Home
Fictions/Novels
Short Stories
Poems
Essays
Plays
Nonfictions
 
Authors
All Titles
 






In Association with Amazon.com

Home > Authors Index > Christopher Marlowe > Tamburlaine the Great, Part II > This page

Tamburlaine the Great, Part II, a play by Christopher Marlowe

Act 4 - Scene 2

< Previous
Table of content
Next >
________________________________________________
_ ACT IV - SCENE II

[Enter OLYMPIA.]

OLYMPIA.
Distress'd Olympia, whose weeping eyes,
Since thy arrival here, behold [212] no sun,
But, clos'd within the compass of a [213] tent,
Have [214] stain'd thy cheeks, and made thee look like death,
Devise some means to rid thee of thy life,
Rather than yield to his detested suit,
Whose drift is only to dishonour thee;
And, since this earth, dew'd with thy brinish tears,
Affords no herbs whose taste may poison thee,
Nor yet this air, beat often with thy sighs,
Contagious smells and vapours to infect thee,
Nor thy close cave a sword to murder thee,
Let this invention be the instrument.

[Enter THERIDAMAS.]


[Footnote 212: behold] Qy "beheld"?]

[Footnote 213: a] So the 4to.--The 8vo "the."]

[Footnote 214: Have] Old eds. "Hath."]


THERIDAMAS.
Well met, Olympia: I sought thee in my tent,
But, when I saw the place obscure and dark,
Which with thy beauty thou wast wont to light,
Enrag'd, I ran about the fields for thee,
Supposing amorous Jove had sent his son,
The winged Hermes, to convey thee hence;
But now I find thee, and that fear is past,
Tell me, Olympia, wilt thou grant my suit?

OLYMPIA.
My lord and husband's death, with my sweet son's,
(With whom I buried all affections
Save grief and sorrow, which torment my heart,)
Forbids my mind to entertain a thought
That tends to love, but meditate on death,
A fitter subject for a pensive soul.

THERIDAMAS.
Olympia, pity him in whom thy looks
Have greater operation and more force
Than Cynthia's in the watery wilderness;
For with thy view my joys are at the full,
And ebb again as thou depart'st from me.

OLYMPIA.
Ah, pity me, my lord, and draw your sword,
Making a passage for my troubled soul,
Which beats against this prison to get out,
And meet my husband and my loving son!

THERIDAMAS.
Nothing but still thy husband and thy son?
Leave this, my love, and listen more to me:
Thou shalt be stately queen of fair Argier;
And, cloth'd in costly cloth of massy gold,
Upon the marble turrets of my court
Sit like to Venus in her chair of state,
Commanding all thy princely eye desires;
And I will cast off arms to [215] sit with thee,
Spending my life in sweet discourse of love.


[Footnote 215: to] So the 8vo.--The 4to "and."]


OLYMPIA.
No such discourse is pleasant in [216] mine ears,
But that where every period ends with death,
And every line begins with death again:
I cannot love, to be an emperess.


[Footnote 216: in] So the 8vo.--The 4to "to."]


THERIDAMAS.
Nay, lady, then, if nothing will prevail,
I'll use some other means to make you yield:
Such is the sudden fury of my love,
I must and will be pleas'd, and you shall yield:
Come to the tent again.

OLYMPIA.
Stay now, my lord; and, will you [217] save my honour,
I'll give your grace a present of such price
As all the world can not afford the like.


[Footnote 217: now, my lord; and, will you] So the 8vo.--The 4to
"GOOD my Lord, IF YOU WILL."
]


THERIDAMAS.
What is it?

OLYMPIA.
An ointment which a cunning alchymist
Distilled from the purest balsamum
And simplest extracts of all minerals,
In which the essential form of marble stone,
Temper'd by science metaphysical,
And spells of magic from the mouths [218] of spirits,
With which if you but 'noint your tender skin,
Nor pistol, sword, nor lance, can pierce your flesh.


[Footnote 218: mouths] So the 4to.--The 8vo "mother."]


THERIDAMAS.
Why, madam, think you to mock me thus palpably?

OLYMPIA.
To prove it, I will 'noint my naked throat,
Which when you stab, look on your weapon's point,
And you shall see't rebated [219] with the blow.


[Footnote 219: rebated] i.e. blunted.]


THERIDAMAS.
Why gave you not your husband some of it,
If you lov'd him, and it so precious?

OLYMPIA.
My purpose was, my lord, to spend it so,
But was prevented by his sudden end;
And for a present easy proof thereof, [220]
That I dissemble not, try it on me.


[Footnote 220: thereof] So the 8vo.--The 4to "heereof."]


THERIDAMAS.
I will, Olympia, and will [221] keep it for
The richest present of this eastern world.

[She anoints her throat. [222]]


[Footnote 221: and will] So the 4to.--The 8vo "and I wil."]

[Footnote 222: She anoints her throat] This incident, as Mr. Collier observes (HIST. OF ENG. DRAM. POET., iii. 119) is borrowed from Ariosto's ORLANDO FURIOSO, B. xxix, "where Isabella, to save herself from the lawless passion of Rodomont, anoints her neck with a decoction of herbs, which she pretends will render it invulnerable: she then presents her throat to the Pagan, who, believing her assertion, aims a blow and strikes off her head."]


OLYMPIA.
Now stab, my lord, and mark your weapon's point,
That will be blunted if the blow be great.

THERIDAMAS.
Here, then, Olympia.--

[Stabs her.]

What, have I slain her? Villain, stab thyself!
Cut off this arm that at murdered my [223] love,
In whom the learned Rabbis of this age
Might find as many wondrous miracles
As in the theoria of the world!
Now hell is fairer than Elysium; [224]
A greater lamp than that bright eye of heaven,
]From whence the stars do borrow [225] all their light,
Wanders about the black circumference;
And now the damned souls are free from pain,
For every Fury gazeth on her looks;
Infernal Dis is courting of my love,
Inventing masks and stately shows for her,
Opening the doors of his rich treasury
To entertain this queen of chastity;
Whose body shall be tomb'd with all the pomp
The treasure of my [226] kingdom may afford.

[Exit with the body.]


[Footnote 223: my] Altered by the modern editors to "thy,"--unnecessarily.]

[Footnote 224: Elysium] Old eds. "Elisian" and "Elizian."]

[Footnote 225: do borrow] So the 4to.--The 8vo "borow doo."]

[Footnote 226: my] So the 4to (Theridamas is King of Argier).--The 8vo "thy."] _

Read next: Act 4 - Scene 3

Read previous: Act 4 - Scene 1

Table of content of Tamburlaine the Great, Part II


GO TO TOP OF SCREEN

Post your review
Your review will be placed after the table of content of this book