NOTES - Canto Third

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_ 3. Store. See on i. 548 above.

5. That be. in old English, besides the present tense am, etc., there was also this form be, from the Anglo-Saxon beon. The 2d person singular was beest. The 1st and 3d person plural be is often found in Shakespeare and the Bible.

10. Yet live there still, etc. See on ii. 692 above.

15. What time. Cf. ii. 307 above.

17. The gathering sound. The sound, or signal, for the gathering. The phrase illustrates the difference between the participle and the verbal noun (or whatever it may be called) in -ing. Cf. "a laboring man" and "a laboring day" (Julius Caesar, i. 1. 4); and see our ed. of J. C. p. 126.

18. The Fiery Cross. Scott says here: "When a chieftain designed to summon his clan, upon any sudden or important emergency, he slew a goat, and making a cross of any light wood, seared its extremities in the fire, and extinguished them in the blood of the animal. This was called the Fiery Cross, also Crean Tarigh, or the Cross of Shame, because disobedience to what the symbol implied, inferred infamy. It was delivered to a swift and trusty messenger, who ran full speed with it to the next hamlet, where he presented it to the principal person, with a single word, implying the place of rendezvous. He who received the symbol was bound to send it forward, with equal despatch, to the next village; and thus it passed with incredible celerity through all the district which owed allegiance to the chief, and also among his allies and neighbours, if the danger was common to them. At sight of the Fiery Cross, every man, from sixteen years old to sixty, capable of bearing arms, was obliged instantly to repair, in his best arms and accoutrements, to the place of rendezvous. He who failed to appear suffered the extremities of fire and sword, which were emblematically denounced to the disobedient by the bloody and burnt marks upon this warlike signal. During the civil war of 1745-6, the Fiery Cross often made its circuit; and upon one occasion it passed through the whole district of Breadalbane, a tract of thirty-two miles, in three hours. The late Alexander Stewart, Esq., of Invernahyle, described to me his having sent round the Fiery Cross through the district of Appine, during the same commotion. The coast was threatened by a descent from two English trigates, and the flower of the young men were with the army of Prince Charles Edward, then in England; yet the summons was so effectual that even old age and childhood obeyed it; and a force was collected in a few hours, so numerous and so enthusiastic, that all attempt at the intended diversion upon the country of the absent warriors was in prudence abandoned, as desperate."

19. The Summer dawn's reflected hue, etc. Mr. Ruskin says (Modern Painters, iii. 278): "And thus Nature becomes dear to Scott in a threefold way: dear to him, first, as containing those remains or memories of the past, which he cannot find in cities, and giving hope of Praetorian mound or knight's grave in every green slope and shade of its desolate places; dear, secondly, in its moorland liberty, which has for him just as high a charm as the fenced garden had for the mediaeval; ... and dear to him, finally, in that perfect beauty, denied alike in cities and in men, for which every modern heart had begun at last to thirst, and Scott's, in its freshness and power, of all men's most earnestly.

"And in this love of beauty, observe that the love of colour is a leading element, his healthy mind being incapable of losing, under any modern false teaching, its joy in brilliancy of hue. ... In general, if he does not mean to say much about things, the one character which he will give is colour, using it with the most perfect mastery and faithfulness."

After giving many illustrations of Scott's use of colour in his poetry, Ruskin quotes the present passage, which he says is "still more interesting, because it has no form in it at all except in one word (chalice), but wholly composes its imagery either of colour, or of that delicate half-believed life which we have seen to be so important an element in modern landscape."

"Two more considerations," he adds, "are, however, suggested by the above passage. The first, that the love of natural history, excited by the continual attention now given to all wild landscape, heightens reciprocally the interest of that landscape, and becomes an important element in Scott's description, leading him to finish, down to the minutest speckling of breast, and slightest shade of attributed emotion, the portraiture of birds and animals; in strange opposition to Homer's slightly named 'sea-crows, who have care of the works of the sea,' and Dante's singing-birds, of undefined species. Compare carefully the 2d and 3d stanzas of Rokeby.

"The second point I have to note is Scott's habit of drawing a slight moral from every scene, ... and that this slight moral is almost always melancholy. Here he has stopped short without entirely expressing it:

"The mountain-shadows ..
..................... lie
Like future joys to Fancy's eye.'

His completed thought would be, that these future joys, like the mountain-shadows, were never to be attained. It occurs fully uttered in many other places. He seems to have been constantly rebuking his own worldly pride and vanity, but never purposefully:

'The foam-globes on her eddies ride,
Thick as the schemes of human pride
That down life's current drive amain,
As frail, as frothy, and as vain.'"

Ruskin adds, among other illustrations, the reference to "foxglove and nightshade" in i. 218, 219 above.

