________________________________________________
_ At the epoch of this history, the cell in the Tour-Roland
was occupied. If the reader desires to know by whom, he
has only to lend an ear to the conversation of three worthy
gossips, who, at the moment when we have directed his
attention to the Rat-Hole, were directing their steps
towards the same spot, coming up along the water's edge
from the Châtelet, towards the Grève.
Two of these women were dressed like good ~bourgeoises~ of
Paris. Their fine white ruffs; their petticoats of linsey-
woolsey, striped red and blue; their white knitted stockings,
with clocks embroidered in colors, well drawn upon their
legs; the square-toed shoes of tawny leather with black soles,
and, above all, their headgear, that sort of tinsel horn,
loaded down with ribbons and laces, which the women of Champagne
still wear, in company with the grenadiers of the imperial
guard of Russia, announced that they belonged to that class
wives which holds the middle ground
between what the lackeys call a woman and what they term a
lady. They wore neither rings nor gold crosses, and it was
easy to see that, in their ease, this did not proceed from
poverty, but simply from fear of being fined. Their companion
was attired in very much the same manner; but there was
that indescribable something about her dress and bearing
which suggested the wife of a provincial notary. One could
see, by the way in which her girdle rose above her hips, that
she had not been long in Paris.--Add to this a plaited tucker,
knots of ribbon on her shoes--and that the stripes of her
petticoat ran horizontally instead of vertically, and a
thousand other enormities which shocked good taste.
The two first walked with that step peculiar to Parisian
ladies, showing Paris to women from the country. The
provincial held by the hand a big boy, who held in his a
large, flat cake.
We regret to be obliged to add, that, owing to the rigor of
the season, he was using his tongue as a handkerchief.
The child was making them drag him along, ~non passibus
Cequis~, as Virgil says, and stumbling at every moment, to the
great indignation of his mother. It is true that he was
looking at his cake more than at the pavement. Some serious
motive, no doubt, prevented his biting it (the cake), for he
contented himself with gazing tenderly at it. But the mother
should have rather taken charge of the cake. It was cruel to
make a Tantalus of the chubby-checked boy.
Meanwhile, the three demoiselles (for the name of dames
was then reserved for noble women) were all talking at once.
"Let us make haste, Demoiselle Mahiette," said the youngest
of the three, who was also the largest, to the provincial,
"I greatly fear that we shall arrive too late; they told us at
the Châtelet that they were going to take him directly to
the pillory."
"Ah, bah! what are you saying, Demoiselle Oudarde
Musnier?" interposed the other Parisienne. "There are two
hours yet to the pillory. We have time enough. Have you
ever seen any one pilloried, my dear Mahiette?"
"Yes," said the provincial, "at Reims."
"Ah, bah! What is your pillory at Reims? A miserable
cage into which only peasants are turned. A great affair,
truly!"
"Only peasants!" said Mahiette, "at the cloth market in
Reims! We have seen very fine criminals there, who have
killed their father and mother! Peasants! For what do you
take us, Gervaise?"
It is certain that the provincial was on the point of taking
offence, for the honor of her pillory. Fortunately, that
discreet damoiselle, Oudarde Musnier, turned the conversation
in time.
"By the way, Damoiselle Mahiette, what say you to our
Flemish Ambassadors? Have you as fine ones at Reims?"
"I admit," replied Mahiette, "that it is only in Paris that
such Flemings can be seen."
"Did you see among the embassy, that big ambassador who
is a hosier?" asked Oudarde.
"Yes," said Mahiette. "He has the eye of a Saturn."
"And the big fellow whose face resembles a bare belly?"
resumed Gervaise. "And the little one, with small eyes
framed in red eyelids, pared down and slashed up like a
thistle head?"
"'Tis their horses that are worth seeing," said Oudarde,
"caparisoned as they are after the fashion of their country!"
"Ah my dear," interrupted provincial Mahiette, assuming
in her turn an air of superiority, "what would you say then,
if you had seen in '61, at the consecration at Reims, eighteen
years ago, the horses of the princes and of the king's
company? Housings and caparisons of all sorts; some of
damask cloth, of fine cloth of gold, furred with sables; others
of velvet, furred with ermine; others all embellished with
goldsmith's work and large bells of gold and silver! And what
money that had cost! And what handsome boy pages rode upon them!"
"That," replied Oudarde dryly, "does not prevent the Flemings
having very fine horses, and having had a superb supper
yesterday with monsieur, the provost of the merchants, at the
Hôtel-de-Ville, where they were served with comfits and
hippocras, and spices, and other singularities."
"What are you saying, neighbor!" exclaimed Gervaise.
"It was with monsieur the cardinal, at the Petit Bourbon
that they supped."
"Not at all. At the Hôtel-de-Ville.
"Yes, indeed. At the Petit Bourbon!"
"It was at the Hôtel-de-Ville," retorted Oudarde sharply,
"and Dr. Scourable addressed them a harangue in Latin,
which pleased them greatly. My husband, who is sworn
bookseller told me."
