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Romola, a novel by George Eliot |
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Part 3 - Chapter 52. A Prophetess |
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_ Part Three: Chapter Fifty Two. A Prophetess The incidents of that Carnival day seemed to Romola to carry no other personal consequences to her than the new care of supporting poor cousin Brigida in her fluctuating resignation to age and grey hairs; but they introduced a Lenten time in which she was kept at a high pitch of mental excitement and active effort. Bernardo del Nero had been elected Gonfaloniere. By great exertions the Medicean party had so far triumphed, and that triumph had deepened Romola's presentiment of some secretly-prepared scheme likely to ripen either into success or betrayal during these two months of her godfather's authority. Every morning the dim daybreak as it peered into her room seemed to be that haunting fear coming back to her. Every morning the fear went with her as she passed through the streets on her way to the early sermon in the Duomo: but there she gradually lost the sense of its chill presence, as men lose the dread of death in the clash of battle. In the Duomo she felt herself sharing in a passionate conflict which had wider relations than any enclosed within the walls of Florence. For Savonarola was preaching--preaching the last course of Lenten sermons he was ever allowed to finish in the Duomo: he knew that excommunication was imminent, and he had reached the point of defying it. He held up the condition of the Church in the terrible mirror of his unflinching speech, which called things by their right names and dealt in no polite periphrases; he proclaimed with heightening confidence the advent of renovation--of a moment when there would be a general revolt against corruption. As to his own destiny, he seemed to have a double and alternating prevision: sometimes he saw himself taking a glorious part in that revolt, sending forth a voice that would be heard through all Christendom, and making the dead body of the Church tremble into new life, as the body of Lazarus trembled when the Divine voice pierced the sepulchre; sometimes he saw no prospect for himself but persecution and martyrdom:--this life for him was only a vigil, and only after death would come the dawn. The position was one which must have had its impressiveness for all minds that were not of the dullest order, even if they were inclined, as Macchiavelli was, to interpret the Frate's character by a key that presupposed no loftiness. To Romola, whose kindred ardour gave her a firm belief in Savonarola's genuine greatness of purpose, the crisis was as stirring as if it had been part of her personal lot. It blent itself as an exalting memory with all her daily labours; and those labours were calling not only for difficult perseverance, but for new courage. Famine had never yet taken its flight from Florence, and all distress, by its long continuance, was getting harder to bear; disease was spreading in the crowded city, and the Plague was expected. As Romola walked, often in weariness, among the sick, the hungry, and the murmuring, she felt it good to be inspired by something more than her pity--by the belief in a heroism struggling for sublime ends, towards which the daily action of her pity could only tend feebly, as the dews that freshen the weedy ground to-day tend to prepare an unseen harvest in the years to come. But that mighty music which stirred her in the Duomo was not without its jarring notes. Since those first days of glowing hope when the Frate, seeing the near triumph of good in the reform of the Republic and the coming of the French deliverer, had preached peace, charity, and oblivion of political differences, there had been a marked change of conditions: political intrigue had been too obstinate to allow of the desired oblivion; the belief in the French deliverer, who had turned his back on his high mission, seemed to have wrought harm; and hostility, both on a petty and on a grand scale, was attacking the Prophet with new weapons and new determination. It followed that the spirit of contention and self-vindication pierced more and more conspicuously in his sermons; that he was urged to meet the popular demands not only by increased insistance and detail concerning visions and private revelations, but by a tone of defiant confidence against objectors; and from having denounced the desire for the miraculous, and declared that miracles had no relation to true faith, he had come to assert that at the right moment the Divine power would attest the truth of his prophetic preaching by a miracle. And continually, in the rapid transitions of excited feeling, as the vision of triumphant good receded behind the actual predominance of evil, the threats of coming vengeance against vicious tyrants and corrupt priests gathered some impetus from personal exasperation, as well as from indignant zeal. In the career of a great public orator who yields himself to the inspiration of the moment, that conflict of selfish and unselfish emotion which in most men is hidden in the chamber of the soul, is brought into terrible evidence: the language of the inner voices is written out in letters of fire. But if the tones of exasperation jarred on Romola, there was often another