28. Like future joys, etc. This passage, quoted by Ruskin above, also illustrates what is comparatively rare in figurative language-- taking the immaterial to exemplify the material. The latter is constantly used to symbolize or elucidate the former; but one would have to search long in our modern poetry to find a dozen instances where, as here, the relation is reversed. Cf. 639 below. We have another example in the second passage quoted by Ruskin. Cf. also Tennyson's

"thousand wreaths of dangling water-smoke,
That like a broken purpose waste in air;"

and Shelly's

"Our boat is asleep on Serchio's stream;
Its sails are folded like thoughts in a dream."

30. Reared. The 1st ed. has "oped."

32. After this line the MS. has the couplet,

"Invisible in fleecy cloud,
The lark sent down her matins loud,"

which reappears in altered form below.

33. Gray mist. The MS. has "light mist."

38. Good-morrow gave, etc. Cf. Byron, Childe Harold:

"and the bills
Of summer-birds sing welcome as ye pass."

39. Cushat dove. Ring-dove.

46. His impatient blade. Note the "transferred epithet." It is not the blade that is impatient.

47. Beneath a rock, etc. The MS. reads:

"Hard by, his vassals' early care
The mystic ritual prepare."

50. Antiquity. The men of old; "the abstract for the concrete."

59. With her broad shadow, etc. Cf. Longfellow, Maidenhood:

"Seest thou shadows sailing by,
As the dove, with startled eye,
Sees the falcon's shadow fly?"

62. Rowan. The mountain-ash.

71. That monk, of savage form and face. Scott says here: "The state of religion in the middle ages afforded considerable facilities for those whose mode of life excluded them from regular worship, to secure, nevertheless, the ghostly assistance of confessors, perfectly willing to adapt the nature of their doctrine to the necessities and peculiar circumstances of their flock. Robin Hood, it is well known, had his celebrated domestic chaplain Friar Tuck. And that same curtal friar was probably matched in manners and appearance by the ghostly fathers of the Tynedale robbers, who are thus described in an excommunication fulminated against their patrons by Richard Fox, Bishop of Durham, tempore Henrici VIII.: 'We have further understood, that there are many chaplains in the said territories of Tynedale and Redesdale, who are public and open maintainers of concubinage, irregular, suspended, excommunicated, and interdicted persons, and withal so utterly ignorant of letters, that it has been found by those who objected this to them, that there were some who, having celebrated mass for ten years, were still unable to read the sacramental service. We have also understood there are persons among them who, although not ordained, do take upon them the offices of priesthood, and, in contempt of God, celebrate the divine and sacred rites, and administer the sacraments, not only in sacred and dedicated places, but in those which are prophane and interdicted, and most wretchedly ruinous, they themselves being attired in ragged, torn, and most filthy vestments, altogether unfit to be used in divine, or even in temporal offices. The which said chaplains do administer sacraments and sacramental rites to the aforesaid manifest and infamous thieves, robbers, depredators, receivers of stolen goods, and plunderers, and that without restitution, or intention to restore, as evinced by the act; and do also openly admit them to the rites of ecclesiastical sepulchre, without exacting security for restitution, although they are prohibited from doing so by the sacred canons, as well as by the institutes of the saints and fathers. All which infers the heavy peril of their own souls, and is a pernicious example to the other believers in Christ, as well as no slight, but an aggravated injury, to the numbers despoiled and plundered of their goods, gear, herds, and chattels.'"

74. Benharrow. A mountain near the head of Loch Lomond.

77. Brook. See on i. 566 above.

81. The hallowed creed. The Christian creed, as distinguished from heathen lore. The MS. has "While the blest creed," etc.

85. Bound. That is, of his haunts.

87. Glen or strath. A glen is the deep and narrow valley of a small stream, a strath the broader one of a river.

89. He prayed, etc. The MS. reads:

"He prayed, with many a cross between,
And terror took devotion's mien."

91. Of Brian's birth, etc. Scott says that the legend which follows is not of his invention, and goes on to show that it is taken with slight variation from "the geographical collections made by the Laird of Macfarlane."

102. Bucklered. Served as a buckler to, shielded.

114. Snood. Cf. i. 363 above. Scott has the following note here: "The snood, or riband, with which as Scottish lass braided her hair, had an emblematical signification, and applied to her maiden character. It was exchanged for the curch, toy, or coif, when she passed, by marriage, into the matron state. But if the damsel was so unfortunate as to lose pretensions to the name of maiden, without gaining a right to that of matron, she was neither permitted to use the snood, nor advanced to the graver dignity of the curch. In old Scottish songs there occur many sly allusions to such misfortune; as in the old words to the popular tune of 'Ower the muir amang the heather:'

'Down amang the broom, the broom,
Down amang the broom, my dearie,
The lassie lost her silken snood,
That gard her greet till she was wearie.'"

