Home > Authors Index > Browse all available works of Samuel Johnson > Text of Rambler 208 [The Rambler's reception. His design]
An essay by Samuel Johnson |
||
Rambler 208 [The Rambler's reception. His design] |
||
|
________________________________________________
Title: Rambler 208 [The Rambler's reception. His design] Author: Samuel Johnson [More Titles by Johnson] No. 208. Saturday, March 14, 1752. [Greek: Aerakleitos ego ti me o kato helket amousoi, Begone, ye blockheads, Heraclitus cries,
The reasons of this resolution it is of little importance to declare, since justification is unnecessary when no objection is made. I am far from supposing, that the cessation of my performances will raise any inquiry, for I have never been much a favourite of the publick, nor can boast that, in the progress of my undertaking, I have been animated by the rewards of the liberal, the caresses of the great, or the praises of the eminent. But I have no design to gratify pride by submission, or malice by lamentation; nor think it reasonable to complain of neglect from those whose regard I never solicited. If I have not been distinguished by the distributors of literary honours, I have seldom descended to the arts by which favour is obtained. I have seen the meteors of fashions rise and fall, without any attempt to add a moment to their duration. I have never complied with temporary curiosity, nor enabled my readers to discuss the topick of the day; I have rarely exemplified my assertions by living characters; in my papers, no man could look for censures of his enemies, or praises of himself; and they only were expected to peruse them, whose passions left them leisure for abstracted truth, and whom virtue could please by its naked dignity. To some, however, I am indebted for encouragement, and to others for assistance. The number of my friends was never great, but they have been such as would not suffer me to think that I was writing in vain, and I did not feel much dejection from the want of popularity. My obligations having not been frequent, my acknowledgments may be soon despatched. I can restore to all my correspondents their productions, with little diminution of the bulk of my volumes, though not without the loss of some pieces to which particular honours have been paid. The parts from which I claim no other praise than that of having given them an opportunity of appearing, are the four billets in the tenth paper, the second letter in the fifteenth, the thirtieth, the forty-fourth, the ninety-seventh, and the hundredth papers, and the second letter in the hundred and seventh. Having thus deprived myself of many excuses which candour might have admitted for the inequality of my compositions, being no longer able to allege the necessity of gratifying correspondents, the importunity with which publication was solicited, or obstinacy with which correction was rejected, I must remain accountable for all my faults, and submit, without subterfuge, to the censures of criticism, which, however, I shall not endeavour to soften by a formal deprecation, or to overbear by the influence of a patron. The supplications of an author never yet reprieved him a moment from oblivion; and, though greatness has sometimes sheltered guilt, it can afford no protection to ignorance or dulness. Having hitherto attempted only the propagation of truth, I will not at last violate it by the confession of terrours which I do not feel; having laboured to maintain the dignity of virtue, I will not now degrade it by the meanness of dedication. The seeming vanity with which I have sometimes spoken of myself, would perhaps require an apology, were it not extenuated by the example of those who have published essays before me, and by the privilege which every nameless writer has been hitherto allowed. "A mask," says Castiglione, "confers a right of acting and speaking with less restraint, even when the wearer happens to be known." He that is discovered without his own consent, may claim some indulgence, and cannot be rigorously called to justify those sallies or frolicks which his disguise must prove him desirous to conceal. But I have been cautious lest this offence should be frequently or grossly committed; for, as one of the philosophers directs us to live with a friend, as with one that is some time to become an enemy, I have always thought it the duty of an anonymous author to write, as if he expected to be hereafter known. I am willing to flatter myself with hopes, that, by collecting these papers, I am not preparing, for my future life, either shame or repentance. That all are happily imagined, or accurately polished, that the same sentiments have not sometimes recurred, or the same expressions been too frequently repeated, I have not confidence in my abilities sufficient to warrant. He that condemns himself to compose on a stated day, will often bring to his task an attention dissipated, a memory embarrassed, an imagination overwhelmed, a mind distracted with anxieties, a body languishing with disease: he will labour on a barren topick, till it is too late to change it; or, in the ardour of invention, diffuse his thoughts into wild exuberance, which the pressing hour of publication cannot suffer judgment to examine or reduce. Whatever shall be the final sentence of mankind, I have at least endeavoured to deserve their kindness. I have laboured to refine our language to grammatical purity, and to clear it from colloquial barbarisms, licentious idioms, and irregular combinations. Something, perhaps, I have added to the elegance of its construction, and something to the harmony of its cadence. When common words were less pleasing to the ear, or less distinct in their signification, I have familiarized the terms of philosophy, by applying them to popular ideas, but have rarely admitted any words not authorized by former writers; for I believe that whoever knows the English tongue in its present extent, will be able to express his thoughts without further help from other nations. As it has been my principal design to inculcate wisdom or piety, I have allotted few papers to the idle sports of imagination. Some, perhaps, may be found, of which the highest excellence is harmless merriment; but scarcely any man is so steadily serious as not to complain, that the severity of dictatorial instruction has been too seldom relieved, and that he is driven by the sternness of the Rambler's philosophy to more cheerful and airy companions. Next to the excursions of fancy are the disquisitions of criticism, which, in my opinion, is only to be ranked among the subordinate and instrumental arts. Arbitrary decision and general exclamation I have carefully avoided, by asserting nothing without a reason, and establishing all my principles of judgment on unalterable and evident truth. In the pictures of life I have never been so studious of novelty or surprise, as to depart wholly from all resemblance; a fault which writers deservedly celebrated frequently commit, that they may raise, as the occasion requires, either mirth or abhorrence. Some enlargement may be allowed to declamation, and some exaggeration to burlesque; but as they deviate farther from reality, they become less useful, because their lessons will fail of application. The mind of the reader is carried away from the contemplation of his own manners; he finds in himself no likeness to the phantom before him; and though he laughs or rages, is not reformed. The essays professedly serious, if I have been able to execute my own intentions, will be found exactly conformable to the precepts of Christianity, without any accommodation to the licentiousness and levity of the present age. I therefore look back on this part of my work with pleasure, which no blame or praise of man shall diminish or augment. I shall never envy the honours which wit and learning obtain in any other cause, if I can be numbered among the writers who have given ardour to virtue, and confidence to truth. Celestial pow'rs! that piety regard, [The end] GO TO TOP OF SCREEN |