member of Fra Girolamo's audience to whom they were the only thrilling tones, like the vibration of deep bass notes to the deaf. Baldassarre had found out that the wonderful Frate was preaching again, and as often as he could, he went to hear the Lenten sermon, that he might drink in the threats of a voice which seemed like a power on the side of justice. He went the more because he had seen that Romola went too; for he was waiting and watching for a time when not only outward circumstances, but his own varying mental state, would mark the right moment for seeking an interview with her. Twice Romola had caught sight of his face in the Duomo--once when its dark glance was fixed on hers. She wished not to see it again, and yet she looked for it, as men look for the reappearance of a portent. But any revelation that might be yet to come about this old man was a subordinate fear now: it referred, she thought, only to the past, and her anxiety was almost absorbed by the present. Yet the stirring Lent passed by; April, the second and final month of her godfather's supreme authority, was near its close; and nothing had occurred to fulfil her presentiment. In the public mind, too, there had been fears, and rumours had spread from Home of a menacing activity on the part of Piero de' Medici; but in a few days the suspected Bernardo would go out of power. Romola was trying to gather some courage from the review of her futile fears, when on the twenty-seventh, as she was walking out on her usual errands of mercy in the afternoon, she was met by a messenger from Camilla Rucellai, chief among the feminine seers of Florence, desiring her presence forthwith on matters of the highest moment. Romola, who shrank with unconquerable repulsion from the shrill volubility of those illuminated women, and had just now a special repugnance towards Camilla because of a report that she had announced revelations hostile to Bernardo del Nero, was at first inclined to send back a flat refusal. Camilla's message might refer to public affairs, and Romola's immediate prompting was to close her ears against knowledge that might only make her mental burden heavier. But it had become so thoroughly her habit to reject her impulsive choice, and to obey passively the guidance of outward claims, that, reproving herself for allowing her presentiments to make her cowardly and selfish, she ended by compliance, and went straight to Camilla. She found the nervous grey-haired woman in a chamber arranged as much as possible like a convent cell. The thin fingers clutching Romola as she sat, and the eager voice addressing her at first in a loud whisper, caused her a physical shrinking that made it difficult for her to keep her seat. Camilla had a vision to communicate--a vision in which it had been revealed to her by Romola's Angel, that Romola knew certain secrets concerning her godfather, Bernardo del Nero, which, if disclosed, might save the Republic from peril. Camilla's voice rose louder and higher as she narrated her vision, and ended by exhorting Romola to obey the command of her Angel, and separate herself from the enemy of God. Romola's impetuosity was that of a massive nature, and, except in moments when she was deeply stirred, her manner was calm and self-controlled. She had a constitutional disgust for the shallow excitability of women like Camilla, whose faculties seemed all wrought up into fantasies, leaving nothing for emotion and thought. The exhortation was not yet ended when she started up and attempted to wrench her arm from Camilla's tightening grasp. It was of no use. The prophetess kept her hold like a crab, and, only incited to more eager exhortation by Romola's resistance, was carried beyond her own intention into a shrill statement of other visions which were to corroborate this. Christ himself had appeared to her and ordered her to send his commands to certain citizens in office that they should throw Bernardo del Nero from the window of the Palazzo Vecchio. Fra Girolamo himself knew of it, and had not dared this time to say that the vision was not of Divine authority. "And since then," said Camilla, in her excited treble, straining upward with wild eyes towards Romola's face, "the Blessed Infant has come to me and laid a wafer of sweetness on my tongue in token of his pleasure that I had done his will." "Let me go!" said Romola, in a deep voice of anger. "God grant you are mad! else you are detestably wicked!" The violence of her effort to be free was too strong for Camilla now. She wrenched away her arm and rushed out of the room, not pausing till she had hurriedly gone far along the street, and found herself close to the church of the Badia. She had but to pass behind the curtain under the old stone arch, and she would find a sanctuary shut in from the noise and hurry of the street, where all objects and all uses suggested the thought of an eternal peace subsisting in the midst of turmoil. She turned in, and sinking down on the step of the altar in front of Filippino Lippi's serene Virgin appearing to Saint Bernard, she waited in hope that the inward tumult which agitated her would by-and-by subside. The thought which pressed on her the most acutely was that Camilla could allege Savonarola's countenance of her wicked folly. Romola did not for a moment believe that he had sanctioned the throwing of Bernardo del Nero