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Counsels And Maxims: The Ages Of Life |
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Title: Counsels And Maxims: The Ages Of Life Author: Arthur Schopenhauer [More Titles by Schopenhauer] There is a very fine saying of Voltaire's to the effect that every age of life has its own peculiar mental character, and that a man will feel completely unhappy if his mind is not in accordance with his years:--
Our whole life long it is _the present_, and the present alone, that we actually possess: the only difference is that at the beginning of life we look forward to a long future, and that towards the end we look back upon a long past; also that our temperament, but not our character, undergoes certain well-known changes, which make _the present_ wear a different color at each period of life. I have elsewhere stated that in childhood we are more given to using our _intellect_ than our _will_; and I have explained why this is so.[1] It is just for this reason that the first quarter of life is so happy: as we look back upon it in after years, it seems a sort of lost paradise. In childhood our relations with others are limited, our wants are few,--in a word, there is little stimulus for the will; and so our chief concern is the extension of our knowledge. The intellect--like the brain, which attains its full size in the seventh year,[2] is developed early, though it takes time to mature; and it explores the whole world of its surroundings in its constant search for nutriment: it is then that existence is in itself an ever fresh delight, and all things sparkle with the charm of novelty. [Footnote 1: _Translator's Note_.--Schopenhauer refers to _Die Welt als Wille und Vorstellung_, Bk. II. c, 31, p. 451 (4th edit.), where he explains that this is due to the fact that at that period of life the brain and nervous system are much more developed than any other part of the organism.] [Footnote 2: _Translator's Note_.--This statement is not quite correct. The weight of the brain increases rapidly up to the seventh year, more slowly between the sixteenth and the twentieth year, still more slowly till between thirty and forty years of age, when it attains its maximum. At each decennial period after this, it is supposed to decrease in weight on the average, an ounce for every ten years.] This is why the years of childhood are like a long poem. For the function of poetry, as of all art, is to grasp the _Idea_--in the Platonic sense; in other words, to apprehend a particular object in such a way as to perceive its essential nature, the characteristics it has in common with all other objects of the same kind; so that a single object appears as the representative of a class, and the results of one experience hold good for a thousand. It may be thought that my remarks are opposed to fact, and that the child is never occupied with anything beyond the individual objects or events which are presented to it from time to time, and then only in so far as they interest and excite its will for the moment; but this is not really the case. In those early years, life--in the full meaning of the word, is something so new and fresh, and its sensations are so keen and unblunted by repetition, that, in the midst of all its pursuits and without any clear consciousness of what it is doing, the child is always silently occupied in grasping the nature of life itself,--in arriving at its fundamental character and general outline by means of separate scenes and experiences; or, to use Spinoza's phraseology, the child is learning to see the things and persons about it _sub specie aeternitatis_,--as particular manifestations of universal law. The younger we are, then, the more does every individual object represent for us the whole class to which it belongs; but as the years increase, this becomes less and less the case. That is the reason why youthful impressions are so different from those of old age. And that it also why the slight knowledge and experience gained in childhood and youth afterwards come to stand as the permanent rubric, or heading, for all the knowledge acquired in later life,--those early forms of knowledge passing into categories, as it were, under which the results of subsequent experience are classified; though a clear consciousness of what is being done, does not always attend upon the process. In this way the earliest years of a man's life lay the foundation of his view of the world, whether it be shallow or deep; and although this view may be extended and perfected later on, it is not materially altered. It is an effect of this purely objective and therefore poetical view of the world,--essential to the period of childhood and promoted by the as yet undeveloped state of the volitional energy--that, as children, we are concerned much more with the acquisition of pure knowledge than with exercising the power of will. Hence that grave, fixed look observable in so many children, of which Raphael makes such a happy use in his depiction of cherubs, especially in the picture of the _Sistine Madonna_. The years of childhood are thus rendered so full of bliss that the memory of them is always coupled with longing and regret. While we thus eagerly apply ourselves to learning the outward aspect of things, as the primitive method of understanding the objects about us, education aims at instilling into us _ideas_. But ideas furnish no information as to the real and essential nature of objects, which, as the foundation and true content of all knowledge, can be reached only by the process called _intuition_. This is a kind of knowledge which can in no wise be instilled into us from without; we must arrive at it by and for ourselves. Hence a man's intellectual as well as his moral qualities proceed from the depths of his own nature, and are not the result of external influences; and no educational scheme--of Pestalozzi, or of any one else--can turn a born simpleton into a man of sense. The thing is impossible! He was born a simpleton, and a simpleton he will die. It is the depth and intensity of this early intuitive knowledge of the external world that explain why the experiences of childhood take such a firm hold on the memory. When we were young, we were completely absorbed in our immediate surroundings; there was nothing to distract our attention from them; we looked upon the objects about us as though they were the only ones of their kind, as though, indeed, nothing else existed at all. Later on, when we come to find out how many things there are in the world, this primitive state of mind vanishes, and with it our patience. I have said elsewhere[1] that the world, considered as _object_,--in other words, as it is _presented_ to us objectively,--wears in general a pleasing aspect; but that in the world, considered as _subject_,--that is, in regard to its inner nature, which is _will_,--pain and trouble predominate. I may be allowed to express the matter, briefly, thus: _the world is glorious to look at, but dreadful in reality_. [Footnote 1: _Die Welt als Wille und Vorstellung_, Bk. II. c. 31, p. 426-7 (4th Edit.), to which the