"It was at the Petit Bourbon," replied Gervaise, with no
less spirit, "and this is what monsieur the cardinal's
procurator presented to them: twelve double quarts of hippocras,
white, claret, and red; twenty-four boxes of double Lyons
marchpane, gilded; as many torches, worth two livres a piece;
and six demi-queues* of Beaune wine, white and claret, the
best that could be found. I have it from my husband, who is
a cinquantenier**, at the Parloir-aux Bourgeois, and who was
this morning comparing the Flemish ambassadors with those
of Prester John and the Emperor of Trebizond, who came
from Mesopotamia to Paris, under the last king, and who wore
rings in their ears."
* A Queue was a cask which held a hogshead and a half.
** A captain of fifty men.
"So true is it that they supped at the Hôtel-de-Ville,"
replied Oudarde but little affected by this catalogue, "that
such a triumph of viands and comfits has never been seen."
"I tell you that they were served by Le Sec, sergeant of the
city, at the Hôtel du Petit-Bourbon, and that that is where
you are mistaken."
"At the Hôtel-de-Ville, I tell you!"
"At the Petit-Bourbon, my dear! and they had illuminated
with magic glasses the word hope, which is written on the
grand portal."
"At the Hôtel-de-Ville! At the Hôtel-de-Ville! And
Husson-le-Voir played the flute!"
"I tell you, no!"
"I tell you, yes!"
"I say, no!"
Plump and worthy Oudarde was preparing to retort, and
the quarrel might, perhaps, have proceeded to a pulling of
caps, had not Mahiette suddenly exclaimed,--"Look at those
people assembled yonder at the end of the bridge! There is
something in their midst that they are looking at!"
"In sooth," said Gervaise, "I hear the sounds of a
tambourine. I believe 'tis the little Esmeralda, who plays
her mummeries with her goat. Eh, be quick, Mahiette! redouble
your pace and drag along your boy. You are come hither to
visit the curiosities of Paris. You saw the Flemings
yesterday; you must see the gypsy to-day."
"The gypsy!" said Mahiette, suddenly retracing her steps,
and clasping her son's arm forcibly. "God preserve me from
it! She would steal my child from me! Come, Eustache!"
And she set out on a run along the quay towards the Grève,
until she had left the bridge far behind her. In the
meanwhile, the child whom she was dragging after her fell
upon his knees; she halted breathless. Oudarde and Gervaise
rejoined her.
"That gypsy steal your child from you!" said Gervaise.
"That's a singular freak of yours!"
Mahiette shook her head with a pensive air.
"The singular point is," observed Oudarde, "that ~la sachette~
has the same idea about the Egyptian woman."
"What is ~la sachette~?" asked Mahiette.
"Hé!" said Oudarde, "Sister Gudule."
"And who is Sister Gudule?" persisted Mahiette.
"You are certainly ignorant of all but your Reims, not
to know that!" replied Oudarde. "'Tis the recluse of
the Rat-Hole."
"What!" demanded Mahiette, "that poor woman to whom
we are carrying this cake?"
Oudarde nodded affirmatively.
"Precisely. You will see her presently at her window on
the Grève. She has the same opinion as yourself of these
vagabonds of Egypt, who play the tambourine and tell
fortunes to the public. No one knows whence comes her
horror of the gypsies and Egyptians. But you, Mahiette--why
do you run so at the mere sight of them?"
"Oh!" said Mahiette, seizing her child's round head in both
hands, "I don't want that to happen to me which happened to
Paquette la Chantefleurie."
"Oh! you must tell us that story, my good Mahiette," said
Gervaise, taking her arm.
"Gladly," replied Mahiette, "but you must be ignorant of
all but your Paris not to know that! I will tell you then (but
'tis not necessary for us to halt that I may tell you the tale),
that Paquette la Chantefleurie was a pretty maid of eighteen
when I was one myself, that is to say, eighteen years ago, and
'tis her own fault if she is not to-day, like me, a good, plump,
fresh mother of six and thirty, with a husband and a son.
However, after the age of fourteen, it was too late! Well, she
was the daughter of Guybertant, minstrel of the barges at
Reims, the same who had played before King Charles VII., at
his coronation, when he descended our river Vesle from Sillery
to Muison, when Madame the Maid of Orleans was also in the
boat. The old father died when Paquette was still a mere
child; she had then no one but her mother, the sister of M.
Pradon, master-brazier and coppersmith in Paris, Rue Farm-
Garlin, who died last year. You see she was of good family.
The mother was a good simple woman, unfortunately, and
she taught Paquette nothing but a bit of embroidery and
toy-making which did not prevent the little one from growing
very large and remaining very poor. They both dwelt at
Reims, on the river front, Rue de Folle-Peine. Mark this:
For I believe it was this which brought misfortune to Paquette.
