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The Tinker's Wedding, a play by J. M. Synge |
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Act 2 |
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_ ACT II SCENE: The same. Early morning. Sarah is washing her face in an old bucket; then plaits her hair. Michael is tidying himself also. Mary Byrne is asleep against the ditch.
Go over, now, to the bundle beyond, and you'll find a kind of a red handkerchief to put upon your neck, and a green one for myself. MICHAEL You're after spending more money on the like of them. Well, it's a power we're losing this time, and we not gaining a thing at all. (With the handkerchief.) SARAH. (She takes one of them.) [Mary yawns, and turns over in her sleep.] SARAH There she is waking up on us, and I thinking we'd have the job done before she'd know of it at all. MICHAEL. SARAH. MARY That's fine things you have on you, Sarah Casey; and it's a great stir you're making this day, washing your face. I'm that used to the hammer, I wouldn't hear it at all, but washing is a rare thing, and you're after waking me up, and I having a great sleep in the sun. [She looks around cautiously at the bundle in which she has hidden the bottles.] SARAH Let you stretch out again for a sleep, Mary Byrne, for it'll be a middling time yet before we go to the fair. MARY That's a sweet tongue you have, Sarah Casey; but if sleep's a grand thing, it's a grand thing to be waking up a day the like of this, when there's a warm sun in it, and a kind air, and you'll hear the cuckoos singing and crying out on the top of the hills. SARAH. MARY. SARAH Then if you'll neither beg nor sleep, let you walk off from this place where you're not wanted, and not have us waiting for you maybe at the turn of day. MARY God help our spirits, Michael; there she is again rousing cranky from the break of dawn. Oh! isn't she a terror since the moon did change? (she gets up slowly) [She goes over and takes up the bundle.] SARAH Leave that down, Mary Byrne. Oh! aren't you the scorn of women to think that you'd have that drouth and roguery on you that you'd go drinking the can and the dew not dried from the grass? MARY It's not a drouth but a heartburn I have this day, Sarah Casey, so I'm going down to cool my gullet at the blessed well; and I'll sell the can to the parson's daughter below, a harmless poor creature would fill your hand with shillings for a brace of lies. SARAH. MARY. [She turns to go off left.] SARAH Put down that can, I'm saying. MARY Is it raving mad you're going, Sarah Casey, and you the pride of women to destroy the world? SARAH I'll show you if it's raving mad I am. Go on from this place, I'm saying, and be wary now. MARY If I go, I'll be telling old and young you're a weathered heathen savage, Sarah Casey, the one did put down a head of the parson's cabbage to boil in the pot with your clothes (the priest comes in behind her, on the left, and listens), [Sarah turns on her, and she springs round nearly into the Priest's arms. When she sees him, she claps her shawl over her mouth, and goes up towards the ditch, laughing to herself.] PRIEST Well, aren't you a fearful lot? I'm thinking it's only humbug you were making at the fall of night, and you won't need me at all. SARAH Humbug is it! would you be turning back upon your spoken promise in the face of God? PRIEST I'm thinking you were never christened, Sarah Casey; and it would be a queer job to go dealing Christian sacraments unto the like of you. (Persuasively feeling in his pocket.) SARAH. PRIEST. SARAH. PRIEST I wish this day was done, Sarah Casey; for I'm thinking it's a risky thing getting mixed up in any matters with the like of you. SARAH. PRIEST Well, maybe it's right you are, and let you come up to the chapel when you see me looking from the door. [He goes up into the chapel.] SARAH We will, and God preserve you, holy father. MARY Going to the chapel! It's at marriage you're fooling again, maybe? (Sarah turns her back on her.) (Going round in front of Sarah.) SARAH It is, Mary Byrne. I'll be married now in a short while; and from this day there will no one have a right to call me a dirty name and I selling cans in Wicklow or Wexford or the city of Dublin itself. MARY And it's yourself is wedding her, Michael Byrne? MICHAEL MARY Well, she's a tight, hardy girl, and it's no lie; but I never knew till this day it was a black born fool I had for a son. You'll breed asses, I've heard them say, and poaching dogs, and