reader is referred for a detailed explanation of my meaning.] Accordingly, we find that, in the years of childhood, the world is much better known to us on its outer or objective side, namely, as the presentation of will, than on the side of its inner nature, namely, as the will itself. Since the objective side wears a pleasing aspect, and the inner or subjective side, with its tale of horror, remains as yet unknown, the youth, as his intelligence develops, takes all the forms of beauty that he sees, in nature and in art, for so many objects of blissful existence; they are so beautiful to the outward eye that, on their inner side, they must, he thinks, be much more beautiful still. So the world lies before him like another Eden; and this is the Arcadia in which we are all born. A little later, this state of mind gives birth to a thirst for real life--the impulse to do and suffer--which drives a man forth into the hurly-burly of the world. There he learns the other side of existence--the inner side, the will, which is thwarted at every step. Then comes the great period of disillusion, a period of very gradual growth; but once it has fairly begun, a man will tell you that he has got over all his false notions--_l'age des illusions est passe_; and yet the process is only beginning, and it goes on extending its sway and applying more and more to the whole of life. So it may be said that in childhood, life looks like the scenery in a theatre, as you view it from a distance; and that in old age it is like the same scenery when you come up quite close to it. And, lastly, there is another circumstance that contributes to the happiness of childhood. As spring commences, the young leaves on the trees are similar in color and much the same in shape; and in the first years of life we all resemble one another and harmonize very well. But with puberty divergence begins; and, like the radii of a circle, we go further and further apart. The period of youth, which forms the remainder of this earlier half of our existence--and how many advantages it has over the later half!--is troubled and made miserable by the pursuit of happiness, as though there were no doubt that it can be met with somewhere in life,--a hope that always ends in failure and leads to discontent. An illusory image of some vague future bliss--born of a dream and shaped by fancy--floats before our eyes; and we search for the reality in vain. So it is that the young man is generally dissatisfied with the position in which he finds himself, whatever it may be; he ascribes his disappointment solely to the state of things that meets him on his first introduction to life, when he had expected something very different; whereas it is only the vanity and wretchedness of human life everywhere that he is now for the first time experiencing. It would be a great advantage to a young man if his early training could eradicate the idea that the world has a great deal to offer him. But the usual result of education is to strengthen this delusion; and our first ideas of life are generally taken from fiction rather than from fact. In the bright dawn of our youthful days, the poetry of life spreads out a gorgeous vision before us, and we torture ourselves by longing to see it realized. We might as well wish to grasp the rainbow! The youth expects his career to be like an interesting romance; and there lies the germ of that disappointment which I have been describing.[1] What lends a charm to all these visions is just the fact that they are visionary and not real, and that in contemplating them we are in the sphere of pure knowledge, which is sufficient in itself and free from the noise and struggle of life. To try and realize those visions is to make them an object of _will_--a process which always involves pain.[2] [Footnote 1: Cf. loc. cit., p. 428.] [Footnote 2: Let me refer the reader, if he is interested in the subject, to the volume already cited, chapter 37.] If the chief feature of the earlier half of life is a never-satisfied longing after happiness, the later half is characterized by the dread of misfortune. For, as we advance in years, it becomes in a greater or less degree clear that all happiness is chimerical in its nature, and that pain alone is real. Accordingly, in later years, we, or, at least, the more prudent amongst us, are more intent upon eliminating what is painful from our lives and making our position secure, than on the pursuit of positive pleasure. I may observe, by the way, that in old age, we are better able to prevent misfortunes from coming, and in youth better able to bear them when they come. In my young days, I was always pleased to hear a ring at my door: ah! thought I, now for something pleasant. But in later life my feelings on such occasions were rather akin to dismay than to pleasure: heaven help me! thought I, what am I to do? A similar revulsion of feeling in regard to the world of men takes place in all persons of any talent or distinction. For that very reason they cannot be said properly to belong to the world; in a greater or less degree, according to the extent of their superiority, they stand alone. In their youth they have a sense of being abandoned by the world; but later on, they feel as though they had escaped it. The earlier feeling is an unpleasant one, and rests upon ignorance; the second is pleasurable--for in the meantime they have come to know what the world is. The consequence of this is that, as compared with the earlier, the later half of life, like the second part of a musical period, has less of passionate longing and more restfulness about it. And why is this the case Simply because, in youth, a man fancies that there is a prodigious amount of happiness and pleasure to be had in the world, only that it is difficult to come by it; whereas, when he becomes old, he knows that there is nothing of the kind; he makes his mind completely at ease on the matter, enjoys the present hour as well as he can, and even takes a pleasure in trifles. The chief result gained by experience of life is _clearness of view_. This is what distinguishes the man of mature age, and makes the world wear such a different aspect from that which it presented in his youth or boyhood. It is only then that he sees things quite plain, and takes them for that which they really are: while in earlier years he saw a phantom-world, put together out of the whims and crotchets of his own mind, inherited prejudice and strange delusion: the real world was hidden from him, or the vision of it distorted. The first thing that experience finds to do is to free us from the phantoms of the brain--those false notions that have been put into us in youth. To prevent their entrance at all would, of course, be the best form of education, even though it were only negative in aim: but it would be a task full of difficulty. At first the child's horizon would have to be limited as much as possible, and yet within that limited sphere none but clear and correct notions would have to be given; only after the child had properly appreciated everything within it, might the sphere be gradually enlarged; care being always taken that nothing was left obscure, or half or wrongly understood. The consequence of this training would be that the child's notions of men and things would always be limited and simple in their character; but, on the other hand, they would be clear and correct, and only need to be extended, not to be rectified. The same line might be pursued on into the period of youth. This method of education would lay special stress upon the prohibition of novel reading; and the place of novels would be taken by suitable biographical literature--the life of Franklin, for instance, or Moritz' _Anton Reiser_.