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The Plant-Lore & Garden-Craft of Shakespeare, a non-fiction book by Henry Nicholson Ellacombe

Part 1. The Plant-Lore Of Shakespeare - Strawberry, Sugar, Sycamore

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_ PART I. THE PLANT-LORE OF SHAKESPEARE STRAWBERRY, SUGAR, SYCAMORE

STRAWBERRY.


(1) Iago.

Have you not sometimes seen a handkerchief
Spotted with Strawberries in your wife's hand?[279:1]

--- Othello, act iii, sc. 3 (434).

(2) Ely.

The Strawberry grows underneath the Nettle,
And wholesome berries thrive and ripen best
Neighbour'd by fruit of baser quality;
And so the prince obscured his contemplation
Under the veil of wildness.

--- Henry V, act i, sc. 1 (60).


(3) Gloster.

My Lord of Ely, when I was last in Holborn,
I saw good Strawberries in your garden there;
I do beseech you send for some of them.

Ely.

Marry, and will, my Lord, with all my heart.

* * * * *

Where is my lord Protector? I have sent
For these Strawberries.

--- King Richard III, act iii, sc. 4 (32).

The Bishop of Ely's garden in Holborn must have been one of the chief gardens of England in the fourteenth and fifteenth centuries, for this is the third time it has been brought under our notice. It was celebrated for its Roses (see ROSE); it was so celebrated for its Saffron Crocuses that part of it acquired the name which it still keeps, Saffron Hill; and now we hear of its "good Strawberries;" while the remembrance of "the ample garden," and of the handsome Lord Chancellor to whom it was given when taken from the bishopric, is still kept alive in its name of Hatton Garden. How very good our forefathers' Strawberries were, we have a strong proof in old Isaak Walton's happy words: "Indeed, my good scholar, we may say of angling as Dr. Boteler said of Strawberries: 'Doubtless God could have made a better berry, but doubtless God never did;' and so, if I might be judge, God never did make a more calm, quiet, innocent recreation than angling." I doubt whether, with our present experience of good Strawberries, we should join in this high praise of the Strawberries of Shakespeare's or Isaak Walton's day, for their varieties of Strawberry must have been very limited in comparison to ours. Their chief Strawberry was the Wild Strawberry brought straight from the woods, and no doubt much improved in time by cultivation. Yet we learn from Spenser and from Tusser that it was the custom to grow it just as it came from the woods.

Spenser says--


"One day as they all three together went
Into the wood to gather Strawberries."--F. Q., vi. 34;


and Tusser--


"Wife, into thy garden, and set me a plot
With Strawbery rootes of the best to be got:
Such growing abroade, among Thornes in the wood,
Wel chosen and picked, prove excellent good.

* * * * *

The Gooseberry, Respis, and Roses al three
With Strawberies under them trimly agree."

--- September's Husbandry.


And even in the next century, Sir Hugh Plat said--


"Strawberries which grow in woods prosper best in gardens."

--- Garden of Eden, i, 20.[281:1]


Besides the wild one (Fragaria vesca), they had the Virginian (F. Virginiana), a native of North America, and the parent of our scarlets; but they do not seem to have had the Hautbois (F. elatior), or the Chilian, or the Carolinas, from which most of our good varieties have descended.

