Chapter 1. A Rejected Manuscript

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_ CHAPTER I. A REJECTED MANUSCRIPT

"A letter for Mr. Roseleaf," he heard his landlady say to the chambermaid. And he was quite prepared to hear the girl reply, in a tone of surprise:

"For Mr. Roseleaf! This is the first letter he has had since he came."

The young man referred to stood just within his chamber door, waiting with some anxiety for the letter to be brought to him. He was about twenty years of age, of medium height, with rather dark complexion, curling hair and expressive eyes, and with a natural delicacy of manner that made him seem almost feminine at first view.

He had the greatest possible interest in the letter that the postman had just brought, but he was far too polite to disturb the landlady or her servant, who were not yet through with it.

"You can see that it is from a publishing house," commented Mrs. Ranning, inspecting the envelope with care. "It is from Cutt & Slashem, who bring out more novels than any other firm in the city. I told you he was some kind of a writer. Perhaps they are going to publish a book for him! If they do he will leave us for finer quarters. Novelists make a mint of money, I have heard. We must do our best to keep him as long as we can. Be very polite to him, Nellie. He appears to be an excellent young man."

Shirley Roseleaf's anxiety to get possession of his letter was not lessened by this conversation. It seemed as if his entire future hung on the contents of that envelope tarrying so long in Nellie's hands. The great publishers, Cutt & Slashem, had had a manuscript of his in their hands for nearly a fortnight. When they had definitely accepted it, his path would be perfectly clear. If they rejected it--but he had not got so far as that.

The manuscript was a romance--a romance of love! Its author had spent a great deal of time upon it. He had rewritten it with care, and finally made a neat copy, of which he was very proud. Then he had thought a long time over the question of a publishing firm. Cutt & Slashem stood at the top of their profession, and they finally received the preference. With the MSS. Roseleaf sent a pretty note, in which he included a delicate compliment on their success. The MSS. and the note were arranged tastefully in a neat white package and tied with pink twine.

After all of those precautions it is no wonder that the novelist felt surprise when days passed and no reply was sent to him. But never at any time was he discouraged. Had they intended to reject the novel, he reasoned, they could as easily have done so in three days as ten.

He pictured the members of the firm hugging themselves over their good fortune, passing the manuscript from one to the other, all eager for a taste of such a marvelous work. He did not think it egotism to believe they did not get stories like that every day.

His thoughts flew rapidly as Nellie slowly climbed the stairs. Now he would be famous, he would be courted, he would be envied! He would also be very, very rich, though that was not of so much account.

As Nellie handed him the letter he responded to her pleasant smile with one of his own, and even pressed a twenty-five cent piece into her hand. Then he closed his door behind him, bolting it in his eagerness to be alone. The morning was foggy, and he sank into a chair by the window, the only part of the room where he could see to read distinctly.

There was an attraction about the envelope. It was light buff in color, bearing the address of Cutt & Slashem in large letter on one side of the front face, besides the names of several of the most famous authors whose publishers the firm had the happiness to be.

"Shirley Roseleaf!" It would not look so badly in print.

So lost was he in the pleasant pictures which these thoughts conjured up that it was some minutes before he tore open the envelope. Then his astounded eyes rested upon these lines:

"Messrs. Cutt & Slashem regret to be obliged to decline with thanks the MSS. of M. Shirley Roseleaf, and request to be informed what disposition he desires made of the same."

Roseleaf read this dizzily. For some moments he could not understand what that sentence meant. "Obliged to decline" was plain enough; but his confused mind found some grains of comfort in the request of the firm to know what he wished done with his manuscript. They must, he reasoned, consider it of value, or they would not respond in that courteous manner. Still, he could not comprehend how they had had the asininity to "decline" it at all.

Were they unwilling to add another star to their galaxy?

Could they actually have read the tale?

A firm of their reputation, too!

When Roseleaf emerged from his temporary stupor it was into a state of great indignation. Why, the men were fools! He wished heartily he had never gone to them. They would yet see the day when, with tears in their eyes, they would regret their lack of judgment. His first act should be to go to their office and express his opinion of their stupidity, and then he would take his MSS. to some rival house. And never, never in the world--after he had become famous, and when every publisher on both sides of the Atlantic were besieging him--never, he said, should these ignorant fellows get a scrap of his writing, not even if they offered its weight in gold!

