San Satiro

________________________________________________
Title:     San Satiro
Author: Anatole France [More Titles by France]

(Translator: Alfred Allinson)

TO ALPHONSE DAUDET

_Consors paterni luminis,
Lux ipse lucis et dies,
Noctem canendo rumpimus;
Assiste postulantibus._

_Aufer tenebras mentium;
Fuga catervas dæmonum;
Expelle somnolentiam,
Ne pigritantes obruat._[1]

(_Breviarium Romanum_
Third day of the week: at matins.)

[Footnote 1: "Partner of the Father's light, light of light and day of day, we break the dusk of night with psalms; help us now, Thy suppliants. Remove the darkness of our minds; scatter the demon hosts away; expel the sin of drowsiness, lest we be slack in serving Thee."]

Fra Mino had raised himself by his humility above his brethren, and still a young man, he governed the Monastery of Santa Fiora wisely and well. He was devout, and loved long meditations and long prayers; sometimes he had ecstasies. After the example of his spiritual father, St. Francis, he composed songs in the vernacular tongue in celebration of perfect love, which is the love of God. And these exercises were without fault whether of metre or of meaning, for had he not studied the seven liberal Arts at the University of Bologna?

Now one evening, as he was walking under the cloister arches, he felt his heart filled with trouble and sadness at the remembrance of a lady of Florence he had loved in the first flower of his youth, ere the habit of St. Francis was a safeguard to his flesh. He prayed God to drive away the image; nevertheless his heart continued sad within him.

"The bells," he pondered, "say like the Angels, AVE MARIA; but their voice is lost in the mists of heaven. On the cloister wall yonder, the Master Perugia delights to honour has painted marvellous well the three Marys contemplating with a love ineffable the body of the Saviour. But the night has veiled the tears in their eyes and the dumb sobs of their mouths, and I cannot weep with them. Yonder Well in the middle of the cloister garth was covered but now with doves that had come to drink, but these are flown away, for they found no water in the hollows of the carven well-head. And behold. Lord! my soul falls silent like the bells, is darkened like the holy Marys, and runs dry like the well. Why, Jesus my God! why is my heart arid, and dark, and dumb, when Thou art its dayspring, and the song of birds, and the water-brook flowing from the hills?"

Fra Mino dreaded to return to his cell, and thinking prayer would dispel his melancholy and calm his disquiet, he passed into the Monastery Church by the low door leading from the cloister. Silence and gloom filled the building, raised more than a hundred and fifty years before on the foundations of a ruined Roman Temple by the great Margaritone. He traversed the Nave, and went and knelt in the Chapel behind the High Altar dedicated to San Michele, whose legend was painted in fresco on the wall. But the dim light of the lamp hanging from the vault was insufficient to show the Archangel fighting with Satan and weighing souls in the balance. Only the moon, shining through the great window, threw a pale ray over the Tomb of San Satiro, where it lay under an arcade to the right of the Altar. This tomb, in shape resembling the great vats used at vintage time, was more ancient than the Church and in all respects similar to a Pagan sarcophagus, except that the sign of the Cross was to be seen traced in three different places on its marble sides.

Fra Mino remained for hours prostrate before the Altar; but he found it impossible to pray, and at midnight felt himself weighed down under the same heaviness that overcame Jesus Christ's disciples in the Garden of Gethsemane. And lo! as he lay there without courage or counsel, he saw as it were a white cloud rise above the tomb of San Satiro, and presently observed that this cloud was made up of a multitude of cloudlets, of which each one was a woman. They floated in the dim air; and through their light raiment shone the whiteness of their light limbs. Then Fra Mino saw how among them were goat-footed young men who were chasing them. These were naked, and nothing hid the terrifying ardour of their desires. And the nymphs fled away from them, while beneath their racing steps there sprang up flowery meadows and brooks of water. Each time a goat-foot put out his hand to seize one of them, a sallow would shoot up suddenly to hide the nymph in its hollow trunk as in a cave, and the grey leaves shivered with light murmurings and spurts of mocking laughter.

When all the women were hidden in the sallows, their goat-footed lovers, sitting on the grass of the new-come meadows, breathed in their flutes of reeds and drew from them sounds to destroy the peace of any creature of the earth. The nymphs were fascinated, and soon began to peep out between the branches, and one by one deserting the shady covert, drew near under the irresistible attraction of the music. Then the goat-men rushed upon them with a demoniac fury. Folded in the arms of their ruthless assailants, the nymphs strove to keep up a while longer their raillery and loud laughter, but the mirth died on their lips. With heads thrown back and eyes swooning with joy and terror, they could only call upon their mother, or scream a shrill "You are killing me," or keep a sullen silence.