120. Or ... or. For either ... or, as often in poetry.

131. Till, frantic, etc. The MS. reads:

"Till, driven to frenzy, he believed
The legend of his birth received."

136. The cloister. Here personified as feminine.

138. Sable-lettered. "Black-letter;" the technical term for the "old English" form of letter, used in the earliest English manuscripts and books.

142. Cabala. Mysteries. For the original meaning of the word, see Wb.

144. Curious. Inquisitive, prying into hidden things.

148. Hid him. See on i. 142 above.

149. The desert gave him, etc. Scott says here: "In adopting the legend concerning the birth of the Founder of the Church of Kilmallie, the author has endeavored to trace the effects which such a belief was likely to produce, in a barbarous age, on the person to whom it related. It seems likely that he must have become a fanatic or an impostor, or that mixture of both which forms a more frequent character than either of them, as existing separately. In truth, mad persons are frequently more anxious to impress upon others a faith in their visions, than they are themselves confirmed in their reality; as, on the other hand, it is difficult for the most cool-headed impostor long to personate an enthusiast, without in some degree believing what he is so eager to have believed. It was a natural attribute of such a character as the supposed hermit, that he should credit the numerous superstitions with which the minds of ordinary Highlanders are almost always imbued. A few of these are slightly alluded to in this stanza. The River Demon, or River- horse, for it is that form which he commonly assumes, is the Kelpy of the Lowlands, an evil and malicious spirit, delighting to forebode and to witness calamity. He frequents most Highland lakes and rivers; and one of his most memorable exploits was performed upon the banks of Loch Vennachar, in the very district which forms the scene of our action: it consisted in the destruction of a funeral procession, with all its attendants. The 'noontide hag,' called in Gaelic Glas-lich, a tall, emaciated, gigantic female figure, is supposed in particular to haunt the district of Knoidart. A goblin dressed in antique armor, and having one hand covered with blood, called, from that circumstance, Lham-dearg, or Red-hand, is a tenant of the forests of Glenmore and Rothiemurcus. Other spirits of the desert, all frightful in shape and malignant in disposition, are believed to frequent different mountains and glens of the Highlands, where any unusual appearance, produced by mist, or the strange lights that are sometimes thrown upon particular objects, never fails to present an apparition to the imagination of the solitary and melancholy mountaineer."

161. Mankind. Accented on the first syllable; as it is almost invariably in Shakespeare, except in Timon of Athens, where the modern accent prevails. Milton uses either accent, as suits the measure. We find both in P. L. viii. 358: "Above mankind, or aught than mankind higher."

166. Alpine's. Some eds. misprint "Alpine;" also "horsemen" in 172 below.

168. The fatal Ben-Shie's boding scream. The MS. reads:

"The fatal Ben-Shie's dismal scream,
And seen her wrinkled form, the sign
Of woe and death to Alpine's line."

Scott has the following note here: "Most great families in the Highlands were supposed to have a tutelar, or rather a domestic, spirit, attached to them, who took an interest in their prosperity, and intimated, by its wailings, any approaching disaster. That of Grant of Grant was called May Moullach, and appeared in the form of a girl, who had her arm covered with hair. Grant of Rothiemurcus had an attendant called Bodach-an- dun, or the Ghost of the Hill; and many other examples might be mentioned. The Ben-Shie implies the female fairy whose lamentations were often supposed to precede the death of a chieftain of particular families. When she is visible, it is in the form of an old woman, with a blue mantle and streaming hair. A superstition of the same kind is, I believe, universally received by the inferior ranks of the native Irish.

"The death of the head of a Highland family is also sometimes supposed to be announced by a chain of lights of different colours, called Dr'eug, or death of the Druid. The direction which it takes marks the place of the funeral." [See the Essay on Fairy Superstitions in Scott's Border Minstrelsy.]

169. Sounds, too, had come, etc. Scott says: "A presage of the kind alluded to in the text, is still believed to announce death to the ancient Highland family of M'Lean of Lochbuy. The spirit of an ancestor slain in battle is heard to gallop along a stony bank, and then to ride thrice around the family residence, ringing his fairy bridle, and thus intimating the approaching calamity. How easily the eye as well as the ear may be deceived upon such occasions, is evident from the stories of armies in the air, and other spectral phenomena with which history abounds. Such an apparition is said to have been witnessed upon the side of Southfell mountain, between Penrith and Keswick, upon the 23d June, 1744, by two persons, William Lancaster of Blakehills, and Daniel Stricket his servant, whose attestation to the fact, with a full account of the apparition, dated the 21st of July, 1745, is printed in Clarke's Survey of the Lakes. The apparition consisted of several troops of horse moving in regular order, with a steady rapid motion, making a curved sweep around the fell, and seeming to the spectators to disappear over the ridge of the mountain. Many persons witnessed this phenomenon, and observed the last, or last but one, of the supposed troop, occasionally leave his rank, and pass, at a gallop, to the front, when he resumed the steady pace. The curious appearance, making the necessary allowance for imagination, may be perhaps sufficiently accounted for by optical deception."

