Home > Authors Index > Julian Hawthorne > Bressant > This page
Bressant, a novel by Julian Hawthorne |
||
Chapter 3. Sophie And Cornelia Enter Into A Covenant |
||
< Previous |
Table of content |
Next > |
________________________________________________
_ CHAPTER III. SOPHIE AND CORNELIA ENTER INTO A COVENANT When Cornelia left her father on the balcony, she danced up-stairs, and chasseed on tiptoe up to the door of Sophie's room. There she stopped and knocked. Somehow or other, nobody ever went into that room without knocking. It never entered any one's head to burst in unannounced. The door was an unimposing-looking piece of deal, grained by some village artist into the portraiture of an as yet undiscovered kind of wood, and considerably impaired in various ways by time. It could not have been the door, therefore. Nor was the bolt ever drawn, save at certain hours of the morning and night. Sophie was not an ogre, either. Cornelia, who was very trying at times, would have found it hard to recall an occasion when Sophie had answered or addressed her sharply or crossly. If she exerted any influence, or wielded any power, it was not of the kind which attends a violent or morose temper. But no vixen or shrew, how terrible soever she may be, can hope at all times or from all people to meet with respect or consideration; while to Sophie Valeyon the world always put on its best face and manner, secretly wondering at itself the while for being so well-behaved. As to the affair of knocking, Sophie herself had never said a word about it, one way or another. She always took it as a matter of course; indeed, had she been loquacious on the subject, or insisted upon the observance, Cornelia for one would have been very likely to laugh to scorn and disregard her, therein acting upon a principle of her own, which prompted her to measure her strength against any thing which seemed to challenge her, and never to give up if she could help it. But she had never had a trial of strength with Sophie, and possibly was quite contented that it should be so. She would have shrunk from thwarting or crossing her sister as she would from committing a secret sin: there might be no material or visible ill-consequence, but the stings of conscience would be all the sharper. So Cornelia knocked and entered, and the quiet, cool room in which her sister lay seemed to glow and become enlivened by the joyous reflection of her presence. Yet the effect of the room upon Cornelia was at least as marked. She hushed herself, as it were, and tried, half unconsciously, to adapt herself to the tone of her surroundings; for, although her physical nature was sound and healthy, almost to boisterousness, her perceptions remained very keen and delicate, and occasionally rallied her upon the redundancy of her animal well-being with something like reproof. It was singular, with how few and how simple means was created the impression of purity and repose that this chamber produced! It brought to mind the pearly interior of a shell, and a fanciful person might have listened for the sea-music whispering through. The walls were papered with pale gray, relieved by a light pink tracery, and the white-muslin curtains were set off by a pink lining. A bunch of wild-flowers and grasses, which Cornelia had gathered that morning, and Sophie had arranged, stood on the mantel-piece. There were four or five pictures--one, a bass-relief of Endymion, deep asleep, yet conscious in his dream that the moon is peeping shyly over his polished shoulder, had been copied from a famous original by Sophie herself. She had painted it in a pale-brown mezzotint, which was like nothing in nature, but seemed suitable of all others for the embodiment of the classic fable. This picture hung over the mantel-piece. Opposite Sophie's bed was an illumination of the Lord's Prayer, with clear gold lettering, and capitals and border of celestial colors. The dressing-table was covered with a white cloth, on which reposed a comb and brush and a pink pin-cushion with a muslin cover, and over which hung a crayon of the cherub of the Sistine Madonna, who leans his chin upon his hand. Within reach of Sophie's hand as she lay, were suspended a couple of hanging shelves, which held her books. There were not a great many of them, but they all bore signs of having been well read, and there was at the same time a certain neatness and spotlessness in their appearance which no merely new books could ever possess, but which was communicated solely by Sophie's pure finger-touches. On the opposite side of the bed stood a small table, on which ticked a watch; and beside the watch was a work-basket, full of those multifarious little articles that only a woman knows how to get together. Looking around the room, and noting the delicate nicety and precision of its condition and arrangement, one would have supposed that Sophie's own hands must have been very lately at work upon it. But it was many weeks since she had even sat in the easy-chair that stood in the rosy-curtained window; and, although now far advanced in convalescence, she