Fra Mino longed to turn his head, but he could not, and his eyes remained wide open in spite of himself.

Meanwhile the nymphs, winding their arms about the goat-men's loins, fell to biting and caressing and provoking their hairy lovers, and body intertwined with body, they enfolded and bathed them in their tender flesh that was sweeter and softer and more living than the water of the brook which ran by them under the sallows.

At the sight, Fra Mino fell, in mind and intention, into deadly sin. He desired to be one of these demons, half men and half beasts, and hold to his bosom, after their carnal fashion, the fair lady of Florence he had loved in the flower of his years, and who was now dead.

But already the goat-men were scattering through the country-side. Some were busied gathering honey in the hollow trunks of oaks, others carving reeds into the shape of flutes, or butting one against the other, crashing their horned brows together. Meantime the bodies of the nymphs, sweet wrecks of love, lay motionless, strewing the meadows. Fra Mino lay groaning on the Chapel flags; for so fierce had been the desire of sin within him that now he was filled full of bitter shame at his own weakness.

Suddenly one of the nymphs, chancing as she lay to turn her eyes upon him, cried out:

"A man! a man!"

And pointing him out to her companions:

"Look, sisters; yonder is no goat-herd, he has no flute of reed beside him. Nor yet do I recognize him for the master of one of those rustic farmsteads whose garden-close, sloping to the hill-side beneath the vines, is guarded by a Priapus hewn out of a stump of beech. What would he among us, if he is neither goat-herd, nor neat-herd, nor gardener? His looks are harsh and gloomy, and I cannot read in his eyes the love of the gods and goddesses that people the wide sky, the woods and mountains. He wears a barbarous habit; perhaps he is a Scythian. Let us approach the stranger, my sisters, and make sure he is not come as a foe to sully our fountains, hew down our trees, tear open our hill-sides and betray to cruel men the mystery of our happy lurking places. Come with me, Mnaïs; come, Ægle, Neæra and Melibœa.

"On! on!" returned Mnaïs, "on, with our arms in hand!"

"On! on!" all cried in chorus.

Then Fra Mino saw them spring up, and gather great handfuls of roses, and advance upon him in a long line, each armed with roses and thorns. But the distance that separated them from him, which at first had seemed very short, for indeed he thought almost to touch them and felt their breath on his face, appeared suddenly to increase, and he watched them coming as though from out a far-off forest. Impatient to be at him, they began to run, threatening him with their cruel flowers, while menaces flew from their flower-like lips. And lo! as they came nearer, a change was wrought in them; at each step they lost something of their grace and beauty, and the bloom of their youth faded as fast as the roses in their hands. First their eyes grew hollow and the mouth fell in. The neck, but now so pure and white, hung in great hideous folds, and grey elf-locks draggled over their wrinkled brows. On they came; and their eyes were circled with red, their lips drawn in upon the toothless gums. On they came, carrying dead roses in their arms, which were black and writhen as the old vine stocks the peasants of Chianti burn for firewood in the winter nights. On they came, with shaking heads and palsied thighs, tottering and trembling.

Arrived at the spot where Fra Mino stood rooted to the ground with affright, they were no better than a crowd of horrid witches, bald and bearded, nose and chin touching, and bosoms hanging loose and flabby. They came crowding round him:

"Ah, ha! the pretty darling!" cried one. "He is as white as a sheet, and his heart beats like a hare the dogs are snapping at. Ægle, sister mine, say, what must be done with him?"

"Neæra mine!" Ægle replied, "why! we must open his breast, tear out his heart and put a sponge in its place instead."

"Not so!" said Melibœa. "That were making him pay too dear for his curiosity and the pleasure he has had in surprising our frolic. Enough for this time to inflict a light chastisement. Say, shall we give him a good whipping?"

Straightway surrounding the Monk, the sisters dragged his gown above his head and belaboured him with the handfuls of thorns they still held.

The blood was beginning to come, when Neæra signed to them to stop:

"Enough!" she cried! "he is my gallant, I tell you! I saw him just now casting tender eyes at me; I would content his wishes, and grant him my favours without more delay."