He was too excited for delay, and donning his hat, he took his way with all speed to Cutt & Slashem's office. At that instant he had more faith in his novel than ever. As he walked rapidly along he compared it with some of the stories issued by the firm that had rejected it, to the great disadvantage of the latter.

"I wish to see Mr. Cutt or Mr. Slashem," he said, imperiously, as he entered the counting room.

"Both are in," said the office boy, imperturbably. "Which will you have?"

"I will see them together."

Had they been tigers, fresh from an Indian jungle, it would have made no difference to him.

The boy asked for his card, vanished with it, returned and bade him follow. Up a flight of stairs they went, then to the left, then to the right, then across a little hall. A door with the name of the house and the additional word "Private" loomed before them.

"Come in!" was heard in response to the knock of the office boy.

Roseleaf entered, something slower than a cannon ball, and yet considerably faster than a snail. The two principal members of the firm were sitting together, with lighted cigars in their mouths, examining a lot of paper samples that lay upon a table. They did no more at first than glance up and nod, not having finished the business upon which they were engaged.

"Is it any better than the last?" asked Mr. Slashem, referring to the sample his partner was examining.

"It's just as good, at least," was the answer. "And an eighth of a cent a pound less. I think we had better order five hundred reams."

"Five hundred reams," repeated the other, slowly, making a memorandum in a little book that he carried. "And the other lot we'll wait about, eh? Paper is not very steady. It's gone off a sixteenth since Thursday."

This conversation only served to infuriate still more the visitor who stood waiting to pour out his wrath. Were these men wasting time over fractions of a cent in the price of stock, just after they had rejected one of the greatest romances of modern times!

With the precision of a duplex machine both partners finally looked up from the table at the young man.

"Mr. Shirley Roseleaf?" said Mr. Slashem, interrogatively, glancing at the card that the office boy had brought.

"Yes, sir!" was the sharp and disdainful reply.

"We need nothing in your line," interrupted Mr. Cutt. "I suppose Mr. Trimm has our other order well under way?"

The look of indignant protest that appeared in Roseleaf's face caused Mr. Slashem to speak.

"This is not Mr. Roseberg," he explained. "My partner took you for an agent of our bookbinder," he added.

The novelist thought his skin would burst.

"I am quite complimented," he said, in an icy tone. "Let me introduce myself. I am the author of 'Evelyn's Faith.'"

The partners consulted each other.

"The similarity of names confused me," said Mr. Cutt. "Is your book one that we have published?"

Saints and angels!

"It is one that was sent to you for publication," replied Roseleaf, with much heat, "and has been returned this morning--rejected!"

"Ah!" said Mr. Cutt.

"We have nothing to do with that department," said Mr. Slashem, coming to the rescue. "You should see Mr. Gouger, on the second floor above; though if he has rejected your story a visit would be quite useless. He never decides a matter without sufficient reason."

"Oh, dear, no!" added Mr. Cutt, feeling again of the paper samples.

Shirley Roseleaf listened with wild incredulity.

"Do you mean to tell me," he said, "that you, the members of the firm of Cutt & Slashem, have rejected my story without even reading it?"

The partners glanced at each other again.

"We never read books," said Mr. Cutt.

"Never," said Mr. Slashem, kindly. "We have things much more important to attend to. We pay Mr. Gouger a large salary. Why, my young friend, there are probably a dozen manuscripts received at our office every week. If we were to try to read them, who do you think would attend to the essential points of our business?"

Roseleaf's contempt for the concern was increasing at lightning speed. He did not care to mince his words, for it could make no difference now.

"I should imagine that the selection of the books you are to print would be at least as important as the paper you are to use," he retorted.

Mr. Cutt looked at him in great astonishment.

"You are much mistaken," said he.

"Entirely mistaken," confirmed Mr. Slashem.