171. Shingly. Gravelly, pebbly.

173. Thunderbolt. The 1st ed. has "thunder too."

188. Framed. The reading of the 1st ed.; commonly misprinted "formed," which occurs in 195.

190. Limbs. The 1st ed. has "limb."

191. Inch-Cailliach. Scott says: "Inch-Cailliach, the Isle of Nuns, or of Old Women, is a most beautiful island at the lower extremity of Loch Lomond. The church belonging to the former nunnery was long used as the place of worship for the parish of Buchanan, but scarce any vestiges of it now remain. The burial- ground continues to be used, and contains the family places of sepulture of several neighboring clans. The monuments of the lairds of Macgregor, and of other families claiming a descent from the old Scottish King Alpine, are most remarkable. The Highlanders are as zealous of their rights of sepulture as may be expected from a people whose whole laws and government, if clanship can be called so, turned upon the single principle of family descent. 'May his ashes be scattered on the water,' was one of the deepest and most solemn imprecations which they used against an enemy." [See a detailed description of the funeral ceremonies of a Highland chieftain in the Fair Maid of Perth.]

203. Dwelling low. That is, burial-place.

207. Each clansman's execration, etc. The MS. reads:

"Our warriors, on his worthless bust,
Shall speak disgrace and woe;"

and below:

"Their clattering targets hardly strook;
And first they muttered low."

212. Stook. One of the old forms of struck. In the early eds. of Shakespeare, we find struck, stroke, and strook (or strooke) for the past tense, and all these, together with stricken, strucken, stroken, and strooken, for the participle. Cf. Milton, Hymn of Nativity, 95:

"When such music sweet
Their hearts and ears did greet
As never was by mortal finger strook;"

where, as here, it used for the sake of the rhyme.

214. Then, like the billow, etc. The repetition of the same rhyme here gives well the cumulative effect of the rising billow.

217. Burst, with load roar. See on i. 73 above; and cf. 227 below.

228. Holiest name. The MS. has "holy name."

245. Mingled with childhood's babbling trill, etc. "The whole of this stanza is very impressive; the mingling of the children's curses is the climax of horror. Note the meaning of the triple curse. The cross is of ancestral yew--the defaulter is cut off from communion with his clan; it is sealed in the fire--the fire shall destroy his dwelling; it is dipped in blood--his heart's blood is to be shed" (Taylor).

253. Coir-Uriskin. See on 622 below.

255. Beala-nam-bo. "The pass of the cattle," on the other side of Benvenue from the Goblin's Cave; "a magnificent glade, overhung with birch-trees, by which the cattle, taken in forays, were conveyed within the protection of the Trosachs" (Black).

279. This sign. That is, the cross. To all, which we should not expect with bought, was apparently suggested by the antithetical to him in the preceding line; but if all the editions did not read bought, we might suspect that Scott wrote brought.

281. The murmur, etc. The MS. has "The slowly muttered deep Amen."

286. The muster-place, etc. The MS. reads "Murlagan is the spot decreed."

Lanrick Mead is a meadow at the northwestern end of Loch Vennachar.

300. The dun deer's hide, etc. Scott says: "The present brogue of the Highlanders is made of half-dried leather, with holes to admit and let out the water; for walking the moors dry-shod is a matter altogether out of the question. The ancient buskin was still ruder, being made of undressed deer's hide, with the hair outwards,-- a circumstance which procured the Highlanders the well-known epithet of Red-shanks. The process is very accurately described by one Elder (himself a Highlander), in the project for a union between England and Scotland, addressed to Henry VIII.: 'We go a-hunting, and after that we have slain red-deer, we flay off the skin by and by, and setting of our barefoot on the inside thereof, for want of cunning shoemakers, by your grace's pardon, we play the cobblers, compassing and measuring so much thereof as shall reach up to our ankles, pricking the upper part thereof with holes, that the water may repass where it enters, and stretching it up with a strong thong of the same above our said ankles. So, and please your noble grace, we make our shoes. Therefore, we using such manner of shoes, the rough hairy side outwards, in your grace's dominions of England, we be called Rough-footed Scots' (Pinkerton's History, vol. ii. p. 397)."

