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The Playboy of the Western World, a play by J. M. Synge |
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Act 3 |
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_ ACT III SCENE, [as before. Later in the day. Jimmy comes in, slightly drunk.] JIMMY Pegeen! (Crosses to inner door.) (Comes back again into the room.) (Philly comes in in the same state.) (To Philly.) PHILLY. (Trying cupboards which are locked.) JIMMY. PHILLY. JIMMY. [Old Mahon passes window slowly.] PHILLY. JIMMY. (Old Mahon comes in and sits down near door listening.) PHILLY. JIMMY Didn't a lad see them and he after coming from harvesting in the Liverpool boat? "They have them there," says he, "making a show of the great people there was one time walking the world. White skulls and black skulls and yellow skulls, and some with full teeth, and some haven't only but one." PHILLY. MAHON You wouldn't is it? Lay your eyes on that skull, and tell me where and when there was another the like of it, is splintered only from the blow of a loy. PHILLY. MAHON It was my own son hit me. Would you believe that? JIMMY. PHILLY And what way was it done? MAHON I'm after walking hundreds and long scores of miles, winning clean beds and the fill of my belly four times in the day, and I doing nothing but telling stories of that naked truth. (He comes to them a little aggressively.) [Widow Quin comes in and stands aghast behind him. He is facing Jimmy and Philly, who are on the left.] JIMMY. WIDOW QUIN you here, is it? You didn't go far at all? MAHON. (Looking under her shawl.) WIDOW QUIN Sit down then by the fire and take your ease for a space. You've a right to be destroyed indeed, with your walking, and fighting, and facing the sun (giving him poteen from a stone jar she has brought in.) MAHON God increase you! WIDOW QUIN Do you know what? That man's raving from his wound to-day, for I met him a while since telling a rambling tale of a tinker had him destroyed. Then he heard of Christy's deed, and he up and says it was his son had cracked his skull. O isn't madness a fright, for he'll go killing someone yet, and he thinking it's the man has struck him so? JIMMY It's a fright, surely. I knew a party was kicked in the head by a red mare, and he went killing horses a great while, till he eat the insides of a clock and died after. PHILLY Did he see Christy? WIDOW QUIN. (With a warning gesture.) (Looking round at Mahon.) (She goes to Mahon.) MAHON I'm poorly only, for it's a hard story the way I'm left to-day, when it was I did tend him from his hour of birth, and he a dunce never reached his second book, the way he'd come from school, many's the day, with his legs lamed under him, and he blackened with his beatings like a tinker's ass. It's a hard story, I'm saying, the way some do have their next and nighest raising up a hand of murder on them, and some is lonesome getting their death with lamentation in the dead of night. WIDOW QUIN To hear you talking so quiet, who'd know you were the same fellow we seen pass to-day? MAHON. PHILLY He's not raving. (To Widow Quin.) WIDOW QUIN Was your son that hit you a lad of one year and a score maybe, a great hand at racing and lepping and licking the world? MAHON Didn't you hear me say he was the fool of men, the way from this out he'll know the orphan's lot with old and young making game of him and they swearing, raging, kicking at him like a mangy cur. [A great burst of cheering outside, someway off.] MAHON What in the name of God do they want roaring below? WIDOW QUIN They're cheering a young lad, the champion Playboy of the Western World. [More cheering.] MAHON It'd split my heart to hear them, and I with pulses in my brain-pan for a week gone by. Is it racing they are? JIMMY It is then. They are mounting him for the mule race will be run upon the sands. That's the playboy on the winkered mule. MAHON That lad, is it? If you said it was a fool he was, I'd have laid a mighty oath he was the likeness of my wandering son (uneasily, putting his hand to his head.) WIDOW QUIN You will not. You'd best take the road to Belmullet, and not be dilly-dallying in this place where there isn't a spot you could sleep. PHILLY Don't mind her. Mount there on the bench and you'll have a view of the whole. They're hurrying before the tide will rise, and it'd be near over if you went down the pathway through the crags below. MAHON That's a right view again the edge of the sea. They're coming now from the point. He's leading. Who is he at all? WIDOW QUIN. PHILLY Look at that. They're pressing him now. JIMMY. PHILLY. WIDOW QUIN Watch him taking the gate. There's riding. JIMMY More power to the young lad! MAHON. JIMMY. WIDOW QUIN. MAHON. WIDOW QUIN. (catching hold of Mahon in her excitement.) JIMMY. PHILLY. JIMMY. MAHON. (With a yell.) JIMMY. MAHON. [Great cheering, in which all join.] MAHON What's that? They're raising him up. They're coming this way. (With a roar of rage and astonishment.) [He jumps down and makes for the door, but Widow Quin catches him and pulls him back.] WIDOW QUIN. (To Jimmy.) JIMMY. MAHON Let me out! Let me out, the lot of you! till I have my vengeance on his head to-day. WIDOW QUIN That's not your son. That's a man is going to make a marriage with the daughter of this