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Island Love On The Pacific, a non-fiction book by Henry Theophilus Finck |
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Two Samoah Love-Stories |
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_ Turner devotes six pages to two Samoan love-stories. One of them illustrates the devotion of a wife and her husband's ingratitude and faithlessness, as the following summary will show: There was a youth called Siati, noted for his singing. A serenading god came along, threw down a challenge, and promised him his fair daughter if he was the better singer. They sang and Siati beat the god. Then he rode on a shark to the god's home and the shark told him to go to the bathing-place, where he would find the god's daughters. The girls had just left the place when Siati arrived, but one of them had forgotten her comb and came back to get it. "Siati," said she, "however have you come here?" "I've come to seek the song-god and get his daughter to wife." "My father," said she, "is more of a god than man--eat nothing he hands you, never sit on a high seat lest death should follow, and now let us unite." The god did not like his son-in-law and tried various ways to destroy him, but his wife Puapae always helped him out of the scrape, one time even making him cut her into two and throw her into the sea to be eaten by a fish and find a ring the god had lost and asked him to get. She was afterward cast ashore with the ring; but Siati had not even kept awake, and she scolded him for it. To save his life, she subsequently performed several other miracles, in one of which her father and sister were drowned in the sea. Then she said to Siati: "My father and sister are dead, and all on account of my love to you; you may go now and visit your family and friends while I remain here, but see that you do not behave unseemly." He went, visited his friends, and forgot Puapae. He tried to marry again, but Puapae came and stood on the other side. The chief called out, "Which is your wife, Siati?" "The one on the right side." Puapae then broke silence with, "Ah, Siati, you have forgotten all I did for you;" and off she went. Siati remembered it all, darted after her crying, and then fell down dead.
The courtship scene cited above indicates an instinctive knowledge of the strategic value of coyness and feigned displeasure. The following story, which I condense from the versified form in which Turner gives it, would seem to be a sort of masculine warning to women against the danger and folly of excessive coyness, so inconvenient to the men:
Afterwards they sat down and filled into a bamboo bottle the liquid shadow of their brother. A report had come to them of Sina, a Fijian girl who was so beautiful that all the swells were running after her. Hearing this, and being anxious to get a wife for their brother, they dressed up and went to Fiji, intending to tell Sina about their brother. But Sina was haughty; she slighted the sisters and treated them shamefully. She had heard of the beauty of the young man, whose name was Maluafiti ("Shade of Fiji"), and longed for his coming, but did not know that these were his sisters. The slighted girls got angry and went to the water when Sina was taking her bath. From the bottle they threw out on the water the shadow of their brother. Sina looked at the shadow and was struck with its beauty. "That is my husband," she said, "wherever I can find him." She called out to the villagers for all the handsome young men to come and find out of whom the figure in the water was the image. But the shadow was more beautiful than any of these young men and it wheeled round and round in the water whenever Maluafiti, in his own land, turned about. All this time the sisters were weeping and exclaiming:
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