had taken no part in the care of her room since her illness. Why it had still continued to retain its immaculateness was one of many similar mysteries which must always surround a character like Sophie's. Every thing she accomplished seemed not so much to be done, as to take place, in accordance with her idea or resolve; and there were always, in her manifestations of whatever kind, more spiritual than material elements. When Cornelia entered, Sophie laid down her sewing, and looked up-with a smile in her eyes, which were large and gray, and the only regularly beautiful part of her face. She had a way of confining a smile to them, when wishing merely to express good-will or pleasure, which was peculiar to herself, and very effective. Cornelia walked quite soberly up to the bedside, kissed her sister, and then stood silent for several moments. Compared with her recent exhilaration, this was very extraordinary behavior. She had rushed up-stairs intent upon pouring into Sophie's ears the whole gorgeous tale of her hopes and anticipations for the coming summer. Yet no sooner was she within the door than her excitement seemed to die out, and her enthusiasm ebb away. Extraordinary as it appeared, it was by no means a rare occurrence. Cornelia alone could have told how common; if, indeed, she ever reflected upon the matter. She was very quick to feel a divergence of interests between her sister and herself, and always inferred that Sophie could not sympathize with any thing for which she had no personal taste. In the present instance, it had all at once occurred to her that her sister would not be likely to care half so much about the gayeties of fashionable watering-places and city-life as she did, and might therefore treat with indifference what was to her an affair of the greatest moment; and a snub being one of those things which Cornelia found it most difficult, even in the mildest form, to endure, she had resolved, on the spur of the moment, to approach the topic of her proposed departure with the same coolness which she expected Sophie to manifest when she heard about it. "Have you kept at that sewing ever since I went away?" asked she, idly examining the work which Sophie had laid down. "I believe so," replied Sophie, stroking her chin to a point between her forefinger and thumb. "It's so pleasant to be able to sew again at all that I should consider it no hardship to have to sew all day." Cornelia's thoughts immediately reverted to the dresses which the next two weeks must see made. "You wouldn't be strong enough to do that, though, would you? I mean to sew on dresses, and all that sort of thing?" "Dresses?" said Sophie, looking up inquiringly into her sister's face. "Oh, you mean your dress for Abbie's Fourth-of-July party? I thought you were going to wear your--" "Oh, no, not that; I wasn't thinking of that," interrupted Miss Valeyon, with a gesture as if deprecating the idea of having ever entertained ideas so lowly. "I shall hardly be in town on the Fourth," she added, reflectively, as if calculating her engagements. Sophie looked amazed, though it would have taken a keener observer than Cornelia was at the moment to detect the slight contraction of the under eyelids, and the barely perceptible droop of the corners of the mouth. She saw that her sister had something of moment to tell her, and was, for some reason, coquettish about bringing it out. Cornelia was often entertaining to Sophie when she least had intention of being so; but Sophie was far too tender of the young lady's feelings knowingly to let her suspect it. "Not be in town?" repeated she, demurely taking up her work; "why, where are you going, dear?" "Oh!" said Cornelia, with one of those little half-yawns wherewith we cover our nervousness or suspense, "I didn't tell you, did I? Papa received a letter from a lady in New York, the one who wanted us to call her 'Aunt Margaret' when we were there ever so long ago--the year after mamma died, you know--asking me to come to her house there, and go round with her to Saratoga and all the fashionable watering-places. The invitation was for about the first of July, so--" Cornelia, speaking with a breathless rapidity which she intended for _sang froid_, had got thus far, when Sophie, who had dropped her work again, and had been regarding her with a beautiful expression of surprise, joy, and affection in her eyes, stretched forth her arms, cooed out a tender little cry of happy congratulation and sympathy, and hugged her sister around the neck for a few moments in a very eloquent silence. "Why, Sophie!" murmured Cornelia, covered with an astonishment of smiles and tears, "how sweet you are! I didn't think you'd care; I thought you'd think it foolish in me to be glad, dear Sophie!" "My darling!" said Sophie, with another hug. She felt rebuked and remorseful; for if, as Cornelia's words unconsciously implied, her sympathy was unexpected, it would appear she had gained a reputation for coldness and indifference which she was far from coveting. It often happens, certainly, that those whom we consider