She smiled alluringly; and a long, black tooth projecting from her mouth tickled his nostril. She murmured softly:

"Come, come, my Adonis!"

Then suddenly, wild with rage:

"Fie, fie! his senses are benumbed. His coldness offends my charms. He scorns me; avenge me, comrades! Mnaïs, Ægle, Melibœa, avenge your sister!"

At this appeal, one and all, lifting their thorny whips, fell to scourging him so savagely that Fra Mino's body was soon one wound from head to toe. Now and again they would stop to cough and spit, only to begin afresh, plying their whips more vigorously than ever. Only sheer weariness induced them to leave off.

"I hope," Neæra then said, "next time he will not do me the undeserved insult I still blush to remember. We will spare his life; but if he betrays the secret of our sports and pleasures, we will surely kill him. Good-bye to you, my pretty boy!"

So saying, the old woman suddenly squatted down over the Monk and drowned him in a torrent of very filthy liquid. Each sister followed suit and did the like; then one after the other they re-entered the tomb of San Satiro, slipping in through a tiny crack in the lid, leaving their victim lying full length in a stream of a most intolerable stench.

When the last had disappeared,--the cock crew. Then Fra Mino at last found himself able to rise from the earth. Broken with fatigue and pain, benumbed with cold, shuddering with fever, half stifled with the foul exhalations of the poisonous liquor, he set his clothing straight and dragged himself to his cell, just as day broke.

From that night on, Fra Mino never had a moment's peace. The recollection of what he had seen in the Chapel of San Michele, above San Satiro's tomb, disturbed him in the Church services and in all his pious exercises. He trembled when he visited the Church along with his fellows; and as his turn came, according to the rule, to kiss the pavement of the Choir, his lips shuddered to encounter the traces of the nymphs' presence, and he would murmur: "O! my Saviour, dost not Thou hear me say what Thou didst Thyself say to Thy Father, Lead us not, we beseech Thee, into temptation?" At first he had thought of sending to the Lord Bishop an account of what he had witnessed. But on riper reflexion, he became convinced it were better to meditate at leisure on these extraordinary events and only divulge them after a more exhaustive study of all the circumstances. Besides it so happened that the Lord Bishop, allied with the Guelphs of Pisa against the Ghibellines of Florence, was at that moment waging war with such right good will that for a whole month he had not so much as unbuckled his cuirass. And that is why, without saying a word to anyone, Fra Mino made profound researches on the tomb of San Satiro and the Chapel containing it. Deeply versed in the knowledge of books, he investigated many texts, both ancient and modern; yet found no glimmer of enlightenment in any of them. Indeed the only effect of the works on Magic which he studied was to double his uncertainty.

One morning, after labouring all the night as was his wont, he was fain to refresh his heart with a walk in the fields. He took the hilly path which, winding between the vines and the elms they are wedded to, leads to a wood of myrtles and olives, sacred in old days to the Roman gods. His feet bathed in the wet grass, his brow refreshed by the dew that distilled from the pointed leaves of the Guelder roses, Fra Mino wandered long in the forest, till he came upon a spring over which the wild tamarisks gently swayed their light foliage and the downy clusters of their pink berries. Lower down amid the willows, where the water formed a wider pool, herons stood motionless, while the smaller birds sang sweetly in the branching myrtles. The scent of mint rose moist and fragrant from the ground, and the grass was spangled with the flowers of which our Lord said that "Solomon in all his glory was not arrayed like one of these." Fra Mino sat down on a mossy stone and praising God, Who made the heavens and the dew, he fell to pondering the hidden mysteries of Nature.

Now the remembrance of all he had seen in the Chapel of San Michele never left his thoughts; so he sat meditating, his head between his hands, wondering for the thousandth time what the dream might signify: "For indeed," he said to himself, "such a vision must needs have a meaning; it should even have several, which it behoves to discover, whether by sudden illumination, or by dint of an exact applying of the scholastic rules. And I deem that, in this especial case, the poets I studied at Bologna, such as Horace the Satirist and Statius, should likewise be of great help to me, seeing many verities are intermingled with their fables."