Cf. Marmion, v. 5:

"The hunted red-deer's undressed hide
Their hairy buskins well supplied."

304. Steepy. For the word (see also iv. 374 below) and the line, cf. Shakespeare, T. of A. i. 1. 75:

"Bowing his head against the steepy mount
To climb his happiness."

309. Questing. Seeking its game. Bacon (Adv. of Learning, v. 5) speaks of "the questing of memory."

310. Scaur. Cliff, precipice; the same word as scar. Cf. Tennyson's Bugle Song: "O sweet and far, from cliff and scar;" and in the Idyls of the King: "shingly scaur."

314. Herald of battle, etc. The MS. reads:

"Dread messenger of fate and fear,
Herald of danger, fate and fear,
Stretch onward in thy fleet career!
Thou track'st not now the stricken doe,
Nor maiden coy through greenwood bough."

322. Fast as the fatal symbol flies, etc. "The description of the starting of the Fiery Cross bears more marks of labor than most of Mr. Scott's poetry, and borders, perhaps, on straining and exaggeration; yet it shows great power" (Jeffrey).

332. Cheer. In its original sense of countenance, or look. Cf. Shakespeare, M. N. D. iii. 2. 96: "pale of cheer;" Spenser, F. Q. i. 1. 2: "But of his cheere did seeme too solemne sad;" Dryden, Hind and Panther, iii. 437: "Till frowning skies began to change their cheer," etc.

333. His scythe. The reading of the 1st and other early eds.; "the scythe" in more recent ones.

342. Alas, thou lovely lake! etc. "Observe Scott's habit of looking at nature, neither as dead, nor merely material, nor as altered by his own feelings; but as having an animation and pathos of its own, wholly irrespective of human passion--an animation which Scott loves and sympathizes with, as he would with a fellow creature, forgetting himself altogether, and subduing his own humanity before what seems to him the power of the landscape. ... Instead of making Nature anywise subordinate to himself, he makes himself subordinate to HER--follows her lead simply--does not venture to bring his own cares and thoughts into her pure and quiet presence--paints her in her simple and universal truth, adding no result of momentary passion or fancy, and appears, therefore, at first shallower than other poets, being in reality wider and healthier" (Ruskin).

344. Bosky. Bushy, woody. Cf. Milton, Comus, 313: "And every bosky bourn from side to side;" Shakespeare, Temp. iv. i. 81: "My bosky acres and my unshrubb'd down," etc.

347. Seems for the scene, etc. The MS. has "Seems all too lively and too loud."

349. Duncraggan's huts. A homestead between Lochs Achray and Vennachar, near the Brigg of Turk.

355. Shot him. See on i. 142 above. Scott is much given to this construction.

357. The funeral yell, etc. The MS. has "'T is woman's scream, 't is childhood's wail."

Yell may at first seem too strong a word here, but it is in keeping with the people and the times described. Besides Scott was familiar with old English poetry, in which it was often used where a modern writer would choose another word. Cf. Surrey, Virgil's AEneid: "With wailing great and women's shrill yelling;" and Gascoigne, De Profundis:

"From depth of doole wherein my soule dooth dwell,
. . . . . . . . . . .
O gracious God, to thee I crie and yell."

362. Torch's ray. The 1st ed. reads "torches ray" and supply;" corrected in the Errata to read as in the text. Most eds. print "torches' ray."

369. Coronach. Scott has the following note here: "The Coronach of the Highlanders, like the Ululatus of the Romans, and the Ululoo of the Irish, was a wild expression of lamentation, poured forth by the mourners over the body of a departed friend. When the words of it were articulate, they expressed the praises of the deceased, and the loss the clan would sustain by his death. The following is a lamentation of this kind, literally translated from the Gaelic, to some of the ideas of which the text stands indebted. The tune is so popular that it has since become the war-march, or gathering of the clan.

Coronach on Sir Lauchlan, Chief of Maclean.

'Which of all the Senachies
Can trace thy line from the root, up to Paradise,
But Macvuirih, the son of Fergus?
No sooner had thine ancient stately tree
Taken firm root in Albin,
Than one of thy forefathers fell at Harlaw.--
'T was then we lost a chief of deathless name.

''T is no base weed--no planted tree,
Nor a seedling of last Autumn;
Nor a sapling planted at Beltain;[FN#7]
Wide, wide around were spread its lofty branches--
But the topmost bough is lowly laid!
Thou hast forsaken us before Sawaine.[FN#8]

'Thy dwelling is the winter house;--
Loud, sad, and mighty is thy death-song!
Oh! courteous champion of Montrose!
Oh! stately warrior of the Celtic Isles!
Thou shalt buckle thy harness on no more!'

