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The First Man, a play by Eugene O'Neill |
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Act 4 |
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_ ACT IV SCENE--Same as Act I. It is afternoon of a fine day three days later. Motors are heard coming up the drive in front of the house. There is the muffled sound of voices. The MAID is seen going along the hall to the front door. Then the family enter from the rear. First come JAYSON and ESTHER with MRS. DAVIDSON then LILY, DICK and SHEFFIELD then JOHN and his wife. All are dressed in mourning. The only one who betrays any signs of sincere grief is MRS. DAVIDSON. The others all have a strained look, irritated, worried, or merely gloomy. They seem to be thinking "The worst is yet to come."
Please do sit down, Aunt. [She does so mechanically.] [He sits down in front of table. ESTHER goes to couch where she is joined by EMILY. MARK goes over and stands in back of them. DICK and JOHN sit at rear of table. LILY comes down front and walks about nervously. She seems in a particularly fretful, upset mood.] LILY What ridiculous things funerals are, anyway! That stupid minister--whining away through his nose! Why does the Lord show such a partiality for men with adenoids, I wonder. JAYSON Sshhh! Have you no respect for anything? LILY If I had, I'd have lost it when I saw all of you pulling such long faces in the church where you knew you were under observation. Pah! Such hypocrisy! And then, to cap it all, Emily has to force out a few crocodile tears at the grave! EMILY When I saw Curt--that's why I cried--not for her! JAYSON DICK [SHEFFIELD nods.] JAYSON LILY JAYSON And now this perfectly mad idea of going away to-day to join that infernal expedition--leaving that child on our hands--the child he has never even looked at! Why, it's too monstrously flagrant! He's deliberately flaunting this scandal in everyone's face! JOHN He must be brought to time. SHEFFIELD LILY You mean you think he believes--Well, I don't. [Pointing outside.] DICK ESTHER But wouldn't you think that Bigelow person SHEFFIELD LILY Oh, I hate you, all of you! I loathe your suspicions EMILY LILY I know! Shut up! Haven't you told it a million times already? [MRS. DAVIDSON gets up and walks to the door, rear. JAYSON Aunt Elizabeth! Where are you going? [As she doesn't answer but goes out into the hall.] ESTHER She's only going up to see the baby. She's simply LILY She probably realizes what we are too mean to JAYSON [ESTHER and LILY follow the old lady out, rear.] DICK Well, what next? [He gets up restlessly as he is speaking and goes to the window.] JAYSON You will stay, if you please. There's to be no shirking SHEFFIELD DICK [With a sneer.] JAYSON But, if Bigelow should fail-- SHEFFIELD [With a grim smile.] JAYSON SHEFFIELD JAYSON I started to. He simply flared up at me with insane rage. DICK Say, I believe they're coming in. JAYSON DICK SHEFFIELD JAYSON BIGELOW Curt, damn it, wake up! Are you made of stone? Has everything I've said gone in one ear and out the other? I know it's hell for me to torment you at this particular time but it's your own incredibly unreasonable actions that force me to. I know how terribly you must feel but--damn it, man, postpone this going away! Face this situation like a man! Be reconciled to your child, stay with him at least until you can make suitable arrangements-- CURTIS I will never see it! Never! BIGELOW CURTIS [Then raging.] --[Then brokenly.] BIGELOW That's your final answer, eh? Well, I'm through. I've done all I could. If you want to play the brute--to forget all that was most dear in the world to Martha--to go your own damn selfish way--well, there's nothing more to be said. You will be punished for it, believe me! [He takes a step toward the door.] And I--I want you to understand that all friendship ceases between us from this day. You are not the Curt I thought I knew--and I have nothing but a feeling of repulsion--good-by. [He starts for the door.] CURTIS Good-by, Big. BIGELOW Curt! Forgive me! I ought to know better. This isn't you. You'll come to yourself when you've had time to think it over. The memory of Martha--she'll tell you what you must do. [He wrings CURT's hand.] CURTIS Good-by. [BIGELOW hurries out, rear. CURT sits in a dumb Martha! Martha! [He springs to his feet distractedly. The door of the study is slowly opened and SHEFFIELD peers out cautiously--then comes into the room, followed by the others. They all take seats as before. CURT ignores them.] SHEFFIELD Curt-- CURTIS What time is it, do you know! SHEFFIELD Two minutes to four. CURTIS Still an hour more of this! JAYSON Curt --[Before he starts what he intends to say, there is the sound of voices from the hall. ESTHER and LILY help in MRS. DAVIDSON to her former chair. The old lady's face is again transformed with joy. ESTHER joins EMILY on the couch. LILY sits in chair--front right. There is a long, uncomfortable pause during which CURT paces up and down.] MRS. DAVIDSON He's such a dear! I could stay watching him forever. JAYSON Sshhh! Aunt! [Then clearing his throat again.] CURTIS SHEFFIELD Then Mr. Bigelow didn't persuade you-- CURTIS I'm not to be persuaded by Big or anyone else. [They