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An essay by George MacDonald |
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True Christian Ministering |
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Title: True Christian Ministering Author: George MacDonald [More Titles by MacDonald] MATT. xx. 25--28--But Jesus called them unto him and said, Ye know that the princes of the Gentiles exercise dominion over them, and they that are great exercise authority upon them. But it should not be so among you: but whosoever will be great among you, let him be your minister; and whosoever will be chief among you, let him be your servant: even as the Son of Man came not to be ministered unto, but to minister, and to give his life a ransom for many.
But it is not so in the kingdom of heaven. The figure there is entirely reversed. As you may see a pyramid reflected in the water, just so, in a reversed way altogether, is the thing to be found in the kingdom of God. It is in this way: the Son of Man lies at the inverted apex of the pyramid; he upholds, and serves, and ministers unto all, and they who would be high in his kingdom must go near to him at the bottom, to uphold and minister to all that they may or can uphold and minister unto. There is no other law of precedence, no other law of rank and position in God's kingdom. And mind, that is _the_ kingdom. The other kingdom passes away--it is a transitory, ephemeral, passing, bad thing, and away it must go. It is only there on sufferance, because in the mind of God even that which is bad ministers to that which is good; and when the new kingdom is built the old kingdom shall pass away. But the man who seeks this rank of which I have spoken, must be honest to follow it. It will not do to say, "I want to be great, and therefore I will serve." A man will not get at it so. He may begin so, but he will soon find that that will not do. He must seek it for the truth's sake, for the love of his fellows, for the worship of God, for the delight in what is good. In the kingdom of heaven people do not think whether I am promoted, or whether you are promoted. They are so absorbed in the delight and glory of the goodness that is round about them, that they learn not to think much about themselves. It is the bad that is in us that makes us think about ourselves. It is necessary for us, because there is bad in us, to think about ourselves, but as we go on we think less and less about ourselves, until at last we are possessed with the spirit of the truth, the spirit of the kingdom, and live in gladness and in peace. We are prouder of our brothers and sisters than of ourselves; we delight to look at them. God looks at us, and makes us what he pleases, and this is what we must come to; there is no escape from it. But the Lord says, that "the Son of Man came not to be ministered unto." Was he not ministered unto then? Ah! he was ministered unto as never man was, but he did not come for that. Even now we bring to him the burnt-offerings of our very spirits, but he did not come for that. It was to help us that he came. We are told, likewise, that he is the express image of the Father. Then what he does, the Father must do; and he says himself, when he is accused of breaking the Sabbath by doing work on it, "My Father worketh hitherto, and I work." Then this must be God's way too, or else it could not have been Jesus's way. It is God's way. Oh! do not think that God made us with his hands, and then turned us out to find out our own way. Do not think of him as being always over our heads, merely throwing over us a wide-spread benevolence. You can imagine the tenderness of a mother's heart who takes her child even from its beloved nurse to soothe and to minister to it, and that is like God; that is God. His hand is not only over us, but recollect what David said--"His hand was upon me." I wish we were all as good Christians as David was. "Wherever I go," he said, "God is there--beneath me, before me, his hand is upon me; if I go to sleep he is there; when I go down to the dead he is there." Everywhere is God. The earth underneath us is his hand upholding us. [Footnote: The waters are in the hollow of it.] Every spring-fountain of gladness about us is his making and his delight. He tends us and cares for us; he is close to us, breathing into our nostrils the breath of life, and breathing into our spirit this thought and that thought to make us look up and recognize the love and the care around us. What a poor thing for the little baby would it be if it were to be constantly tended thus tenderly and preciously by its mother, but if it were never to open its eyes to look up and see her mother's face bending over it. A poor thing all its tending would be without that. It is for that that the other exists; it is by that that the other comes. To recognize and know this loving-kindness, and to stand up in it strong and glad; this is the ministration of God unto us. Do you ever think "I could worship God if he was so-and-so?" Do you imagine that God is not as good, as perfect, as absolutely all-in-all as your thoughts can imagine? Aye, you cannot come up to it; do what you will you never will come up to it. Use all the symbols that we have in nature, in human relations, in the family--all our symbols of grace and tenderness, and loving-kindness between man and man, and between man and woman, and between woman and woman, but you can never come up to the thought of what God's ministration is. When our Lord came he just let us see how his Father was doing this always, he "came to give his life a ransom for many." It was in giving his life a ransom for us that he died; that was the consummation and crown of it all, but it was his life that he gave for us--his whole being, his whole strength, his whole energy--not alone his days