[1] [Footnote 1: _Translator's Note_.--Moritz was a miscellaneous writer of the last century (1757-93). His _Anton Reiser_, composed in the form of a novel, is practically an autobiography.] In our early days we fancy that the leading events in our life, and the persons who are going to play an important part in it, will make their entrance to the sound of drums and trumpets; but when, in old age, we look back, we find that they all came in quite quietly, slipped in, as it were, by the side-door, almost unnoticed. From the point of view we have been taking up until now, life may be compared to a piece of embroidery, of which, during the first half of his time, a man gets a sight of the right side, and during the second half, of the wrong. The wrong side is not so pretty as the right, but it is more instructive; it shows the way in which the threads have been worked together. Intellectual superiority, even if it is of the highest kind, will not secure for a man a preponderating place in conversation until after he is forty years of age. For age and experience, though they can never be a substitute for intellectual talent, may far outweigh it; and even in a person of the meanest capacity, they give a certain counterpoise to the power of an extremely intellectual man, so long as the latter is young. Of course I allude here to personal superiority, not to the place a man may gain by his works. And on passing his fortieth year, any man of the slightest power of mind--any man, that is, who has more than the sorry share of intellect with which Nature has endowed five-sixths of mankind--will hardly fail to show some trace of misanthropy. For, as is natural, he has by that time inferred other people's character from an examination of his own; with the result that he has been gradually disappointed to find that in the qualities of the head or in those of the heart--and usually in both--he reaches a level to which they do not attain; so he gladly avoids having anything more to do with them. For it may be said, in general, that every man will love or hate solitude--in other Words, his own society--just in proportion as he is worth anything in himself. Kant has some remarks upon this kind of misanthropy in his _Critique of the Faculty of Judgment_.[1] [Footnote 1: _Kritik der Urtheilskraft_, Part I, Sec.29, Note ad fin.] In a young man, it is a bad sign, as well from an intellectual as from a moral point of view, if he is precocious in understanding the ways of the world, and in adapting himself to its pursuits; if he at once knows how to deal with men, and enters upon life, as it were, fully prepared. It argues a vulgar nature. On the other hand, to be surprised and astonished at the way people act, and to be clumsy and cross-grained in having to do with them, indicates a character of the nobler sort. The cheerfulness and vivacity of youth are partly due to the fact that, when we are ascending the hill of life, death is not visible: it lies down at the bottom of the other side. But once we have crossed the top of the hill, death comes in view--death--which, until then, was known to us only by hearsay. This makes our spirits droop, for at the same time we begin to feel that our vital powers are on the ebb. A grave seriousness now takes the place of that early extravagance of spirit; and the change is noticeable even in the expression of a man's face. As long as we are young, people may tell us what they please! we look upon life as endless and use our time recklessly; but the older we become, the more we practice economy. For towards the close of life, every day we live gives us the same kind of sensation as the criminal experiences at every step on his way to be tried. From the standpoint of youth, life seems to stretch away into an endless future; from the standpoint of old age, to go back but a little way into the past; so that, at the beginning, life presents us with a picture in which the objects appear a great way off, as though we had reversed our telescope; while in the end everything seems so close. To see how short life is, a man must have grown old, that is to say, he must have lived long. On the other hand, as the years increase, things look smaller, one and all; and Life, which had so firm and stable a base in the days of our youth, now seems nothing but a rapid flight of moments, every one of them illusory: we have come to see that the whole world is vanity! Time itself seems to go at a much slower pace when we are young; so that not only is the first quarter of life the happiest, it is also the longest of all; it leaves more memories behind it. If a man were put to it, he could tell you more out of the first quarter of his life than out of two of the remaining periods. Nay, in the spring of life, as in the spring of the year, the days reach a length that is positively tiresome; but in the autumn, whether of the year or of life, though they are short, they are more genial and uniform. But why is it that to an old man his past life appears so short? For this reason: his memory is short; and so he fancies that his life has been short too. He no longer remembers the insignificant parts of it, and much that was unpleasant is now forgotten; how little, then, there is left! For, in general, a man's memory is as imperfect as his intellect; and he must make a practice of reflecting upon the lessons he has learned and the events he has experienced, if he does not want them both to sink gradually into the gulf of oblivion. Now, we are unaccustomed to reflect upon matters of no importance, or, as a rule, upon things that we have found disagreeable, and yet that is necessary if the memory of them is to be preserved. But the class of things that may be called insignificant is continually receiving fresh additions: much that wears an air of importance at first, gradually becomes of no consequence at all from the fact of its frequent repetition; so that in the end we actually lose count of the number of times it happens. Hence we are better able to remember the events of our early than of our later years. The longer we live, the fewer are the things that we can call important or significant enough to deserve further consideration, and by this alone can they be fixed in the memory; in other words, they are forgotten as soon as they are past. Thus it is that time runs on, leaving always fewer traces of its passage. Further, if disagreeable things have happened to us, we do not care to ruminate upon them, least of all when they touch our vanity, as is usually the case; for