In '61, the year of the coronation of our King Louis XI.
whom God preserve! Paquette was so gay and so pretty that
she was called everywhere by no other name than "la
Chantefleurie"--blossoming song. Poor girl! She had handsome
teeth, she was fond of laughing and displaying them. Now, a
maid who loves to laugh is on the road to weeping; handsome teeth
ruin handsome eyes. So she was la Chantefleurie. She and
her mother earned a precarious living; they had been very
destitute since the death of the minstrel; their embroidery
did not bring them in more than six farthings a week, which
does not amount to quite two eagle liards. Where were the
days when Father Guybertant had earned twelve sous parisian,
in a single coronation, with a song? One winter (it was
in that same year of '61), when the two women had neither
fagots nor firewood, it was very cold, which gave la
Chantefleurie such a fine color that the men called
her Paquette!* and many called her Pàquerette!** and she was
ruined.--Eustache, just let me see you bite that cake if you
dare!--We immediately perceived that she was ruined, one Sunday
when she came to church with a gold cross about her neck.
At fourteen years of age! do you see? First it was the
young Vicomte de Cormontreuil, who has his bell tower three
leagues distant from Reims; then Messire Henri de Triancourt,
equerry to the King; then less than that, Chiart de
Beaulion, sergeant-at-arms; then, still descending, Guery
Aubergeon, carver to the King; then, Mace de Frépus, barber
to monsieur the dauphin; then, Thévenin le Moine, King's
cook; then, the men growing continually younger and less
noble, she fell to Guillaume Racine, minstrel of the hurdy
gurdy and to Thierry de Mer, lamplighter. Then, poor
Chantefleurie, she belonged to every one: she had reached
the last sou of her gold piece. What shall I say to you, my
damoiselles? At the coronation, in the same year, '61, 'twas
she who made the bed of the king of the debauchees! In the
same year!"
* Ox-eye daisy.
** Easter daisy.
Mahiette sighed, and wiped away a tear which trickled from
her eyes.
"This is no very extraordinary history," said Gervaise, "and
in the whole of it I see nothing of any Egyptian women or
children."
"Patience!" resumed Mahiette, "you will see one child.--In
'66, 'twill be sixteen years ago this month, at Sainte-
Paule's day, Paquette was brought to bed of a little girl.
The unhappy creature! it was a great joy to her; she had long
wished for a child. Her mother, good woman, who had never
known what to do except to shut her eyes, her mother was
dead. Paquette had no longer any one to love in the world
or any one to love her. La Chantefleurie had been a poor
creature during the five years since her fall. She was alone,
alone in this life, fingers were pointed at her, she was hooted
at in the streets, beaten by the sergeants, jeered at by the
little boys in rags. And then, twenty had arrived: and twenty
is an old age for amorous women. Folly began to bring her
in no more than her trade of embroidery in former days; for
every wrinkle that came, a crown fled; winter became hard to
her once more, wood became rare again in her brazier, and
bread in her cupboard. She could no longer work because,
in becoming voluptuous, she had grown lazy; and she suffered
much more because, in growing lazy, she had become voluptuous.
At least, that is the way in which monsieur the cure of
Saint-Remy explains why these women are colder and hungrier
than other poor women, when they are old."
"Yes," remarked Gervaise, "but the gypsies?"
"One moment, Gervaise!" said Oudarde, whose attention
was less impatient. "What would be left for the end if all
were in the beginning? Continue, Mahiette, I entreat you.
That poor Chantefleurie!"
Mahiette went on.
"So she was very sad, very miserable, and furrowed her
cheeks with tears. But in the midst of her shame, her folly,
her debauchery, it seemed to her that she should be less wild,
less shameful, less dissipated, if there were something or
some one in the world whom she could love, and who could love
her. It was necessary that it should be a child, because only
a child could be sufficiently innocent for that. She had
recognized this fact after having tried to love a thief, the
only man who wanted her; but after a short time, she perceived
that the thief despised her. Those women of love require either
a lover or a child to fill their hearts. Otherwise, they are
very unhappy. As she could not have a lover, she turned
wholly towards a desire for a child, and as she had not ceased
to be pious, she made her constant prayer to the good God
for it. So the good God took pity on her, and gave her a
little daughter. I will not speak to you of her joy; it was a
fury of tears, and caresses, and kisses. She nursed her child
herself, made swaddling-bands for it out of her coverlet, the
only one which she had on her bed, and no longer felt either
cold or hunger. She became beautiful once more, in consequence
of it. An old maid makes a young mother. Gallantry claimed
her once more; men came to see la Chantefleurie; she found
customers again for her merchandise, and out of all
these horrors she made baby clothes, caps and bibs, bodices
with shoulder-straps of lace, and tiny bonnets of satin, without
even thinking of buying herself another coverlet.--Master
Eustache, I have already told you not to eat that cake.--It
is certain that little Agnes, that was the child's name, a
baptismal name, for it was a long time since la Chantefleurie
had had any surname--it is certain that that little one
was more swathed in ribbons and embroideries than a
dauphiness of Dauphiny! Among other things, she had a pair
of little shoes, the like of which King Louis XI. certainly
never had! Her mother had stitched and embroidered them
herself; she had lavished on them all the delicacies of her
art of embroideress, and all the embellishments of a robe for
the good Virgin. They certainly were the two prettiest little
pink shoes that could be seen. They were no longer than my
thumb, and one had to see the child's little feet come out of
them, in order to believe that they had been able to get into
them. 'Tis true that those little feet were so small, so pretty,
so rosy! rosier than the satin of the shoes! When you have
children, Oudarde, you will find that there is nothing prettier
than those little hands and feet."