The author had no desire to remain longer, as it was evident he was losing his temper to no purpose. If it was Mr. Gouger who had rejected his work, it was Mr. Gouger that he must see.

Bowing with ironical grace to the examiners of printing paper, he took leave of them, and mounted to the sanctum of the man who he had been told was the arbiter of his fate. A girl with soiled hands pointed out the room, for there was nothing to indicate it upon the dingy panel of the door; and presently Roseleaf stood in the presence of the individual he believed at that moment his worst enemy.

There were two men in the room. One of them indicated with a motion of his hand that the other was the one wanted, and with a second motion that the caller might be seated. Mr. Gouger was partly hidden behind a desk, engaged in turning over a heap of manuscript, and it appeared from the manner of his companion that he did not wish to be disturbed.

Somewhat cooled down by this state of affairs, the young novelist took the chair indicated and waited several minutes.

"What d--d nonsense they are sending me these days!" exclaimed Mr. Gouger at last, thrusting the sheets he had been scanning back into the wrapper in which they had come, without, however, raising his eyes from his desk. "Out of a hundred stories I read, not three are fit to build a fire with! This thing is written by a girl who ought to take a term in a grammar school. She has no more idea of syntax than a lapdog. Her father writes that he is willing to pay a reasonable sum to have it brought out. Why, Cutt & Slashem couldn't afford to put their imprint on that rot for fifty thousand dollars!"

He had finished saying this before he learned that a third person was in the room. Upon making this discovery he lowered his voice, as if regretting having exhibited too great warmth before a stranger. The novelist rose and handed him a card, and as Mr. Gouger glanced at the name a gleam of recognition lit up his face.

"I am glad to see you, Mr. Roseleaf," he said. "I had half a notion to ask you to call, when I felt obliged to send you that note yesterday. There are several things I would like to say to you. Archie, perhaps you would let us have the room for a few minutes."

The last remark was addressed familiarly to the man who occupied the third chair, and who looked so disheartened at the prospect of having to rise therefrom that Roseleaf hastened to express a hope that he would not do so on his account.

"Very well," said Mr. Gouger, abruptly. "You heard what I said about this copy I have just read, though it was not my intention that you should. I supposed I was talking only to Mr. Weil, who is not in the profession and does not expect to be. Now, let me say at once, Mr. Roseleaf, that your contribution is not open to any of the objections I have cited. You have evidently been well educated. Your English is pure and forcible. It is a real delight to read your pages. Every line shows the greatest care in construction. I did with your story what I have not done with another for a long time--I read it through. Why then did I reject it?"

The question was too great for the one most interested to answer, but in the glow of pleasure that the compliment brought he forgot for the moment his bitter feelings.

"Possibly," he suggested, "Cutt & Slashem have more novels on hand than they feel like producing at present."

"No," responded Mr. Gouger, disposing of that theory in one breath. "A house like ours would never reject a really desirable manuscript. If you will reflect that only one or two of this description are produced each year you will the more readily understand me. Your story has a cardinal fault for which no excellence of style or finish can compensate. Shall I tell you what it is, and before this gentleman?"

He indicated Mr. Weil as he spoke. Roseleaf's heart sank. For the first time he felt a deadly fear.

"Tell me, by all means," he responded, faintly.

Mr. Gouger's face bore its gentlest expression at that moment. He was taking valuable time, time that belonged to his employers, to say something that must temporarily disappoint, though in the end it might benefit his hearer.

"Let me repeat," he said, "that your work is well written, and that I have read it with the greatest interest. Its fault--an insuperable one--is that it lacks fidelity to nature. Mr. Roseleaf, I think I could gauge your past life with tolerable accuracy merely from what that manuscript reveals."

The novelist shook his head. There was not a line of autobiography in those pages, and he told his critic so.

"Oh, I understand," replied Mr. Gouger. "But this I have learned: Your life has been marvelously colorless. Yet, in spite of that, you have undertaken to write of things of which you know nothing, and about which, I may add, you have made very poor guesses."

Mr. Weil, leaning back in his chair, began to show a decided interest. Mr. Roseleaf, sitting upright, in an attitude of strained attention, inquired what Mr. Gouger meant.

