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The Hunchback of Notre Dame (Notre-Dame de Paris), a novel by Victor Hugo

VOLUME II - BOOK NINTH - Chapter 1 - Delirium

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_ Claude Frollo was no longer in Notre-Dame when his
adopted son so abruptly cut the fatal web in which the
archdeacon and the gypsy were entangled. On returning to the
sacristy he had torn off his alb, cope, and stole, had flung all
into the hands of the stupefied beadle, had made his escape
through the private door of the cloister, had ordered a boatman
of the Terrain to transport him to the left bank of the
Seine, and had plunged into the hilly streets of the
University, not knowing whither he was going, encountering
at every step groups of men and women who were hurrying
joyously towards the Pont Saint-Michel, in the hope of still
arriving in time to see the witch hung there,--pale, wild,
more troubled, more blind and more fierce than a night bird
let loose and pursued by a troop of children in broad
daylight. He no longer knew where he was, what he thought,
or whether he were dreaming. He went forward, walking,
running, taking any street at haphazard, making no choice,
only urged ever onward away from the Grève, the horrible
Grève, which he felt confusedly, to be behind him.

In this manner he skirted Mount Sainte-Geneviève, and
finally emerged from the town by the Porte Saint-Victor.
He continued his flight as long as he could see, when he
turned round, the turreted enclosure of the University, and
the rare houses of the suburb; but, when, at length, a rise of
ground had completely concealed from him that odious Paris,
when he could believe himself to be a hundred leagues distant
from it, in the fields, in the desert, he halted, and it
seemed to him that he breathed more freely.

Then frightful ideas thronged his mind. Once more he
could see clearly into his soul, and he shuddered. He
thought of that unhappy girl who had destroyed him, and
whom he had destroyed. He cast a haggard eye over the
double, tortuous way which fate had caused their two destinies
to pursue up to their point of intersection, where it had
dashed them against each other without mercy. He meditated
on the folly of eternal vows, on the vanity of chastity,
of science, of religion, of virtue, on the uselessness of God.
He plunged to his heart's content in evil thoughts, and in
proportion as he sank deeper, he felt a Satanic laugh burst
forth within him.

And as he thus sifted his soul to the bottom, when he
perceived how large a space nature had prepared there for the
passions, he sneered still more bitterly. He stirred up in the
depths of his heart all his hatred, all his malevolence; and,
with the cold glance of a physician who examines a patient,
he recognized the fact that this malevolence was nothing but
vitiated love; that love, that source of every virtue in man,
turned to horrible things in the heart of a priest, and that
a man constituted like himself, in making himself a priest,
made himself a demon. Then he laughed frightfully, and
suddenly became pale again, when he considered the most
sinister side of his fatal passion, of that corrosive,
venomous malignant, implacable love, which had ended only
in the gibbet for one of them and in hell for the other;
condemnation for her, damnation for him.

And then his laughter came again, when he reflected that
Phoebus was alive; that after all, the captain lived, was gay
and happy, had handsomer doublets than ever, and a new
mistress whom he was conducting to see the old one hanged.
His sneer redoubled its bitterness when he reflected that out
of the living beings whose death he had desired, the gypsy,
the only creature whom he did not hate, was the only one who
had not escaped him.

Then from the captain, his thought passed to the people,
and there came to him a jealousy of an unprecedented sort.
He reflected that the people also, the entire populace,
had had before their eyes the woman whom he loved exposed
almost naked. He writhed his arms with agony as he thought
that the woman whose form, caught by him alone in the
darkness would have been supreme happiness, had been delivered
up in broad daylight at full noonday, to a whole people, clad
as for a night of voluptuousness. He wept with rage over all
these mysteries of love, profaned, soiled, laid bare, withered
forever. He wept with rage as he pictured to himself how
many impure looks had been gratified at the sight of that
badly fastened shift, and that this beautiful girl, this virgin
lily, this cup of modesty and delight, to which he would have
dared to place his lips only trembling, had just been transformed
into a sort of public bowl, whereat the vilest populace
of Paris, thieves, beggars, lackeys, had come to quaff in
common an audacious, impure, and depraved pleasure.