"I ask no better," said Oudarde with a sigh, "but I am
waiting until it shall suit the good pleasure of M. Andry Musnier."
"However, Paquette's child had more that was pretty about
it besides its feet. I saw her when she was only four months
old; she was a love! She had eyes larger than her mouth,
and the most charming black hair, which already curled. She
would have been a magnificent brunette at the age of sixteen!
Her mother became more crazy over her every day. She
kissed her, caressed her, tickled her, washed her, decked her
out, devoured her! She lost her head over her, she thanked
God for her. Her pretty, little rosy feet above all were an
endless source of wonderment, they were a delirium of joy!
She was always pressing her lips to them, and she could never
recover from her amazement at their smallness. She put
them into the tiny shoes, took them out, admired them, marvelled
at them, looked at the light through them, was curious
to see them try to walk on her bed, and would gladly have
passed her life on her knees, putting on and taking off the
shoes from those feet, as though they had been those of an
Infant Jesus."
"The tale is fair and good," said Gervaise in a low tone;
"but where do gypsies come into all that?"
"Here," replied Mahiette. "One day there arrived in
Reims a very queer sort of people. They were beggars and
vagabonds who were roaming over the country, led by their
duke and their counts. They were browned by exposure to
the sun, they had closely curling hair, and silver rings in
their ears. The women were still uglier than the men. They
had blacker faces, which were always uncovered, a miserable
frock on their bodies, an old cloth woven of cords bound
upon their shoulder, and their hair hanging like the tail of a
horse. The children who scrambled between their legs would
have frightened as many monkeys. A band of excommunicates.
All these persons came direct from lower Egypt to
Reims through Poland. The Pope had confessed them, it was
said, and had prescribed to them as penance to roam through
the world for seven years, without sleeping in a bed; and so
they were called penancers, and smelt horribly. It appears
that they had formerly been Saracens, which was why they
believed in Jupiter, and claimed ten livres of Tournay from
all archbishops, bishops, and mitred abbots with croziers.
A bull from the Pope empowered them to do that. They came
to Reims to tell fortunes in the name of the King of Algiers,
and the Emperor of Germany. You can readily imagine that
no more was needed to cause the entrance to the town to be
forbidden them. Then the whole band camped with good
grace outside the gate of Braine, on that hill where stands
a mill, beside the cavities of the ancient chalk pits. And
everybody in Reims vied with his neighbor in going to see them.
They looked at your hand, and told you marvellous prophecies;
they were equal to predicting to Judas that he would become
Pope. Nevertheless, ugly rumors were in circulation in
regard to them; about children stolen, purses cut, and human
flesh devoured. The wise people said to the foolish: "Don't
go there!" and then went themselves on the sly. It was an
infatuation. The fact is, that they said things fit to astonish
a cardinal. Mothers triumphed greatly over their little ones
after the Egyptians had read in their hands all sorts of
marvels written in pagan and in Turkish. One had an emperor;
another, a pope; another, a captain. Poor Chantefleurie was
seized with curiosity; she wished to know about herself, and
whether her pretty little Agnes would not become some day
Empress of Armenia, or something else. So she carried her to
the Egyptians; and the Egyptian women fell to admiring the
child, and to caressing it, and to kissing it with their black
mouths, and to marvelling over its little band, alas! to the
great joy of the mother. They were especially enthusiastic
over her pretty feet and shoes. The child was not yet a year
old. She already lisped a little, laughed at her mother like a
little mad thing, was plump and quite round, and possessed a
thousand charming little gestures of the angels of paradise.
She was very much frightened by the Egyptians, and wept.
But her mother kissed her more warmly and went away enchanted
with the good fortune which the soothsayers had foretold
for her Agnes. She was to be a beauty, virtuous, a queen.