horses'd go licking the wind, but it's a hard thing, God help me, to breed sense in a son. MICHAEL If I didn't marry her, she'd be walking off to Jaunting Jim maybe at the fall of night; and it's well yourself knows there isn't the like of her for getting money and selling songs to the men. MARY. And you're thinking it's paying gold to his reverence would make a woman stop when she's a mind to go? SARAH Let you not be destroying us with your talk when I've as good a right to a decent marriage as any speckled female does be sleeping in the black hovels above, would choke a mule. MARY It's as good a right you have surely, Sarah Casey, but what good will it do? Is it putting that ring on your finger will keep you from getting an aged woman and losing the fine face you have, or be easing your pains, when it's the grand ladies do be married in silk dresses, with rings of gold, that do pass any woman with their share of torment in the hour of birth, and do be paying the doctors in the city of Dublin a great price at that time, the like of what you'd pay for a good ass and a cart? [She sits down.] SARAH Is that the truth? MARY Wouldn't any know it's the truth? Ah, it's a few short years you are yet in the world, Sarah Casey, and it's little or nothing at all maybe you know about it. SARAH What is it yourself knows of the fine ladies when they wouldn't let the like of you go near them at all? MARY. MICHAEL That's the truth she's saying, and maybe if you've sense in you at all, you'd have a right still to leave your fooling, and not be wasting our gold. SARAH If it's wise or fool I am, I've made a good bargain and I'll stand to it now. MARY. MICHAEL. MARY The bit of gold and the tin can, is it? MICHAEL. MARY Well, I think I'll be walking off the road to the fair the way you won't be destroying me going too fast on the hills. (She goes a few steps towards the left, then turns and speaks to Sarah very persuasively.) [She goes towards left, and pauses for a moment, looking about her with embarrassment.] MICHAEL What ails her at all? SARAH It's real wicked she does be when you hear her speaking as easy as that. MARY I'd be safer in the chapel, I'm thinking; for if she caught me after on the road, maybe she would kill me then. [She comes hobbling back towards the right.] SARAH. MARY. [As she reaches the chapel-gate, the Priest comes to it in his surplice.] PRIEST Come along now. It is the whole day you'd keep me here saying my prayers, and I getting my death with not a bit in my stomach, and my breakfast in ruins, and the Lord Bishop maybe driving on the road to-day? SARAH. PRIEST. SARAH. [She gives it to him. Michael takes the bundle from the ditch and brings it over, standing a little behind Sarah. He feels the bundle, and looks at Mary with a meaning look.] PRIEST It's a good one, I'm thinking, wherever you got it. And where is the can? SARAH We have it here in a bit of clean sack, your reverence. We tied it up in the inside of that to keep it from rusting in the dews of night, and let you not open it now or you'll have the people making game of us and telling the story on us, east and west to the butt of the hills. PRIEST Give it here into my hand, Sarah Casey. What is it any person would think of a tinker making a can. [He begins opening the bundle.] SARAH. [Priest opens the bundle; the three empty bottles fall out.] SARAH. PRIEST. SARAH It's the divil did it, your reverence, and I wouldn't tell you a lie. (Raising her hands.) May the Lord Almighty strike me dead if the divil isn't after hooshing the tin can from the bag. PRIEST Go along now, and don't be swearing your lies. Go along now, and let you not be thinking I'm big fool enough to believe the like of that, when it's after selling it you are or making a swap for drink of it, maybe, in the darkness of the night. MARY She wouldn't do the like of that, your reverence, when she hasn't a decent standing drouth on her at all; and she's setting great store on her marriage the way you'd have a right to be taking her easy, and not minding the can. What differ would an empty can make with a fine, rich, hardy man the like of you? SARAH Marry us, your reverence, for the ten shillings in gold, and we'll make you a grand can in the evening -- a can would be fit to carry water for the holy man of God. Marry us now and I'll be saying fine prayers for you, morning and night, if it'd be raining itself, and it'd be in two black pools I'd be setting my knees. PRIEST It's a wicked, thieving, lying, scheming