After long pondering these thoughts within his breast, and others more subtle still, he lifted his eyes and perceived he was not alone. Leaning against the cavernous trunk of an ancient holm-oak, an old man stood gazing at the sky through the leaves, and smiling to himself. Above his hoary brow peeped out two shorty blunt horns. His nose was flat with wide nostrils, and from his chin depended a white beard, through which were visible the rugged muscles of the neck. A shaggy growth of hair covered his breast, while from the thighs downwards his limbs showed a thick fleece that trailed down to his cloven feet. He held to his lips a flute of reed, from which he drew a feeble sound of music. Then he began to sing in a voice that left the words barely distinguishable:

Laughing she fled,
Her teeth in the golden grape;
After I sped,
And clasping her flying shape,
I quenched my drouth
On the fruit at her mouth.

Astounded at these strange sights and sounds, Fra Mino crossed himself. Still the old man showed no mark of confusion, but cast a long and artless look at the Monk. Amid the deep wrinkles that scored his face, the clear blue eyes sparkled like the waters of a spring through the rugged bark of a grove of oaks.

"Man or beast," shrilled Mino, "I command you in the name of the Saviour to say who you are."

"My son," replied the old man, "I am San Satiro! Speak not so loud, for fear of frightening the birds."

Then Fra Mino resumed, in a quieter tone:

"Forasmuch, old man, as you shrank not before the dread sign of the Cross, I cannot hold you to be a demon or some foul spirit escaped out of Hell. But if verily and indeed you are a man, as you say you are, or rather the soul of a man sanctified by the deeds of a good life and by the merits of our Lord Jesus Christ, expound, I pray you, the mystery of your goat's horns and your shaggy limbs ending in those black, cloven hoofs."

At the question, the old man lifted up his arms towards heaven, and said:

"My son, the nature of men and animals, of plants and stones, is the secret of the immortal gods, and I know as little as yourself what is the reason of these horns wherewith my brow is decked, and which the Nymphs used in olden days to wind about with garlands of flowers. I cannot tell you the meaning of the two wrinkled folds that droop from my neck, nor why I have the feet of a wanton goat. But I would have you know, my son, there was once in these woods a race of women having horned brows like mine and shaggy thighs. Yet were their bosoms round and white, and their belly and polished loins shone in the light. The sun was young then, and loved to fleck them with his golden arrows, as they lay beneath the shady foliage. They were very fair, my son; but alas! they have vanished from the woods, every one. My mates have perished likewise, and I am left lonely, the last of my tribe."

"I would fain know your age, old man, and your lineage and country."

"My son, I was born of the Earth long ere Jupiter had dethroned Saturn, and my eyes have looked upon the flowery freshness of the new-created World. Not yet had the human race emerged from the clay. Alone with me, the dancing Satyr girls set the ground ringing with the rhythmic beat of their double hoofs. They were taller and stronger and fairer than either Nymphs or Women; and their ampler loins received abundantly the seed of the first-born of Earth.

"Under the reign of Jupiter the Nymphs began to inhabit fountains and forests and mountains; while the Fauns, accoupling with the Nymphs, formed light-footed bands that roamed the woods together. Meantime I spent a happy life, tasting at will the clusters of the wild grapes and the lips of the laughing Faun-girls. I enjoyed deep and restful slumbers amid the lush grass; and I would celebrate on my rustic flute Jupiter, Saturn's successor, for it is of my nature to praise the gods, masters of the world.

"Alas! and I am grown old, for I am but a god, and the centuries have blanched the hairs of my head and of my bosom, and have extinguished the fire of my reins. I was already heavily weighted with years when the Great Pan died, and Jupiter, meeting the same lot he had laid upon Saturn, was dethroned by the Galilean. Since then I have dragged out an ever-flagging life, so feeble and languid that at last it fell out I died, and was entombed. And verily I am now but the shadow of myself. If I still exist a little, it is because nothing ever really perishes, and none is suffered altogether to die out. Death must never be more perfect and complete than life. Beings lost in the Ocean of Things are like the waves you may watch, my child, rising and falling in the Adriatic Sea. They have neither beginning nor end, they are born and die insensibly. Insensibly as the waves, my soul passes. A faint far-off memory of the satyr girls of the Golden Age yet brightens my eyes, and on my lips float soundlessly the ancient hymns of praise."

This said, he fell silent. Fra Mino gazed at the old man, and knew him, that he was a phantom and nothing more.