few misfortunes fall upon us for which we can be held entirely blameless. So people are very ready to forget many things that are disagreeable, as well as many that are unimportant. It is from this double cause that our memory is so short; and a man's recollection of what has happened always becomes proportionately shorter, the more things that have occupied him in life. The things we did in years gone by, the events that happened long ago, are like those objects on the coast which, to the seafarer on his outward voyage, become smaller every minute, more unrecognizable and harder to distinguish. Again, it sometimes happens that memory and imagination will call up some long past scene as vividly as if it had occurred only yesterday; so that the event in question seems to stand very near to the present time. The reason of this is that it is impossible to call up all the intervening period in the same vivid way, as there is no one figure pervading it which can be taken in at a glance; and besides, most of the things that happened in that period are forgotten, and all that remains of it is the general knowledge that we have lived through it--a mere notion of abstract existence, not a direct vision of some particular experience. It is this that causes some single event of long ago to appear as though it took place but yesterday: the intervening time vanishes, and the whole of life looks incredibly short. Nay, there are occasional moments in old age when we can scarcely believe that we are so advanced in years, or that the long past lying behind us has had any real existence--a feeling which is mainly due to the circumstance that the present always seems fixed and immovable as we look at it. These and similar mental phenomena are ultimately to be traced to the fact that it is not our nature in itself, but only the outward presentation of it, that lies in time, and that the present is the point of contact between the world as subject and the world as object.[1] [Footnote 1: _Translator's Note_.--By this remark Schopenhauer means that _will_, which, as he argues, forms the inner reality underlying all the phenomena of life and nature, is not in itself affected by time; but that, on the other hand, time is necessary for the objectification of the will, for the will as presented in the passing phenomena of the world. Time is thus definable as the condition of change, and the present time as the only point of contact between reality and appearance.] Again, why is it that in youth we can see no end to the years that seem to lie before us? Because we are obliged to find room for all the things we hope to attain in life. We cram the years so full of projects that if we were to try and carry them all out, death would come prematurely though we reached the age of Methuselah. Another reason why life looks so long when we are young, is that we are apt to measure its length by the few years we have already lived. In those early years things are new to us, and so they appear important; we dwell upon them after they have happened and often call them to mind; and thus in youth life seems replete with incident, and therefore of long duration. Sometimes we credit ourselves with a longing to be in some distant spot, whereas, in truth, we are only longing to have the time back again which we spent there--days when we were younger and fresher than we are now. In those moments Time mocks us by wearing the mask of space; and if we travel to the spot, we can see how much we have been deceived. There are two ways of reaching a great age, both of which presuppose a sound constitution as a _conditio sine qua non_. They may be illustrated by two lamps, one of which burns a long time with very little oil, because it has a very thin wick; and the other just as long, though it has a very thick one, because there is plenty of oil to feed it. Here, the oil is the vital energy, and the difference in the wick is the manifold way in which the vital energy is used. Up to our thirty-sixth year, we may be compared, in respect of the way in which we use our vital energy, to people who live on the interest of their money: what they spend to-day, they have again to-morrow. But from the age of thirty-six onwards, our position is like that of the investor who begins to entrench upon his capital. At first he hardly notices any difference at all, as the greater part of his expenses is covered by the interest of his securities; and if the deficit is but slight, he pays no attention to it. But the deficit goes on increasing, until he awakes to the fact that it is becoming more serious every day: his position becomes less and less secure, and he feels himself growing poorer and poorer, while he has no expectation of this drain upon his resources coming to an end. His fall from wealth to poverty becomes faster every moment--like the fall of a solid body in space, until at last he has absolutely nothing left. A man is truly in a woeful plight if both the terms of this comparison--his vital energy and his wealth--really begin to melt away at one and the same time. It is the dread of this calamity that makes love of possession increase with age. On the other hand, at the beginning of life, in the years before we attain majority, and for some little time afterwards--the state of our vital energy puts us on a level with those who each year lay by a part of their interest and add it to their capital: in other words, not only does their interest come in regularly, but the capital is constantly receiving additions. This happy condition of affairs is sometimes brought about--with health as with money--under the watchful care of some honest guardian. O happy youth, and sad old age! Nevertheless, a man should economize his strength even when he is young. Aristotle[1] observes that amongst those who were victors at Olympia only two or three gained a prize at two different periods, once in boyhood and then again when they came to be men; and the reason of this was that the premature efforts which the training involved, so completely exhausted their powers that they failed to last on into manhood. As this is true of muscular, so it is still more true of nervous energy, of which all intellectual achievements are the manifestation. Hence, those infant prodigies--_ingenia praecoda_--the fruit of a hot-house education, who surprise us by their cleverness as children, afterwards turn out very ordinary folk. Nay, the manner in which boys are forced into an early acquaintance with the ancient tongues may, perhaps, be to blame for the dullness and lack of judgment which distinguish so many learned persons. [Footnote 1: _Politics_.] I have said that almost every man's character seems to be specially suited to some one period of life, so that on reaching it the man is at his best. Some people are charming so long as they are young, and afterwards there is nothing attractive about them; others are vigorous and active in manhood, and then lose all the value they possess as they advance in years; many appear to best advantage in old age, when their character assumes a gentler tone, as becomes men who have seen the world and