So she returned to her attic in the Rue Folle-Peine, very
proud of bearing with her a queen. The next day she took
advantage of a moment when the child was asleep on her bed,
(for they always slept together), gently left the door a
little way open, and ran to tell a neighbor in the Rue de la
Séchesserie, that the day would come when her daughter Agnes
would be served at table by the King of England and the
Archduke of Ethiopia, and a hundred other marvels. On
her return, hearing no cries on the staircase, she said to
herself: 'Good! the child is still asleep!' She found her door
wider open than she had left it, but she entered, poor mother,
and ran to the bed.---The child was no longer there, the
place was empty. Nothing remained of the child, but one of
her pretty little shoes. She flew out of the room, dashed
down the stairs, and began to beat her head against the wall,
crying: 'My child! who has my child? Who has taken my
child?' The street was deserted, the house isolated; no
one could tell her anything about it. She went about the
town, searched all the streets, ran hither and thither the
whole day long, wild, beside herself, terrible, snuffing at doors
and windows like a wild beast which has lost its young. She
was breathless, dishevelled, frightful to see, and there was a
fire in her eyes which dried her tears. She stopped the
passers-by and cried: 'My daughter! my daughter! my
pretty little daughter! If any one will give me back my
daughter, I will he his servant, the servant of his dog, and he
shall eat my heart if he will.' She met M. le Curé of Saint-
Remy, and said to him: 'Monsieur, I will till the earth
with my finger-nails, but give me back my child!' It was
heartrending, Oudarde; and IL saw a very hard man, Master
Ponce Lacabre, the procurator, weep. Ah! poor mother! In
the evening she returned home. During her absence, a neighbor
had seen two gypsies ascend up to it with a bundle in their
arms, then descend again, after closing the door. After their
departure, something like the cries of a child were heard in
Paquette's room. The mother, burst into shrieks of laughter,
ascended the stairs as though on wings, and entered.--A
frightful thing to tell, Oudarde! Instead of her pretty little
Agnes, so rosy and so fresh, who was a gift of the good God, a
sort of hideous little monster, lame, one-eyed, deformed, was
crawling and squalling over the floor. She hid her eyes in
horror. 'Oh!' said she, 'have the witches transformed my
daughter into this horrible animal?' They hastened to carry
away the little club-foot; he would have driven her mad. It
was the monstrous child of some gypsy woman, who had given
herself to the devil. He appeared to be about four years old,
and talked a language which was no human tongue; there
were words in it which were impossible. La Chantefleurie
flung herself upon the little shoe, all that remained to her of
all that she loved. She remained so long motionless over it,
mute, and without breath, that they thought she was dead.
Suddenly she trembled all over, covered her relic with furious
kisses, and burst out sobbing as though her heart were broken.
I assure you that we were all weeping also. She said: 'Oh,
my little daughter! my pretty little daughter! where art
thou?'--and it wrung your very heart. I weep still when I
think of it. Our children are the marrow of our bones, you
see.---My poor Eustache! thou art so fair!--If you only
knew how nice he is! yesterday he said to me: 'I want to be
a gendarme, that I do.' Oh! my Eustache! if I were to lose
thee!--All at once la Chantefleurie rose, and set out to run
through Reims, screaming: 'To the gypsies' camp! to the
gypsies' camp! Police, to burn the witches!' The gypsies
were gone. It was pitch dark. They could not be followed.
On the morrow, two leagues from Reims, on a heath between
Gueux and Tilloy, the remains of a large fire were found,
some ribbons which had belonged to Paquette's child, drops of
blood, and the dung of a ram. The night just past had been
a Saturday. There was no longer any doubt that the Egyptians
had held their Sabbath on that heath, and that they had
devoured the child in company with Beelzebub, as the practice
is among the Mahometans. When La Chantefleurie learned
these horrible things, she did not weep, she moved her lips as
though to speak, but could not. On the morrow, her hair was
gray. On the second day, she had disappeared.
"'Tis in truth, a frightful tale," said Oudarde, "and one
which would make even a Burgundian weep."
"I am no longer surprised," added Gervaise, "that fear of
the gypsies should spur you on so sharply."
"And you did all the better," resumed Oudarde, "to flee
with your Eustache just now, since these also are gypsies
from Poland."
"No," said Gervais, "'tis said that they come from Spain
and Catalonia."
"Catalonia? 'tis possible," replied Oudarde. "Pologne,
Catalogue, Valogne, I always confound those three provinces,
One thing is certain, that they are gypsies."
"Who certainly," added Gervaise, "have teeth long enough
to eat little children. I should not be surprised if la Sméralda
ate a little of them also, though she pretends to be dainty.
Her white goat knows tricks that are too malicious for there
not to be some impiety underneath it all."
Mahiette walked on in silence. She was absorbed in that
revery which is, in some sort, the continuation of a mournful
tale, and which ends only after having communicated the
emotion, from vibration to vibration, even to the very last
fibres of the heart. Nevertheless, Gervaise addressed her,
"And did they ever learn what became of la Chantefleurie?"
Mahiette made no reply. Gervaise repeated her question, and
shook her arm, calling her by name. Mahiette appeared to
awaken from her thoughts.
"What became of la Chantefleurie?" she said, repeating
mechanically the words whose impression was still fresh in
her ear; then, ma king an effort to recall her attention to
the meaning of her words, "Ah!" she continued briskly, "no
one ever found out."
She added, after a pause,--
"Some said that she had been seen to quit Reims at nightfall
by the Fléchembault gate; others, at daybreak, by the old
Basée gate. A poor man found her gold cross hanging on the
stone cross in the field where the fair is held. It was that
ornament which had wrought her ruin, in '61. It was a gift
from the handsome Vicomte de Cormontreuil, her first lover.