of trouble and of toil, but deeper than that, he gave his whole being for us; yea, he even went down to death for us. But how are we to learn this ministration? I will tell you where it begins. The most of us are forced to work; if you do not see that the commonest things in life belong to the Christian scheme, the plan of God, you have got to learn it. I say this is at the beginning. Most of us have to work, and infinitely better is that for us than if we were not forced to work, but not a very fine thing unless it goes to something farther. We are forced to work; and what is our work? It is doing something for other people always. It is doing; it is ministration in some shape or other. All kind of work is a serving, but it may not be always Christian service. No. Some of us only work for our wages; we must have them. We starve, and deserve to starve, if we do not work to get them. But we must go a little beyond that; yes, a very great way beyond that. There is no honest work that one man does for another which he may not do as unto the Lord and not unto men; in which he cannot do right as he ought to do right. Thus, I say that the man who sees the commonest thing in the world, recognizing it as part of the divine order of things, the law by which the world goes, being the intention of God that one man should be serviceable and useful to another--the man, I say, who does a thing well because of this, and who tries to do it better, is doing God service. We talk of "divine service." It is a miserable name for a great thing. It is not service, properly speaking, at all. When a boy comes to his father and says, "May I do so and so for you?" or, rather, comes and breaks out in some way, showing his love to his father--says, "May I come and sit beside you? May I have some of your books? May I come and be quiet a little in your room?" what would you think of that boy if he went and said, "I have been doing my father a service." So with praying to and thanking God, do you call that serving God? If it is not serving yourselves it is worth nothing; if it is not the best condition you can find yourselves in, you have to learn what it is yet. Not so; the work you have to do to-morrow in the counting-house, in the shop, or wherever you may be, is that by which you are to serve God. Do it with a high regard, and then there is nothing mean in it; but there is everything mean in it if you are pretending to please people when you only look for your wages. It is mean then; but if you have regard to doing a thing nobly, greatly, and truly, because it is the work that God has given you to do, then you are doing the divine service. Of course, this goes a great deal farther. We have endless opportunities of showing ourselves neighbours to the man who comes near us. That is the divine service; that is the reality of serving God. The others ought to be your reward, if "reward" is a word that can be used in such a relation at all. Go home and speak to God; nay, hold your tongue, and quietly go to him in the secret recesses of your own heart, and know that God is there. Say, "God has given me this work to do, and I am doing it;" and that is your joy, that is your refuge, that is your going to heaven. It is not service. The words "divine service," as they are used, always move me to something of indignation. It is perfect paganism; it is looking to please God by gathering together your services,--something that is supposed to be service to him. He is serving us for ever, and our Lord says, "If I have washed your feet, so you ought to wash one another's feet." This will be the way in which to minister for some. But still, when we are beginning to learn this, some of us are looking about us in a blind kind of way, thinking, "I wish I could serve God; I do not know what to do! How is it to be begun? What is it at the root of it? What shall I find out to do? Where is there something to do?" Now, first of all, service is obedience, or it is nothing. This is what I would gladly impress upon you; upon every young man who has come to the point to be able to receive it. There is a tendency in us to think that there is something degrading in obedience, something degrading in service. According to the social judgment there is; according to the judgment of the earth there is. Not so according to the judgment of heaven, for God would only have us do the very thing he is doing himself. You may see the tendency of this nowadays. There is scarcely a young man who will speak of his "master." He feels as if there is something that hurts his dignity in doing so. He does just what so many theologians have done about God, who, instead of taking what our Lord has given us, talk about God as "the Governor of the Universe." So a young man talks about his master as "the governor;" nay, he even talks of his own father in that way, and then you come in another region altogether, and a worse one. I take these things as symptoms, mind. I know habits may be picked up, when they get common, without any great corresponding feeling; but a wrong habit tends always to a wrong feeling, and if a man cannot learn to honour his father, so as to be able to call him "father," I think one or the other of them is greatly to blame, whether the father or the son I cannot say. I know there are such parents that to tell their children that God is their "Father" is no help to them, but the contrary. I heard of a lady just the other day to whom, in trying to comfort her, some one said, "Remember God is your Father." "Do not mention the name 'father' to me," she said. Ah! that kind of fault does not lie in God, but in those who, not being like him, cannot use the names aright which belong to him. But now, as to this service, this obedience. Our Lord came to give his life a ransom for the many, and to minister unto all in