"The coronach has for some years past been suspended at funerals by the use of the bagpipe; and that also is, like many other Highland peculiarities, falling into disuse, unless in remote districts."

370. He is gone, etc. As Taylor remarks, the metre of this dirge seems to be amphibrachic; that is, made up of feet, or metrical divisions, of three syllables, the second of which is accented. Some of the lines appear to be anapestic (made up of trisyllabic feet, with the last syllable accented); but the rhythm of these is amphibrachic; that is, the rhythmic pause is after the syllable that follows the accent.

"(He) is gone on | the mountain,
{Like) a summer- | dried fountain."

Ten lines out of twenty-four are distinctly amphibrachic, as

"To Duncan | no morrow."

So that it seems best to treat the rest as amphibrachic, with a superfluous unaccented syllable at the beginning of the line. Taylor adds: "The song is very carefully divided. To each of the three things, mountain, forest, fountain, four lines are given, in the order 3, 1, 2."

384. In flushing. In full bloom. Cf. Hamlet, iii. 3. 81: "broad blown, as flush as May."

386. Correi. A hallow in the side of a hill, where game usually lies.

387. Cumber. Trouble, perplexity. Cf. Fairfax, Tasso ii. 73: "Thus fade thy helps, and thus thy cumbers spring;" and Sir John Harrington, Epigrams, i. 94: "without all let [hindrance] or cumber."

388. Red. Bloody, not afraid of the hand-to-hand fight.

394. Stumah. "Faithful; the name of a dog" (Scott).

410. Angus, the heir, etc. The MS. reads:

"Angus, the first of Duncan's line,
Sprung forth and seized the fatal sign,
And then upon his kinsman's bier
Fell Malise's suspended tear.
In haste the stripling to his side
His father's targe and falchion tied."

439. Hest. Behest, bidding; used only in poetry. Cf. Shakespeare, Temp. iii. 1. 37: "I have broke your hest to say so;" Id. iv. 1. 65: "at thy hest," etc.

452. Benledi saw the Cross of Fire, etc. Scott says here: "Inspection of the provincial map of Perthshire, or any large map of Scotland, will trace the progress of the signal through the small district of lakes and mountains, which, in exercise of my imaginary chieftain, and which, at the period of my romance, was really occupied by a clan who claimed a descent from Alpine,--a clan the most unfortunate and most persecuted, but neither the least distinguished, least powerful, nor least brave of the tribes of the Gael.

"The first stage of the Fiery Cross is to Duncraggan, a place near the Brigg of Turk, where a short stream divides Loch Achray from Loch Vennachar. From thence, it passes towards Callander, and then, turning to the left up the pass of Leny, is consigned to Norman at the Chapel of Saint Bride, which stood on a small and romantic knoll in the middle of the valley, called Strath- Ire. Tombea and Arnandave, or Adrmandave, are names of places in the vicinity. The alarm is then supposed to pass along the Lake of Lubnaig, and through the various glens in the district of Balquidder, including the neighboring tracts of Glenfinlas and Strath-Gartney."

453. Strath-Ire. This valley connects Lochs Voil and Lubnaig. The Chapel of Saint Bride is about half a mile from the southern end of Loch Lubnaig, on the banks of the River Leny, a branch of the Teith (hence "Teith's young waters"). The churchyard, with a few remains of the chapel, are all that now mark the spot.

458. Until, where, etc. The MS. reads:

"And where a steep and wooded knoll
Graced the dark strath with emerald green."

465. Though reeled his sympathetic eye. That is, his eye reeled in sympathy with the movement of the waters--a poetic expression of what every one has felt when looking into a "dizzily dancing" stream.

478. That morning-tide. That morning time. Tide in this sense is now used only in a few poetic compounds like eventide, springtide, etc. See iv. 59 below. For its former use, cf. Spenser, F. Q. i. 2. 29: "and rest their weary limbs a tide;" Id. iii. 6. 21: "that mine may be your paine another tide," etc. See also Scott's Lay, vi. 50: "Me lists not at this tide declare."

483. Bridal. Bridal party; used as a collective noun.

485. Coif-clad. Wearing the coif, or curch. See on 114 above; as also for snooded.

488. Unwitting. Unknowing. Cf. 367 above. For the verb wit, see on i. 596 above.

495. Kerchief. Curch, which is etymologically the same word, and means a covering for the head. Some eds. print "'kerchief," as if the word were a contraction of handkerchief.

508. Muster-place. The 1st ed. has "mustering place;" and in 519 "brooks" for brook.

510. And must he, etc. The MS. reads: "And must he then exchange the hand."

528. Lugnaig's lake. loch Lubnaig is about four miles long and a mile broad, hemmed in by steep, and rugged mountains. The view of Benledi from the lake is peculiarly grand and impressive.

