave early that which must be left imperfect at last, yet cannot withhold himself from coming to see what it is that brings so many together, and when he comes is soon overpowered by his habitual passion; he is attracted by rarity, seduced by example, and inflamed by competition. While the stores of pride and happiness are surveyed, one looks with longing eyes and gloomy countenance on that which he despairs to gain from a richer bidder; another keeps his eye with care from settling too long on that which he most earnestly desires; and another, with more art than virtue, depreciates that which he values most, in hope to have it at an easy rate. The novice is often surprised to see what minute and unimportant discriminations increase or diminish value. An irregular contortion of a turbinated shell, which common eyes pass unregarded, will ten times treble its price in the imagination of philosophers. Beauty is far from operating upon collectors as upon low and vulgar minds, even where beauty might be thought the only quality that could deserve notice. Among the shells that please by their variety of colours, if one can be found accidentally deformed by a cloudy spot, it is boasted as the pride of the collection. China is sometimes purchased for little less than its weight in gold, only because it is old, though neither less brittle, nor better painted, than the modern; and brown china is caught up with ecstasy, though no reason can be imagined for which it should be preferred to common vessels of common clay. The fate of prints and coins is equally inexplicable. Some prints are treasured up as inestimably valuable, because the impression was made before the plate was finished. Of coins the price rises not from the purity of the metal, the excellence of the workmanship, the elegance of the legend, or the chronological use. A piece, of which neither the inscription can be read, nor the face distinguished, if there remain of it but enough to show that it is rare, will be sought by contending nations, and dignify the treasury in which it shall be shown. Whether this curiosity, so barren of immediate advantage, and so liable to depravation, does more harm or good, is not easily decided. Its harm is apparent at first view. It fills the mind with trifling ambition; fixes the attention upon things which have seldom any tendency towards virtue or wisdom; employs in idle inquiries the time that is given for better purposes; and often ends in mean and dishonest practices, when desire increases by indulgence beyond the power of honest gratification. These are the effects of curiosity in excess; but what passion in excess will not become vicious? All indifferent qualities and practices are bad, if they are compared with those which are good, and good, if they are opposed to those that are bad. The pride or the pleasure of making collections, if it be restrained by prudence and morality, produces a pleasing remission after more laborious studies; furnishes an amusement not wholly unprofitable for that part of life, the greater part of many lives, which would otherwise be lost in idleness or vice; it produces an useful traffick between the industry of indigence and the curiosity of wealth; it brings many things to notice that would be neglected, and, by fixing the thoughts upon intellectual pleasures, resists the natural encroachments of sensuality, and maintains the mind in her lawful superiority. [The end] GO TO TOP OF SCREEN |