The Strawberry is among fruits what the Primrose and Snowdrop are among flowers, the harbinger of other good fruits to follow. It is the earliest of the summer fruits, and there is no need to dwell on its delicate, sweet-scented freshness, so acceptable to all; but it has also a charm in autumn, known, however, but to few, and sometimes said to be only discernible by few. Among "the flowers that yield sweetest smell in the air," Lord Bacon reckoned Violets, and "next to that is the Musk Rose, then the Strawberry leaves dying, with a most excellent cordial smell." In Mrs. Gaskell's pretty tale, "My Lady Ludlow," the dying Strawberry leaves act an important part. "The great hereditary faculty on which my lady piqued herself, and with reason, for I never met with any other person who possessed it, was the power she had of perceiving the delicious odour arising from a bed of Strawberry leaves in the late autumn, when the leaves were all fading and dying." The old lady quotes Lord Bacon, and then says: "'Now the Hanburys can always smell the excellent cordial odour, and very delicious and refreshing it is. In the time of Queen Elizabeth the great old families of England were a distinct race, just as a cart-horse is one creature and very useful in its place, and Childers or Eclipse is another creature, though both are of the same species. So the old families have gifts and powers of a different and higher class to what the other orders have. My dear, remember that you try and smell the scent of dying Strawberry leaves in this next autumn, you have some of Ursula Hanbury's blood in you, and that gives you a chance.' 'But when October came I sniffed, and sniffed, and all to no purpose; and my lady, who had watched the little experiment rather anxiously, had to give me up as a hybrid'" ("Household Words," vol. xviii.). On this I can only say in the words of an old writer, "A rare and notable thing, if it be true, for I never proved it, and never tried it; therefore, as it proves so, praise it."[282:1] Spenser also mentions the scent, but not of the leaves or fruit, but of the flowers--


"Comming to kisse her lyps (such grace I found),
Me seem'd I smelt a garden of sweet flowres
That dainty odours from them threw around:

* * * * *

Her goodly bosome, lyke a Strawberry bed,

* * * * *

Such fragrant flowres doe give most odorous smell."[282:2]

--- Sonnet lxiv.


There is a considerable interest connected with the name of the plant, and much popular error. It is supposed to be called Strawberry because the berries have straw laid under them, or from an old custom of selling the wild ones strung on straws.[282:3] In Shakespeare's time straw was used for the protection of Strawberries, but not in the present fashion--


"If frost doe continue, take this for a lawe,
The Strawberies look to be covered with strawe.
Laid ouerly trim upon crotchis and bows,
And after uncovered as weather allows."

--- TUSSER, December's Husbandry.


But the name is much more ancient than either of these customs. Strawberry in different forms, as Strea-berige, Streaberie-wisan, Streaw-berige, Streaw-berian wisan, Streberilef, Strabery, Strebere-wise, is its name in the old English Vocabularies, while it appears first in its present form in a Pictorial Vocabulary of the fifteenth century, "Hoc ffragrum, A{ce} a Strawbery." What the word really means is pleasantly told by a writer in Seeman's "Journal of Botany," 1869: "How well this name indicates the now prevailing practice of English gardeners laying straw under the berry in order to bring it to perfection, and prevent it from touching the earth, which without that precaution it naturally does, and to which it owes its German Erdbeere, making us almost forget that in this instance 'straw' has nothing to do with the practice alluded to, but is an obsolete past-participle of 'to strew,' in allusion to the habit of the plant." This obsolete word is preserved in our English Bibles, "gathering where thou hast not strawed," "he strawed it upon the water," "straw me with apples;" and in Shakespeare--


The bottom poison, and the top o'erstrawed
With sweets.--Venus and Adonis.


From another point of view there is almost as great a mistake in the second half of the name, for in strict botanical language the fruit of the Strawberry is not a berry; it is not even "exactly a fruit, but is merely a fleshy receptacle bearing fruit, the true fruit being the ripe carpels, which are scattered over its surface in the form of minute grains looking like seeds, for which they are usually mistaken, the seed lying inside of the shell of the carpel." It is exactly the contrary to the Raspberry, a fruit not named by Shakespeare, though common in his time under the name of Rasps. "When you gather the Raspberry you throw away the receptacle under the name of core, never suspecting that it is the very part you had just before been feasting upon in the Strawberry. In the one case, the receptacle robs the carpels of all their juice in order to become gorged and bloated at their expense; in the other case, the carpels act in the same selfish manner upon the receptacles."--LINDLEY, Ladies' Botany.