530. The sickening pang, etc. Cf. The Lord of the Isles, vi. 1: "The heartsick faintness of the hope delayed." See Prov. xiii. 12.

531. And memory, etc. The MS. reads:

"And memory brought the torturing train
Of all his morning visions vain;
But mingled with impatience came
The manly love of martial fame."

541. Brae. The brow or side of a hill.

545. The heath, etc. The metre of the song is the same as that of the poem, the only variation being in the order of the rhymes.

546. Bracken. Fern; "the Pteris aquilina" (Taylor).

553. Fancy now. The MS. has "image now."

561. A time will come, etc. The MS. reads:

"A time will come for love and faith,
For should thy bridegroom yield his breath,
'T will cheer him in the hour of death,
The boasted right to thee, Mary."

570. Balquidder. A village near the eastern end of Loch Voil, the burial-place of Rob Roy and the scene of many of his exploits. The Braes extend along the north side of the lake and of the Balvaig which flows into it.

Scott says here: "It may be necessary to inform the Southern reader that the heath on the Scottish moorlands is often set fire to, that the sheep may have the advantage of the young herbage produced, in room of the tough old heather plants. This custom (execrated by sportsmen) produces occasionally the most beautiful nocturnal appearances, similar almost to the discharge of a volcano. This simile is not new to poetry. The charge of a warrior, in the fine ballad of Hardyknute, is said to be 'like fire to heather set.'"

575. Nor faster speeds it, etc. "The eager fidelity with which this fatal signal is hurried on and obeyed, is represented with great spirit and felicity" (Jeffrey).

577. Coil. Turmoil. Cf. Shakespeare, Temp. i. 2. 207:

"Who was so firm, so constant, that this coil
Would not infect his reason?"

C. of E. iii. 1. 48: "What a coil is there, Dromio?" etc.

579. Loch Doine. A lakelet just above Loch Voil, and almost forming a part of it. The epithets sullen and still are peculiarly appropriate to this valley. "Few places in Scotland have such an air of solitude and remoteness from the haunts of men" (Black).

582. Strath-Gartney. The north side of the basin of Loch Katrine.

583. Each man might claim. That is, WHO could claim. See on i. 528 above.

600. No law but Roderick Dhu's command. Scott has the following note here:

"The deep and implicit respect paid by the Highland clansmen to their chief, rendered this both a common and a solemn oath. In other respects, they were like most savage nations, capricious in their ideas concerning the obligatory power of oaths. One solemn mode of swearing was by kissing the dirk, imprecating upon themselves death by that, or a similar weapon, if they broke their vow. But for oaths in the usual form, they are said to have had little respect. As for the reverence due to the chief, it may be guessed from the following odd example of a Highland point of honour:

'The clan whereto the above-mentioned tribe belongs, is the only one I have heard of which is without a chief; that is, being divided into families, under several chieftains, without any particular patriarch of the whole name. And this is a great reproach, as may appear from an affair that fell out at my table, in the Highlands, between one of that name and a Cameron. The provocation given by the latter was, "Name your chief." The return of it at once was, "You are a fool." They went out next morning, but having early notice of it, I sent a small party of soldiers after them, which, in all probability, prevented some barbarous mischief that might have ensued; for the chiefless Highlander, who is himself a petty chieftain, was going to the place appointed with a small-sword and pistol, whereas the Cameron (an old man) took with him only his broadsword, according to the agreement.

'When all was over, and I had, at least seemingly, reconciled them, I was told the words, of which I seemed to think but slightly, were, to one of the clan, the greatest of all provocations' (Letters from Scotland, vol. ii. p. 221)."

604. Menteith. See on i. 89 above.

607. Rednock. The ruins of Rednock Castle are about two miles to the north of Loch Menteith, on the road to Callander. Cardross Castle (in which Robert Bruce died) was on the banks of the Clyde, a few miles below Dumbarton. Duchray Castle is a mile south of Lochard. Loch Con, or Chon, is a lakelet, about three miles northwest from Lochard (into which it drains) and two miles south of Loch Katrine.