all stiffen resentfully at his tone.] JAYSON You mustn't be unreasonable, Curt. After all we are your family CURTIS I don't want your help. You will help me most by keeping silent. EMILY Yes, no doubt. ESTHER JAYSON But, you see, Curt-- SHEFFIELD If you'll all allow me to be the spokesman, I think perhaps that I --[They all nod and signify their acquiescence.] Well, then, will you listen to me, Curt? [This last somewhat impatiently as CURTIS Yes, I'm listening. What else can I do when you've SHEFFIELD [They all nod. A bitter, cynical smile comes over LILY's face.] ESTHER Poor Martha! [SHEFFIELD glances at his wife, impatient at this EMILY Esther! For goodness sake! [CURT hesitates, stares at his sister frowningly as if judging her sincerity--then bends down over her and kisses the top of her bowed head impulsively--seems about to break down himself--grits his teeth and forces it back--glances around at the others defiantly and resumes his pacing. ESTHER dries her eyes, forcing a trembling smile. The cry has done her good.] SHEFFIELD I may truthfully say we all feel [With an air of sincere sympathy.] [He pauses. CURT goes on pacing back and forth as if he hadn't heard.] JAYSON Yes, it is for the best, Curt. ESTHER DICK Yes, old man, you've got to face things like a regular. Facts are facts. [This makes everybody uneasy.] LILY Phew! it's close in here. I'm going out in the [She sweeps out scornfully.] JAYSON Lily! [But she doesn't answer and he gives it up with a hopeless sigh.] CURTIS What time is it? SHEFFIELD [CURT makes no comment. SHEFFIELD unconsciously First, let me ask you, is it your intention to CURTIS I've told you that. SHEFFIELD CURTIS SHEFFIELD CURTIS More or less. SHEFFIELD CURTIS SHEFFIELD CURTIS SHEFFIELD That being your attitude, I will come bluntly to the CURTIS Her murderer! You are right! [They all look shocked, suspicious.] SHEFFIELD You can hardly hold the child responsible for the terrible [Keenly.] CURTIS SHEFFIELD Its name is Jayson. Curt--in the eyes of the law. CURTIS I don't want to remember anything! [Wildly.] SHEFFIELD CURTIS SHEFFIELD In your great grief. Yes, yes, of course. We all appreciate--and we hate to-- [Persuasively.] CURTIS I am going when I said I was. I must get away from this horrible hole--as far away as I can. I must get back to my work for only in it will I find Martha again. But you--you can't understand that. What is the good of all this talking which leads nowhere? SHEFFIELD You're mistaken. It leads to this: Do you understand that your running away from this child--on the very day of its mother's funeral!--will have a very queer appearance in the eyes of the world? EMILY CURTIS I'll give it this home. And someone--anyone--Esther, Lily--can [Breaking down.] SHEFFIELD In the world's eyes, CURTIS SHEFFIELD CURTIS SHEFFIELD You can make plans for the child's future CURTIS JAYSON Curt--please--for all our sakes--when the honor of the family is at stake. DICK CURTIS EMILY SHEFFIELD [Meaningly.] CURTIS But--I don't see--Oh, damn your eyes of the public! EMILY It's all very well for you to ignore what people in town think--you'll be in China or heaven knows where. The scandal won't touch you--but we've got to live here and have our position to consider. CURTIS Scandal? What scandal? [Then with a harsh laugh.] EMILY Perhaps they know more than you think they do. CURTIS ESTHER JAYSON Be still, Emily. Let Mark do the talking. SHEFFIELD What Emily means is simply this, Curt: You haven't even CURTIS SHEFFIELD And don't you suppose the doctors and nurses--and the servants--have noticed this? It is not the usual procedure, you must acknowledge, and they wouldn't be human if they didn't think your action--or lack of action--peculiar and comment on it outside. CURTIS SHEFFIELD [Breaking off as he catches CURT'S tortured eyes fixed on him wildly.] [Persuasively.] JAYSON ESTHER Yes, you really must think of us, Curt. CURTIS But--I--you--how are you concerned? Pretense? You mean you want me to stay and pretend--in order that you won't be disturbed by any silly tales they tell about me? [With a wild laugh.] [Raging.] JAYSON JOHN It's an outrage to allow such insults! DICK EMILY It seems to me it's much more for Martha's sake, we're urging CURTIS [Brokenly.] SHEFFIELD But unfortunately, Curt, others will not leave her EMILY CURTIS [Then controlling himself a bit--with scathing scorn.] EMILY Oh! John! JOHN I protest! I cannot allow even my own brother-- DICK Keep your head, old boy. SHEFFIELD You are making a fool of yourself, Curt--and you are damned insulting in the bargain. I think I may say that we've all about reached the end of our patience. What Emily said is for your own best interest, if you had the sense to see it. And I put it to you once and for all: Are you or are you not willing to act like a man of honor to protect your own good name, the family name, the name of this child, and your wife's memory? Let me tell you, your wife's good name is more endangered by your stubbornness than anything else. CURTIS I--I begin to think--you--all of you--are aiming at something against Martha in this. Yes--in back of your words--your actions--I begin to feel --[Raging.] EMILY Superiority, indeed! CURTIS EMILY You're only acting--acting