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A Terrible Temptation: A Story of To-Day, a novel by Charles Reade |
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Chapter 22 |
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_ CHAPTER XXII NEXT morning in came Mr. Angelo, with glowing cheeks and sparkling eyes. "I have got a letter, a most gratifying one. My friend called on Mr. Rolfe, and gave him my lines; and he replies direct to me. May I read you his letter?" "Oh, yes." "'DEAR SIR--The case you have sent me, of a gentleman confined on certificates by order of an interested relative--as you presume, for you have not seen the order--and on grounds you think insufficient, is interesting, and some of it looks true; but there are gaps in the statement, and I dare not advise in so nice a matter till these are filled; but that, I suspect, can only be done by the lady herself. She had better call on me in person; it may be worth her while. At home every day, 10--3, this week. As for yourself, you need not address me through Greatrex. I have seen you pull No. 6, and afterward stroke in the University boat, and you dived in Portsmouth Harbor, and saved a sailor. See "Ryde Journal," Aug. 10, p. 4, col. 3; cited in my Day-book Aug. 10, and also in my Index hominum, in voce "Angelo"--ha! ha! here's a fellow for detail! "And did you?" "Did I what?" "Dive and save a sailor." "No; I nailed him just as he was sinking." "How good and brave you are!" Angelo blushed like a girl. "It makes me too happy to hear such words from you. But I vote we don't talk about me. Will you call on Mr. Rolfe?" "Is he married?" Angelo opened his eyes at the question. "I think not," said he. "Indeed, I know he is not." "Could you get him down here?" Angelo shook his head. "If he knew you, perhaps; but can you expect him to come here upon your business? These popular writers are spoiled by the ladies. I doubt if he would walk across the street to advise a stranger. Candidly, why should he?" "No; and it was ridiculous vanity to suppose he would. But I never called on a gentleman in my life." "Take me with you. You can go up at nine, and be back to a late dinner." "I shall never have the courage to go. Let me have his letter." He gave her the letter, and she took it away. At six o'clock she sent Mary Wells to Mr. Angelo, with a note to say she had studied Mr. Rolfe's letter, and there was more in it than she had thought; but his going off from her husband to boat-racing seemed trivial, and she could not make up her mind to go to London to consult a novelist on such a serious matter. At nine she sent to say she should go, but could not think of dragging him there: she should take her maid. Before eleven, she half repented this resolution, but her maid kept her to it; and at half past twelve next day they reached Mr. Rolfe's door; an old-fashioned, mean-looking house, in one of the briskest thoroughfares of the metropolis; a cabstand opposite to the door, and a tide of omnibuses passing it. Lady Bassett viewed the place discontentedly, and said to herself, "What a poky little place for a writer to live in; how noisy, how unpoetical!" They knocked at the door. It was opened by a maid-servant. "Is Mr. Rolfe at home?" "Yes, ma'am. Please give me your card, and write the business." Lady Bassett took out her card and wrote a line or two on the back of it. The maid glanced at it, and showed her into a room, while she took the card to her master. The room was rather long, low, and nondescript; scarlet flock paper; curtains and sofas green Utrecht velvet; woodwork and pillars white and gold; two windows looking on the street; at the other end folding-doors with scarcely any wood-work, all plate-glass, but partly hidden by heavy curtains of the same color and material as the others. Accustomed to large, lofty rooms, Lady Bassett felt herself in a long box here; but the colors pleased her. She said to Mary Wells, "What a funny, cozy little place for a gentleman to live in!" Mr. Rolfe was engaged with some one, and she was kept waiting; this was quite new to her, and discouraged her, already intimidated by the novelty of the situation. She tried to encourage herself by saying it was for her husband she did this unusual thing; but she felt very miserable and inclined to cry. At last a bell rang; the maid came in and invited Lady Bassett to follow her. She opened the glass folding-doors, and took them into a small conservatory, walled like a grotto, with ferns sprouting out of rocky fissures, and spars sparkling, water dripping. Then she opened two more glass folding-doors, and ushered them into an empty room, the like of which Lady Bassett had never seen; it was large in itself, and multiplied tenfold by great mirrors from floor to ceiling, with no frames but a narrow oak beading; opposite her, on entering, was a bay-window all plate-glass, the central panes of which opened, like doors, upon a pretty little garden that glowed with color, and was backed by fine trees belonging to the nation; for this garden ran up to the wall of Hyde Park. The numerous and large mirrors all down to the ground laid hold of the garden and the flowers, and by double and treble reflection filled the room with delightful nooks of verdure and color. To confuse the eye still more, a quantity of young India-rubber trees, with glossy leaves, were placed before the large central mirror. The carpet was a warm velvet-pile, the walls were distempered, a French gray, not cold, but with a tint of mauve that gave a warm and cheering bloom; this soothing color gave great effect to the one or two masterpieces of painting that hung on the walls and to the gilt frames; the furniture, oak and marqueterie highly polished; the curtains, scarlet merino, through which the sun shone, and, being a London sun, diffused a mild rosy tint favorable to female faces. Not a sound of London could be heard. So far the room was romantic; but there was a prosaic corner to shock those who fancy that fiction is the spontaneous overflow of a poetic fountain fed by nature only; between the fireplace and the window, and within a foot or two of the wall, stood a gigantic writing-table, with the signs of hard labor on it, and of severe system. Three plated buckets, each containing three pints, full of letters to be answered, other letters to be pasted into a classified guard-book, loose notes to be pasted into various books and classified (for this writer used to sneer at the learned men who say, "I will look among my papers for it;" he held that every written scrap ought either to be burned, or pasted into a classified guard-book, where it could be found by consulting the index); five things like bankers' bill-books, into whose several compartments MS. notes and newspaper cuttings were thrown, as a preliminary toward classification in books. Underneath the table was a formidable array of note-books, standing upright, and labeled on their backs. There were about twenty large folios of classified facts, ideas, and pictures--for the very wood-cuts were all indexed and classified on the plan of a tradesman's ledger; there was also the receipt-book of the year, treated on the same plan. Receipts on a file would not do for this romantic creature. If a tradesman brought a bill, he must be able to turn to that tradesman's name in a book, and prove in a moment whether it had been paid or not. Then there was a collection of solid quartos, and of smaller folio guard-books called Indexes. There was "Index rerum et journalium"-- "Index rerum et librorum,"--"Index rerum et hominum," and a lot more; indeed, so many that, by way of climax, there was a fat folio ledger entitled "Index ad Indices." By the side of the table were six or seven thick pasteboard cards, each about the size of a large portfolio, and on these the author's notes and extracts were collected from all his repertories into something like a focus for a present purpose. He was writing a novel based on facts; facts, incidents, living dialogue, pictures, reflections, situations, were all on these cards to choose from, and arranged in headed columns; and some portions of the work he was writing on this basis of imagination and drudgery lay on the table in two forms, his own writing, and his secretary's copy thereof, the latter corrected for the press. This copy was half margin, and so provided for additions and improvements; but for one addition there were ten excisions, great and small. Lady Bassett had just time to take in the beauty and artistic character of the place, and to realize the appalling drudgery that stamped it a workshop, when the author, who had dashed into his garden for a moment's recreation, came to the window, and furnished contrast No. 3. For he looked neither like a poet nor a drudge, but a great fat country farmer. He was rather tall, very portly, smallish head, commonplace features mild brown eye not very bright, short beard, and wore a suit of tweed all one color. Such looked the writer of romances founded on fact. He rolled up to the window--for, if he looked like a farmer, he walked like a sailor--and stepped into the room. _ |
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