lot you are, the pack of you. Let you walk off now and take every stinking rag you have there from the ditch. MARY Marry her, your reverence, for the love of God, for there'll be queer doings below if you send her off the like of that and she swearing crazy on the road. SARAH It's the truth she's saying; for it's herself, I'm thinking, is after swapping the tin can for a pint, the time she was raging mad with the drouth, and ourselves above walking the hill. MARY Have you no shame, Sarah Casey, to tell lies unto a holy man? SARAH It's making game of me you'd be, and putting a fool's head on me in the face of the world; but if you were thinking to be mighty cute walking off, or going up to hide in the church, I've got you this time, and you'll not run from me now. [She seizes up one of the bottles.] MARY Keep her off, your reverence, keep her off for the love of the Almighty God. What at all would the Lord Bishop say if he found me here lying with my head broken across, or the two of yous maybe digging a bloody grave for me at the door of the church? PRIEST Go along, Sarah Casey. Would you be doing murder at my feet? Go along from me now, and wasn't I a big fool to have to do with you when it's nothing but distraction and torment I get from the kindness of my heart? SARAH I've bet a power of strong lads east and west through the world, and are you thinking I'd turn back from a priest? Leave the road now, or maybe I would strike yourself. PRIEST. SARAH. PRIEST. (He throws down the ten shillings on the ground.) SARAH. PRIEST. SARAH. PRIEST Go on, now, or I'll send the Lords of Justice a dated story of your villainies -- burning, stealing, robbing, raping to this mortal day. Go on now, I'm saying, if you'd run from Kilmainham or the rope itself. MICHAEL Is it run from the like of you, holy father? Go up to your own shanty, or I'll beat you with the ass's reins till the world would hear you roaring from this place to the coast of Clare. PRIEST. [He gives him a shove.] MICHAEL. [He runs at him with the reins.] PRIEST There are the peelers passing by the grace of God -- hey, below! MARY Knock him down on the road; they didn't hear him at all. [Michael pulls him down.] SARAH. MARY. [They gag him with the sack that had the can in it.] SARAH. [They tie him up in some sacking.] MICHAEL Keep him quiet, and the rags tight on him for fear he'd screech. (He goes back to their camp.) [They bundle the things together in wild haste, the priest wriggling and struggling about on the ground, with old Mary trying to keep him quiet.] MARY Be quiet, your reverence. What is it ails you, with your wrigglings now? Is it choking maybe? (She puts her hand under the sack, and feels his mouth, patting him on the back.) (In a soothing voice.) (He gets quieter.) MICHAEL We're fixed now; and I have a mind to run him in a boghole the way he'll not be tattling to the peelers of our games to-day. SARAH. MARY Let you not be rough with him, Sarah Casey, and he after drinking his sup of porter with us at the fall of night. Maybe he'd swear a mighty oath he wouldn't harm us, and then we'd safer loose him; for if we went to drown him, they'd maybe hang the batch of us, man and child and woman, and the ass itself. MICHAEL. MARY. (Putting her mouth to the Priest's ear in the sacking.) (Priest nods in sacking.) MICHAEL Hold up, holy father. [He pulls the sacking off, and shows the priest with his hair on end. They free his mouth.] MARY. PRIEST I swear surely. If you let me go in peace, I'll not inform against you or say a thing at all, and may God forgive me for giving heed unto your like to-day. SARAH There's the ring, holy father, to keep you minding of your oath until the end of time; for my heart's scalded with your fooling; and it'll be a long day till I go making talk of marriage or the like of that. MARY She's vexed now, your reverence; and let you not mind her at all, for she's right surely, and it's little need we ever had of the like of you to get us our bit to eat, and our bit to drink, and our time of love when we were young men and women, and were fine to look at. MICHAEL. [They gather up their things. The priest stands up.] PRIEST I've sworn not to call the hand of man upon your crimes to-day; but I haven't sworn I wouldn't call the fire of heaven from the hand of the Almighty God. [He begins saying a Latin malediction in a loud ecclesiastical voice.] MARY. ALL Run, run. Run for your lives. [They rush out, leaving the Priest master of the situation.]
[THE END] _ |