Golden-Brown

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Title:     Golden-Brown
Author: Richard Jefferies [More Titles by Jefferies]

Three fruit-pickers--women--were the first people I met near the village (in Kent). They were clad in "rags and jags," and the face of the eldest was in "jags" also. It was torn and scarred by time and weather; wrinkled, and in a manner twisted like the fantastic turns of a gnarled tree-trunk, hollow and decayed. Through these jags and tearings of weather, wind, and work, the nakedness of the countenance--the barren framework--was visible; the cheekbones like knuckles, the chin of brown stoneware, the upper-lip smooth, and without the short groove which should appear between lip and nostrils. Black shadows dwelt in the hollows of the cheeks and temples, and there was a blackness about the eyes. This blackness gathers in the faces of the old who have been much exposed to the sun, the fibres of the skin are scorched and half-charred, like a stick thrust in the fire, and withdrawn before the flames seize it. Beside her were two young women, both in the freshness of youth and health. Their faces glowed with a golden-brown, and so great is the effect of colour that their plain features were transfigured. The sunlight under their faces made them beautiful. The summer light had been absorbed by the skin and now shone forth from it again; as certain substances exposed to the day absorb light and emit a phosphorescent gleam in the darkness of night, so the sunlight had been drank up by the surface of the skin, and emanated from it.

Hour after hour in the gardens and orchards they worked in the full beams of the sun, gathering fruit for the London market, resting at midday in the shade of the elms in the corner. Even then they were in the sunshine--even in the shade, for the air carries it, or its influence, as it carries the perfumes of flowers. The heated air undulates over the field in waves which are visible at a distance; near at hand they are not seen, but roll in endless ripples through the shadows of the trees, bringing with them the actinic power of the sun. Not actinic--alchemic-- some intangible mysterious power which cannot be supplied in any other form but the sun's rays. It reddens the cherry, it gilds the apple, it colours the rose, it ripens the wheat, it touches a woman's face with the golden-brown of ripe life--ripe as a plum. There is no other hue so beautiful as this human sunshine tint.

The great painters knew it--Rubens, for instance; perhaps he saw it on the faces of the women who gathered fruit or laboured at the harvest in the Low Countries centuries since. He could never have seen it in a city of these northern climes, that is certain. Nothing in nature that I know, except the human face, ever attains this colour. Nothing like it is ever seen in the sky, either at dawn or sunset; the dawn is often golden, often scarlet, or purple and gold; the sunset crimson, flaming bright, or delicately grey and scarlet; lovely colours all of them, but not like this. Nor is there any flower comparable to it, nor any gem. It is purely human, and it is only found on the human face which has felt the sunshine continually. There must, too, I suppose, be a disposition towards it, a peculiar and exceptional condition of the fibres which build up the skin; for of the numbers who work out of doors, very, very few possess it; they become brown, red, or tanned, sometimes of a parchment hue--they do not get this colour.

These two women from the fruit gardens had the golden-brown in their faces, and their plain features were transfigured. They were walking in the dusty road; there was as background a high, dusty hawthorn hedge which had lost the freshness of spring and was browned by the work of caterpillars; they were in rags and jags, their shoes had split, and their feet looked twice as wide in consequence. Their hands were black; not grimy, but absolutely black, and neither hands nor necks ever knew water, I am sure. There was not the least shape to their garments; their dresses simply hung down in straight ungraceful lines; there was no colour of ribbon or flower, to light up the dinginess. But they had the golden-brown in their faces, and they were beautiful.

The feet, as they walked, were set firm on the ground, and the body advanced with measured, deliberate, yet lazy and confident grace; shoulders thrown back--square, but not over-square (as those who have been drilled); hips swelling at the side in lines like the full bust, though longer drawn; busts well filled and shapely, despite the rags and jags and the washed-out gaudiness of the shawl. There was that in their cheeks that all the wealth of London could not purchase--a superb health in their carriage princesses could not obtain. It came, then, from the air and sunlight, and still more, from some alchemy unknown to the physician or the physiologist, some faculty exercised by the body, happily endowed with a special power of extracting the utmost richness and benefit from the rudest elements. Thrice blessed and fortunate, beautiful golden-brown in their cheeks, superb health in their gait, they walked as the immortals on earth.

As they passed they regarded me with bitter envy, jealousy, and hatred written in their eyes; they cursed me in their hearts. I verily believe--so unmistakably hostile were their glances--that had opportunity been given, in the dead of night and far from help, they would gladly have taken me unawares with some blow of stone or club, and, having rendered me senseless, would have robbed me, and considered it a righteous act. Not that there was any blood-thirstiness or exceptional evil in their nature more than in that of the thousand-and-one toilers that are met on the highway, but simply because they worked--such hard work of hands and stooping backs, and I was idle, for all they knew. Because they were going from one field of labour to another field of labour, and I walked slowly and did no visible work. My dress showed no stain, the weather had not battered it; there was no rent, no rags and jags. At an hour when they were merely changing one place of work for another place of work, to them it appeared that I had found idleness indoors wearisome and had just come forth to exchange it for another idleness. They saw no end to their labour; they had worked from childhood, and could see no possible end to labour until limbs failed or life closed. Why should they be like this? Why should I do nothing? They were as good as I was, and they hated me. Their indignant glances spoke it as plain as words, and far more distinctly than I can write it. You cannot read it with such feeling as I received their looks.

Beautiful golden-brown, superb health, what would I not give for these? To be the thrice-blessed and chosen of nature, what inestimable fortune! To be indifferent to any circumstances--to be quite thoughtless as to draughts and chills, careless of heat, indifferent to the character of dinners, able to do well on hard, dry bread, capable of sleeping in the open under a rick, or some slight structure of a hurdle, propped on a few sticks and roughly thatched with straw, and to sleep sound as an oak, and wake strong as an oak in the morning-gods, what a glorious life! I envied them; they fancied I looked askance at their rags and jags. I envied them, and considered their health and hue ideal. I envied them that unwearied step, that firm uprightness, and measured yet lazy gait, but most of all the power which they possessed, though they did not exercise it intentionally, of being always in the sunlight, the air, and abroad upon the earth. If so they chose, and without stress or strain, they could see the sunrise, they could be with him as it were--unwearied and without distress--the livelong day; they could stay on while the moon rose over the corn, and till the silent stars at silent midnight shone in the cool summer night, and on and on till the cock crew and the faint dawn appeared. The whole time in the open air, resting at mid-day under the elms with the ripple of heat flowing through the shadow; at midnight between the ripe corn and the hawthorn hedge on the white wild camomile and the poppy pale in the duskiness, with face upturned to the thoughtful heaven.

Consider the glory of it, the life above this life to be obtained from constant presence with the sunlight and the stars. I thought of them all day, and envied them (as they envied me), and in the evening I found them again. It was growing dark, and the shadow took away something of the coarseness of the group outside one of the village "pothouses." Green foliage overhung them and the men with whom they were drinking; the white pipes, the blue smoke, the flash of a match, the red sign which had so often swung to and fro in the gales now still in the summer eve, the rude seats and blocks, the reaping-hooks bound about the edge with hay, the white dogs creeping from knee to knee, some such touches gave an interest to the scene. But a quarrel had begun; the men swore, but the women did worse. It is impossible to give a hint of the language they used, especially the elder of the three whose hollow face was blackened by time and exposure. The two golden-brown girls were so heavily intoxicated they could but stagger to and fro and mouth and gesticulate, and one held a quart from which, as she moved, she spilled the ale.

[The end]
Richard Jefferies's essay: Golden-Brown

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