intellectually beneath us, and whom, supposing them too dull to comprehend the evolutions of our minds, we occasionally use for our amusement, possess an instinctive insight far keener than that of experience, enabling them to read our very souls with an accuracy which puts our self-knowledge to the blush, and might quite turn the tables upon us, could they themselves but appreciate their power. "But tell me all about it," resumed Sophie; "all the particulars. And then we'll discuss the dresses. Dear me! I long to get to work upon them." As a matter of fact, Cornelia had very few particulars to tell: all she knew was the simple fact she had already stated. But it needed only a small spark to enkindle her imagination; she plunged at once into a perfect flower-garden of bright thoughts and rainbow fancies; foreshadowed her whole journey from the arrival in New York to the latest grand ball and conquest; glowed over the horses, the houses, and the people; speculated profoundly in possible romances and romantic possibilities, and became so eloquent in a pretty, half-childish, half-womanish way she had, that Sophie's eyes shone, and she told herself that Neelie was the dearest, cunningest sister in the world. From these glorious imaginings they descended--or ascended, perhaps--to the dresses, and then Sophie's low, steady voice mingled with Cornelia's rich, strenuous one, like pure water with red wine. Cornelia paced the little room backward and forward--she could never keep still when she was talking about what interested her, and now paused by the window, now before the mantel-piece, now leaned for a moment on the foot-board of Sophie's bed. She was very happy; indeed, this may have been the happiest hour of her life, past or to come. We all have our happiest hour, probably; and not always shall we find that happiness to have been caused by higher or less selfish considerations than those which animated Cornelia Valeyon. During one of her visits to the window, she was arrested by the vision of an unknown young man coining up the road. She at once became silent. "What is it?" demanded Sophie, presently. "Some man--a new one--a gentleman--awfully big!" reported Cornelia, in detached sentences, with a look between each one. "As big as Bill Reynolds?" asked Sophie, with a twinkle in her face. "How absurd, Sophie! Bill Reynolds, indeed! He isn't up to this man's shoulder. Besides, this is a gentleman, and--oh!" exclaimed Cornelia, breaking off suddenly, and drawing back a step from the window. "Has the gentleman had an accident?" inquired Sophie, still twinkling. "He's stopped here--speaking to somebody--father, I believe; he's coming in--there! do you hear?" cried Cornelia, turning round with large eyes and her finger at her mouth, and speaking in a thrilling whisper. The sound of the quick, irregular tread of Mr. Bressant, following the professor into the study, was audible from below. "Who can he be?" resumed she presently, as Sophie said nothing. "If he's a gentleman, we don't need to know any more, do we?" replied her sister, from behind her sewing. "Well, he is one," rejoined Cornelia, uncertain whether she was being made fun of or not. "He was dressed like one; not _bandboxy_, you know, but nicely and easily; and he stands and moves well; and then his face--" "Is he handsome?" asked Sophie, as Cornelia paused. "Oh! he has that refined look--I can't describe it--better than handsome," said she, giving a little wave with her hand to carry out her meaning. "It's lucky he was so big," remarked Sophie, very innocently, "or you might not have been able to see so much of him in such a little time." "Sophie!" said Cornelia, after a silence of some moments, speaking with tragic deliberation, "you're making fun of me; I think you're very unkind. I don't see what there is to laugh at in what I said; and if there was any thing, I think _you_ might not laugh." "O Neelie--dear Neelie!" exclaimed Sophie, coloring with regret and shame; "I didn't think you'd mind it; it was only my foolishness. Don't think I meant to be unkind to you, dear. I wish the man had never come here, whoever he is, if he is to come between us in any way. Won't you forgive me, darling?" and she held out her hand to Cornelia with a wistful, beseeching look in her eyes that thawed her sister's resentment immediately, and after a very brief struggle to preserve her dignity, she subsided with her face upon the pillow beside her sister's. "We won't ever quarrel or any thing again, will we, Sophie?" said she, after a while. "Never about that gentleman, at all events!" answered Sophie; and then they both laughed and kissed each other to seal the bargain. Once, long afterward, Cornelia remembered that kiss, and the words that had accompanied it; and pondered over the bitter significance with which the simple act and playful agreement had become fraught. But now, the subject was soon forgotten, and they fell to talking about the dresses once more; nor was the topic by any means exhausted when they were interrupted by the professor's voice calling to them from below. _ |