ACT I _ SCENE I TO SCENE IV

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_ The Stage represents Miss Foster's apartments at the Wells.
Doors, L. and C.; a window, L. C., looking on the street; a table
R., laid for breakfast.

SCENE I

BARBARA; to her MISS FOSTER

BARBARA (OUT OF WINDOW). Mr. Menteith! Mr. Menteith! Mr. Menteith! - Drat his old head! Will nothing make him hear? - Mr. Menteith!

MISS FOSTER (ENTERING). Barbara! this is incredible: after all my lessons, to be leaning from the window, and calling (for unless my ears deceived me, you were positively calling!) into the street.

BARBARA. Well, madam, just wait until you hear who it was. I declare it was much more for Miss Dorothy and yourself than for me; and if it was a little countrified, I had a good excuse.

MISS FOSTER. Nonsense, child! At least, who was it?

BARBARA. Miss Evelina, I was sure you would ask. Well, what do you think? I was looking out of window at the barber's opposite -

MISS FOSTER. Of which I entirely disapprove -

BARBARA. And first there came out two of the most beautiful - the Royal livery, madam!

MISS FOSTER. Of course, of course: the Duke of York arrived last night. I trust you did not hail the Duke's footmen?

BARBARA. O no, madam, it was after they were gone. Then, who should come out - but you'll never guess!

MISS FOSTER. I shall certainly not try.

BARBARA. Mr. Menteith himself!

MISS FOSTER. Why, child, I never heard of him.

BARBARA. O madam, not the Beau's own gentleman?

MISS FOSTER. Mr. Austin's servant. No? Is it possible? By that, George Austin must be here.

BARBARA. No doubt of that, madam; they're never far apart. He came out feeling his chin, madam, so; and a packet of letters under his arm, so; and he had the Beau's own walk to that degree you couldn't tell his back from his master's.

MISS FOSTER. My dear Barbara, you too frequently forget yourself. A young woman in your position must beware of levity.

BARBARA. Madam, I know it; but la, what are you to make of me? Look at the time and trouble dear Miss Dorothy was always taking - she that trained up everybody - and see what's come of it: Barbara Ridley I was, and Barbara Ridley I am; and I don't do with fashionable ways - I can't do with them; and indeed, Miss Evelina, I do sometimes wish we were all back again on Edenside, and Mr. Anthony a boy again, and dear Miss Dorothy her old self, galloping the bay mare along the moor, and taking care of all of us as if she was our mother, bless her heart!

MISS FOSTER. Miss Dorothy herself, child? Well, now you mention it, Tunbridge of late has scarcely seemed to suit her constitution. She falls away, has not a word to throw at a dog, and is ridiculously pale. Well, now Mr. Austin has returned, after six months of infidelity to the dear Wells, we shall all, I hope, be brightened up. Has the mail come?

BARBARA. That it has, madam, and the sight of Mr. Menteith put it clean out of my head. (WITH LETTERS.) Four for you, Miss Evelina, two for me, and only one for Miss Dorothy. Miss Dorothy seems quite neglected, does she not? Six months ago, it was a different story.

MISS FOSTER. Well, and that's true, Barbara, and I had not remarked it. I must take her seriously to task. No young lady in her position should neglect her correspondence. (OPENING A LETTER.) Here's from that dear ridiculous boy, the Cornet, announcing his arrival for to-day.

BARBARA. O madam, will he come in his red coat?

MISS FOSTER. I could not conceive him missing such a chance. Youth, child, is always vain, and Mr. Anthony is unusually young.

BARBARA. La, madam, he can't help that.

MISS FOSTER. My child, I am not so sure. Mr. Anthony is a great concern to me. He was orphaned, to be sure, at ten years old; and ever since he has been only as it were his sister's son. Dorothy did everything for him: more indeed than I thought quite ladylike, but I suppose I begin to be old-fashioned. See how she worked and slaved - yes, slaved! - for him: teaching him herself, with what pains and patience she only could reveal, and learning that she might be able; and see what he is now: a gentleman, of course, but, to be frank, a very commonplace one: not what I had hoped of Dorothy's brother; not what I had dreamed of the heir of two families - Musgrave and Foster, child! Well, he may now meet Mr.Austin. He requires a Mr. Austin to embellish and correct his manners. (OPENING ANOTHER LETTER.) Why, Barbara, Mr. John Scrope and Miss Kate Dacre are to be married!

BARBARA. La, madam, how nice!

MISS FOSTER. They are: As I'm a sinful woman. And when will you be married, Barbara? and when dear Dorothy? I hate to see old maids a-making.

BARBARA. La, Miss Evelina, there's no harm in an old maid.