take life easily. This is often the case with the French. This peculiarity must be due to the fact that the man's character has something in it akin to the qualities of youth or manhood or old age--something which accords with one or another of these periods of life, or perhaps acts as a corrective to its special failings. The mariner observes the progress he makes only by the way in which objects on the coast fade away into the distance and apparently decrease in size. In the same way a man becomes conscious that he is advancing in years when he finds that people older than himself begin to seem young to him. It has already been remarked that the older a man becomes, the fewer are the traces left in his mind by all that he sees, does or experiences, and the cause of this has been explained. There is thus a sense in which it may be said that it is only in youth that a man lives with a full degree of consciousness, and that he is only half alive when he is old. As the years advance, his consciousness of what goes on about him dwindles, and the things of life hurry by without making any impression upon him, just as none is made by a work of art seen for the thousandth time. A man does what his hand finds to do, and afterwards he does not know whether he has done it or not. As life becomes more and more unconscious, the nearer it approaches the point at which all consciousness ceases, the course of time itself seems to increase in rapidity. In childhood all the things and circumstances of life are novel; and that is sufficient to awake us to the full consciousness of existence: hence, at that age, the day seems of such immense length. The same thing happens when we are traveling: one month seems longer then than four spent at home. Still, though time seems to last longer when we are young or on a journey, the sense of novelty does not prevent it from now and then in reality hanging heavily upon our hands under both these circumstances, at any rate more than is the case when we are old or staying at home. But the intellect gradually becomes so rubbed down and blunted by long habituation to such impressions that things have a constant tendency to produce less and less impression upon us as they pass by; and this makes time seem increasingly less important, and therefore shorter in duration: the hours of the boy are longer than the days of the old man. Accordingly, time goes faster and faster the longer we live, like a ball rolling down a hill. Or, to take another example: as in a revolving disc, the further a point lies from the centre, the more rapid is its rate of progression, so it is in the wheel of life; the further you stand from the beginning, the faster time moves for you. Hence it may be said that as far as concerns the immediate sensation that time makes upon our minds, the length of any given year is in direct proportion to the number of times it will divide our whole life: for instance, at the age of fifty the year appears to us only one-tenth as long as it did at the age of five. This variation in the rate at which time appears to move, exercises a most decided influence upon the whole nature of our existence at every period of it. First of all, it causes childhood--even though it embrace only a span of fifteen years--to seem the longest period of life, and therefore the richest in reminiscences. Next, it brings it about that a man is apt to be bored just in proportion as he is young. Consider, for instance, that constant need of occupation--whether it is work or play--that is shown by children: if they come to an end of both work and play, a terrible feeling of boredom ensues. Even in youth people are by no means free from this tendency, and dread the hours when they have nothing to do. As manhood approaches, boredom disappears; and old men find the time too short when their days fly past them like arrows from a bow. Of course, I must be understood to speak of _men_, not of decrepit _brutes_. With this increased rapidity of time, boredom mostly passes away as we advance in life; and as the passions with all their attendant pain are then laid asleep, the burden of life is, on the whole, appreciably lighter in later years than in youth, provided, of course, that health remains. So it is that the period immediately preceding the weakness and troubles of old age, receives the name of a man's _best years_. That may be a true appellation, in view of the comfortable feeling which those years bring; but for all that the years of youth, when our consciousness is lively and open to every sort of impression, have this privilege--that then the seeds are sown and the buds come forth; it is the springtime of the mind. Deep truths may be perceived, but can never be excogitated--that is to say, the first knowledge of them is immediate, called forth by some momentary impression. This knowledge is of such a kind as to be attainable only when the impressions are strong, lively and deep; and if we are to be acquainted with deep truths, everything depends upon a proper use of our early years. In later life, we may be better able to work upon other people,--upon the world, because our natures are then finished and rounded off, and no more a prey to fresh views; but then the world is less able to work upon us. These are the years of action and achievement; while youth is the time for forming fundamental conceptions, and laying down the ground-work of thought. In youth it is the outward aspect of things that most engages us; while in age, thought or reflection is the predominating quality of the mind. Hence, youth is the time for poetry, and age is more inclined to philosophy. In practical affairs it is the same: a man shapes his resolutions in youth more by the impression that the outward world makes upon him; whereas, when he is old, it is thought that determines his actions. This is partly to be explained by the fact that it is only when a man is old that the results of outward observation are present in sufficient numbers to allow of their being classified according to the ideas they represent,--a process which in its turn causes those ideas to be more fully understood in all their bearings, and the exact value and amount of trust to be placed in them, fixed and determined; while at the same time he has grown accustomed to the impressions produced by the various phenomena of life, and their effects on him are no longer what they were. Contrarily, in youth, the impressions that things make, that is to say, the outward aspects of life, are so overpoweringly strong, especially in the case of people of lively and imaginative disposition, that they view the world like a picture; and their chief concern is the figure they cut in it, the appearance they present; nay, they are unaware of the extent to which this is the case. It is a quality of mind that shows itself--if in no other way--in that personal vanity, and that love of fine clothes, which distinguish young people. There can be no doubt that the intellectual powers are most capable of enduring great and sustained efforts in youth, up to the age of thirty-five at latest; from which period their strength begins