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Eugene Field, A Study In Heredity And Contradictions, Volumes 1 and 2, a non-fiction book by Slason Thompson |
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Volume 1 - Chapter 15. Method Of Work |
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_ VOLUME I CHAPTER XV. METHOD OF WORK Although Eugene Field was the most unconventional of writers, there was a method in all his ways that made play of much of his work. No greater mistake was ever made than in attributing his physical break-down to exhaustion from his daily grind in a newspaper office. No man ever made less of a grind than he in preparing copy for the printer. He seldom arrived at the office before eleven o'clock and never settled down to work before three o'clock. The interim was spent in puttering over the exchanges, gossiping with visitors, of whom he had a constant stream, quizzing every other member of the staff, meddling here, chaffing there, and playing hob generally with the orderly routine of affairs. He was a persistent, insistent, irrepressible disturber of everything but the good-fellowship of the office, to which he was the chief contributor. No interruption from Field ever came or was taken amiss. From the hour he ambled laboriously up the steep and narrow stairs, anathematizing them at every step, in every tone of mockery and indignation, to the moment he sat down to his daily column of "leaded agate, first line brevier," no man among us knew what piece of fooling he would be up to next. Something was wrong, Field was out of town, or some old crony from Kansas City, St. Louis, or Denver was in Chicago, if about one o'clock I was not interrupted by a summons from him that the hour for luncheon had arrived. Although I was at work within sound of his voice, these came nearly always in the form of a note, delivered with an unvarying grin by the office-boy, who would drop any other errand, however pressing, to do Field's antic bidding. These notes were generally flung into the waste-paper basket, much to my present regret, for of themselves they would have made a most remarkable exhibit. Sometimes the summons would be in the form of a bar of music like this which I preserved: But more often it was a note in the old English manner, which for years was affected between us, like this one: PUISSANT AND TRIUMPHANT LORD: By my halidom it doth mind me to hold discourse with thee. Come thou privily to my castle beyond the moat, an' thou wilt. In all fealty, my liege, Thy gentle vassal, Or, going down to the counting-room, he would summon a messenger to mount the stairs with a formal invitation like this: SIR SLOSSON: The Good but Impecunious Knight bides in the business office, and there soothly will he tarry till you come anon. So speed thee, bearing with thee ducats that in thy sweet company and by thy joyous courtesy the Good Knight may be regaled with great and sumptuous cheer withal. THE GOOD KNIGHT. Then out we would sally to the German restaurant around the corner, where the coffee was good, the sandwiches generous, and the pie execrable. If there was a German cook in Chicago who could make good pies we never had the good fortune to find him. Having regaled ourselves with this sumptuous cheer to "repletion," we would walk three blocks to McClurg's book-store and replenish our stock of English, sacred and profane, defiled and undefiled. I am writing now of the days before Field made the old-book department famous throughout the country as the browsing ground of the bibliomaniacs. After loitering there long enough to digest our lunches and to nibble a little literature, we would retrace our steps to the office, where Field resumed his predatory actions until he was ready to go to work. Then peace settled on the establishment for about three hours. If any noisy visitor or obstreperous reporter in the local room did anything to disturb the "literary atmosphere" that brooded around the office, Field would bang on the tin gong hanging over his desk until all other noises sank into dismayed silence. Then he would resume "sawing wood" for his "Sharps and Flats." If Field had not quite worked off his surplus stock of horse-play on his associates, he would vent it upon the compositor in some such apostrophe as the following: Or this: We desire to announce that Mademoiselle Rhea, the gifted Flanders maid, who has the finest wardrobe on the stage, will play a season of bad brogue and flash dresses in this city very soon. This announcement, however, will never see the dawn of November 13th, and we kiss it a fond farewell as we cheerfully submit it as a sop to Cerberus. Field had a theory that Ballantyne, the managing editor, would not consider that he was earning his salary, and that Mr. Stone would not think that he was exercising the full authority of editorship, unless something in his column was sacrificed to the blue pencil of a watchful censorship. Coupled with this was the more or less cunning belief that it was good tactics to write one or two outrageously unprintable paragraphs to draw the fire, so to speak, of the blue pencil, and so to divert attention from something, about which there might be question, which he particularly wished to have printed. Ballantyne, as I have said, was a very much more exacting censor than Stone, for the reason that the humor of a story or paragraph often missed his Scotch literalness, while Stone never failed to let anything pass on that score. By six o'clock Field's writing for the day was done, and he generally went home for dinner. But that this was not always the case the following notes testify: GOOD AND GENTLE KNIGHT: Five nights out of the week Field spent some part of the evening at one of the principal theatres of the town, of which at that time there were five. He was generally accompanied by Mrs. Field and her sister, Miss Comstock, who subsequently became Mrs. Ballantyne. When it was a family party, Ballantyne and I would join it about the last act, and there was invariably a late supper party, which broke up only in time for the last north-bound car. When Field was a self-invited guest with any of his intimates at dinner the party would adjourn for a round of the theatres, ending at that one where the star or leading actor was most likely to join in a symposium of steak and story at Billy Boyle's English chop-house. This resort, on Calhoun Place, between Dearborn and Clark Streets, was for many years the most famous all-night eating-house in Chicago. For chops and steaks it had not its equal in America, possibly not in the world. Long after we had ceased to frequent Boyle's, so long that our patronage could not have been charged with any share in the catastrophe, it went into the hands of the sheriff. This afforded Field an opportunity to write the following sympathetic and serio-whimsical reminiscence of a unique institution in Chicago life: It is unpleasant and it is hard