Outside The Prison

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Title:     Outside The Prison
Author: Richard Harding Davis [More Titles by Davis]

It was about ten o'clock on the night before Christmas, and very cold. Christmas Eve is a very-much-occupied evening everywhere, in a newspaper office especially so, and all of the twenty and odd reporters were out that night on assignments, and Conway and Bronson were the only two remaining in the local room. They were the very best of friends, in the office and out of it; but as the city editor had given Conway the Christmas-eve story to write instead of Bronson, the latter was jealous, and their relations were strained. I use the word "story" in the newspaper sense, where everything written for the paper is a story, whether it is an obituary, or a reading notice, or a dramatic criticism, or a descriptive account of the crowded streets and the lighted shop-windows of a Christmas Eve. Conway had finished his story quite half an hour before, and should have sent it out to be mutilated by the blue pencil of a copy editor; but as the city editor had twice appeared at the door of the local room, as though looking for some one to send out on another assignment, both Conway and Bronson kept on steadily writing against time, to keep him off until some one else came in. Conway had written his concluding paragraph a dozen times, and Bronson had conscientiously polished and repolished a three-line "personal" he was writing, concerning a gentleman unknown to fame, and who would remain unknown to fame until that paragraph appeared in print.

The city editor blocked the door for the third time, and looked at Bronson with a faint smile of sceptical appreciation.

"Is that very important?" he asked.

Bronson said, "Not very," doubtfully, as though he did not think his opinion should be trusted on such a matter, and eyed the paragraph with critical interest. Conway rushed his pencil over his paper, with the tip of his tongue showing between his teeth, and became suddenly absorbed.

"Well, then, if you are not _very_ busy," said the city editor, "I wish you would go down to Moyamensing. They release that bank-robber Quinn to-night, and it ought to make a good story. He was sentenced for six years, I think, but he has been commuted for good conduct and bad health. There was a preliminary story about it in the paper this morning, and you can get all the facts from that. It's Christmas Eve, and all that sort of thing, and you ought to be able to make something of it."

There are certain stories written for a Philadelphia newspaper that circle into print with the regularity of the seasons. There is the "First Sunday in the Park," for example, which comes on the first warm Sunday in the spring, and which is made up of a talk with a park policeman who guesses at the number of people who have passed through the gates that day, and announcements of the re-painting of the boat-houses and the near approach of the open-air concerts. You end this story with an allusion to the presence in the park of the "wan-faced children of the tenement," and the worthy workingmen (if it is a one-cent paper which the workingmen are likely to read), and tell how they worshipped nature in the open air, instead of saying that in place of going properly to church, they sat around in their shirt-sleeves and scattered egg-shells and empty beer bottles and greasy Sunday newspapers over the green grass for which the worthy men who do not work pay taxes. Then there is the "Hottest Sunday in the Park," which comes up a month later, when you increase the park policeman's former guess by fifteen thousand, and give it a news value by adding a list of the small boys drowned in bathing.

The "First Haul of Shad" in the Delaware is another reliable story, as is also the first ice fit for skating in the park; and then there is always the Thanksgiving story, when you ask the theatrical managers what they have to be thankful for, and have them tell you, "For the best season that this theatre has ever known, sir," and offer you a pass for two; and there is the New Year's story when you interview the local celebrities as to what they most want for the new year, and turn their commonplace replies into something clever. There is also a story on Christmas Day, and the one Conway had just written on the street scenes of Christmas Eve. After you have written one of these stories two or three times, you find it just as easy to write it in the office as anywhere else. One gentleman of my acquaintance did this most unsuccessfully. He wrote his Christmas-day story with the aid of a directory and the file of a last year's paper. From the year-old file he obtained the names of all the charitable institutions which made a practice of giving their charges presents and Christmas trees, and from the directory he drew the names of their presidents and boards of directors; but as he was unfortunately lacking in religious knowledge and a sense of humor, he included all the Jewish institutions on the list, and they wrote to the paper and rather objected to being represented as decorating Christmas trees, or in any way celebrating that particular day. But of all stale, flat, and unprofitable stories, this releasing of prisoners from Moyamensing was the worst. It seemed to Bronson that they were always releasing prisoners; he wondered how they possibly left themselves enough to make a county prison worth while. And the city editor for some reason always chose him to go down and see them come out. As they were released at midnight, and never did anything of moment when they were released but to immediately cross over to the nearest saloon with all their disreputable friends who had gathered to meet them, it was trying to one whose regard for the truth was at first unshaken, and whose imagination at the last became exhausted. So, when Bronson heard he had to release another prisoner in pathetic descriptive prose, he lost heart and patience, and rebelled.