house, a place with fine trade, with a license, and with poteen too. MAHON That man marrying a decent and a moneyed girl! Is it mad yous are? Is it in a crazy-house for females that I'm landed now? WIDOW QUIN. MAHON. WIDOW QUIN. (Cheering outside.) MAHON It's maybe out of reason that that man's himself. (Cheering again.) (He sits down with his hand to his head.) WIDOW QUIN. MAHON. (To Widow Quin, suddenly.) WIDOW QUIN. MAHON Then I'd best be going to the union beyond, and there'll be a welcome before me, I tell you (with great pride), WIDOW QUIN. MAHON It's true mankind is the divil when your head's astray. Let me out now and I'll slip down the boreen, and not see them so. WIDOW QUIN [He runs off.] PHILLY You're at some gaming, Widow Quin; but I'll walk after him and give him his dinner and a time to rest, and I'll see then if he's raving or as sane as you. WIDOW QUIN If you go near that lad, let you be wary of your head, I'm saying. Didn't you hear him telling he was crazed at times? PHILLY. [He goes out.] JIMMY. [He goes; Widow Quin hides poteen behind counter. Then hubbub outside.] VOICES. [Christy comes in, in Jockey's dress, with Pegeen Mike, Sara, and other girls, and men.] PEGEEN Go on now and don't destroy him and he drenching with sweat. Go along, I'm saying, and have your tug-of-warring till he's dried his skin. CROWD. CHRISTY Thank you kindly, the lot of you. But you'd say it was little only I did this day if you'd seen me a while since striking my one single blow. TOWN CRIER Take notice, last event of this day! Tug-of-warring on the green below! Come on, the lot of you! Great achievements for all Mayo men! PEGEEN. (She hustles crowd out; Widow Quin following them.) MEN Come on then. Good luck for the while! PEGEEN Well, you're the lad, and you'll have great times from this out when you could win that wealth of prizes, and you sweating in the heat of noon! CHRISTY I'll have great times if I win the crowning prize I'm seeking now, and that's your promise that you'll wed me in a fortnight, when our banns is called. PEGEEN You've right daring to go ask me that, when all knows you'll be starting to some girl in your own townland, when your father's rotten in four months, or five. CHRISTY Starting from you, is it? (He follows her.) PEGEEN And it's that kind of a poacher's love you'd make, Christy Mahon, on the sides of Neifin, when the night is down? CHRISTY. PEGEEN. CHRISTY Let you wait, to hear me talking, till we're astray in Erris, when Good Friday's by, drinking a sup from a well, and making mighty kisses with our wetted mouths, or gaming in a gap or sunshine, with yourself stretched back unto your necklace, in the flowers of the earth. PEGEEN I'd be nice so, is it? CHRISTY If the mitred bishops seen you that time, they'd be the like of the holy prophets, I'm thinking, do be straining the bars of Paradise to lay eyes on the Lady Helen of Troy, and she abroad, pacing back and forward, with a nosegay in her golden shawl. PEGEEN And what is it I have, Christy Mahon, to make me fitting entertainment for the like of you, that has such poet's talking, and such bravery of heart? CHRISTY Isn't there the light of seven heavens in your heart alone, the way you'll be an angel's lamp to me from this out, and I abroad in the darkness, spearing salmons in the Owen, or the Carrowmore? PEGEEN. CHRISTY. PEGEEN. CHRISTY If I wasn't a good Christian, it's on my naked knees I'd be saying my prayers and paters to every jackstraw you have roofing your head, and every stony pebble is paving the laneway to your door. PEGEEN If that's the truth, I'll be burning candles from this out to the miracles of God that have brought you from the south to-day, and I, with my gowns bought ready, the way that I can wed you, and not wait at all. CHRISTY. PEGEEN. CHRISTY. PEGEEN. (Drunken singing is heard outside.) [They separate.] MICHAEL The jailor and the turnkey They quickly ran us down, And brought us back as prisoners Once more to Cavan town. [He comes in supported by Shawn.] [He sees Christy. Goes and shakes him drunkenly by the hand, while Pegeen and Shawn talk on the left.] MICHAEL The blessing of God and the holy angels on your head, young fellow. I hear tell you're after winning all in the sports below; and wasn't it a shame I didn't bear you along with me to Kate Cassidy's wake, a fine, stout lad, the like of you, for you'd never see the match of it for flows of drink, the way when we sunk her bones at noonday in her narrow grave, there were five men, aye, and six men, stretched out retching speechless on the holy stones. CHRISTY Is that the truth? MICHAEL. CHRISTY It's well enough he's lying, for the likes of him. MICHAEL Well, aren't you a hardened slayer? It'll be a poor thing for the household man where you go sniffing for a female wife; and (pointing to Shawn) CHRISTY. MICHAEL Aye. Are you thinking, if I'm drunk itself, I'd leave my daughter living single with a little frisky rascal is the like of you? PEGEEN Is it the truth the dispensation's come? MICHAEL Father Reilly's after reading it in gallous Latin, and "It's come in the nick of time," says he; "so I'll wed them in a hurry, dreading that young gaffer who'd capsize the stars." PEGEEN He's missed his nick of time, for it's that lad, Christy Mahon, that I'm wedding now. MICHAEL