to decline, though very gradually. Still, the later years of life, and even old age itself, are not without their intellectual compensation. It is only then that a man can be said to be really rich in experience or in learning; he has then had time and opportunity enough to enable him to see and think over life from all its sides; he has been able to compare one thing with another, and to discover points of contact and connecting links, so that only then are the true relations of things rightly understood. Further, in old age there comes an increased depth in the knowledge that was acquired in youth; a man has now many more illustrations of any ideas he may have attained; things which he thought he knew when he was young, he now knows in reality. And besides, his range of knowledge is wider; and in whatever direction it extends, it is thorough, and therefore formed into a consistent and connected whole; whereas in youth knowledge is always defective and fragmentary. A complete and adequate notion of life can never be attained by any one who does not reach old age; for it is only the old man who sees life whole and knows its natural course; it is only he who is acquainted--and this is most important--not only with its entrance, like the rest of mankind, but with its exit too; so that he alone has a full sense of its utter vanity; whilst the others never cease to labor under the false notion that everything will come right in the end. On the other hand, there is more conceptive power in youth, and at that time of life a man can make more out of the little that he knows. In age, judgment, penetration and thoroughness predominate. Youth is the time for amassing the material for a knowledge of the world that shall be distinctive and peculiar,--for an original view of life, in other words, the legacy that a man of genius leaves to his fellow-men; it is, however, only in later years that he becomes master of his material. Accordingly it will be found that, as a rule, a great writer gives his best work to the world when he is about fifty years of age. But though the tree of knowledge must reach its full height before it can bear fruit, the roots of it lie in youth. Every generation, no matter how paltry its character, thinks itself much wiser than the one immediately preceding it, let alone those that are more remote. It is just the same with the different periods in a man's life; and yet often, in the one case no less than in the other, it is a mistaken opinion. In the years of physical growth, when our powers of mind and our stores of knowledge are receiving daily additions, it becomes a habit for to-day to look down with contempt upon yesterday. The habit strikes root, and remains even after the intellectual powers have begun to decline,--when to-day should rather look up with respect to yesterday. So it is that we often unduly depreciate the achievements as well as the judgments of our youth. This seems the place for making the general observation, that, although in its main qualities a man's _intellect_ or _head_, as well as his _character_ or _heart_, is innate, yet the former is by no means so unalterable in its nature as the latter. The fact is that the intellect is subject to very many transformations, which, as a rule, do not fail to make their actual appearance; and this is so, partly because the intellect has a deep foundation in the physique, and partly because the material with which it deals is given in experience. And so, from a physical point of view, we find that if a man has any peculiar power, it first gradually increases in strength until it reaches its acme, after which it enters upon a path of slow decadence, until it ends in imbecility. But, on the other hand, we must not lose sight of the fact that the material which gives employment to a man's powers and keeps them in activity,--the subject-matter of thought and knowledge, experience, intellectual attainments, the practice of seeing to the bottom of things, and so a perfect mental vision, form in themselves a mass which continues to increase in size, until the time comes when weakness shows itself, and the man's powers suddenly fail. The way in which these two distinguishable elements combine in the same nature,--the one absolutely unalterable, and the other subject to change in two directions opposed to each other--explains the variety of mental attitude and the dissimilarity of value which attach to a man at different periods of life. The same truth may be more broadly expressed by saying that the first forty years of life furnish the text, while the remaining thirty supply the commentary; and that without the commentary we are unable to understand aright the true sense and coherence of the text, together with the moral it contains and all the subtle application of which it admits. Towards the close of life, much the same thing happens as at the end of a _bal masque_--the masks are taken off. Then you can see who the people really are, with whom you have come into contact in your passage through the world. For by the end of life characters have come out in their true light, actions have borne fruit, achievements have been rightly appreciated, and all shams have fallen to pieces. For this, Time was in every case requisite. But the most curious fact is that it is also only towards the close of life than a man really recognizes and understands his own true self,--the aims and objects he has followed in life, more especially the kind of relation in which he has stood to other people and to the world. It will often happen that as a result of this knowledge, a man will have to assign himself a lower place than he formerly thought was his due. But there are exceptions to this rule; and it will occasionally be the case that he will take a higher position than he had before. This will be owing to the fact that he had no adequate notion of the _baseness_ of the world, and that he set up a higher aim for himself than was followed by the rest of mankind. The progress of life shows a man the stuff of which he is made. It is customary to call youth the happy, and age the sad part of life. This would be true if it were the passions that made a man happy. Youth is swayed to and fro by them; and they give a great deal of pain and little pleasure. In age the passions cool and leave a man at rest, and then forthwith his mind takes a contemplative tone; the intellect is set free and attains the upper hand. And since, in itself, intellect is beyond the range of pain, and man feels happy just in so far as his intellect is the predominating part of him. It need only be remembered that all pleasure is negative, and that pain is positive in its nature, in order to see that the passions can never be a source of happiness, and that age is not the less to be envied on the ground that many pleasures are denied it. For every sort of pleasure is never anything more than the quietive of some need or longing; and that pleasure should come to an end as soon as the need ceases, is no more a subject of complaint than that a man cannot go on eating after he has had his dinner, or fall asleep again after a good night's