obedience to his Father's will. We call him equal with God--at least, most of us here, I suppose, do; of course we do not pretend to explain; we know that God is greater than he, because he said so; but somehow, we can worship him with our God, and we need not try to distinguish more than is necessary about it. But do you think that he was less divine than the Father when he was obedient? Observe his obedience to the will of his Father. He was not the ruler there. He did not give the commands; he obeyed them. And yet we say He is God! Ah, that is no difficulty to me. Obedience is as divine in its essence as command; nay, it may be more divine in the human being far; it cannot be more divine in God, but obedience is far more divine in its essence with regard to humanity than command is. It is not the ruling being who is most like God; it is the man who ministers to his fellow, who is like God; and the man who will just sternly and rigidly do what his master tells him--be that master what he may--who is likest Christ in that one particular matter. Obedience is the grandest thing in the world to begin with. Yes, and we shall end with it too. I do not think the time will ever come when we shall not have something to do, because we are told to do it without knowing why. Those parents act most foolishly who wish to explain everything to their children--most foolishly. No; teach your child to obey, and you give him the most precious lesson that can be given to a child. Let him come to that before you have had him long, to do what he is told, and you have given him the plainest, first, and best lesson that you can give him. If he never goes to school at all he had better have that lesson than all the schooling in the world. Hence, when some people are accustomed to glorify this age of ours as being so much better in everything than those which went before, I look back to the times of chivalry, which we regard now, almost, as a thing to laugh at, or a merry thing to make jokes about; but I find that the one essential of chivalry was obedience. It is recognized in our army still, but in those times it was carried much farther. When a boy was seven years old he was sent into another family, and put with another boy there to do what? To wait with him upon the master and the mistress of the house, and to be taught, as well, what few things they knew in those times in the way of intellectual cultivation. But he also learned stern, strict obedience, such as it was impossible for him to forget. Then, when he had been there seven years, hard at work, standing behind the chair, and ministering, he was advanced a step; and what was that step? He was made an esquire. He had his armour given him; he had to watch his armour in the chapel all night, laying it on the altar in silent devotion to God. I do not say that all these things were carried out afterwards, but this was the idea of them. He was an esquire, and what was the duty of an esquire? More service; more important service. He still had to attend to his master, the knight. He had to watch him; he had to groom his horse for him; he had to see that his horse was sound; he had to clean his armour for him; to see that every bolt, every rivet, every strap, every buckle was sound, for the life of his master was in his hands. The master, having to fight, must not be troubled with these things, and therefore the squire had to attend to them. Then seven years after that a more solemn ceremony is gone through, and the squire is made a knight; but is he free of service then? No; he makes a solemn oath to help everybody who needs help, especially women and children, and so he rides out into the world to do the work of a true man. There was a grand and essential idea of Christianity in that--no doubt wonderfully broken and shattered, but not more so than the Christian church has been; wonderfully broken and shattered, but still the essence of obedience; and I say it is recognized in our army still, and in every army; and where it is lost it is a terrible loss, and an army is worth nothing without it. You remember that terrible story from the East, that fearful death-charge, one of the grandest things in our history, although one of the most blundering:--
Were I asked, what is a fairytale? I should reply, _Read Undine: that is a fairytale; then read this and that as well, and you will see what is a fairytale_. Were I further begged to describe the _fairytale_, or define what it is, I would make answer, that I should as soon think of describing the abstract human face, or stating what must go to constitute a human being. A fairytale is just a fairytale, as a face is just a face; and of all fairytales I know, I think _Undine_ the most beautiful. Many a man, however, who would not attempt to define _a man_, might venture to say something as to what a man ought to be: even so much I will not in this place venture with regard to the fairytale, for my long past work in that kind might but poorly instance or illustrate my now more matured judgment. I will but say some things helpful to the reading, in right-minded fashion, of such fairytales as I would wish to write, or care to read. Some thinkers would feel sorely hampered if at liberty to use no forms but such as existed in nature, or to invent nothing save in accordance with the laws of the world of the senses; but it must not therefore be imagined that they desire escape from the region of law. Nothing lawless can show the least reason why it should exist, or could at best have more than an appearance of life. The natural world has its laws, and no man must interfere with them in the way of presentment any more than in the way of use; but they themselves may suggest laws of other kinds, and man may, if he pleases, invent a little world of his own, with its own laws; for there