MISS FOSTER. You speak like a fool, child: sour grapes are all very well but it's a woman's business to be married. As for Dorothy, she is five-and-twenty, and she breaks my heart. Such a match, too! Ten thousand to her fortune, the best blood in the north, a most advantageous person, all the graces, the finest sensibility, excellent judgment, the Foster walk; and all these to go positively a-begging! The men seem stricken with blindness. Why, child, when I came out (and I was the dear girl's image!) I had more swains at my feet in a fortnight than our Dorothy in - O, I cannot fathom it: it must be the girl's own fault.

BARBARA. Why, madam, I did think it was a case with Mr. Austin.

MISS FOSTER. With Mr. Austin? why, how very rustic! The attentions of a gentleman like Mr. Austin, child, are not supposed to lead to matrimony. He is a feature of society: an ornament: a personage: a private gentleman by birth, but a kind of king by habit and reputation. What woman could he marry? Those to whom he might properly aspire are all too far below him. I have known George Austin too long, child, and I understand that the very greatness of his success condemns him to remain unmarried.

BARBARA. Sure, madam, that must be tiresome for him.

MISS FOSTER. Some day, child, you will know better than to think so. George Austin, as I conceive him, and as he is regarded by the world, is one of the triumphs of the other sex. I walked my first minuet with him: I wouldn't tell you the year, child, for worlds; but it was soon after his famous rencounter with Colonel Villiers. He had killed his man, he wore pink and silver, was most elegantly pale, and the most ravishing creature!

BARBARA. Well, madam, I believe that: he is the most beautiful gentleman still.

SCENE II

To these, DOROTHY, L.

DOROTHY (ENTERING). Good-morning, aunt! Is there anything for me? (SHE GOES EAGERLY TO TABLE, AND LOOKS AT LETTERS.)

MISS FOSTER. Good-morrow, niece. Breakfast, Barbara.

DOROTHY (WITH LETTER UNOPENED). Nothing.

MISS FOSTER. And what do you call that, my dear? (SITTING.) Is John Fenwick nobody?

DOROTHY (LOOKING AT LETTER.) From John? O yes, so it is. (LAYS DOWN LETTER UNOPENED, AND SITS TO BREAKFAST, BARBARA WAITING.)

MISS FOSTER (TO BARBARA, WITH PLATE). Thanks, child; now you may give me some tea. Dolly, I must insist on your eating a good breakfast: I cannot away with your pale cheeks and that Patience-on-a Monument kind of look. (Toast, Barbara.) At Edenside you ate and drank and looked like Hebe. What have you done with your appetite?

DOROTHY. I don't know, aunt, I'm sure.

MISS FOSTER. Then consider, please, and recover it as soon as you can: to a young lady in your position a good appetite is an attraction - almost a virtue. Do you know that your brother arrives this morning?

DOROTHY. Dear Anthony! Where is his letter, Aunt Evelina? I am pleased that he should leave London and its perils, if only for a day.

MISS FOSTER. My dear, there are moments when you positively amaze. (Barbara, some PATE, if you please!) I beg you not to be a prude. All women, of course, are virtuous; but a prude is something I regard with abhorrence. The Cornet is seeing life, which is exactly what he wanted. You brought him up surprisingly well; I have always admired you for it; but let us admit - as women of the world, my dear - it was no upbringing for a man. You and that fine solemn fellow, John Fenwick, led a life that was positively no better than the Middle Ages; and between the two of you, poor Anthony (who, I am sure, was a most passive creature!) was so packed with principle and admonition that I vow and declare he reminded me of Issachar stooping between his two burdens. It washigh time for him to be done with your apron-string, my dear: he has all his wild oats to sow; and that is an occupation which it is unwise to defer too long. By the bye, have you heard the news? The Duke of York has done us a service for which I was unprepared. (More tea, Barbara!) George Austin, bringing the prince in his train, is with us once more.

DOROTHY. I knew he was coming.

MISS FOSTER. You knew, child? and did not tell? You are a public criminal.

DOROTHY. I did not think it mattered, Aunt Evelina.

MISS FOSTER. O do not make-believe. I am in love with him myself, and have been any time since Nelson and the Nile. As for you, Dolly, since he went away six months ago, you have been positively in the megrims. I shall date your loss of appetite from George Austin's vanishing. No, my dear, our family require entertainment: we must have wit about us, and beauty, and the BEL AIR.

BARBARA. Well, Miss Dorothy, perhaps it's out of my place: but I do hope Mr. Austin will come: I should love to have him see my necklace on.

DOROTHY. Necklace? what necklace? Did he give you a necklace?

BARBARA. Yes, indeed, Miss, that he did: the very same day he drove you in his curricle to Penshurst. You remember, Miss, I couldn't go.

DOROTHY. I remember.

MISS FOSTER. And so do I. I had a touch of . . . Foster in the blood: the family gout, dears! . . . And you, you ungrateful nymph, had him a whole day to yourself, and not a word to tell me when you returned.