Shakespeare's mention of the Strawberry and the Nettle (No. 2) deserves a passing note. It was the common opinion in his day that plants were affected by the neighbourhood of other plants to such an extent that they imbibed each other's virtues and faults. Thus sweet flowers were planted near fruit trees, with the idea of improving the flavour of the fruit, and evil-smelling trees, like the Elder, were carefully cleared away from fruit trees, lest they should be tainted. But the Strawberry was supposed to be an exception to the rule, and was supposed to thrive in the midst of "evil communications" without being corrupted. Preachers and emblem-writers naturally seized upon this: "In tilling our gardens we cannot but admire the fresh innocence and purity of the Strawberry, because although it creeps along the ground, and is continually crushed by serpents, lizards, and other venomous reptiles, yet it does not imbibe the slightest impression of poison, or the smallest malignant quality, a true sign that it has no affinity with poison. And so it is with human virtues," &c. "In conversation take everything peacefully, no matter what is said or done. In this manner you may remain innocent amidst the hissing of serpents, and, as a little Strawberry, you will not suffer contamination from slimy things creeping near you."--ST. FRANCIS DE SALES.

I need only add that the Strawberry need not be confined to the kitchen garden, as there are some varieties which make very good carpet plants, such as the variegated Strawberry, which, however, is very capricious in its variegation; the double Strawberry, which bears pretty white button-like flowers; and the Fragaria lucida from California, which has very bright shining leaves, and was, when first introduced, supposed to be useful in crossing with other species; but I have not heard that this has been successfully effected.


FOOTNOTES:

[279:1] "Mrs. Somerville made for me a delicate outline sketch of what is called Othello's house in Venice, and a beautifully coloured copy of his shield surmounted by the Doge's cap, and bearing three Mulberries for device--proving the truth of the assertion that the Otelli del Moro were a noble Venetian folk, who came originally from the Morea, whose device was the Mulberry, the growth of that country, and showing how curious a jumble Shakespeare has made both of name and device in calling him a Moor, and embroidering his arms on his handkerchief as Strawberries."--F. KEMBLE'S Records, vol. i. 145.

[281:1] It seems probable that the Romans only knew of the Wild Strawberry, of which both Virgil and Ovid speak--


"Qui legitis flores et humi nascentia fraga."--Ecl., ii.


"Contentique cibis nullo cogente creatis
Arbuteos foetus montanaque fraga legebant."--Metam., i, 105.

[282:1] "Quae neque confirmare argumentis neque refellere in animo est; ex ingenio suo quisque demat vel addat fidem."--TACITUS.

[282:2] The flowers of Fragaria lucida are slightly violet-scented, but I know of no Strawberry flower that can be said to "give most odorous smell."

[282:3]


"The wood nymphs oftentimes would busied be,
And pluck for him the blushing Strawberry,
Making from them a bracelet on a bent,
Which for a favour to this swain they sent."

--- BROWNE'S Brit. Past., i, 2.

 


SUGAR.


(1) Prince Henry.

But, sweet Ned--to sweeten which name of Ned, I give thee this
pennyworth of Sugar, clapped even now into my hand by an
under-skinker.

* * * * *

To drive away the time till Falstaff comes, I prithee, do thou
stand in some by-room, while I question my puny drawer to
what end he gave me the Sugar.

* * * * *

Nay, but hark you, Francis; for the Sugar thou gavest me,
'twas a pennyworth, was't not?

--- 1st Henry IV, act ii, sc. 4 (23, 31, 64).


(2) Biron.

White-handed mistress, one sweet word with thee.

Princess.

Honey, and Milk, and Sugar, there is three.

--- Love's Labour's Lost, act v, sc. 2 (230).


(3) Quickly.

And in such wine and Sugar of the best and the fairest, that
would have won any woman's heart.

--- Merry Wives, act ii, sc. 2 (70).


(4) Bassanio.

Here are sever'd lips
Parted with Sugar breath; so sweet a bar
Should sunder such sweet friends.

--- Merchant of Venice, act iii, sc. 2 (118).


(5) Touchstone.

Honesty coupled to beauty is to have honey a sauce to Sugar.

--- As You Like It, act iii, sc. 2 (30).


(6) Northumberland.

Your fair discourse hath been as Sugar,
Making the hard way sweet and delectable.

--- Richard II, act ii, sc. 3 (6).


(7) Clown.