Paquette had never been willing to part with it, wretched as
she had been. She had clung to it as to life itself. So, when
we saw that cross abandoned, we all thought that she was
dead. Nevertheless, there were people of the Cabaret les
Vantes, who said that they had seen her pass along the road
to Paris, walking on the pebbles with her bare feet. But,
in that case, she must have gone out through the Porte de
Vesle, and all this does not agree. Or, to speak more truly,
I believe that she actually did depart by the Porte de Vesle,
but departed from this world."
"I do not understand you," said Gervaise.
"La Vesle," replied Mahiette, with a melancholy smile, "is
the river."
"Poor Chantefleurie!" said Oudarde, with a shiver,--"drowned!"
"Drowned!" resumed Mahiette, "who could have told
good Father Guybertant, when he passed under the bridge of
Tingueux with the current, singing in his barge, that one day
his dear little Paquette would also pass beneath that bridge,
but without song or boat.
"And the little shoe?" asked Gervaise.
"Disappeared with the mother," replied Mahiette.
"Poor little shoe!" said Oudarde.
Oudarde, a big and tender woman, would have been well
pleased to sigh in company with Mahiette. But Gervaise,
more curious, had not finished her questions.
"And the monster?" she said suddenly, to Mahiette.
"What monster?" inquired the latter.
"The little gypsy monster left by the sorceresses in
Chantefleurie's chamber, in exchange for her daughter. What
did you do with it? I hope you drowned it also."
"No." replied Mahiette.
"What? You burned it then? In sooth, that is more just.
A witch child!"
"Neither the one nor the other, Gervaise. Monseigneur the
archbishop interested himself in the child of Egypt, exorcised
it, blessed it, removed the devil carefully from its body, and
sent it to Paris, to be exposed on the wooden bed at Notre-
Dame, as a foundling."
"Those bishops!" grumbled Gervaise, "because they are
learned, they do nothing like anybody else. I just put
it to you, Oudarde, the idea of placing the devil among the
foundlings! For that little monster was assuredly the devil.
Well, Mahiette, what did they do with it in Paris? I am
quite sure that no charitable person wanted it."
"I do not know," replied the Rémoise, "'twas just at that
time that my husband bought the office of notary, at Bern,
two leagues from the town, and we were no longer occupied
with that story; besides, in front of Bern, stand the two
hills of Cernay, which hide the towers of the cathedral in
Reims from view."
While chatting thus, the three worthy ~bourgeoises~ had
arrived at the Place de Grève. In their absorption, they
had passed the public breviary of the Tour-Roland without
stopping, and took their way mechanically towards the pillory
around which the throng was growing more dense with every
moment. It is probable that the spectacle which at that
moment attracted all looks in that direction, would have made
them forget completely the Rat-Hole, and the halt which
they intended to make there, if big Eustache, six years of
age, whom Mahiette was dragging along by the hand, had not
abruptly recalled the object to them: "Mother," said he, as
though some instinct warned him that the Rat-Hole was
behind him, "can I eat the cake now?"
If Eustache had been more adroit, that is to say, less
greedy, he would have continued to wait, and would only have
hazarded that simple question, "Mother, can I eat the cake,
now?" on their return to the University, to Master Andry
Musnier's, Rue Madame la Valence, when he had the two
arms of the Seine and the five bridges of the city between
the Rat-Hole and the cake.
This question, highly imprudent at the moment when
Eustache put it, aroused Mahiette's attention.
"By the way," she exclaimed, "we are forgetting the
recluse! Show me the Rat-Hole, that I may carry her
her cake."
"Immediately," said Oudarde, "'tis a charity."
But this did not suit Eustache.
"Stop! my cake!" said he, rubbing both ears alternatively
with his shoulders, which, in such cases, is the supreme sign
of discontent.
The three women retraced their steps, and, on arriving in
the vicinity of the Tour-Roland, Oudarde said to the other two,--
"We must not all three gaze into the hole at once, for fear
of alarming the recluse. Do you two pretend to read the
_Dominus_ in the breviary, while I thrust my nose into the
aperture; the recluse knows me a little. I will give you
warning when you can approach."
She proceeded alone to the window. At the moment when
she looked in, a profound pity was depicted on all her
features, and her frank, gay visage altered its expression
and color as abruptly as though it had passed from a ray of
sunlight to a ray of moonlight; her eye became humid; her
mouth contracted, like that of a person on the point of
weeping. A moment later, she laid her finger on her lips,
and made a sign to Mahiette to draw near and look.
Mahiette, much touched, stepped up in silence, on tiptoe, as
though approaching the bedside of a dying person.
It was, in fact, a melancholy spectacle which presented
itself to the eyes of the two women, as they gazed through
the grating of the Rat-Hole, neither stirring nor breathing.