DOROTHY. I remember. (RISING.) Is that the necklace, Barbara? It does not suit you. Give it me.

BARBARA. La, Miss Dorothy, I wouldn't for the world.

DOROTHY. Come, give it me. I want it. Thank you: you shall have my birthday pearls instead.

MISS FOSTER. Why, Dolly, I believe you're jealous of the maid. Foster, Foster: always a Foster trick to wear the willow in anger.

DOROTHY. I do not think, madam, that I am of a jealous habit.

MISS FOSTER. O, the personage is your excuse! And I can tell you, child, that when George Austin was playing Florizel to the Duchess's Perdita, all the maids in England fell a prey to green- eyed melancholy. It was the TON, you see: not to pine for that Sylvander was to resign from good society.

DOROTHY. Aunt Evelina, stop; I cannot endure to hear you. What is he after all but just Beau Austin? What has he done - with half a century of good health, what has he done that is either memorable or worthy? Diced and danced and set fashions; vanquished in a drawing-room, fought for a word; what else? As if these were the meaning of life! Do not make me think so poorly of all of us women. Sure, we can rise to admire a better kind of man than Mr. Austin. We are not all to be snared with the eye, dear aunt; and those that are - O! I know not whether I more hate or pity them.

MISS FOSTER. You will give me leave, my niece: such talk is neither becoming in a young lady nor creditable to your understanding. The world was made a great while before Miss Dorothy Musgrave; and you will do much better to ripen your opinions, and in the meantime read your letter, which I perceive you have not opened. (DOROTHY OPENS AND READS LETTER.) Barbara, child, you should not listen at table.

BARBARA. Sure, madam, I hope I know my place.

MISS FOSTER. Then do not do it again.

DOROTHY. Poor John Fenwick! he coming here!

MISS FOSTER. Well, and why not? Dorothy, my darling child, you give me pain. You never had but one chance, let me tell you pointedly: and that was John Fenwick. If I were you, I would not let my vanity so blind me. This is not the way to marry.

DOROTHY. Dear aunt, I shall never marry.

MISS FOSTER. A fiddlestick's end! every one must marry. (RISING.) Are you for the Pantiles?

DOROTHY. Not to-day, dear,

MISS FOSTER. Well, well! have your wish, Dolorosa. Barbara, attend and dress me.

SCENE III

DOROTHY

DOROTHY. How she tortures me, poor aunt, my poor blind aunt; and I - I could break her heart with a word. That she should see nothing, know nothing - there's where it kills. O, it is more than I can bear . . . and yet, how much less than I deserve! Mad girl, of what do I complain? that this dear innocent woman still believes me good, still pierces me to the soul with trustfulness. Alas, and were it otherwise, were her dear eyes opened to the truth, what were left me but death? - He, too - she must still be praising him, and every word is a lash upon my conscience. If I could die of my secret: if I could cease - but one moment cease - this living lie; if I could sleep and forget and be at rest! - Poor John! (READING THE LETTER) he at least is guiltless; and yet for my fault he too must suffer, he too must bear part in my shame. Poor John Fenwick! Has he come back with the old story: with what might have been, perhaps, had we stayed by Edenside? Eden? yes, my Eden, from which I fell. O my old north country, my old river - the river of my innocence, the old country of my hopes - how could I endure to look on you now? And how to meet John? - John, with the old love on his lips, the old, honest, innocent, faithful heart! There was a Dorothy once who was not unfit to ride with him, her heart as light as his, her life as clear as the bright rivers we forded; he called her his Diana, he crowned her so with rowan. Where is that Dorothy now? that Diana? she that was everything to John? For O, I did him good; I know I did him good; I will still believe I did him good: I made him honest and kind and a true man; alas, and could not guide myself! And now, how will he despise me! For he shall know; if I die, he shall know all; I could not live, and not be true with him. (SHE TAKES OUT THE NECKLACE AND LOOKS AT IT.) That he should have bought me from my maid! George, George, that you should have stooped to this! Basely as you have used me, this is the basest. Perish the witness! (SHE TREADS THE TRINKET UNDER FOOT.) Break, break like my heart, break like my hopes, perish like my good name!

SCENE IV

To her, FENWICK, C.

FENWICK (AFTER A PAUSE). Is this how you receive me, Dorothy? Am I not welcome? - Shall I go then?

DOROTHY (RUNNING TO HIM, WITH HANDS OUTSTRETCHED). O no, John, not for me. (TURNING, AND POINTING TO THE NECKLACE.) But you find me changed.

FENWICK (WITH A MOVEMENT TOWARDS THE NECKLACE). This?

DOROTHY. No, no, let it lie. That is a trinket - broken. But the old Dorothy is dead.

FENWICK. Dead, dear? Not to me.