611. Wot ye. Know ye. See on i. 596 above.

622. Coir-nan-Uriskin. Scott has the following note here: "This is a very steep and most romantic hollow in the mountain of Benvenue, overhanging the southeastern extremity of Loch Katrine. It is surrounded with stupendous rocks, and overshadowed with birch-trees, mingled with oaks, the spontaneous production of the mountain, even where its cliffs appear denuded of soil. A dale in so wild a situation, and amid a people whose genius bordered on the romantic, did not remain without appropriate deities. The name literally implies the Corri, or Den, of the Wild or Shaggy Men. Perhaps this, as conjectured by Mr. Alexander Campbell (Journey from Edinburgh, 1802, p. 109), may have originally only implied its being the haunt of a ferocious banditti. But tradition has ascribed to the Urisk, who gives name to the cavern, a figure between a goat and a man; in short, however much the classical reader may be startled, precisely that of the Grecian Satyr. The Urisk seems not to have inherited, with the form, the petulance of the silvan deity of the classics; his occupation, on the contrary, resembled those of Milton's Lubbar Fiend, or of the Scottish Brownie, though he differed from both in name and appearance. 'The Urisks,' says Dr. Graham, 'were a sort of lubberly supernaturals, who, like the Brownies, could be gained over by kind attention to perform the drudgery of the farm, and it was believed that many families in the Highlands had one of the order attached to it. They were supposed to be dispersed over the Highlands, each in his own wild recess, but the solemn stated meetings of the order were regularly held in this Cave of Benvenue. This current superstition, no doubt, alludes to some circumstance in the ancient history of this country' (Scenery on the Southern Confines of Perthshire, p. 19, 1806). It must be owned that the Coir, or Den, does not, in its present state, meet our ideas of a subterraneous grotto or cave, being only a small and narrow cavity, among huge fragments of rocks rudely piled together. But such a scene is liable to convulsions of nature which a Lowlander cannot estimate, and which may have choked up what was originally a cavern. At least the name and tradition warrant the author of a fictitious tale to assert its having been such at the remote period in which this scene is laid."

639. With such a glimpse, etc. See on 28 above.

641. Still. Stillness; the adjective used substantively, for the sake of the rhyme.

656. Satyrs. "The Urisk, or Highland satyr" (Scott).

664. Beal-nam-bo. See on 255 above; and for the measure of the first half of the line, on i. 73 above.

667. 'Cross. Scott (1st ed.) prints "cross," as in 750 below.

672. A single page, etc. Scott says: "A Highland chief, being as absolute in his patriarchal authority as any prince, had a corresponding number of officers attached to his person. He had his body-guards, called Luichttach, picked from his clan for strength, activity, and entire devotion to his person. These, according to their deserts, were sure to share abundantly in the rude profusion of his hospitality. It is recorded, for example, by tradition, that Allan MacLean, chief of that clan, happened upon a time to hear one of these favorite retainers observe to his comrade, that their chief grew old. 'Whence do you infer that?' replied the other. 'When was it,' rejoined the first, 'that a solider of Allan's was obliged, as I am now, not only to eat the flesh from the bone, but even to tear off the inner skin, or filament?' The hint was quite sufficient, and MacLean next morning, to relieve his followers from such dire necessity, undertook an inroad on the mainland, the ravage of which altogether effaced the memory of his former expeditions for the like purpose.

"Our officer of Engineers, so often quoted, has given us a distinct list of the domestic officers who, independent of Luichttach, or gardes de corps, belonged to the establishment of a Highland chief. These are, 1. The Henchman. 2. The Bard. See preceding notes. 3. Bladier, or spokesman. 4. Gillie-more, or sword-bearer, alluded to in the text. 5. Gillie-casflue, who carried the chief, if on foot, over the fords. 6. Gillie- comstraine, who leads the chief's horse. 7. Gillie- Trushanarinsh, the baggage-man. 8. The piper. 9. The piper's gillie, or attendant, who carries the bagpipe (Letters from Scotland, vol. ii. p. 158). Although this appeared, naturally enough, very ridiculous to an English officer, who considered the master of such a retinue as no more than an English gentleman of £500 a year, yet in the circumstances of the chief, whose strength and importance consisted in the number and attachment of his followers, it was of the last consequence, in point of policy, to have in his gift subordinate offices, which called immediately round his person those who were most devoted to him, and, being of value in their estimation, were also the means of rewarding them."

693. To drown, etc. The MS. reads:

"To drown his grief in war's wild roar,
Nor think of love and Ellen more."

713. Ave Maria! etc. "The metrical peculiarity of this song is that the rhymes of the even lines of the first quatrain (or set of four lines) are taken up as those of the odd lines in the second, and that they are the same in all three stanzas" (Taylor).

722. We now must share. The MS. has "my sire must share;" and in 725 "The murky grotto's noxious air."

733. Bow us. See on i. 142, and cf. 749 below.

754. Lanrick height. Overlooking Lanrick Mead. See on 286 above.

755. Where mustered, etc. The MS. reads:

"Where broad extending far below,
Mustered Clan-Alpine's martial show."

On the first of these lines, cf. i. 88 above.

773. Yell. See on 357 above.

774. Bochastle's plain. See on i. 106 above. _

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