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Title: To Contemplation [Come, pensive sage, who lovest to dwell]
Author: Henry Kirk White [
More Titles by White]
Come, pensive sage, who lovest to dwell
In some retired Lapponian cell,
Where, far from noise and riot rude,
Besides sequester'd solitude.
Come, and o'er my longing soul
Throw thy dark and russet stole,
And open to my duteous eyes
The volume of thy mysteries.
I will meet thee on the hill,
Where, with printless footsteps still,
The morning in her buskin gray
Springs upon her eastern way;
While the frolic zephyrs stir,
Playing with the gossamer,
And, on ruder pinions borne,
Shake the dewdrops from the thorn.
There, as o'er the fields we pass,
Brushing with hasty feet the grass,
We will startle from her nest
The lively lark with speckled breast,
And hear the floating clouds among
Her gale-transported matin song,
Or on the upland stile, embower'd
With fragrant hawthorn snowy flower'd,
Will sauntering sit, and listen still
To the herdsman's oaten quill,
Wafted from the plain below;
Or the heifer's frequent low;
Or the milkmaid in the grove,
Singing of one that died for love.
Or when the noontide heats oppress,
We will seek the dark recess,
Where, in the embower'd translucent stream,
The cattle shun the sultry beam,
And o'er us on the marge reclined,
The drowsy fly her horn shall wind,
While echo, from her ancient oak,
Shall answer to the woodman's stroke;
Or the little peasant's song,
Wandering lone the glens among,
His artless lip with berries dyed,
And feet through ragged shoes descried.
But oh! when evening's virgin queen
Sits on her fringed throne serene,
And mingling whispers rising near
Steal on the still reposing ear;
While distant brooks decaying round,
Augment the mix'd dissolving sound,
And the zephyr flitting by
Whispers mystic harmony,
We will seek the woody lane,
By the hamlet, on the plain,
Where the weary rustic nigh
Shall whistle his wild melody,
And the croaking wicket oft
Shall echo from the neighbouring croft;
And as we trace the green path lone,
With moss and rank weeds overgrown,
We will muse on penbive lore?
Till the full soul, brimming o'er,
Shall in our upturn'd eyes appear,
Embodied in a quivering tear.
Or else, serenely silent, sit
By the brawling rivulet,
Which on its calm unruffled breast
Rears the old mossy arch impressed,
That clasps its secret stream of glass,
Half hid in shrubs and waving grass,
The wood-nymph's lone secure retreat,
Unpress'd by fawn or sylvan's feet,
We'll watch in eve's ethereal braid
The rich vermilion slowly fade;
Or catch, faint twinkling from afar
The first glimpse of the eastern star;
Fair vesper, mildest lamp of light,
That heralds in imperial night:
Meanwhile, upon our wondering ear,
Shall rise, though low, yet sweetly clear,
The distant sounds of pastoral lute,
Invoking soft the sober suit
Of dimmest darkness--fitting well
With love, or sorrow's pensive spell,
(So erst did music's silver tone
Wake slumbering chaos on his throne).
And haply then, with sudden swell,
Shall roar the distant curfew bell,
While in the castle's mouldering tower
The hooting owl is heard to pour
Her melancholy song, and scare
Dull silence brooding in the air.
Meanwhile her dusk and slumbering car
Black-suited night drives on from far,
And Cynthia, 'merging from her rear,
Arrests the waxing darkness drear,
And summons to her silent call,
Sweeping, in their airy pall,
The unshrived ghosts, in fairy trance,
To join her moonshine morris-dance;
While around the mystic ring
The shadowy shapes elastic spring,
Then with a passing shriek they fly,
Wrapt in mists, along the sky,
And oft are by the shepherd seen
In his lone night-watch on the green.
Then, hermit, let us turn our feet
To the low abbey's still retreat,
Embower'd in the distant glen,
Far from the haunts of busy men,
Where as we sit upon the tomb,
The glowworm's light may gild the gloom,
And show to fancy's saddest eye
Where some lost hero's ashes lie.
And oh, as through the mouldering arch,
With ivy fill'd and weeping larch,
The night gale whispers sadly clear,
Speaking dear things to fancy's ear,
We'll hold communion with the shade
Of some deep wailing, ruin'd maid--
Or call the ghost of Spenser down,
To tell of woe and fortune's frown;
And bid us cast the eye of hope
Beyond this bad world's narrow scope.
Or if these joys, to us denied,
To linger by the forest's side;
Or in the meadow, or the wood,
Or by the lone, romantic flood;
Let us in the busy town,
When sleep's dull streams the people drown,
Far from drowsy pillows flee,
And turn the church's massy key;
Then, as through the painted glass
The moon's faint beams obscurely pass,
And darkly on the trophied wall
Her faint, ambiguous shadows fall,
Let us, while the faint winds wail
Through the long reluctant aisle,
As we pace with reverence meet,
Count the echoings of our feet,
While from the tombs, with confess'd breath,
Distinct responds the voice of death.
If thou, mild sage, wilt condescend
Thus on my footsteps to attend,
To thee my lonely lamp shall burn
By fallen Genius' sainted urn,
As o'er the scroll of Time I pore,
And sagely spell of ancient lore,
Till I can rightly guess of all
That Plato could to memory call,
And scan the formless views of things;
Or, with old Egypt's fetter'd kings,
Arrange the mystic trains that shine
In night's high philosophic mine;
And to thy name shall e'er belong
The honours of undying song.
[The end]
Henry Kirk White's poem: To Contemplation [Come, pensive sage, who lovest to dwell]
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