from the window as a Divine suggestion; she felt certain that there was falsehood or mistake in that allegation. Savonarola had become more and more severe in his views of resistance to malcontents; but the ideas of strict law and order were fundamental to all his political teaching. Still, since he knew the possibly fatal effects of visions like Camilla's, since he had a marked distrust of such spirit-seeing women, and kept aloof from them as much as possible, why, with his readiness to denounce wrong from the pulpit, did he not publicly denounce these pretended revelations which brought new darkness instead of light across the conception of a Supreme Will? Why? The answer came with painful clearness: he was fettered inwardly by the consciousness that such revelations were not, in their basis, distinctly separable from his own visions; he was fettered outwardly by the foreseen consequence of raising a cry against himself even among members of his own party, as one who would suppress all Divine inspiration of which he himself was not the vehicle--he or his confidential and supplementary seer of visions, Fra Salvestro. Romola, kneeling with buried face on the altar-step, was enduring one of those sickening moments, when the enthusiasm which had come to her as the only energy strong enough to make life worthy, seemed to be inevitably bound up with vain dreams and wilful eye-shutting. Her mind rushed back with a new attraction towards the strong worldly sense, the dignified prudence, the untheoretic virtues of her godfather, who was to be treated as a sort of Agag because he held that a more restricted form of government was better than the Great Council, and because he would not pretend to forget old ties to the banished family. But with this last thought rose the presentiment of some plot to restore the Medici; and then again she felt that the popular party was half justified in its fierce suspicion. Again she felt that to keep the Government of Florence pure, and to keep out a vicious rule, was a sacred cause; the Frate was right there, and had carried her understanding irrevocably with him. But at this moment the assent of her understanding went alone; it was given unwillingly. Her heart was recoiling from a right allied to so much narrowness; a right apparently entailing that hard systematic judgment of men which measures them by assents and denials quite superficial to the manhood within them. Her affection and respect were clinging with new tenacity to her godfather, and with him to those memories of her father which were in the same opposition to the division of men into sheep and goats by the easy mark of some political or religious symbol. After all has been said that can be said about the widening influence of ideas, it remains true that they would hardly be such strong agents unless they were taken in a solvent of feeling. The great world-struggle of developing thought is continually foreshadowed in the struggle of the affections, seeking a justification for love and hope. If Romola's intellect had been less capable of discerning the complexities in human things, all the early loving associations of her life would have forbidden her to accept implicitly the denunciatory exclusiveness of Savonarola. She had simply felt that his mind had suggested deeper and more efficacious truth to her than any other, and the large breathing-room she found in his grand view of human duties had made her patient towards that part of his teaching which she could not absorb, so long as its practical effect came into collision with no strong force in her. But now a sudden insurrection of feeling had brought about that collision. Her indignation, once roused by Camilla's visions, could not pause there, but ran like an illuminating fire over all the kindred facts in Savonarola's teaching, and for the moment she felt what was true in the scornful sarcasms she heard continually flung against him, more keenly than she felt what was false. But it was an illumination that made all life look ghastly to her. Where were the beings to whom she could cling, with whom she could work and endure, with the belief that she was working for the right? On the side from which moral energy came lay a fanaticism from which she was shrinking with newly-startled repulsion; on the side to which she was drawn by affection and memory, there was the presentiment of some secret plotting, which her judgment told her would not be unfairly called crime. And still surmounting every other thought was the dread inspired by Tito's hints, lest that presentiment should be converted into knowledge, in such a way that she would be torn by irreconcilable claims. Calmness would not come even on the altar-steps; it would not come from looking at the serene picture where the saint, writing in the rocky solitude, was being visited by faces with celestial peace in them. Romola was in the hard press of human difficulties, and that rocky solitude was too far off. She rose from her knees that she might hasten to her sick people in the courtyard, and by some immediate beneficent action, revive that sense of worth in life which at this moment was unfed by any wider faith. But when she turned round, she found herself face to face with a man who was standing only two yards off her. The man was Baldassarre. _ |
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