And when he sought to picture to himself the happiness
which he might have found upon earth, if she had not been a
gypsy, and if he had not been a priest, if Phoebus had not
existed and if she had loved him; when he pictured to himself
that a life of serenity and love would have been possible
to him also, even to him; that there were at that very moment,
here and there upon the earth, happy couples spending the
hours in sweet converse beneath orange trees, on the banks of
brooks, in the presence of a setting sun, of a starry night;
and that if God had so willed, he might have formed with her
one of those blessed couples,--his heart melted in tenderness
and despair.

Oh! she! still she! It was this fixed idea which returned
incessantly, which tortured him, which ate into his brain, and
rent his vitals. He did not regret, he did not repent; all that
he had done he was ready to do again; he preferred to behold
her in the hands of the executioner rather than in the arms of
the captain. But he suffered; he suffered so that at intervals
he tore out handfuls of his hair to see whether it were not
turning white.

Among other moments there came one, when it occurred to
him that it was perhaps the very minute when the hideous
chain which he had seen that morning, was pressing its iron
noose closer about that frail and graceful neck. This thought
caused the perspiration to start from every pore.

There was another moment when, while laughing diabolically
at himself, he represented to himself la Esmeralda as he
had seen her on that first day, lively, careless, joyous, gayly
attired, dancing, winged, harmonious, and la Esmeralda of the
last day, in her scanty shift, with a rope about her neck,
mounting slowly with her bare feet, the angular ladder of the
gallows; he figured to himself this double picture in such a
manner .that he gave vent to a terrible cry.

While this hurricane of despair overturned, broke, tore up,
bent, uprooted everything in his soul, he gazed at nature
around him. At his feet, some chickens were searching the
thickets and pecking, enamelled beetles ran about in the sun;
overhead, some groups of dappled gray clouds were floating
across the blue sky; on the horizon, the spire of the Abbey
Saint-Victor pierced the ridge of the hill with its slate
obelisk; and the miller of the Copeaue hillock was whistling as
he watched the laborious wings of his mill turning. All this
active, organized, tranquil life, recurring around him under
a thousand forms, hurt him. He resumed his flight.

He sped thus across the fields until evening. This flight
from nature, life, himself, man, God, everything, lasted all day
long. Sometimes he flung himself face downward on the,
earth, and tore up the young blades of wheat with his nails.
Sometimes he halted in the deserted street of a village, and
his thoughts were so intolerable that he grasped his head in
both hands and tried to tear it from his shoulders in order
to dash it upon the pavement.

Towards the hour of sunset, he examined himself again,
and found himself nearly mad. The tempest which had raged
within him ever since the instant when he had lost the hope
and the will to save the gypsy,--that tempest had not left in
his conscience a single healthy idea, a single thought which
maintained its upright position. His reason lay there almost
entirely destroyed. There remained but two distinct images
in his mind, la Esmeralda and the gallows; all the rest was
blank. Those two images united, presented to him a frightful
group; and the more he concentrated what attention and
thought was left to him, the more he beheld them grow, in
accordance with a fantastic progression, the one in grace, in
charm, in beauty, in light, the other in deformity and horror;
so that at last la Esmeralda appeared to him like a star, the
gibbet like an enormous, fleshless arm.

One remarkable fact is, that during the whole of this torture,
the idea of dying did not seriously occur to him. The
wretch was made so. He clung to life. Perhaps he really
saw hell beyond it.

Meanwhile, the day continued to decline. The living being
which still existed in him reflected vaguely on retracing its
steps. He believed himself to be far away from Paris; on
taking his bearings, he perceived that he had only circled the
enclosure of the University. The spire of Saint-Sulpice, and
the three lofty needles of Saint Germain-des-Prés, rose above
the horizon on his right. He turned his steps in that
direction. When he heard the brisk challenge of the men-at-arms
of the abbey, around the crenelated, circumscribing wall of
Saint-Germain, he turned aside, took a path which presented
itself between the abbey and the lazar-house of the bourg, and
at the expiration of a few minutes found himself on the
verge of the Pré-aux-Clercs. This meadow was celebrated by
reason of the brawls which went on there night and day; it
was the hydra of the poor monks of Saint-Germain: ~quod
mouachis Sancti-Germaini pratensis hydra fuit, clericis nova
semper dissidiorum capita suscitantibus~. The archdeacon was
afraid of meeting some one there; he feared every human
countenance; he had just avoided the University and the Bourg
Saint-Germain; he wished to re-enter the streets as late as
possible. He skirted the Pré-aux-Clercs, took the deserted path
which separated it from the Dieu-Neuf, and at last reached the
water's edge. There Dom Claude found a boatman, who, for
a few farthings in Parisian coinage, rowed him up the Seine as
far as the point of the city, and landed him on that tongue
of abandoned land where the reader has already beheld
Gringoire dreaming, and which was prolonged beyond the
king's gardens, parallel to the Ile du Passeur-aux-Vaches.