is that in him which delights in calling up new forms--which is the nearest, perhaps, he can come to creation. When such forms are new embodiments of old truths, we call them products of the Imagination; when they are mere inventions, however lovely, I should call them the work of the Fancy: in either case, Law has been diligently at work. His world once invented, the highest law that comes next into play is, that there shall be harmony between the laws by which the new world has begun to exist; and in the process of his creation, the inventor must hold by those laws. The moment he forgets one of them, he makes the story, by its own postulates, incredible. To be able to live a moment in an imagined world, we must see the laws of its existence obeyed. Those broken, we fall out of it. The imagination in us, whose exercise is essential to the most temporary submission to the imagination of another, immediately, with the disappearance, of Law, ceases to act. Suppose the gracious creatures of some childlike region of Fairyland talking either cockney or Gascon! Would not the tale, however lovelily begun, sink at once to the level of the Burlesque--of all forms of literature the least worthy? A man's inventions may be stupid or clever, but if he do not hold by the laws of them, or if he make one law jar with another, he contradicts himself as an inventor, he is no artist. He does not rightly consort his instruments, or he tunes them in different keys. The mind of man is the product of live Law; it thinks by law, it dwells in the midst of law, it gathers from law its growth; with law, therefore, can it alone work to any result. Inharmonious, unconsorting ideas will come to a man, but if he try to use one of such, his work will grow dull, and he will drop it from mere lack of interest. Law is the soil in which alone beauty will grow; beauty is the only stuff in which Truth can be clothed; and you may, if you will, call Imagination the tailor that cuts her garments to fit her, and Fancy his journeyman that puts the pieces of them together, or perhaps at most embroiders their button-holes. Obeying law, the maker works like his creator; not obeying law, he is such a fool as heaps a pile of stones and calls it a church. In the moral world it is different: there a man may clothe in new forms, and for this employ his imagination freely, but he must invent nothing. He may not, for any purpose, turn its laws upside down. He must not meddle with the relations of live souls. The laws of the spirit of man must hold, alike in this world and in any world he may invent. It were no offence to suppose a world in which everything repelled instead of attracted the things around it; it would be wicked to write a tale representing a man it called good as always doing bad things, or a man it called bad as always doing good things: the notion itself is absolutely lawless. In physical things a man may invent; in moral things he must obey--and take their laws with him into his invented world as well. "You write as if a fairytale were a thing of importance: must it have a meaning?" It cannot help having some meaning; if it have proportion and harmony it has vitality, and vitality is truth. The beauty may be plainer in it than the truth, but without the truth the beauty could not be, and the fairytale would give no delight. Everyone, however, who feels the story, will read its meaning after his own nature and development: one man will read one meaning in it, another will read another. "If so, how am I to assure myself that I am not reading my own meaning into it, but yours out of it?" Why should you be so assured? It may be better that you should read your meaning into it. That may be a higher operation of your intellect than the mere reading of mine out of it: your meaning may be superior to mine. "Suppose my child ask me what the fairytale means, what am I to say?" If you do not know what it means, what is easier than to say so? If you do see a meaning in it, there it is for you to give him. A genuine work of art must mean many things; the truer its art, the more things it will mean. If my drawing, on the other hand, is so far from being a work of art that it needs THIS IS A HORSE written under it, what can it matter that neither you nor your child should know what it means? It is there not so much to convey a meaning as to wake a meaning. If it do not even wake an interest, throw it aside. A meaning may be there, but it is not for you. If, again, you do not know a horse when you see it, the name written under it will not serve you much. At all events, the business of the painter is not to teach zoology. But indeed your children are not likely to trouble you about the meaning. They find what they are capable of finding, and more would be too much. For my part, I do not write for children, but for the childlike, whether of five, or fifty, or seventy-five. A fairytale is not an allegory. There may be allegory in it, but it is not an allegory. He must be an artist indeed who can, in any mode, produce a strict allegory that is not a weariness to the spirit. An allegory must be Mastery or Moorditch. A fairytale, like a butterfly or a bee, helps itself on all sides, sips at every wholesome flower, and spoils not one. The true fairytale is, to my mind, very like the sonata. We all know that a sonata means something; and where there is the faculty of talking with suitable vagueness, and choosing metaphor sufficiently loose, mind may approach mind, in the interpretation of a sonata, with the result of a more or less contenting consciousness of sympathy. But if two or three men sat down to write each what the sonata meant to him, what approximation to definite idea would be the result? Little enough--and that little more than needful. We should find it had roused related, if not