rest. So far from youth being the happiest period of life, there is much more truth in the remark made by Plato, at the beginning of the _Republic_, that the prize should rather be given to old age, because then at last a man is freed from the animal passion which has hitherto never ceased to disquiet him. Nay, it may even be said that the countless and manifold humors which have their source in this passion, and the emotions that spring from it, produce a mild state of madness; and this lasts as long as the man is subject to the spell of the impulse--this evil spirit, as it were, of which there is no riddance--so that he never really becomes a reasonable being until the passion is extinguished. There is no doubt that, in general, and apart from individual circumstances and particular dispositions, youth is marked by a certain melancholy and sadness, while genial sentiments attach to old age; and the reason for this is nothing but the fact that the young man is still under the service, nay, the forced labor, imposed by that evil spirit, which scarcely ever leaves him a moment to himself. To this source may be traced, directly or indirectly, almost all and every ill that befalls or menaces mankind. The old man is genial and cheerful because, after long lying in the bonds of passion, he can now move about in freedom. Still, it should not be forgotten that, when this passion is extinguished, the true kernel of life is gone, and nothing remains but the hollow shell; or, from another point of view, life then becomes like a comedy, which, begun by real actors, is continued and brought to an end by automata dressed in their clothes. However that may be, youth is the period of unrest, and age of repose; and from that very circumstance, the relative degree of pleasure belonging to each may be inferred. The child stretches out its little hands in the eager desire to seize all the pretty things that meet its sight, charmed by the world because all its senses are still so young and fresh. Much the same thing happens with the youth, and he displays greater energy in his quest. He, too, is charmed by all the pretty things and the many pleasing shapes that surround him; and forthwith his imagination conjures up pleasures which the world can never realize. So he is filled with an ardent desire for he knows not what delights--robbing him of all rest and making happiness impossible. But when old age is reached, all this is over and done with, partly because the blood runs cooler and the senses are no longer so easily allured; partly because experience has shown the true value of things and the futility of pleasure, whereby illusion has been gradually dispelled, and the strange fancies and prejudices which previously concealed or distorted a free and true view of the world, have been dissipated and put to flight; with the result that a man can now get a juster and clearer view, and see things as they are, and also in a measure attain more or less insight into the nullity of all things on this earth. It is this that gives almost every old man, no matter how ordinary his faculties may be, a certain tincture of wisdom, which distinguishes him from the young. But the chief result of all this change is the peace of mind that ensues--a great element in happiness, and, in fact, the condition and essence of it. While the young man fancies that there is a vast amount of good things in the world, if he could only come at them, the old man is steeped in the truth of the Preacher's words, that _all things are vanity_--knowing that, however gilded the shell, the nut is hollow. In these later years, and not before, a man comes to a true appreciation of Horace's maxim: _Nil admirari._ He is directly and sincerely convinced of the vanity of everything and that all the glories of the world are as nothing: his illusions are gone. He is no more beset with the idea that there is any particular amount of happiness anywhere, in the palace or in the cottage, any more than he himself enjoys when he is free from bodily or mental pain. The worldly distinctions of great and small, high and low, exist for him no longer; and in this blissful state of mind the old man may look down with a smile upon all false notions. He is completely undeceived, and knows that whatever may be done to adorn human life and deck it out in finery, its paltry character will soon show through the glitter of its surroundings; and that, paint and be jewel it as one may, it remains everywhere much the same,--an existence which has no true value except in freedom from pain, and is never to be estimated by the presence of pleasure, let alone, then, of display.[1] [Footnote 1: Cf. Horace, _Epist_. I. 12, I-4.] Disillusion is the chief characteristic of old age; for by that time the fictions are gone which gave life its charm and spurred on the mind to activity; the splendors of the world have been proved null and vain; its pomp, grandeur and magnificence are faded. A man has then found out that behind most of the things he wants, and most of the pleasures he longs for, there is very little after all; and so he comes by degrees to see that our existence is all empty and void. It is only when he is seventy years old that he quite understands the first words of the Preacher; and this again explains why it is that old men are sometimes fretful and morose. It is often said that the common lot of old age is disease and weariness of life. Disease is by no means essential to old age; especially where a really long span of years is to be attained; for as life goes on, the conditions of health and disorder tend to increase--_crescente vita, crescit sanitas et morbus_. And as far as weariness or boredom is concerned, I have stated above why old age is even less exposed to that form of evil than youth. Nor is boredom by any means to be taken as a necessary accompaniment of that solitude, which, for reasons that do not require to be explained, old age certainly cannot escape; it is rather the fate that awaits those who have never known any other pleasures but the gratification of the senses and the delights of society--who have left their minds unenlightened and their faculties unused. It is quite true that the intellectual faculties decline with the approach of old age; but where they were originally strong, there will always be enough left to combat the onslaught of boredom. And then again, as I have said, experience, knowledge, reflection, and skill in dealing with men, combine to give an old man an increasingly accurate insight into the ways of the world; his judgment becomes keen and he attains a coherent view of life: his mental vision embraces a wider range. Constantly finding new uses for his stores of knowledge and adding to them at every opportunity, he maintains uninterrupted that inward process of self-education, which gives employment and satisfaction to the mind, and thus forms the due reward of all its efforts. All this serves in some measure as a compensation for decreased intellectual power. And besides, Time, as I have remarked, seems to go much more quickly when we are advanced in years; and this is in itself a