"Yes! you may indeed be a goat-foot," he told him gravely, "without being a demon; 'tis not a thing wholly incredible. Such creatures as God framed to have no part in Adam's heritage, these can no more be damned than they can be saved. I can never believe that the Centaur Cheiron, who was wiser than men are, is suffering eternal torments in the belly of Leviathan. A traveller who penetrated once into Limbo, relates how he saw him seated in a grassy spot and conversing with Rhipheus, the most righteous man of all the Trojans. Others indeed affirm that Holy Paradise itself has been opened to admit Rhipheus of Troy. Any way the case Is one where doubt Is not unlawful. But you lied, old man, when you told me you were a Saint, who are not so much even as a man."

The goat-foot made answer:

"My son, when I was young, I was no more used to lie than the sheep whose milk I sucked or the he-goats with which I would butt in the joy of my strength and beauty. Lies were unknown In those times, nor had the sheep's fleece yet learned to assume factitious hues; and my soul has remained unchanged from that day to this. See, I go naked as in the golden age of Saturn; and my spirit is veiled as little as my body. I am no liar. And why indeed should you deem It a thing so extraordinary, my son, that I have become a Saint in the train of the Galilean, albeit no offspring of the first mother some name Eve and others Pyrrha, and whom it is very meet to reverence under either title? Nay! for that matter, neither is St. Michael woman-born. I know him, and at times we have talks together, he and I. He tells me of the days when he was an ox-herd on Mount Garganus...."

But here Fra Mino interrupted the Satyr:

"I cannot suffer you to say St. Michael was an ox-herd, because he guarded the cattle of a man whose name was Garganus, the same as the Mountain. But there, I would fain learn, old man, how you were made a Saint."

"Listen," replied the goat-foot, "and your curiosity shall be satisfied.

"When men coming from the East proclaimed in the fair vale of Arno how that the Galilean had dethroned Jupiter, they hewed down the oaks whereon the country folk were used to hang up little goddesses of clay and votive tablets; they planted crosses over against the holy fountains, and forbade the shepherds any more to carry to the grottos of the Nymphs offerings of wine and milk and cakes. Naturally enough this angered all the tribe of Fauns and Pans and Sylvan Genii, and in their wrath these attacked the apostles of the new God. When the holy men were asleep of nights, on their bed of dry leaves, the Nymphs would steal up and pull their beards, while the young Fauns, slipping into their stable, would pluck out hairs from their she-ass's tail. In vain I sought to disarm their simple malice and exhort them to submission. 'My children,' I would warn them, 'the days of easy gaiety and light laughter are gone by.' But they were reckless, and would not hearken; and a sore price they paid for their heedlessness.

"But for myself, had I not seen the reign of Saturn come to an end? and I deemed it natural and just that Jupiter should perish in his turn. I was prepared to acquiesce in the downfall of the great old gods, and offered no resistance to the emissaries of the Galilean. Nay! I did them sundry little services. Better acquainted than they with the forest paths, I would gather mulberries and sloes, and lay them on leaves at the threshold of their grotto, and make them little presents of plovers' eggs. Then, if they were building a cabin, I would carry the timber and stones for them on my back. In gratitude, they poured water on my brow, invoking on my head the peace of Jesus Christ.

"So I lived with them and in their way; and those who loved them, loved me. As they were honoured, so was I, and my sanctity seemed as great as theirs.

"I have told you, my son, I was already very old in those days. The sun had scarce heat enough to warm my benumbed limbs. I was no better than an old rotten tree, that has lost its crown of fresh leaves and singing birds. Each returning Autumn brought my end nearer; and one Winter's morning they found me stretched motionless by the roadside.

"The Bishop, followed by his Priests and all the people, celebrated my obsequies. Then I was laid in a great tomb of white marble, marked in three places with the sign of the Cross, and bearing carved on the slab in front the words _Sanctus Satyrus_, within a garland of roses.

"In those times, my son, tombs were erected along the roadsides. Mine was placed two miles out from the city, on the Florence road. A young plane-tree grew up over it, and threw its shadow across it, dappled with sunlight and full of bird songs and twitterings, freshness and joy. Near by, a fountain flowed over a bed of water-weed, where the boys and girls came laughing merrily to bathe together. It was a charming spot--and soon a holy one as well. Thither young mothers would bring their babies and let them touch the marble of the tomb, that they might grow up sturdy and straight in all their limbs. The country folk one and all believed that new-born infants presented at my grave must one day surpass their fellows in strength and courage. This is why they brought me all the flower of the gallant Tuscan race. Moreover the peasants often led their asses thither in hopes of making them prolific. My memory was revered; each year at the return of Spring, the Bishop used to come with his Clergy to pray over my bones, and I could watch far away through the meadow grass the slow approach of Cross and Candle in procession, the scarlet canopy, and the chanting acolytes. Thus it was, my son, in the days of good King Berengar.