"Andy," he said, sadly and impressively, "if I have written that story once, I have written it twenty times. I have described Moyamensing with the moonlight falling on its walls; I have described it with the walls shining in the rain; I have described it covered with the pure white snow that falls on the just as well as on the criminal; and I have made the bloodhounds in the jail-yard howl dismally--and there are no bloodhounds, as you very well know; and I have made released convicts declare their intention to lead a better and a purer life, when they only said, 'If youse put anything in the paper about me, I'll lay for you;' and I have made them fall on the necks of their weeping wives, when they only asked, 'Did you bring me some tobacco? I'm sick for a pipe;' and I will not write any more about it; and if I do, I will do it here in the office, and that is all there is to it."

"Oh yes, I think you will," said the city editor, easily.

"Let some one else do it," Bronson pleaded--"some one who hasn't done the thing to death, who will get a new point of view--" Conway, who had stopped writing, and had been grinning at Bronson over the city editor's back, grew suddenly grave and absorbed, and began to write again with feverish industry. "Conway, now, he's great at that sort of thing. He's--"

The city editor laid a clipping from the morning paper on the desk, and took a roll of bills from his pocket.

"There's the preliminary story," he said. "Conway wrote it, and it moved several good people to stop at the business office on their way down-town and leave something for the released convict's Christmas dinner. The story is a very good story, and impressed them," he went on, counting out the bills as he spoke, "to the extent of fifty five dollars. You take that and give it to him, and tell him to forget the past, and keep to the narrow road, and leave jointed jimmies alone. That money will give you an excuse for talking to him, and he may say something grateful to the paper, and comment on its enterprise. Come, now, get up. I've spoiled you two boys. You've been sulking all the evening because Conway got that story, and now you are sulking because you have got a better one. Think of it--getting out of prison after four years, and on Christmas Eve! It's a beautiful story just as it is. But," he added, grimly, "you'll try to improve on it, and grow maudlin. I believe sometimes you'd turn a red light on the dying gladiator."

The conscientiously industrious Conway, now that his fear of being sent out again was at rest, laughed at this with conciliatory mirth, and Bronson smiled sheepishly, and peace was restored between them.

But as Bronson capitulated, he tried to make conditions. "Can I take a cab?" he asked.

The city editor looked at his watch. "Yes," he said; "you'd better; it's late, and we go to press early to-night, remember."

"And can I send my stuff down by the driver and go home?" Bronson went on. "I can write it up there, and leave the cab at Fifteenth Street, near our house. I don't want to come all the way down-town again."

"No," said the chief; "the driver might lose it, or get drunk, or something."

"Then can I take Gallegher with me to bring it back?" asked Bronson. Gallegher was one of the office-boys.

The city editor stared at him grimly. "Wouldn't you like a type-writer, and Conway to write the story for you, and a hot supper sent after you?" he asked.

"No; Gallegher will do," Bronson said.

Gallegher had his overcoat on and a night-hawk at the door when Bronson came down the stairs and stopped to light a cigar in the hallway.

"Go to Moyamensing," said Gallegher to the driver.

Gallegher looked at the man to see if he would show himself sufficiently human to express surprise at their visiting such a place on such a night, but the man only gathered up his reins impassively, and Gallegher stepped into the cab, with a feeling of disappointment at having missed a point. He rubbed the frosted panes and looked out with boyish interest at the passing holiday-makers. The pavements were full of them and their bundles, and the street as well, with wavering lines of medical students and clerks blowing joyfully on the horns, and pushing through the crowd with one hand on the shoulder of the man in front. The Christmas greens hung in long lines, and only stopped where a street crossed, and the shop fronts were so brilliant that the street was as light as day.

It was so light that Bronson could read the clipping the city editor had given him.

"What is it we are going on?" asked Gallegher.