to think of Billy Boyle's chop-house as a thing of the past, for that resort has become so closely identified with certain classes and with certain phases of life in Chicago that it seems it must necessarily keep right on forever in its delectable career. We much prefer to regard its troubles as temporary, and to believe that presently its hospitable doors will be thrown open again to the same hungry, appreciative patrons who for so many years have partaken of its cheer. I have devoted so much space to Billy Boyle's because for several years Field found there the best opportunity of his life "to study human nature" and observe the "ambitions, hopes, purposes, and eccentricities" of his fellow-man. After the "pernicious activity" of our newspaper work had "put the shutters up" against us in Calhoun Place, we transferred our midnight custom to the Boston Oyster House, on the corner of Clark and Madison streets, which Field selected because of the suggestion of baked beans, brown bread, and codfish in its name. Here we were assigned a special table in the corner near the grill range, and here we were welcomed along about twelve o'clock by the cheerful chirping of a cricket in the chimney, which Field had a superstition was intended solely for him. The Boston Oyster House had the advantage over Billy Boyle's that here we could bring "our women folks" after the theatre or concert. It was through a piece of doggerel, composed and recited by Field with great gusto on one of these occasions, that we first learned of the serious attentions of our managing editor to Mrs. Field's youngest sister. One of these stanzas ran thus: But the ladies were never invited to invade the cricket's corner, where we were permitted to beguile the hours in gossip, song, and story until the scrub-women had cleaned the rest of the big basement and "the first low swash" of the suds and brush threatened the legs of our chairs. Then, with a parting anathema on the business of slaves that toiled when honest folk should be abed, we would ascend the stairs and betake ourselves to our several homes. It was at the Boston that Field varied his diet of pie and coffee with what he was pleased to describe as "the staying qualities as well as the pleasing aspect of a Welsh rabbit." During the first years of his connection with the Morning News, Field worked without intermission six days of the week, without a vacation and, except when he transferred his scene of operations to the capitol at Springfield, without leaving Chicago--with two noteworthy exceptions. For some reason Field had taken what the Scotch call a scunner to ex-President Hayes, whom he regarded as a political Pecksniff. The refusal of Mr. Hayes while President to serve wine in the White House Field regarded as a cheap affectation, and so when, through his numerous sources of information, he learned that Mr. Hayes derived a part of his income from saloon property in Omaha, nothing would do Field but, accompanied by the staff artist, he must go to Omaha and investigate himself the story for the News. He went, found the facts were as represented, and returned with the proofs and a photograph of himself sitting on a beer-keg in a saloon owned by Rutherford B. Hayes. He also bought the keg, and out of its staves had a frame made for the picture, which he presented to Mr. Ballantyne. His other notable absence from Chicago in those days was also connected with ex-President Hayes. This time it involved a visit to the latter's home at Fremont, O. In all his frequent references to Mr. Hayes, Field had always spoken of Mrs. Hayes with sincere admiration for her womanly qualities and convictions. So long as these were confined to the ordering of her personal household he deemed them as sacred as they were admirable. Nor did he blame her for attempting to extend them to rule the actions of her husband in his public relations. But it was for permitting this that Mr. Hayes earned the scorn of Field. When President Hayes retired from the White House to Fremont, instead of becoming another Cincinnatus at the plough he was overshadowed by the stories of Mrs. Hayes's devotion to her chicken-farm, and the incongruity of the occupation appealed so strongly to Field's sense of the ridiculous that he prevailed on Mr. Stone to let him go down to Fremont to take in its full absurdity with his own eyes. Before going to Omaha, Field had taken the precaution to write enough "Sharps and Flats" to fill his column until he returned--a precaution he omitted when he started for Fremont, on the understanding that his associates on the editorial page would do his work for him. This was our opportunity, and gladly we availed ourselves of it. The habit had grown on Field of introducing his paragraphic skits with such "country journalisms" as: "We opine," "Anent the story," "We are free to admit," "We violate no confidence," "It is stated, though not authoritatively," "Our versatile friend," "We learn from a responsible source," and "Our distinguished fellow-townsman." This he accompanied with a lavish bestowal of titles that would have done credit to the most courtly days of southern chivalry. So when Field was safely off for Fremont we started to produce a column that would be a travesty on his favorite expressions at the expense of his titled friends. We opined and violated all the confidences of which we were possessed in regard to Colonel Phocion Howard, of the Batavia frog-farm, Major Moses P. Handy, the flaming sword of the Philadelphia Press, Senator G. Frisbie Hoar, Major Charles Hasbrook, Colonel William E. Curtis, Colonel John A. Joyce, Colonel Fred W. Nye, Major E. Clarence Stedman, and Colonels Dana, Watterson, and Halstead, and we exhausted the flowers of Field's vocabulary in daring encomiums on Madame Modjeska, Lotta, Minnie Maddern, and Marie Jansen. If any of Field's particular friends were omitted from "favorable mention" in that column, it was because we forgot or Mr. Stone's blue pencil came to the rescue of his absent friend. Ballantyne was party to the conspiracy, because he had often remonstrated against the rut of expression into which Field was in danger of falling. When Field returned that one column had driven all thoughts of Mrs. Hayes's hens from his thoughts. There was a cold glitter in his pale blue eyes and a hollow mock in the forced "ha, ha" with which he greeted some of our "alleged efforts at wit." He said little, but a few days later relieved his pent-up feelings by printing the following: As when the bright, the ever-glorious sun Beholds and smiles that bagatelles so small But the daring violation of Field's confidence effected its purpose. Never again did he employ the type-worn expressions of country journalism, except with set prepense and self-evident satire. He shunned them as he did an English solecism, which he never committed, save as a decoy to draw the fire of the ever-watchful and hopeless grammatical purist. _ |