Let me see,--what am I to buy for our sheep-shearing feast?
Three pound of Sugar, five pound of Currants.

--- Winter's Tale, act iv, sc. 3 (39).


(8) K. Henry.

You have witchcraft in your lips, Kate: there is more
eloquence in a Sugar touch of them than in the tongues of
the French council.

--- Henry V, act v, sc. 2 (401).


(9) Queen Margaret.

Poor painted Queen, vain flourish of my fortune!
Why strew'st thou Sugar on that bottled spider,
Whose deadly web ensnareth thee about?

--- Richard III, act i, sc. 3 (241).


(10) Gloucester.

Your grace attended to their Sugar'd words,
But look'd not on the poison of their hearts.

--- Richard III, act iii, sc. 1 (13).


(11) Polonius.

We are oft to blame in this--
Tis too much proved--that with devotion's visage
And pious actions we do Sugar o'er
The devil himself.

--- Hamlet, act iii, sc. 1 (46).


(12) Brabantio.

These sentences, to Sugar, or to gall,
Being strong on both sides, are equivocal.

--- Othello, act i, sc. 3 (216).


(13) Timon.

And never learn'd
The icy precepts of respect, but follow'd
The Sugar'd game before thee.

--- Timon of Athens, act iv, sc. 3 (257).


(14) Pucelle.

By fair persuasion mix'd with Sugar'd words
We will entice the Duke of Burgundy.

--- 1st Henry VI, act iii, sc. 3 (18).


(15) K. Henry.

Hide not thy poison with such Sugar'd words.

--- 2nd Henry VI, act iii, sc. 2 (45).


(16) Prince Henry.

One poor pennyworth of Sugar-candy, to make thee long-winded.

--- 1st Henry IV, act iii, sc. 3 (180).


(17)

Thy Sugar'd tongue to bitter Wormwood taste.

--- Lucrece (893).

As a pure vegetable product, though manufactured, Sugar cannot be passed over in an account of the plants of Shakespeare; but it will not be necessary to say much about it. Yet the history of the migrations of the Sugar-plant is sufficiently interesting to call for a short notice.

Its original home seems to have been in the East Indies, whence it was imported in very early times. It is probably the "sweet cane" of the Bible; and among classical writers it is named by Strabo, Lucan, Varro, Seneca, Dioscorides, and Pliny. The plant is said to have been introduced into Europe during the Crusades, and to have been cultivated in the Morea, Rhodes, Malta, Sicily, and Spain.[286:1] By the Spaniards it was taken first to Madeira and the Cape de Verd Islands, and, very soon after the discovery of America, to the West Indies. There it soon grew rapidly, and increased enormously, and became a chief article of commerce, so that though we now almost look upon it as entirely a New World plant, it is in fact but a stranger there, that has found a most congenial home.

In 1468 the price of Sugar was sixpence a pound, equal to six shillings of our money,[287:1] but in Shakespeare's time it must have been very common,[287:2] or it could not so largely have worked its way into the common English language and proverbial expressions; and it must also have been very cheap, or it could not so entirely have superseded the use of honey, which in earlier times was the only sweetening material.

Shakespeare may have seen the living plant, for it was grown as a curiosity in his day, though Gerard could not succeed with it: "Myself did plant some shootes thereof in my garden, and some in Flanders did the like, but the coldness of our clymate made an end of myne, and I think the Flemmings will have the like profit of their labour." But he bears testimony to the large use of Sugar in his day; "of the juice of the reede is made the most pleasant and profitable sweet called Sugar, whereof is made infinite confections, sirupes, and such like, as also preserving and conserving of sundrie fruits, herbes and flowers, as roses, violets, rosemary flowers and such like."


FOOTNOTES:

[286:1] "It is the juice of certain canes or reedes whiche growe most plentifully in the Ilandes of Madera, Sicilia, Cyprus, Rhodus and Candy. It is made by art in boyling of the Canes, much like as they make their white salt in the Witches in Cheshire."--COGHAN, Haven of Health, 1596, p. 110.

[287:1] "Babee's Book," xxx.