Gallegher enjoyed many privileges; they were given him principally, I think, because if they had not been given him he would have taken them. He was very young and small, but sturdily built, and he had a general knowledge which was entertaining, except when he happened to know more about anything than you did. It was impossible to force him to respect your years, for he knew all about you, from the number of lines that had been cut off your last story to the amount of your very small salary; and there was an awful simplicity about him, and a certain sympathy, or it may have been merely curiosity, which showed itself towards every one with whom he came in contact. So when he asked Bronson what he was going to do, Bronson read the clipping in his hand aloud.

"'Henry Quinn,'" Bronson read, "'who was sentenced to six years in Moyamensing Prison for the robbery of the Second National Bank at Tacony, will be liberated to-night. His sentence has been commuted, owing to good conduct and to the fact that for the last year he has been in very ill health. Quinn was night watchman at the Tacony bank at the time of the robbery, and, as was shown at the trial, was in reality merely the tool of the robbers. He confessed to complicity in the robbery, but disclaimed having any knowledge of the later whereabouts of the money, which has never been recovered. This was his first offence, and he had, up to the time of the robbery, borne a very excellent reputation. Although but lately married, his married life had been a most unhappy one, his friends claiming that his wife and her mother were the most to blame. Quinn took to spending his evenings away from home, and saw a great deal of a young woman who was supposed to have been the direct cause of his dishonesty. He admitted, in fact, that it was to get money to enable him to leave the country with her that he agreed to assist the bank-robbers. The paper acknowledges the receipt of ten dollars from M.J.C. to be given to Quinn on his release, also two dollars from Cash and three from Mary."

Gallegher's comment on this was one of disdain. "There isn't much in that," he said, "is there? Just a man that's done time once, and they're letting him out. Now, if it was Kid McCoy, or Billy Porter, or some one like that--eh?" Gallegher had as high a regard for a string of aliases after a name as others have for a double line of K.C.B.'s and C.S.L.'s, and a man who had offended but once was not worthy of his consideration. "And you will work in those bloodhounds again, too, I suppose," he said, gloomily.

The reporter pretended not to hear this, and to doze in the corner, and Gallegher whistled softly to himself and twisted luxuriously on the cushions. It was a half-hour later when Bronson awoke to find he had dozed in all seriousness, as a sudden current of cold air cut in his face, and he saw Gallegher standing with his hand on the open door, with the gray wall of the prison rising behind him.

Moyamensing looks like a prison. It is solidly, awfully suggestive of the sternness of its duty and of the hopelessness of its failing in it. It stands like a great fortress of the Middle Ages in a quadrangle of cheap brick and white dwelling-houses, and a few mean shops and tawdry saloons. It has the towers of a fortress, the pillars of an Egyptian temple; but more impressive than either of these is the awful simplicity of the bare, uncompromising wall that shuts out the prying eyes of the world and encloses those who are no longer of the world. It is hard to imagine what effect it has on those who remain in the houses about it. One would think they would sooner live overlooking a graveyard than such a place, with its mystery and hopelessness and unending silence, its hundreds of human inmates whom no one can see or hear, but who, one feels, are there.

Bronson, as he looked up at the prison, familiar as it was to him, admitted that he felt all this, by a frown and a slight shrug of the shoulders. "You are to wait here until twelve," he said to the driver of the nighthawk. "Don't go far away."

Bronson and the boy walked to an oyster-saloon that made one of the line of houses facing the gates of the prison on the opposite side of the street, and seated themselves at one of the tables from which Bronson could see out towards the northern entrance of the jail. He told Gallegher to eat something, so that the saloon-keeper would make them welcome and allow them to remain, and Gallegher climbed up on a high chair, and heard the man shout back his order to the kitchen with a faint smile of anticipation. It was eleven o'clock, but it was even then necessary to begin to watch, as there was a tradition in the office that prisoners with influence were sometimes released before their sentence was quite fulfilled, and Bronson eyed the "released prisoners' gate" from across the top of his paper. The electric lights before the prison showed every stone in its wall, and turned the icy pavements into black mirrors of light. On a church steeple a block away a round clock-face told the minutes, and Bronson wondered, if they dragged so slowly to him, how tardily they must follow one another to the men in the prison, who could not see the clock's face. The office-boy finished his supper, and went out to explore the neighborhood, and came back later to say that it was growing colder, and that he had found the driver in a saloon, but that he was, to all appearances, still sober. Bronson suggested that he had better sacrifice himself once again and eat something for the good of the house, and Gallegher assented listlessly, with the comment that one "might as well be eatin' as doin' nothin'." He went out again restlessly, and was gone for a quarter of an hour, and Bronson had re-read the day's paper and the signs on the wall and the clipping he had read before, and was thinking of going out to find him, when Gallegher put his head and arm through the door and beckoned to him from the outside. Bronson wrapped his coat up around his throat and followed him leisurely to the street. Gallegher halted at the curb, and pointed across to the figure of a woman pacing up and down in the glare of the electric lights, and making a conspicuous shadow on the white surface of the snow.