The monotonous rocking of the boat and the ripple of the
water had, in some sort, quieted the unhappy Claude. When
the boatman had taken his departure, he remained standing
stupidly on the strand, staring straight before him and
perceiving objects only through magnifying oscillations which
rendered everything a sort of phantasmagoria to him. The
fatigue of a great grief not infrequently produces this effect
on the mind.

The sun had set behind the lofty Tour-de-Nesle. It was the
twilight hour. The sky was white, the water of the river was
white. Between these two white expanses, the left bank of
the Seine, on which his eyes were fixed, projected its gloomy
mass and, rendered ever thinner and thinner by perspective, it
plunged into the gloom of the horizon like a black spire. It
was loaded with houses, of which only the obscure outline
could be distinguished, sharply brought out in shadows against
the light background of the sky and the water. Here and
there windows began to gleam, like the holes in a brazier.
That immense black obelisk thus isolated between the two
white expanses of the sky and the river, which was very broad
at this point, produced upon Dom Claude a singular effect,
comparable to that which would be experienced by a man
who, reclining on his back at the foot of the tower of
Strasburg, should gaze at the enormous spire plunging into the
shadows of the twilight above his head. Only, in this case,
it was Claude who was erect and the obelisk which was lying
down; but, as the river, reflecting the sky, prolonged the abyss
below him, the immense promontory seemed to be as boldly
launched into space as any cathedral spire; and the impression
was the same. This impression had even one stronger and
more profound point about it, that it was indeed the tower
of Strasbourg, but the tower of Strasbourg two leagues in
height; something unheard of, gigantic, immeasurable; an
edifice such as no human eye has ever seen; a tower of Babel.
The chimneys of the houses, the battlements of the walls, the
faceted gables of the roofs, the spire of the Augustines, the
tower of Nesle, all these projections which broke the profile
of the colossal obelisk added to the illusion by displaying in
eccentric fashion to the eye the indentations of a luxuriant
and fantastic sculpture.

Claude, in the state of hallucination in which he found
himself, believed that he saw, that he saw with his actual
eyes, the bell tower of hell; the thousand lights scattered
over the whole height of the terrible tower seemed to him so
many porches of the immense interior furnace; the voices and
noises which escaped from it seemed so many shrieks, so
many death groans. Then he became alarmed, he put his
hands on his ears that he might no longer hear, turned his
back that he might no longer see, and fled from the frightful
vision with hasty strides.

But the vision was in himself.

When he re-entered the streets, the passers-by elbowing each
other by the light of the shop-fronts, produced upon him the
effect of a constant going and coming of spectres about him.
There were strange noises in his ears; extraordinary fancies
disturbed his brain. He saw neither houses, nor pavements,
nor chariots, nor men and women, but a chaos of indeterminate
objects whose edges melted into each other. At the corner
of the Rue de la Barillerie, there was a grocer's shop whose
porch was garnished all about, according to immemorial
custom, with hoops of tin from which hung a circle of wooden
candles, which came in contact with each other in the wind,
and rattled like castanets. He thought he heard a cluster of
skeletons at Montfauçon clashing together in the gloom.

"Oh!" he muttered, "the night breeze dashes them against
each other, and mingles the noise of their chains with the
rattle of their bones! Perhaps she is there among them!"

In his state of frenzy, he knew not whither he was going.
After a few strides he found himself on the Pont Saint-
Michel. There was a light in the window of a ground-floor
room; he approached. Through a cracked window he beheld
a mean chamber which recalled some confused memory to his
mind. In that room, badly lighted by a meagre lamp, there
was a fresh, light-haired young man, with a merry face, who
amid loud bursts of laughter was embracing a very audaciously
attired young girl; and near the lamp sat an old crone spinning
and singing in a quavering voice. As the young man did
not laugh constantly, fragments of the old woman's ditty
reached the priest; it was something unintelligible yet
frightful,--


"~Grève, aboie, Grève, grouille!
File, file, ma quenouille,
File sa corde au bourreau,
Qui siffle dans le pre(au,
Grève, aboie, Grève, grouille~!