for our benefit because you think we don't-- CURTIS Why, you--you poor little nonentity! EMILY But we know--and the whole town knows--and you needn't pretend you've been blind. You've given the whole thing away yourself--the silly way you've acted--telling everyone how you hated that baby--letting everyone see-- JAYSON [The others are all frightened, try to interrupt her. EMILY But you might as well leave off your idiotic pretending. It doesn't fool us--or anyone else--your sending for Bigelow that night--your hobnobbing with him ever since--your pretending he's as much your friend as ever. They're all afraid of you--but I'm not! I tell you to your face--it's all acting you're doing--just cheap acting to try and pull the wool over our eyes until you've run away like a coward--and left us to face the disgrace for you with this child on our hands! ESTHER Emily! Keep still, for Heaven's sake! [The others all utter exclamations EMILY Well, someone had to show him his place. He thinks he's so superior to us just because--telling us how much better she was than--But I won't stand for that. I've always had a clean name--and always will--and my children, too, thank God! [She sinks down on the couch exhausted, CURTIS Bigelow! Big? Pretending he's as much my friend --[With a sudden gasp of sickened understanding.] [He sways as if he were about to fall, JOHN How dare you insult my wife! [He is restrained, held bake by his remonstrating father and DICK.] MRS. DAVIDSON What is the matter? Why is John mad at Curt? CURTIS So--that's--what has been in your minds. Oh, this is bestial--disgusting! And there is nothing to be done. I feel defenseless. One would have to be as low as you are--She would have been defenseless, too. It is better she is dead. [He stares about him--wildly.] And you think--you all think-- ESTHER Curt, dear, we don't think anything except what CURTIS Yes--all of you--it's on your faces. [His eyes fix themselves on his aunt.] MRS. DAVIDSON CURTIS MRS. DAVIDSON [proudly] CURTIS --[Looking around at the others with loathing and hatred.] --[With a burst of fierce determination.] --[He dashes for the door in rear, shakes off his father and DICK, who try to stop him, and then is heard bounding up the stairs in hall. DICK runs after him, JAYSON as far as the doorway. ESTHER gives a stifled scream. There is a tense pause. Then DICK reappears.] DICK JAYSON But--good God--he's liable--why didn't you follow him? DICK I understand less and less of this. Where has Curtis gone? ESTHER MRS. DAVIDSON [Accusingly.] JAYSON MRS. DAVIDSON [Suddenly flying into a passion.] --[She plumps herself down in her chair again, EMILY I fear it will be necessary to tell Aunt-- JAYSON Sshh! You have made enough trouble with your telling already! [Miserably.] It should never have come to this pass. Curt will never forgive us, never! ESTHER See what not holding your tongue has done--and my children SHEFFIELD If Emily had permitted me to conduct this business EMILY [She breaks down and sobs.] DICK Sstt! Here he comes! CURTIS Well--my answer to you--your rotten world--I kissed him ESTHER Oh, Curt! You won't go now? You'll stay? CURTIS Ha! Now you think you have conquered, do you? No, I'm not going to stay! Do you think your vile slander could influence me to give up my work? And neither shall you influence the life of my son. I leave him here. I must. But not to your tender mercies. No, no! Thank God, there still remains one Jayson with unmuddled integrity to whom I can appeal. [He goes to MRS. DAVIDSON.] MRS. DAVIDSON It will be a great happiness. He will be--the one God never granted me. [Her lips trembling.] CURTIS [Kisses her reverentially.] MRS. DAVIDSON But I cannot approve of your running away like this. It isn't natural. [Then with selfish haste, fearing her words may change his mind and she will lose the baby.] But you always were a queer person--and a man must do faithfully the work ordained for him. CURTIS Yes, I must go! What would I be for him--or anyone [The light of an ideal beginning to shine in his eyes.] [He indicates his relatives.] MRS. DAVIDSON [She glares about her. The noise of a motor is heard CURTIS [He kisses his aunt.] MRS. DAVIDSON [Without looking at the others, he starts for the door, JAYSON Curt! You're not leaving us that way? ESTHER [They all say this practically together and crowd toward him. LILY You're not going, Curt? CURTIS Yes. Good-by, Lily. [He kisses her.] --[He has been staring into her face. Suddenly LILY No, Curt--I swear-- CURTIS Yes, I am going without a word--because I cannot find the fitting one. Be thankful I can't. It would shrivel up your souls like flame, JAYSON My boy! We are wrong--we know--but--at least say you forgive us. CURTIS Ask forgiveness of her. She--yes--she was so fine [He goes. The motor is heard driving off. There is a tense pause.] LILY [She breaks down.] [There is a strained pause during which they are all silent, their eyes avoiding each other, fixed in dull, stupid stares. Finally, DICK fidgets uncomfortably, heaves a noisy sigh, and blurts out with an attempt at comforting reassurance:] DICK JAYSON Keep your remarks to yourself, if you please! [But most of his family are already beginning to look relieved.]
[THE END] |