preventive of boredom. There is no great harm in the fact that a man's bodily strength decreases in old age, unless, indeed, he requires it to make a living. To be poor when one is old, is a great misfortune. If a man is secure from that, and retains his health, old age may be a very passable time of life. Its chief necessity is to be comfortable and well off; and, in consequence, money is then prized more than ever, because it is a substitute for failing strength. Deserted by Venus, the old man likes to turn to Bacchus to make him merry. In the place of wanting to see things, to travel and learn, comes the desire to speak and teach. It is a piece of good fortune if the old man retains some of his love of study or of music or of the theatre,--if, in general, he is still somewhat susceptible to the things about him; as is, indeed, the case with some people to a very late age. At that time of life, _what a man has in himself_ is of greater advantage to him that ever it was before. There can be no doubt that most people who have never been anything but dull and stupid, become more and more of automata as they grow old. They have always thought, said and done the same things as their neighbors; and nothing that happens now can change their disposition, or make them act otherwise. To talk to old people of this kind is like writing on the sand; if you produce any impression at all, it is gone almost immediately; old age is here nothing but the _caput mortuum_ of life--all that is essential to manhood is gone. There are cases in which nature supplies a third set of teeth in old age, thereby apparently demonstrating the fact that that period of life is a second childhood. It is certainly a very melancholy thing that all a man's faculties tend to waste away as he grows old, and at a rate that increases in rapidity: but still, this is a necessary, nay, a beneficial arrangement, as otherwise death, for which it is a preparation, would be too hard to bear. So the greatest boon that follows the attainment of extreme old age is _euthanasia_,--an easy death, not ushered in by disease, and free from all pain and struggle.[1] For let a man live as long as he may, he is never conscious of any moment but the present, one and indivisible; and in those late years the mind loses more every day by sheer forgetfulness than ever it gains anew. [Footnote 1: See _Die Welt als Wille und Vorstellung_, Bk. II. ch. 41, for a further description of this happy end to life.] The main difference between youth and age will always be that youth looks forward to life, and old age to death; and that while the one has a short past and a long future before it, the case is just the opposite with the other. It is quite true that when a man is old, to die is the only thing that awaits him; while if he is young, he may expect to live; and the question arises which of the two fates is the more hazardous, and if life is not a matter which, on the whole, it is better to have behind one than before? Does not the Preacher say: _the day of death [is better] than the day of one's birth_.[1] It is certainly a rash thing to wish for long life;[2] for as the Spanish proverb has it, it means to see much evil,--_Quien larga vida vive mucho mal vide_. [Footnote 1: Ecclesiastes vii. 1.] [Footnote 2: The life of man cannot, strictly speaking, be called either _long_ or _short_, since it is the ultimate standard by which duration of time in regard to all other things is measured. In one of the Vedic _Upanishads (Oupnekhat_, II.) _the natural length_ of human life is put down at one hundred years. And I believe this to be right. I have observed, as a matter of fact, that it is only people who exceed the age of ninety who attain _euthanasia_,--who die, that is to say, of no disease, apoplexy or convulsion, and pass away without agony of any sort; nay, who sometimes even show no pallor, but expire generally in a sitting attitude, and often after a meal,--or, I may say, simply cease to live rather than die. To come to one's end before the age of ninety, means to die of disease, in other words, prematurely. Now the Old Testament (Psalms xc. 10) puts the limit of human life at seventy, and if it is very long, at eighty years; and what is more noticeable still, Herodotus (i. 32 and iii. 22) says the same thing. But this is wrong; and the error is due simply to a rough and superficial estimate of the results of daily experience. For if the natural length of life were from seventy to eighty years, people would die, about that time, of mere old age. Now this is certainly not the case. If they die then, they die, like younger people, _of disease_; and disease is something abnormal. Therefore it is not natural to die at that age. It is only when they are between ninety and a hundred that people die of old age; die, I mean, without suffering from any disease, or showing any special signs of their condition, such as a struggle, death-rattle, convulsion, pallor,--the absence of all which constitutes _euthanasia_. The natural length of human life is a hundred years; and in assigning that limit the Upanishads are right once more.] A man's individual career is not, as Astrology wishes to make out, to be predicted from observation of the planets; but the course of human life in general, as far as the various periods of it are concerned, may be likened to the succession of the planets: so that we may be said to pass under the influence of each one of them in turn. At ten, _Mercury_ is in the ascendant; and at that age, a youth, like this planet, is characterized by extreme mobility within a narrow sphere, where trifles have a great effect upon him; but under the guidance of so crafty and eloquent a god, he easily makes great progress. _Venus_ begins her sway during his twentieth year, and then a man is wholly given up to the love of women. At thirty, _Mars_ comes to the front, and he is now all energy and strength,--daring, pugnacious and arrogant. When a man reaches the age of forty, he is under the rule of the four _Asteroids_; that is to say, his life has gained something in extension. He is frugal; in other words, by the help of _Ceres_, he favors what is useful; he has his own hearth, by the influence of _Vesta_; _Pallas_ has taught him that which is necessary for him to know; and his wife--his _Juno_--rules as the mistress of his house. But at the age of fifty, _Jupiter_ is the dominant influence. At that period a man has outlived most of his contemporaries, and he can feel himself superior to the generation about him. He is still in the full enjoyment of his strength, and rich in experience and knowledge; and if he has any power and position of his own, he is endowed with authority over all who stand in his immediate surroundings. He is no more inclined to receive orders from others; he wants to take command himself. The work most suitable to him now is to guide and rule within his own sphere. This is the point where Jupiter culminates, and where the man of fifty years is at his best. Then comes _Saturn_, at about the age of sixty, a weight as of _lead_, dull and slow:--
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