"Well, for instance, this," responded the critic: "You attempt to depict the sensations of love, though you have never had a passion. Can you expect to know how it feels to hold a beautiful girl in your arms, when you never had one there? You put words of temptation into the mouth of your villain which no real scamp would think of using, for their only effect would be to alarm your heroine. You talk of a planned seduction as if it were part of an oratorio. And you make your hero so superlatively pure and sweet that no woman formed of flesh and blood could endure him for an hour."

The color mounted to Roseleaf's face. He felt that this criticism was not without foundation. But presently he rallied, and asked if it were necessary for a man to experience every sensation before he dared write about them.

"Do you suppose," he asked, desperately, "that Jules Verne ever traveled sixty thousand leagues under the sea or made a journey to the moon?"

Mr. Weil could not help uttering a little laugh. Mr. Gouger struck his hands together and clinched them.

"No," said he. "But he could have written neither of those wonderful tales without a knowledge of the sciences of which they treat."

"He has read, and I have read," responded Roseleaf. "What is the difference?"

"He has studied, and you have not," retorted the critic. "That makes all the difference in the world. He has a correct idea of the structure of the moon and what should be found in the unexplored caverns of the ocean; while you, in total ignorance, have attempted to deal in a science to which these are the merest bagatelles! You know as little of the tides that control the heart of a girl as you do of the personal history of the inhabitants of Jupiter! Your powers of description are good; those of invention feeble. Either throw yourself into a love affair, till you have learned it root and branch, or never again try to depict one."

Mr. Archie Weil smiled and nodded, as if he entirely agreed with the speaker.

"What a novel I could make, my dear fellow!" he exclaimed, "if I only had the talent. I have had experiences enough, but I could no more write them out than I could fly."

"It is quite as well," was the response, "your women would all be Messalinas and fiction has too many now."

"Not all of them, Lawrence," was the quick and meaning reply.

"In that case," said Gouger, "I wish heartily you could write. The world is famishing for a real love story, based on modern lines, brought up to date. I tell you, there has been nothing satisfactory in that line since Goethe's day."

Mr. Weil suggested Balzac and Sand.

"Why don't you include George William Reynolds?" inquired Gouger, with a sneer. "Neither of them wrote until they were depraved by contract with humanity. If we could get a young man of true literary talent to see life and write of it as he went along, what might we not secure? But I have no more time to spare, Mr. Roseleaf. I was sorry to be obliged to reject your story. Some day, when you have seen just a little of the world, begin again on the lines I have outlined, and come here with the result."

Quite dispirited, now that the last plank had slipped from under him, the novelist walked slowly down the stairs. He did not even ask for his manuscript. After what he had heard, it did not seem worth carrying to his lodgings. His plans were shipwrecked. Instead of the fame and fortune he had hoped for, he felt the most bitter disappointment. All his bright dreams had vanished.

A step behind him quicker than his own, made him aware that some one was following him, and presently a voice called his name. It was Mr. Archie Weil, who had put himself to unusual exertion, and required some seconds to recover his breath before he could speak further.

"I want you to come over to my hotel and have a little talk with me," he said. "Gouger has interested me in you immensely. I believe, as he says, that you have the making of a distinguished author, and I want to arrange a plan by which you can carry out his scheme."

Mr. Roseleaf stared doubtfully at his companion.

"What scheme?" he said, briefly.

"Why, of imparting to you that knowledge of the world which will enable you to draw truthful portraits. You have the art, he says, the talent, the capacity--whatever you choose to call it. All you lack is experience. Given that, you would make a reputation second to none. What can be plainer than that you should acquire the thing you need without delay?"

"The 'thing I need'?" repeated Roseleaf, dolefully.

Mr. Weil laughed, delightfully.

"Yes!" he explained. "What you need is a friend able to interest you, to begin with. Pardon me if I say I may be described by that phrase. Come to my hotel a little while and let us talk it over."

It was not an opportunity to be refused, in Roseleaf's depressed condition, and the two men walked together to the Hoffman House, where Mr. Weil at that time made his home. _

Read next: Chapter 2. "Was My Story Too Bold?"

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