[287:2] It is mentioned by Chaucer--

"Gyngerbred that was so fyn.
And licorys and eek comyn
With Sugre that is trye."--Tale of Sir Thopas.


SWEET MARJORAM, see MARJORAM.

 


SYCAMORE.


(1) Desdemona (singing).

The poor soul sat sighing by a Sycamore tree.

--- Othello, act iv, sc. 3 (41).


(2) Benvolio.

Underneath the grove of Sycamore
That westward rooteth from the city's side,
So early walking did I see your son.

--- Romeo and Juliet, act i, sc. 1 (130).


(3) Boyet.

Under the cool shade of a Sycamore
I thought to close mine eyes some half an hour.

--- Love's Labour's Lost, act v, sc. 2 (89).

In its botanical relationship, the Sycamore is closely allied to the Maple, and was often called the Great Maple, and is still so called in Scotland. It is not indigenous in Great Britain, but it has long been naturalized among us, and has taken so kindly to our soil and climate that it is one of our commonest trees. It is one of the best of forest trees for resisting wind; it "scorns to be biassed in its mode of growth even by the prevailing wind, but shooting its branches with equal boldness in every direction, shows no weatherside to the storm, and may be broken, but never can be bended."-Old Mortality, c. i.

The history of the name is curious. The Sycomore, or Zicamine tree of the Bible and of Theophrastus and Dioscorides, is the Fig-mulberry, a large handsome tree indigenous in Africa and Syria, and largely planted, partly for the sake of its fruit, and especially for the delicious shade it gives. With this tree the early English writers were not acquainted, but they found the name in the Bible, and applied it to any shade-giving tree. Thus in AElfric's Vocabulary in the tenth century it is given to the Aspen--"Sicomorus vel celsa aeps." Chaucer gives the name to some hedge shrub, but he probably used it for any thick shrub, without any very special distinction--


"The hedge also that yedde in compas
And closed in all the greene herbere
With Sicamour was set and Eglateere,
Wrethen in fere so well and cunningly
That every branch and leafe grew by measure
Plaine as a bord, of an height by and by."

--- The Flower and the Leaf.


Our Sycamore would be very ill suited to make the sides and roof of an arbour, but before the time of Shakespeare it seems certain that the name was attached to our present tree, and it is so called by Gerard and Parkinson.

The Sycamore is chiefly planted for its rapid growth rather than for its beauty. It becomes a handsome tree when fully grown, but as a young tree it is stiff and heavy, and at all times it is so infested with honeydew as to make it unfit for planting on lawns or near paths. It grows well in the north, where other trees will not well flourish, and "we frequently meet with the tree apart in the fields, or unawares in remote localities amidst the Lammermuirs and the Cheviots, where it is the surviving witness of the former existence of a hamlet there. Hence to the botanical rambler it has a more melancholy character than the Yew. It throws him back on past days, when he who planted the tree was the owner of the land and of the Hall, and whose name and race are forgotten even by tradition. . . . And there is reasonable pride in the ancestry when a grove of old gentlemanly Sycamores still shadows the Hall."--JOHNSTON. But these old Sycamores were not planted only for beauty: they were sometimes planted for a very unpleasant use. "They were used by the most powerful barons in the West of Scotland for hanging their enemies and refractory vassals on, and for this reason were called dool or grief trees. Of these there are three yet standing, the most memorable being one near the fine old castle of Cassilis, one of the seats of the Marquis of Ailsa, on the banks of the River Doon. It was used by the family of Kennedy, who were the most powerful barons of the West of Scotland, for the purpose above mentioned."--JOHNS.

The wood of the Sycamore is useful for turning and a few other purposes, but is not very durable. The sap, as in all the Maples, is full of sugar, and the pollen is very curious; "it appears globular in the microscope, but if it be touched with anything moist, the globules burst open with four valves, and then they appear in the form of a cross."--MILLER. _

Read next: Part 1. The Plant-Lore Of Shakespeare: Thistle, Thorns, Thyme, Turnips

Read previous: Part 1. The Plant-Lore Of Shakespeare: Sedge, Senna, Speargrass, Stover

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