"That lady," said Gallegher, "asked me what door they let the released prisoners out of, an' I said I didn't know, but that I knew a young fellow who did."

Bronson stood considering the possible value of this for a moment, and then crossed the street slowly. The woman looked up sharply as he approached, but stood still.

"If you are waiting to see Quinn," Bronson said, abruptly, "he will come out of that upper gate, the green one with the iron spikes over it."

The woman stood motionless, and looked at him doubtfully. She was quite young and pretty, but her face was drawn and wearied-looking, as though she were a convalescent or one who was in trouble. She was of the working class.

"I am waiting for him myself," Bronson said, to reassure her.

"Are you?" the girl answered, vaguely. "Did you try to see him?" She did not wait for an answer, but went on, nervously: "They wouldn't let me see him. I have been here since noon. I thought maybe he might get out before that, and I'd be too late. You are sure that is the gate, are you? Some of them told me there was another, and I was afraid I'd miss him. I've waited so long," she added. Then she asked, "You're a friend of his, ain't you?"

"Yes, I suppose so," Bronson said. "I am waiting to give him some money."

"Yes? I have some money, too," the girl said, slowly. "Not much." Then she looked at Bronson eagerly and with a touch of suspicion, and took a step backward. "You're no friend of hern, are you?" she asked, sharply.

"Her? Whom do you mean?" asked Bronson.

But Gallegher interrupted him. "Certainly not," he said. "Of course not."

The girl gave a satisfied nod, and then turned to retrace her steps over the beat she had laid out for herself.

"Whom do you think she means?" asked Bronson, in a whisper.

"His wife, I suppose," Gallegher answered, impatiently.

The girl came back, as if finding some comfort in their presence. "_She's_ inside now," with a nod of her head towards the prison. "Her and her mother. They come in a cab," she added, as if that circumstance made it a little harder to bear. "And when I asked if I could see him, the man at the gate said he had orders not. I suppose she gave him them orders. Don't you think so?" She did not wait for a reply, but went on as though she had been watching alone so long that it was a relief to speak to some one. "How much money have you got?" she asked.

Bronson told her.

"Fifty-five dollars!" The girl laughed, sadly. "I only got fifteen dollars. That ain't much, is it? That's all I could make--I've been sick--that and the fifteen I sent the paper."

"Was it you that--did you send any money to a paper?" asked Bronson.

"Yes; I sent fifteen dollars. I thought maybe I wouldn't get to speak to him if she came out with him, and I wanted him to have the money, so I sent it to the paper, and asked them to see he got it. I give it under three names: I give my initials, and 'Cash,' and just my name-- 'Mary.' I wanted him to know it was me give it. I suppose they'll send it all right. Fifteen dollars don't look like much against fifty-five dollars, does it?" She took a small roll of bills from her pocket and smiled down at them. Her hands were bare, and Bronson saw that they were chapped and rough. She rubbed them one over the other, and smiled at him wearily.

Bronson could not place her in the story he was about to write; it was a new and unlooked-for element, and one that promised to be of moment. He took the roll of bills from his pocket and handed them to her. "You might as well give him this too," he said. "I will be here until he comes out, and it makes no difference who gives him the money, so long as he gets it."

The girl smiled confusedly. The show of confidence seemed to please her. But she said, "No, I'd rather not. You see, it isn't mine, and I _did_ work for this," holding out her own roll of money. She looked up at him steadily, and paused for a moment, and then said, almost defiantly, "Do you know who I am?"

"I can guess," Bronson said.