"Meantime, the Satyrs and the Satyr girls, the Fauns and Nymphs, dragged out a wretched, wandering life. No more altars of meadow turf for them, no more wreaths of flowers, no more offerings of milk and wheat and honey. Only now and then at long intervals some goat-herd would furtively lay a tiny cheese on the threshold of the sacred grot, whose entrance was almost blocked now with thorns and brambles. But it was merely the rabbits and squirrels came to eat these poor dainties. The Nymphs were dwellers in distant forests and gloomy caves, driven forth of their old homes by the apostles from the East. And to hinder their ever returning more, the priests of the Galilean God poured over trees and stones a charmed water, and pronounced magic words, and set up crosses where roads met in the forest; for the Galilean, my son, is learned in the art of incantations. Better than Saturn, better than Jupiter, he knows the virtue of formularies and mystic signs. Thus the poor rustic Divinities could no more find refuge in their sacred woods. The company of long-haired, goat-footed Satyrs, that beat of yore their mother earth with sounding hoof, was but a cloud of pale, dumb shadows trailing along the mountain-side like the morning mist the Sun melts and dispels.

"Buffeted, as by a fierce wind, by the wrath of Heaven, their spectral forms would be whirled eddying all day long in the dust of the roads. The night on the contrary was somewhat less hostile to them. Night is not wholly the Galilean God's; He shares its dominion with the devils. As the shades of night descended from the hills, Fauns and Faun-women, Nymphs and Pans, came huddling beneath the shelter of the tombs along the roadside, and there under the kindly empire of the infernal powers would enjoy a brief repose. Of all the tombs they liked mine the best, as that of a reverend ancestor of their own. Soon all assembled under that part of the cornice which, giving South, was quite free of moss and always dry. Thither the airy folk came flying every evening as surely as doves to the dovecote. They easily found room, grown tiny now and light as the chaff that scuds before the winnowing-fan. For my own part, sallying out from my quiet death-chamber, I would sit down sometimes in the midst of them under shelter of the marble edge-tiles, and in a feeble, whistling voice sing them songs of the days of Saturn and Jupiter; then they would remember the happy times gone by for ever. Under the eyes of Diana, they would join to make a show of their ancient pastimes, and the belated traveller would seem to see the night mists of the meadows in the moonlight mimic the intertwining limbs of lovers. And in very deed they were little more than a fleeting fog themselves. The cold tried them sorely. One night, when the snow shrouded the fields, the Nymphs Ægle, Neæra, Mnaïs and Melibœa glided through the cracks in the marble into the narrow, gloomy chamber where I dwell. Their comrades crowded after in their train, and the Fauns, dashing in pursuit of them, quickly joined them too. My house became their house. We scarcely ever left it, except to visit the woods, when the night was fine and clear. Even then they would make haste to return at the first cock-crow. For you must know, my son, that alone of the horned race I have leave to appear on this earth by the light of day. It is a privilege attached to my Saintship.

"My tomb now inspired more veneration than ever among the country people, and every day young mothers came to present their nurslings to me, lifting the naked babes in their arms. When the sons of St. Francis settled in the land and built a monastery on the hill-side, they craved the Bishop's leave to transfer my monument to their Church and there keep it as a sacred thing. The favour was granted, and I was borne in great pomp to the Chapel of San Michele, where I repose to this day. My rustic family was carried thither along with me. It was a signal honour; but I confess I regretted the broad highway, where I could watch at dawn the peasant women carrying on their heads their basketfuls of grapes and figs and red aubergines. Time has hardly softened my regret, and I would I were still beneath the plane-tree on the Sacred Way.

"Such is my life," ended the old Satyr. "It flows on pleasantly, gentle and unobtrusive, down all the ages of the world. If a touch of sadness mingles with the joy of it, 'tis because the gods have willed it so. Oh! my son, let us praise the gods, masters of the universe!"

Fra Mino stood thinking a while. Then he said:

"I understand now the meaning of what I saw, during that evil night, in the Chapel of San Michele. Still one point remains dark to my mind. Tell me why, old man, the Nymphs who, dwell with you, and couple with the fauns, changed into old women of squalid ugliness when they came nigh me."