DOROTHY. Dead to you - dead to all men.

FENWICK. Dorothy, I loved you as a boy. There is not a meadow on Edenside but is dear to me for your sake, not a cottage but recalls your goodness, not a rock nor a tree but brings back something of the best and brightest youth man ever had. You were my teacher and my queen; I walked with you, I talked with you, I rode with you; I lived in your shadow; I saw with your eyes. You will never know, dear Dorothy, what you were to the dull boy you bore with; you will never know with what romance you filled my life, with what devotion, with what tenderness and honour. At night I lay awake and worshipped you; in my dreams I saw you, and you loved me; and you remember, when we told each other stories - you have not forgotten, dearest - that Princess Hawthorn that was still the heroine of mine: who was she? I was not bold enough to tell, but she was you! You, my virgin huntress, my Diana, my queen.

DOROTHY. O silence, silence - pity!

FENWICK. No, dear; neither for your sake nor mine will I be silenced. I have begun; I must go on and finish, and put fortune to the touch. It was from you I learned honour, duty, piety, and love. I am as you made me, and I exist but to reverence and serve you. Why else have I come here, the length of England, my heart burning higher every mile, my very horse a clog to me? why, but to ask you for my wife? Dorothy, you will not deny me.

DOROTHY. You have not asked me about this broken trinket?

FENWICK. Why should I ask? I love you.

DOROTHY. Yet I must tell you. Sit down. (SHE PICKS UP THE NECKLACE, AND STANDS LOOKING AT IT. THEN, BREAKING DOWN.) O John, John, it's long since I left home.

FENWICK. Too long, dear love. The very trees will welcome you.

DOROTHY. Ay, John, but I no longer love you. The old Dorothy is dead, God pardon her!

FENWICK. Dorothy, who is the man?

DOROTHY. O poor Dorothy! O poor dead Dorothy! John, you found me breaking this: me, your Diana of the Fells, the Diana of your old romance by Edenside. Diana - O what a name for me! Do you see this trinket? It is a chapter in my life. A chapter, do I say? my whole life, for there is none to follow. John, you must bear with me, you must help me. I have that to tell - there is a secret - I have a secret, John - O, for God's sake, understand. That Diana you revered - O John, John, you must never speak of love to me again.

FENWICK. What do you say? How dare you?

DOROTHY. John, it is the truth. Your Diana, even she, she whom you so believed in, she who so believed in herself, came out into the world only to be broken. I met, here at the Wells, a man - why should I tell you his name? I met him, and I loved him. My heart was all his own; yet he was not content with that: he must intrigue to catch me, he must bribe my maid with this. (THROWS THE NECKLACE ON THE TABLE.) Did he love me? Well, John, he said he did; and be it so! He loved, he betrayed, and he has left me.

FENWICK. Betrayed?

DOROTHY. Ay, even so; I was betrayed. The fault was mine that I forgot our innocent youth, and your honest love.

FENWICK. Dorothy, O Dorothy!

DOROTHY. Yours is the pain; but, O John, think it is for your good. Think in England how many true maids may be waiting for your love, how many that can bring you a whole heart, and be a noble mother to your children, while your poor Diana, at the first touch, has proved all frailty. Go, go and be happy, and let me be patient. I have sinned.

FENWICK. By God, I'll have his blood.

DOROTHY. Stop! I love him. (BETWEEN FENWICK AND DOOR, C.)

FENWICK. What do I care? I loved you too. Little he thought of that, little either of you thought of that. His blood - I'll have his blood!

DOROTHY. You shall never know his name.

FENWICK. Know it? Do you think I cannot guess? Do you think I had not heard he followed you. Do you think I had not suffered - O suffered! George Austin is the man. Dear shall he pay it!

DOROTHY (AT HIS FEET). Pity me; spare me, spare your Dorothy! I love him - love him - love him!

FENWICK. Dorothy, you have robbed me of my happiness, and now you would rob me of my revenge.

DOROTHY. I know it; and shall I ask, and you not grant?

FENWICK (RAISING HER). No, Dorothy, you shall ask nothing, nothing in vain from me. You ask his life; I give it you, as I would give you my soul; as I would give you my life, if I had any left. My life is done; you have taken it. Not a hope, not an end; not even revenge. (HE SITS.) Dorothy, you see your work.

DOROTHY. O God, forgive me.

FENWICK. Ay, Dorothy, He will, as I do.

DOROTHY. As you do? Do you forgive me, John?

FENWICK. Ay, more than that, poor soul. I said my life was done, I was wrong; I have still a duty. It is not in vain you taught me; I shall still prove to you that it was not in vain. You shall soon find that I am no backward friend. Farewell.

MUSICAL INDUCTION: 'THE LASS OF RICHMOND HILL.' _

Read next: ACT II _ SCENE I TO SCENE VI

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