"Yes, I suppose you can," the girl answered. "Well, you can believe it or not, just as you please"--as though he had accused her of something--"but, before God, it wasn't my doings." She pointed with a wave of her hand towards the prison wall. "I did not know it was for _me_ he helped them get the money until he said so on the stand. I didn't know he was thinking of running off with me at all. I guess I'd have gone if he had asked me. But I didn't put him up to it as they said I'd done. I knew he cared for me a lot, but I didn't think he cared as much as that. His wife"--she stopped, and seemed to consider her words carefully, as if to be quite fair in what she said--"his wife, I guess, didn't know just how to treat him. She was too fond of going out, and having company at the house, when he was away nights watching at the bank. When they was first married she used to go down to the bank and sit up with him to keep him company; but it was lonesome there in the dark, and she give it up. She was always fond of company and having men around. Her and her mother are a good deal alike. Henry used to grumble about it, and then she'd get mad, and that's how it begun. And then the neighbors talked too. It was after that that he got to coming to see me. I was living out in service then, and he used to stop in to see me on his way back from the bank, about seven in the morning, when I was up in the kitchen getting breakfast. I'd give him a cup of coffee or something, and that's how we got acquainted."

She turned her face away, and looked at the lights farther down the street. "They said a good deal about me and him that wasn't true." There was a pause, and then she looked at Bronson again. "I told him he ought to stop coming to see me, and to make it up with his wife, but he said he liked me best. I couldn't help his saying that, could I, if he did? Then he--then this come," she nodded to the jail, "and they blamed _me_ for it. They said that I stood in with the bank-robbers, and was working with them; they said they used me for to get him to help them." She lifted her face to the boy and the man, and they saw that her eyes were wet and that her face was quivering. "That's likely, isn't it?" she demanded, with a sob. She stood for a moment looking at the great iron gate, and then at the clock-face glowing dully through the falling snow: it showed a quarter to twelve. "When he was put away," she went on, sadly, "I started in to wait for him, and to save something against his coming out. I only got three dollars a week and my keep, but I had saved one hundred and thirty dollars up to last April, and then I took sick, and it all went to the doctor and for medicines. I didn't want to spend it that way, but I couldn't die and not see him. Sometimes I thought it would be better if I did die and save the money for him, and then there wouldn't be any more trouble, anyway. But I couldn't make up my mind to do it. I did go without taking medicines they laid out for me for three days; but I had to live--I just _had_ to. Sometimes I think I ought to have given up, and not tried to get well. What do you think?"

Bronson shook his head, and cleared his throat as if he were going to speak, but said nothing. Gallegher was looking up at the girl with large, open eyes. Bronson wondered if any woman would ever love him as much as that, or if he would ever love any woman so. It made him feel lonesome, and he shook his head. "Well?" he said, impatiently.

"Well, that's all; that's how it is," she said. "She's been living on there at Tacony with her mother. She kept seeing as many men as before, and kept getting pitied all the time; everybody was so sorry for her. When he was took so bad that time a year ago with his lungs, they said in Tacony that if he died she'd marry Charley Oakes, the conductor. He's always going to see her. Them that knew her knew me, and I got word about how Henry was getting on. I couldn't see him, because she told lies about me to the warden, and they wouldn't let me. But I got word about him. He's been fearful sick just lately. He caught a cold walking in the yard, and it got down to his lungs. That's why they are letting him out. They say he's changed so. I wonder if I'm changed much?" she said. "I've fallen off since I was ill." She passed her hands slowly over her face, with a touch of vanity that hurt Bronson somehow, and he wished he might tell her how pretty she still was. "Do you think he'll know me?" she asked. "Do you think she'll let me speak to him?"

"I don't know. How can I tell?" said the reporter, sharply. He was strangely nervous and upset. He could see no way out of it. The girl seemed to be telling the truth, and yet the man's wife was with him and by his side, as she should be, and this woman had no place on the scene, and could mean nothing but trouble to herself and to every one else. "Come," he said, abruptly, "we had better be getting up there. It's only five minutes of twelve."

The girl turned with a quick start, and walked on ahead of them up the drive leading between the snow-covered grass-plots that stretched from the pavement to the wall of the prison. She moved unsteadily and slowly, and Bronson saw that she was shivering, either from excitement or the cold.

"I guess," said Gallegher, in an awed whisper, "that there's going to be a scrap."

"Shut up," said Bronson.

They stopped a few yards before the great green double gate, with a smaller door cut in one of its halves, and with the light from a big lantern shining down on them. They could not see the clock-face from where they stood, and when Bronson took out his watch and looked at it, the girl turned her face to his appealingly, but did not speak.