The cell was small, broader than it was long, with an arched
ceiling, and viewed from within, it bore a considerable
resemblance to the interior of a huge bishop's mitre. On the bare
flagstones which formed the floor, in one corner, a woman
was sitting, or rather, crouching. Her chin rested on her
knees, which her crossed arms pressed forcibly to her breast.
Thus doubled up, clad in a brown sack, which enveloped her
entirely in large folds, her long, gray hair pulled over in
front, falling over her face and along her legs nearly to her
feet, she presented, at the first glance, only a strange form
outlined against the dark background of the cell, a sort of
dusky triangle, which the ray of daylight falling through
the opening, cut roughly into two shades, the one sombre, the
other illuminated. It was one of those spectres, half
light, half shadow, such as one beholds in dreams and in the
extraordinary work of Goya, pale, motionless, sinister,
crouching over a tomb, or leaning against the grating of
a prison cell.
It was neither a woman, nor a man, nor a living being, nor
a definite form; it was a figure, a sort of vision, in which
the real and the fantastic intersected each other, like
darkness and day. It was with difficulty that one distinguished,
beneath her hair which spread to the ground, a gaunt and
severe profile; her dress barely allowed the extremity of a
bare foot to escape, which contracted on the hard, cold pavement.
The little of human form of which one caught a sight
beneath this envelope of mourning, caused a shudder.
That figure, which one might have supposed to be riveted
to the flagstones, appeared to possess neither movement, nor
thought, nor breath. Lying, in January, in that thin, linen
sack, lying on a granite floor, without fire, in the gloom of a
cell whose oblique air-hole allowed only the cold breeze, but
never the sun, to enter from without, she did not appear to
suffer or even to think. One would have said that she had
turned to stone with the cell, ice with the season. Her hands
were clasped, her eyes fixed. At first sight one took her for
a spectre; at the second, for a statue.
Nevertheless, at intervals, her blue lips half opened to
admit a breath, and trembled, but as dead and as mechanical
as the leaves which the wind sweeps aside.
Nevertheless, from her dull eyes there escaped a look, an
ineffable look, a profound, lugubrious, imperturbable look,
incessantly fixed upon a corner of the cell which could
not be seen from without; a gaze which seemed to fix all
the sombre thoughts of that soul in distress upon some
mysterious object.
Such was the creature who had received, from her habitation,
the name of the "recluse"; and, from her garment, the
name of "the sacked nun."
The three women, for Gervaise had rejoined Mahiette and
Oudarde, gazed through the window. Their heads intercepted
the feeble light in the cell, without the wretched being whom
they thus deprived of it seeming to pay any attention to
them. "Do not let us trouble her," said Oudarde, in a low
voice, "she is in her ecstasy; she is praying."
Meanwhile, Mahiette was gazing with ever-increasing
anxiety at that wan, withered, dishevelled head, and her eyes
filled with tears. "This is very singular," she murmured.
She thrust her head through the bars, and succeeded in
casting a glance at the corner where the gaze of the unhappy
woman was immovably riveted.
When she withdrew her head from the window, her countenance
was inundated with tears.
"What do you call that woman?" she asked Oudarde.
Oudarde replied,--
"We call her Sister Gudule."
"And I," returned Mahiette, "call her Paquette la Chantefleurie."
Then, laying her finger on her lips, she motioned to the
astounded Oudarde to thrust her head through the window
and look.
Oudarde looked and beheld, in the corner where the eyes of
the recluse were fixed in that sombre ecstasy, a tiny shoe of
pink satin, embroidered with a thousand fanciful designs in
gold and silver.
Gervaise looked after Oudarde, and then the three women,
gazing upon the unhappy mother, began to weep.
But neither their looks nor their tears disturbed the recluse.
Her hands remained clasped; her lips mute; her eyes fixed;
and that little shoe, thus gazed at, broke the heart of any one
who knew her history.
The three women had not yet uttered a single word; they
dared not speak, even in a low voice. This deep silence, this
deep grief, this profound oblivion in which everything had
disappeared except one thing, produced upon them the effect of
the grand altar at Christmas or Easter. They remained silent,
they meditated, they were ready to kneel. It seemed to them
that they were ready to enter a church on the day of Tenebrae.
At length Gervaise, the most curious of the three, and consequently
the least sensitive, tried to make the recluse speak:
"Sister! Sister Gudule!"
She repeated this call three times, raising her voice each
time. The recluse did not move; not a word, not a glance,
not a sigh, not a sign of life.
Oudarde, in her turn, in a sweeter, more caressing voice,--"Sister!"
said she, "Sister Sainte-Gudule!"
The same silence; the same immobility.
"A singular woman!" exclaimed Gervaise, "and one not to be moved
by a catapult!"
"Perchance she is deaf," said Oudarde.
"Perhaps she is blind," added Gervaise.
"Dead, perchance," returned Mahiette.
It is certain that if the soul had not already quitted this
inert, sluggish, lethargic body, it had at least retreated and
concealed itself in depths whither the perceptions of the
exterior organs no longer penetrated.
"Then we must leave the cake on the window," said Oudarde;
"some scamp will take it. What shall we do to rouse her?"