"~La belle corde de chanvre!
Semez d'Issy jusqu'á Vanvre
Du chanvre et non pas du ble(.
Le voleur n'a pas vole(
La belle corde de chanvre~.

"~Grève, grouille, Grève, aboie!
Pour voir la fille de joie,
Prendre au gibet chassieux,
Les fenêtres sont des yeux.
Grève, grouille, Grève, aboie!"*


* Bark, Grève, grumble, Grève! Spin, spin, my distaff, spin
her rope for the hangman, who is whistling in the meadow. What
a beautiful hempen rope! Sow hemp, not wheat, from Issy to
Vanvre. The thief hath not stolen the beautiful hempen rope.
Grumble, Grève, bark, Grève! To see the dissolute wench hang
on the blear-eyed gibbet, windows are eyes.


Thereupon the young man laughed and caressed the wench.
The crone was la Falourdel; the girl was a courtesan; the
young man was his brother Jehan.

He continued to gaze. That spectacle was as good as any other.

He saw Jehan go to a window at the end of the room, open
it, cast a glance on the quay, where in the distance blazed a
thousand lighted casements, and he heard him say as he
closed the sash,--

"'Pon my soul! How dark it is; the people are lighting
their candles, and the good God his stars."

Then Jehan came back to the hag, smashed a bottle standing
on the table, exclaiming,--

"Already empty, ~cor-boeuf~! and I have no more money!
Isabeau, my dear, I shall not be satisfied with Jupiter until
he has changed your two white nipples into two black bottles,
where I may suck wine of Beaune day and night."

This fine pleasantry made the courtesan laugh, and Jehan
left the room.

Dom Claude had barely time to fling himself on the ground
in order that he might not be met, stared in the face and
recognized by his brother. Luckily, the street was dark, and
the scholar was tipsy. Nevertheless, he caught sight of the
archdeacon prone upon the earth in the mud.

"Oh! oh!" said he; "here's a fellow who has been leading
a jolly life, to-day."

He stirred up Dom Claude with his foot, and the latter held
his breath.

"Dead drunk," resumed Jehan. "Come, he's full. A
regular leech detached from a hogshead. He's bald," he
added, bending down, "'tis an old man! ~Fortunate senex~!"

Then Dom Claude heard him retreat, saying,--

"'Tis all the same, reason is a fine thing, and my brother
the archdeacon is very happy in that he is wise and has money."

Then the archdeacon rose to his feet, and ran without halting,
towards Notre-Dame, whose enormous towers he beheld rising above
the houses through the gloom.

At the instant when he arrived, panting, on the Place du
Parvis, he shrank back and dared not raise his eyes to the
fatal edifice.

"Oh!" he said, in a low voice, "is it really true that such
a thing took place here, to-day, this very morning?"

Still, he ventured to glance at the church. The front was
sombre; the sky behind was glittering with stars. The
crescent of the moon, in her flight upward from the horizon,
had paused at the moment, on the summit of the light hand
tower, and seemed to have perched itself, like a luminous
bird, on the edge of the balustrade, cut out in black trefoils.

The cloister door was shut; but the archdeacon always
carried with him the key of the tower in which his laboratory
was situated. He made use of it to enter the church.

In the church he found the gloom and silence of a cavern.
By the deep shadows which fell in broad sheets from all
directions, he recognized the fact that the hangings for
the ceremony of the morning had not yet been removed. The
great silver cross shone from the depths of the gloom,
powdered with some sparkling points, like the milky way of
that sepulchral night. The long windows of the choir showed
the upper extremities of their arches above the black draperies,
and their painted panes, traversed by a ray of moonlight
had no longer any hues but the doubtful colors of night, a
sort of violet, white and blue, whose tint is found only on
the faces of the dead. The archdeacon, on perceiving these
wan spots all around the choir, thought he beheld the mitres
of damned bishops. He shut his eyes, and when he opened
them again, he thought they were a circle of pale visages
gazing at him.

He started to flee across the church. Then it seemed to
him that the church also was shaking, moving, becoming
endued with animation, that it was alive; that each of the
great columns was turning into an enormous paw, which was
beating the earth with its big stone spatula, and that the
gigantic cathedral was no longer anything but a sort of
prodigious elephant, which was breathing and marching with
its pillars for feet, its two towers for trunks and the
immense black cloth for its housings.

