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Beau Austin : A drama in four acts, a play by Robert Louis Stevenson

PERSONS REPRESENTED

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_ DEDICATED WITH ADMIRATION AND RESPECT TO GEORGE MEREDITH BOURNEMOUTH: 1ST OCTOBER 1884.

PERSONS REPRESENTED

GEORGE FREDERICK AUSTIN, called 'Beau Austin' AEtat. 50
JOHN FENWICK, of Allonby Shaw " " 26
ANTHONY MUSGRAVE, Cornet in the Prince's Own " " 21
MENTEITH, the Beau's Valet " " 55
A ROYAL DUKE (Dumb show.)
DOROTHY MUSGRAVE, Anthony's Sister " " 25
MISS EVELINA FOSTER, her Aunt " " 45
BARBARA RIDLEY, her Maid " " 20
VISITORS TO THE WELLS

The Time is 1820. The Scene is laid at Tunbridge Wells. The Action occupies a space of ten hours.

HAYMARKET THEATRE MONDAY, NOVEMBER 3d, 1890

CAST

GEORGE FREDERICK AUSTIN MR. TREE
JOHN FENWICK MR. FRED TERRY
ANTHONY MUSGRAVE MR. EDMUND MAURICE
MENTEITH MR. BROOKFIELD
A ROYAL DUKE MR. ROBB HARWOOD
DOROTHY MUSGRAVE MRS. TREE
MISS EVELINA FOSTER MISS ROSE LECLERCQ
BARBARA RIDLEY MISS AYLWARD
VISITORS TO THE WELLS


PROLOGUE

SPOKEN BY MR. TREE IN THE CHARACTER OF BEAU AUSTIN

'To all and singular,' as Dryden says,
We bring a fancy of those Georgian days,
Whose style still breathed a faint and fine perfume
Of old-world courtliness and old-world bloom:
When speech was elegant and talk was fit
For slang had not been canonised as wit;
When manners reigned, when breeding had the wall,
And Women - yes! - were ladies first of all;
When Grace was conscious of its gracefulness,
And man - though Man! - was not ashamed to dress.
A brave formality, a measured ease,
Were his - and her's - whose effort was to please.
And to excel in pleasing was to reign
And, if you sighed, never to sigh in vain.

But then, as now - it may be, something more -
Woman and man were human to the core.
The hearts that throbbed behind that quaint attire
Burned with a plenitude of essential fire.
They too could risk, they also could rebel,
They could love wisely - they could love too well.
In that great duel of Sex, that ancient strife
Which is the very central fact of life,
They could - and did - engage it breath for breath,
They could - and did - get wounded unto death.
As at all times since time for us began
Woman was truly woman, man was man,
And joy and sorrow were as much at home
In trifling Tunbridge as in mighty Rome.

Dead - dead and done with! Swift from shine to shade
The roaring generations flit and fade.
To this one, fading, flitting, like the rest,
We come to proffer - be it worst or best -
A sketch, a shadow, of one brave old time;
A hint of what it might have held sublime;
A dream, an idyll, call it what you will,
Of man still Man, and woman - Woman still!


BEAU AUSTIN

MUSICAL INDUCTION: 'LASCIA CH'IO PIANGA' (RINALDO). HANDEL. _

Read next: ACT I _ SCENE I TO SCENE IV


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