"It will be only a little while now," he said, gently. He thought he had never seen so much trouble and fear and anxiety in so young a face, and he moved towards her and said, in a whisper, as though those inside could hear him, "Control yourself if you can," and then added, doubtfully, and still in a whisper, "You can take my arm if you need it." The girl shook her head dumbly, but took a step nearer him, as if for protection, and turned her eyes fearfully towards the gate. The minutes passed on slowly but with intense significance, and they stood so still that they could hear the wind playing through the wires of the electric light back of them, and the clicking of the icicles as they dropped from the edge of the prison wall to the stones at their feet.

And then slowly and laboriously, and like a knell, the great gong of the prison sounded the first stroke of twelve; but before it had counted three there came suddenly from all the city about them a great chorus of clanging bells and the shrieks and tooting of whistles and the booming of cannon. From far down town the big bell of the State-house, with its prestige and historic dignity back of it, tried to give the time, but the other bells raced past it, and beat out on the cold crisp air joyously and uproariously from Kensington to the Schuylkill; and from far across the Neck, over the marshes and frozen ponds, came the dull roar of the guns at the navy-yard, and from the Delaware the hoarse tootings of the ferry-boats, and the sharp shrieks of the tugs, until the heavens seemed to rock and swing with the great welcome.

Gallegher looked up quickly with a queer, awed smile.

"It's Christmas," he said, and then he nodded doubtfully towards Bronson and said, "Merry Christmas, sir."

It had come to the waiting holiday crowd down-town around the State-house, to the captain of the tug, fog-bound on the river, to the engineer sweeping across the white fields and sounding his welcome with his hand on the bell-cord, to the prisoners beyond the walls, and to the children all over the land, watching their stockings at the foot of their beds.

And then the three were instantly drawn down to earth again by the near, sharp click of opening bolts and locks, and the green gates swung heavily in before them. The jail-yard was light with whitewash, and two great lamps in front of round reflectors shone with blinding force in their faces, and made them start suddenly backward, as though they had been caught in the act and held in the circle of a policeman's lantern. In the middle of the yard was the carriage in which the prisoner's wife and her mother had come, and around it stood the wardens and turnkeys in their blue and gold uniforms. They saw them, dimly from behind the glare of the carriage lamps that shone in their faces, and saw the horses moving slowly towards them, and the driver holding up their heads as they slipped and slid on the icy stones. The girl put her hand on Bronson's arm and clinched it with her fingers, but her eyes were on the advancing carriage. The horses slipped nearer to them and passed them, and the lights from the lamps now showed their backs and the paving stones beyond them, and left the cab in partial darkness. It was a four-seated carriage with a movable top, opening into two halves at the centre. It had been closed when the cab first entered the prison, a few hours before, but now its top was thrown back, and they could see that it held the two women, who sat facing each other on the farther side, and on the side nearer them, stretching from the forward seat to the top of the back, was a plain board coffin, prison-made and painted black.

The girl at Bronson's side gave something between a cry and a shriek that turned him sick for an instant, and that made the office-boy drop his head between his shoulders as though some one had struck at him from above. Even the horses shied with sudden panic towards one another, and the driver pulled them in with an oath of consternation, and threw himself forward to look beneath their hoofs. And as the carriage stopped the girl sprang in between the wheels and threw her arms across the lid of the coffin, and laid her face down upon the boards that were already damp with the falling snow.

"Henry! Henry! Henry!" she moaned.

The surgeon who attended the prisoner through the sickness that had cheated the country of three hours of his sentence ran out from the hurrying crowd of wardens and drew the girl slowly and gently away, and the two women moved on triumphantly with their sorry victory.

* * * * *

Bronson gave his copy to Gallegher to take to the office, and Gallegher laid it and the roll of money on the city editor's desk, and then, so the chief related afterwards, moved off quickly to the door. The chief looked up from his proofs and touched the roll of money with his pencil. "Here! what's this?" he asked. "Wouldn't he take it?"

Gallegher stopped and straightened himself as though about to tell with proper dramatic effect the story of the night's adventure, and then, as though the awe of it still hung upon him, backed slowly to the door, and said, confusedly, "No, sir; he was--he didn't need it."

[The end]
Richard Harding Davis's short story: Outside The Prison

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