Eustache, who, up to that moment had been diverted by a
little carriage drawn by a large dog, which had just passed,
suddenly perceived that his three conductresses were gazing
at something through the window, and, curiosity taking
possession of him in his turn, he climbed upon a stone post,
elevated himself on tiptoe, and applied his fat, red face to the
opening, shouting, "Mother, let me see too!"
At the sound of this clear, fresh, ringing child's voice, the
recluse trembled; she turned her head with the sharp, abrupt
movement of a steel spring, her long, fleshless hands cast
aside the hair from her brow, and she fixed upon the child,
bitter, astonished, desperate eyes. This glance was but a
lightning flash.
"Oh my God!" she suddenly exclaimed, hiding her head on
her knees, and it seemed as though her hoarse voice tore her
chest as it passed from it, "do not show me those of others!"
"Good day, madam," said the child, gravely.
Nevertheless, this shock had, so to speak, awakened the
recluse. A long shiver traversed her frame from head to
foot; her teeth chattered; she half raised her head and said,
pressing her elbows against her hips, and clasping her feet
in her hands as though to warm them,--
"Oh, how cold it is!"
"Poor woman!" said Oudarde, with great compassion, "would you
like a little fire?"
She shook her head in token of refusal.
"Well," resumed Oudarde, presenting her with a flagon;
"here is some hippocras which will warm you; drink it."
Again she shook her head, looked at Oudarde fixedly and
replied, "Water."
Oudarde persisted,--"No, sister, that is no beverage for
January. You must drink a little hippocras and eat this
leavened cake of maize, which we have baked for you."
She refused the cake which Mahiette offered to her, and
said, "Black bread."
"Come," said Gervaise, seized in her turn with an impulse
of charity, and unfastening her woolen cloak, "here is a cloak
which is a little warmer than yours."
She refused the cloak as she had refused the flagon and
the cake, and replied, "A sack."
"But," resumed the good Oudarde, "you must have perceived
to some extent, that yesterday was a festival."
"I do perceive it," said the recluse; "'tis two days now
since I have had any water in my crock."
She added, after a silence, "'Tis a festival, I am forgotten.
People do well. Why should the world think of me, when I
do not think of it? Cold charcoal makes cold ashes."
And as though fatigued with having said so much, she
dropped her head on her knees again. The simple and charitable
Oudarde, who fancied that she understood from her last
words that she was complaining of the cold, replied innocently,
"Then you would like a little fire?"
"Fire!" said the sacked nun, with a strange accent; "and
will you also make a little for the poor little one who has
been beneath the sod for these fifteen years?"
Every limb was trembling, her voice quivered, her eyes
flashed, she had raised herself upon her knees; suddenly she
extended her thin, white hand towards the child, who was
regarding her with a look of astonishment. "Take away
that child!" she cried. "The Egyptian woman is about to
pass by."
Then she fell face downward on the earth, and her forehead
struck the stone, with the sound of one stone against another
stone. The three women thought her dead. A moment later,
however, she moved, and they beheld her drag herself, on her
knees and elbows, to the corner where the little shoe was.
Then they dared not look; they no longer saw her; but they
heard a thousand kisses and a thousand sighs, mingled with
heartrending cries, and dull blows like those of a head in
contact with a wall. Then, after one of these blows, so violent
that all three of them staggered, they heard no more.
"Can she have killed herself?" said Gervaise, venturing to
pass her head through the air-hole. "Sister! Sister Gudule!"
"Sister Gudule!" repeated Oudarde.
"Ah! good heavens! she no longer moves!" resumed Gervaise;
"is she dead? Gudule! Gudule!"
Mahiette, choked to such a point that she could not speak,
made an effort. "Wait," said she. Then bending towards
the window, "Paquette!" she said, "Paquette le Chantefleurie!"
A child who innocently blows upon the badly ignited fuse
of a bomb, and makes it explode in his face, is no more
terrified than was Mahiette at the effect of that name,
abruptly launched into the cell of Sister Gudule.
The recluse trembled all over, rose erect on her bare feet,
and leaped at the window with eyes so glaring that Mahiette
and Oudarde, and the other woman and the child recoiled even
to the parapet of the quay.
Meanwhile, the sinister face of the recluse appeared pressed
to the grating of the air-hole. "Oh! oh!" she cried, with
an appalling laugh; "'tis the Egyptian who is calling me!"
At that moment, a scene which was passing at the pillory
caught her wild eye. Her brow contracted with horror, she
stretched her two skeleton arms from her cell, and shrieked in
a voice which resembled a death-rattle, "So 'tis thou once
more, daughter of Egypt! 'Tis thou who callest me, stealer
of children! Well! Be thou accursed! accursed! accursed!
accursed!" _
Read next: VOLUME I: BOOK SIXTH: Chapter 3 - History of a Leavened Cake of Maize
Read previous: VOLUME I: BOOK SIXTH: Chapter 1 - An Impartial Glance at the Ancient Magistracy
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