identical, feelings, but probably not one common thought. Has the sonata therefore failed? Had it undertaken to convey, or ought it to be expected to impart anything defined, anything notionally recognizable? "But words are not music; words at least are meant and fitted to carry a precise meaning!" It is very seldom indeed that they carry the exact meaning of any user of them! And if they can be so used as to convey definite meaning, it does not follow that they ought never to carry anything else. Words are live things that may be variously employed to various ends. They can convey a scientific fact, or throw a shadow of her child's dream on the heart of a mother. They are things to put together like the pieces of a dissected map, or to arrange like the notes on a stave. Is the music in them to go for nothing? It can hardly help the definiteness of a meaning: is it therefore to be disregarded? They have length, and breadth, and outline: have they nothing to do with depth? Have they only to describe, never to impress? Has nothing any claim to their use but the definite? The cause of a child's tears may be altogether undefinable: has the mother therefore no antidote for his vague misery? That may be strong in colour which has no evident outline. A fairytale, a sonata, a gathering storm, a limitless night, seizes you and sweeps you away: do you begin at once to wrestle with it and ask whence its power over you, whither it is carrying you? The law of each is in the mind of its composer; that law makes one man feel this way, another man feel that way. To one the sonata is a world of odour and beauty, to another of soothing only and sweetness. To one, the cloudy rendezvous is a wild dance, with a terror at its heart; to another, a majestic march of heavenly hosts, with Truth in their centre pointing their course, but as yet restraining her voice. The greatest forces lie in the region of the uncomprehended. I will go farther.--The best thing you can do for your fellow, next to rousing his conscience, is--not to give him things to think about, but to wake things up that are in him; or say, to make him think things for himself. The best Nature does for us is to work in us such moods in which thoughts of high import arise. Does any aspect of Nature wake but one thought? Does she ever suggest only one definite thing? Does she make any two men in the same place at the same moment think the same thing? Is she therefore a failure, because she is not definite? Is it nothing that she rouses the something deeper than the understanding--the power that underlies thoughts? Does she not set feeling, and so thinking at work? Would it be better that she did this after one fashion and not after many fashions? Nature is mood-engendering, thought-provoking: such ought the sonata, such ought the fairytale to be. "But a man may then imagine in your work what he pleases, what you never meant!" Not what he pleases, but what he can. If he be not a true man, he will draw evil out of the best; we need not mind how he treats any work of art! If he be a true man, he will imagine true things; what matter whether I meant them or not? They are there none the less that I cannot claim putting them there! One difference between God's work and man's is, that, while God's work cannot mean more than he meant, man's must mean more than he meant. For in everything that God has made, there is layer upon layer of ascending significance; also he expresses the same thought in higher and higher kinds of that thought: it is God's things, his embodied thoughts, which alone a man has to use, modified and adapted to his own purposes, for the expression of his thoughts; therefore he cannot help his words and figures falling into such combinations in the mind of another as he had himself not foreseen, so many are the thoughts allied to every other thought, so many are the relations involved in every figure, so many the facts hinted in every symbol. A man may well himself discover truth in what he wrote; for he was dealing all the time with things that came from thoughts beyond his own. "But surely you would explain your idea to one who asked you?" I say again, if I cannot draw a horse, I will not write THIS IS A HORSE under what I foolishly meant for one. Any key to a work of imagination would be nearly, if not quite, as absurd. The tale is there, not to hide, but to show: if it show nothing at your window, do not open your door to it; leave it out in the cold. To ask me to explain, is to say, "Roses! Boil them, or we won't have them!" My tales may not be roses, but I will not boil them. So long as I think my dog can bark, I will not sit up to bark for him. If a writer's aim be logical conviction, he must spare no logical pains, not merely to be understood, but to escape being misunderstood; where his object is to move by suggestion, to cause to imagine, then let him assail the soul of his reader as the wind assails an aeolian harp. If there be music in my reader, I would gladly wake it. Let fairytale of mine go for a firefly that now flashes, now is dark, but may flash again. Caught in a hand which does not love its kind, it will turn to an insignificant, ugly thing, that can neither flash nor fly. The best way with music, I imagine, is not to bring the forces of our intellect to bear upon it, but to be still and let it work on that part of us for whose sake it exists. We spoil countless precious things by intellectual greed. He who will be a man, and will not be a child, must--he cannot help himself--become a little man, that is, a dwarf. He will, however, need no consolation, for he is sure to think himself a very large creature indeed. If any strain of my "broken music" make a child's eyes flash, or his mother's grow for a moment dim, my labour will not have been in vain. [The end] GO TO TOP OF SCREEN |