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The Hairy Ape, a play by Eugene O'Neill |
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Scene 7 |
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_ SCENE VII SCENE--Nearly a month later. An I. W. W. local near the waterfront, showing the interior of a front room on the ground floor, and the street outside. Moonlight on the narrow street, buildings massed in black shadow. The interior of the room, which is general assembly room, office, and reading room, resembles some dingy settlement boys club. A desk and high stool are in one corner. A table with papers, stacks of pamphlets, chairs about it, is at center. The whole is decidedly cheap, banal, commonplace and unmysterious as a room could well be. The secretary is perched on the stool making entries in a large ledger. An eye shade casts his face into shadows. Eight or ten men, longshoremen, iron workers, and the like, are grouped about the table. Two are playing checkers. One is writing a letter. Most of them are smoking pipes. A big signboard is on the wall at the rear, "Industrial Workers of the World--Local No. 57."
SECRETARY What the devil is that--someone knocking? [Shouts:] [All the men in the room look up. YANK opens the door slowly, gingerly, as if afraid of an ambush. He looks around for secret doors, mystery, is taken aback by the commonplaceness of the room and the men in it, thinks he may have gotten in the wrong place, then sees the signboard on the wall and is reassured.] YANK Hello. MEN Hello. YANK I tought I'd bumped into de wrong dump. SECRETARY Maybe you have. Are you a member? YANK SECRETARY YANK SECRETARY Welcome to our city. Glad to know you people are waking up YANK. SECRETARY. YANK Name? Lemme tink. SECRETARY Don't you know your own name? YANK. SECRETARY Robert Smith. [Fills out the rest of card.] YANK. [Gives the SECRETARY the money.] SECRETARY Thanks. Well, make yourself at home. No introductions needed. There's literature on the table. Take some of those pamphlets with you to distribute aboard ship. They may bring results. Sow the seed, only go about it right. Don't get caught and fired. We got plenty out of work. What we need is men who can hold their jobs--and work for us at the same time. YANK. [But he still stands, embarrassed and uneasy.] SECRETARY What did you knock for? Think we had a coon in uniform to open doors? YANK. SECRETARY Think we were running a crap game? That door is never locked. What put that in your nut? YANK Dis burg is full of bulls, ain't it? SECRETARY What have the cops got to do with us? We're breaking no laws. YANK Sure. Youse wouldn't for woilds. Sure. I'm wise to dat. SECRETARY YANK Aw, dat's aw right, see. [Then made a bit resentful by the suspicious glances from all sides.] Aw, can it! Youse needn't put me trou de toid degree. Can't youse see I belong? Sure! I'm reg'lar. I'll stick, get me? I'll shoot de woiks for youse. Dat's why I wanted to join in. SECRETARY That's the right spirit. Only are you sure you understand what you've joined? It's all plain and above board; still, some guys get a wrong slant on us. [Sharply.] YANK SECRETARY Well, give us some of your valuable information. YANK I know enough not to speak outa my toin. [Then resentfully again.] SECRETARY YANK. SECRETARY Initiated? There's no initiation. YANK Ain't there no password--no grip nor nothin'? SECRETARY. What'd you think this is--the Elks--or the Black Hand? YANK. SECRETARY YANK Yuh mean to say yuh always run wide open--like dis? SECRETARY. YANK. SECRETARY Just what was it made you want to join us? Come out with that straight. YANK. SECRETARY You mean change the unequal conditions of society by legitimate direct action--or with dynamite? YANK. SECRETARY. [He makes a sign to the men, who get up cautiously YANK Sure, I'll come out wit it. I'll show youse I'm one of de gang. Dere's dat millionaire guy, Douglas-- SECRETARY YANK [Eagerly, with a touch of bravado.] [Half to himself.] SECRETARY Very interesting. [He gives a signal. The men, huskies all, throw themselves on YANK and before he knows it they have his legs and arms pinioned. But he is too flabbergasted to make a struggle, anyway. They feel him over for weapons.] MAN. SECRETARY. [He comes closer and laughs mockingly in YANK'S face.] --[He glares scornfully at YANK, who is sunk in an oblivious stupor.] YANK What's dat, yuh Sheeny bum, yuh! SECRETARY [In spite of his struggles, this is done with gusto and eclat. Propelled by several parting kicks, YANK lands sprawling in the middle of the narrow cobbled street. With a growl he starts to get up and storm the closed door, but stops bewildered by the confusion in his brain, pathetically impotent. He sits there, brooding, in as near to the attitude of Rodin's "Thinker" as he can get in his position.] YANK So dem boids don't tink I belong, neider. Aw, to hell wit 'em! Dey're in de wrong pew--de same old bull--soapboxes and Salvation Army--no guts! Cut out an hour offen de job a day and make me happy! Gimme a dollar more a day and make me happy! Tree square a day, and cauliflowers in de front yard--ekal rights--a woman and kids--a lousey vote--and I'm all fixed for Jesus, huh? Aw, hell! What does dat get yuh? Dis ting's in your inside, but it ain't your belly. Feedin' your face--sinkers and coffee--dat don't touch it. It's way down--at de bottom. Yuh can't grab it, and yuh can't stop it. It moves, and everyting moves. It stops and de whole woild stops. Dat's me now--I don't tick, see?--I'm a busted Ingersoll, dat's what. Steel was me, and I owned de woild. Now I ain't steel, and de woild owns me. Aw, hell! I can't see--it's all dark, get me? It's all wrong! [He turns a bitter mocking face up like an ape gibbering at the moon.] A POLICEMAN You'll get off at the station, you boob, if you don't get up out of that and keep movin'. YANK Sure! Lock me up! Put me in a cage! Dat's de on'y answer yuh know. G'wan, lock me up! POLICEMAN. YANK. POLICEMAN God pity your old woman! [He hauls YANK to his feet.] YANK Say, where do I go from here? POLICEMAN Go to hell. [Curtain] _ |