This fever or madness had reached such a degree of intensity
that the external world was no longer anything more for
the unhappy man than a sort of Apocalypse,- visible, palpable,
terrible.

For one moment, he was relieved. As he plunged into the
side aisles, he perceived a reddish light behind a cluster of
pillars. He ran towards it as to a star. It was the poor lamp
which lighted the public breviary of Notre-Dame night and
day, beneath its iron grating. He flung himself eagerly upon
the holy book in the hope of finding some consolation, or some
encouragement there. The hook lay open at this passage of
Job, over which his staring eye glanced,--

"And a spirit passed before my face, and I heard a small
voice, and the hair of my flesh stood up."

On reading these gloomy words, he felt that which a blind
man feels when he feels himself pricked by the staff which he
has picked up. His knees gave way beneath him, and he sank
upon the pavement, thinking of her who had died that day.
He felt so many monstrous vapors pass and discharge themselves
in his brain, that it seemed to him that his head had
become one of the chimneys of hell.

It would appear that he remained a long time in this
attitude, no longer thinking, overwhelmed and passive beneath
the hand of the demon. At length some strength returned to
him; it occurred to him to take refuge in his tower beside
his faithful Quasimodo. He rose; and, as he was afraid, he
took the lamp from the breviary to light his way. It was
a sacrilege; but he had got beyond heeding such a trifle now.

He slowly climbed the stairs of the towers, filled with a
secret fright which must have been communicated to the rare
passers-by in the Place du Parvis by the mysterious light of
his lamp, mounting so late from loophole to loophole of the
bell tower.

All at once, he felt a freshness on his face, and found himself
at the door of the highest gallery. The air was cold; the
sky was filled with hurrying clouds, whose large, white
flakes drifted one upon another like the breaking up of river
ice after the winter. The crescent of the moon, stranded in
the midst of the clouds, seemed a celestial vessel caught in
the ice-cakes of the air.

He lowered his gaze, and contemplated for a moment,
through the railing of slender columns which unites the two
towers, far away, through a gauze of mists and smoke, the
silent throng of the roofs of Paris, pointed, innumerable,
crowded and small like the waves of a tranquil sea on a sum-
mer night.

The moon cast a feeble ray, which imparted to earth and
heaven an ashy hue.

At that moment the clock raised its shrill, cracked voice.
Midnight rang out. The priest thought of midday; twelve
o'clock had come back again.

"Oh!" he said in a very low tone, "she must be cold now."

All at once, a gust of wind extinguished his lamp, and
almost at the same instant, he beheld a shade, a whiteness, a
form, a woman, appear from the opposite angle of the tower.
He started. Beside this woman was a little goat, which mingled
its bleat with the last bleat of the clock.

He had strength enough to look. It was she.

She was pale, she was gloomy. Her hair fell over her
shoulders as in the morning; but there was no longer a rope
on her neck, her hands were no longer bound; she was free,
she was dead.

She was dressed in white and had a white veil on her head.

She came towards him, slowly, with her gaze fixed on the
sky. The supernatural goat followed her. He felt as though
made of stone and too heavy to flee. At every step which
she took in advance, he took one backwards, and that was all.
In this way he retreated once more beneath the gloomy arch
of the stairway. He was chilled by the thought that she
might enter there also; had she done so, he would have died
of terror.

She did arrive, in fact, in front of the door to the stairway,
and paused there for several minutes, stared intently into the
darkness, but without appearing to see the priest, and passed
on. She seemed taller to him than when she had been alive;
he saw the moon through her white robe; he heard her
breath.

When she had passed on, he began to descend the staircase
again, with the slowness which he had observed in the spectre,
believing himself to be a spectre too, haggard, with hair on
end, his extinguished lamp still in his hand; and as he descended
the spiral steps, he distinctly heard in his ear a voice
laughing and repeating,--

"A spirit passed before my face, and I heard a small voice,
and the hair of my flesh stood up." _

Read next: VOLUME II: BOOK NINTH: Chapter 2 - Hunchbacked, One Eyed, Lame

Read previous: VOLUME II: BOOK EIGHTH: Chapter 6 - Three Human Hearts differently Constructed

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