"Alas! my son," answered the Saint, "time spares neither men nor gods. These last are immortal only in the imagination of the short-lived race of men. In reality they suffer the penalties of age, and verge, as the centuries go by, towards irreparable decay. Nymphs grow old as well as women. No rose but turns into an arid hip at last; no Nymph but ends as an ugly Witchwife. Watching as you did the frolic of my little household, you saw how the memory of their bygone youth yet beautifies the Nymphs and Fauns in the moment of their loves, and how their ardour, reanimated an instant, can reanimate their charms. But the ruin of centuries shows again directly after. Alas! alas! the race of the Nymphs is old, very old and decrepit."

Fra Mino asked yet another question:

"Old man! if what you say is true, and you have won to blessedness by mysterious ways, if it is true--however absurd--that you are a Saint, how comes it you house in your tomb with these phantoms which know not to praise God, and which pollute with their indecencies the temple of the Lord? Answer me, old man!"

But the goat-footed Saint, without a word of answer, vanished softly away into thin air.

Seated on a mossy stone beside the spring, Fra Mino pondered the discourse he had just listened to, and found it contained, along with some passages impenetrably obscure, others that were full of clearness and enlightenment.

"This Satyr Saint," he reflected, "maybe likened to the Sibyl, who in the pantheon of the false gods, proclaimed the coming Redeemer to the Nations. The mire of old-world falsehoods yet clings about the hoofs of his feet, but his forehead is uplifted to the light, and his lips confess the truth."

As the shadow of the beeches was lengthening along the grassy hill-side, the Monk rose up from his stone and began to descend the narrow path that led to the House of the Sons of St. Francis. But he dared not let his eyes rest on the flowers sleeping on the surface of the pools, for he saw in them the likeness of the wanton nymphs. He got back to his cell at the moment when the bells were sounding the _Ave Maria_. It was a small, white chamber, furnished simply with a bed, a stool, and one of the high desks writers use. On the wall a mendicant friar had painted years ago, in the manner of Giotto, a representation of the holy Marys at the foot of the Cross. Below this painting, a shelf of wood, as black and polished as the beams of an ancient oil-press, was covered with books. Of these, some were sacred, others profane, for Fra Mino was a student of the classic poets, to the end he might praise God in all the works of men, and blessed the good Virgil for having prophesied the birth of the Saviour, when the bard of Mantua declares to the Nations: _Jam redit et Virgo._[1]

[Footnote 1: Now the Virgin too returns.]

On the window-sill a tall lily stood in a vase of coarse earthenware, for Fra Mino loved to trace the name of the Blessed Virgin inscribed in the gold dust of the flower's calyx. The window itself, which opened very high up in the wall, was small, but the sky could be seen from it, blue above the purple hills.

Ensconced in this pleasant tomb of his life and longings, Mino sat down before the narrow desk, with its two shelves at top, where he was accustomed to devote himself to his studies. Then, dipping his reed in the inkhorn fastened to the side of the little coffer that held his sheets of parchment, his brushes, and his colours and gold dust, he besought the flies, in the name of the Lord, not to annoy him, and began to write the account of all he had seen and heard in the Chapel of San Michele, during his night of torment, as well as on the day just done, in the woods by the stream side. And first of all, he traced these lines on the parchment:

"_A true record of those things which Fra Mino, of the Order of Friars Minors, saw and heard, and which he doth here relate for the instruction of the Faithful. To the praise of Jesus Christ and the glory of the blessed and humble poor man of Christ, St. Francis. Amen._"

Then he set down in order in writing, without omitting aught, all he had noted of the nymphs that turned into witches and the old man with horns on his brow, whose voice quavered in the woods like a last sigh of the Classic flute and a first prelude of the Christian harp. While he wrote, the birds sang; and night closed in slowly, blotting out the bright colours of the day. The Monk lighted his lamp, and went on with his writing. As he recounted each several marvel he had made acquaintance with, he carefully expounded its literal, and its spiritual, signification, all according to the rules of rhetoric and theology. And just as men fence about cities with walls and towers to make them strong, so he supported all his arguments with texts of Scripture. He concluded from the singular revelations he had received: firstly, that Jesus Christ is Lord of all creatures, and is God of the Satyrs and the Pans, as well as of men. This is why St. Jerome saw in the Desert Centaurs that confessed Jesus Christ; secondly, that God had communicated to the Pagans certain glimmerings of light, to the end they might be saved. Likewise the Sibyls, for instance the Cumæan, the Egyptian and the Delphic, did these not foreshadow, amid the darkness of the Gentiles, the Holy Cradle, the Rods, the Reed, the Crown of Thorns and the Cross itself? For which reason St. Augustine admitted the Erythræan Sibyl into the City of God. Fra Mino gave thanks to God for having taught him so much learning; and a great joy flooded his heart to think Virgil was among the elect. And he wrote gleefully at the bottom of the last leaf:

"_Here endeth the Apocalypse of Brother Mino, the poor man of Jesus Christ. I have seen the aureole of the blessed Saints crowning the horned forehead of the Satyr, in token that Jesus Christ hath redeemed from the shades of limbo the sages and poets of Antiquity._"

The night was already far spent when, having finished his task, Fra Mino stretched himself upon his bed to snatch a little repose. Just as he was dropping asleep, an old woman came in at the window, riding on a moonbeam. He recognized her instantly for the ugliest of the witches he had seen in the Chapel of San Michele.

"My sweet," she said, addressing him, "what have you been doing this day? Yet we warned you, I and my pretty sisters, you must not reveal our secrets. For if you betrayed us, we told you we should kill you. And sorry I should be, for indeed I love you tenderly."

She clipped him in her arms, called him her heavenly Adonis, her darling, her little white ass, and lavished a thousand ardent caresses on him.

Anon, when he repulsed her with a spasm of disgust,

"Child, child!" she said to him, "you scorn me, because my eyes are rimmed with red, my nostrils rotted with the acrid, fetid humour they distil, and my gums adorned with a single tooth, and that black and extravagantly long. Such is your Neæra to-day, it is too true. But if you love me, I shall once more become, by you and for you, what I was in the golden days of Saturn, when my youth was in blossom amid the blossoms of the young, flower-decked world. 'Tis love, oh! my young god, that makes the beauty of things. To restore my beauty, all that is needed is a little courage. Up, Mino, be bold and show your mettle!"

At these words, which were accompanied by appropriate gestures, Fra Mino, shuddering with fear and horror, felt himself swoon away, and slipped from his bed on to the pavement of his cell. As he fell, he seemed to catch a glimpse, between his half-closed lids, of a nymph of perfect shape and peerless beauty, whose naked body rolled over his like waves of milk.

He woke in broad daylight, bruised and broken by his fall. The leaves of the manuscript he had written the night before still littered the desk. He read them through again, folded and sealed them with his seal, put the roll inside his gown, and unheeding the menaces the witches had twice over given him, started to carry his revelations to the Lord Bishop, whose Palace lifted its battlements above the roofs in the middle of the city. He found him donning his spurs in the Great Hall, surrounded by his men-at-arms. For the Bishop was just then at war with the Ghibellines of Florence. He asked the Monk to what he owed his visit, and on being informed of the matter, invited him there and then to read out his report. Fra Mino obeyed, and the Bishop heard out his tale to the end. He had no special lights on the subject of apparitions; but he was animated with an ardent zeal for the interests of the Faith. Without a day's delay, and not suffering the cares of the War to distract him from his purpose, he appointed twelve famous Doctors in Theology and Canon Law to examine into the affair, urging them to give a definite and speedy decision. After mature inquiry and not without again and again cross-questioning Fra Mino, the Doctors determined the best thing to do was to open the tomb of San Satiro in the Chapel of San Michele, and go through a course of special exorcisms on the spot. As to the points of doctrine raised by Fra Mino, they declined to pronounce a formal opinion, inclining however to regard as rash, frivolous and new-fangled the arguments advanced by the Franciscan.

Agreeably to the advice of the learned Doctors and by order of the Bishop, the tomb of San Satiro was opened. It was found to contain nothing but a handful of ashes, which the priests sprinkled with holy water. At this there rose a white vapour, from which issued a sound of faint and feeble groans.

The night following this pious ceremony Fra Mino dreamed that the witches, bending over his bed, were tearing his heart out of his bosom. He rose at dawn, tortured with sharp pains and devoured by a raging thirst. He dragged himself as far as the cloister well, where the doves used to drink. But no sooner had he drained down a few drops of water that filled a hollow in the well-head than he felt his heart swell within him like a sponge, and with a stifled cry to God, he choked and died.

[The end]
Anatole France's short story: San Satiro

________________________________________________



GO TO TOP OF SCREEN