You'd be making him a son to me, and he wet and crusted with his father's blood? PEGEEN. MICHAEL Oh, aren't you a heathen daughter to go shaking the fat of my heart, and I swamped and drownded with the weight of drink? Would you have them turning on me the way that I'd be roaring to the dawn of day with the wind upon my heart? Have you not a word to aid me, Shaneen? Are you not jealous at all? SHAWN. I'd be afeard to be jealous of a man did slay his da. PEGEEN. SHAWN. PEGEEN And you think you're a likely beau to go straying along with, the shiny Sundays of the opening year, when it's sooner on a bullock's liver you'd put a poor girl thinking than on the lily or the rose? SHAWN. PEGEEN. [She retreats behind Christy.] SHAWN. CHRISTY Take yourself from this, young fellow, or I'll maybe add a murder to my deeds to-day. MICHAEL Murder is it? Is it mad yous are? Would you go making murder in this place, and it piled with poteen for our drink to-night? Go on to the foreshore if it's fighting you want, where the rising tide will wash all traces from the memory of man. [Pushing Shawn towards Christy.] SHAWN I'll not fight him, Michael James. I'd liefer live a bachelor, simmering in passions to the end of time, than face a lepping savage the like of him has descended from the Lord knows where. Strike him yourself, Michael James, or you'll lose my drift of heifers and my blue bull from Sneem. MICHAEL. (Pushing Shawn.) SHAWN Will I strike him with my hand? MICHAEL. SHAWN. CHRISTY Then I'll make you face the gallows or quit off from this. [Shawn flies out of the door.] CHRISTY. (going to Michael, coaxingly) PEGEEN Bless us now, for I swear to God I'll wed him, and I'll not renege. MICHAEL It's the will of God, I'm thinking, that all should win an easy or a cruel end, and it's the will of God that all should rear up lengthy families for the nurture of the earth. What's a single man, I ask you, eating a bit in one house and drinking a sup in another, and he with no place of his own, like an old braying jackass strayed upon the rocks? (To Christy.) (He joins their hands.) CHRISTY AND PEGEEN. [Hubbub outside.] [Old Mahon rushes in, followed by all the crowd, and Widow Quin. He makes a rush at Christy, knocks him down, and begins to beat him.] PEGEEN Stop that, will you. Who are you at all? MAHON. PEGEEN Is it rose from the dead? MAHON. [Beats Christy again.] PEGEEN And it's lies you told, letting on you had him slitted, and you nothing at all. CHRISTY He's not my father. He's a raving maniac would scare the world. (Pointing to Widow Quin.) CROWD. CHRISTY It's himself was a liar, lying stretched out with an open head on him, letting on he was dead. MAHON. PEGEEN. CHRISTY You've seen my doings this day, and let you save me from the old man; for why would you be in such a scorch of haste to spur me to destruction now? PEGEEN. (To Mahon.) MAHON. CROWD There's the playboy! There's the lad thought he'd rule the roost in Mayo. Slate him now, mister. CHRISTY What is it drives you to torment me here, when I'd asked the thunders of the might of God to blast me if I ever did hurt to any saving only that one single blow. MAHON If you didn't, you're a poor good-for-nothing, and isn't it by the like of you the sins of the whole world are committed? CHRISTY In the name of the Almighty God.... MAHON. CHRISTY Will you come between us and protect me now? WIDOW QUIN. CHRISTY And I must go back into my torment is it, or run off like a vagabond straying through the Unions with the dusts of August making mudstains in the gullet of my throat, or the winds of March blowing on me till I'd take an oath I felt them making whistles of my ribs within? SARA. CHRISTY. PEGEEN Take him on from this or I'll set the young lads to destroy him here. MAHON Come on now if you wouldn't have the company to see you skelped. PEGEEN That's it, now the world will see him pandied, and he an ugly liar was playing off the hero, and the fright of men. CHRISTY Leave me go! CROWD. MAHON Come here to me. CHRISTY Leave me go, I'm saying. MAHON. CROWD. CHRISTY Shut your yelling, for if you're after making a mighty man of me this day by the power of a lie, you're setting me now to think if it's a poor thing to be lonesome, it's worse maybe to go mixing with the fools of earth. [Mahon makes a movement towards him.] CHRISTY Keep off... lest I do show a blow unto the lot of you would set the guardian angels winking in the clouds above. [He swings round with a sudden rapid movement and picks up a loy.] CROWD He's going mad! Mind yourselves! Run from the idiot! CHRISTY. MAHON. CHRISTY. [He runs at old Mahon with the loy, chases him out of the door, followed by crowd and Widow Quin. There is a great noise outside, then a yell, and dead silence for a moment. Christy comes in, half dazed, and goes to fire.] WIDOW QUIN They're turning again you. Come on, or you'll be hanged, indeed. CHRISTY. WIDOW QUIN Come by the back-door. I'd think bad to have you stifled on the gallows tree. CHRISTY I will not, then. What good'd be my life-time, if I left Pegeen? WIDOW QUIN. CHRISTY. WIDOW QUIN Isn't there the match of her in every parish public, from Binghamstown unto the plain of Meath? Come on, I tell you, and I'll find you finer sweethearts at each waning moon. CHRISTY. SARA They're going to hang him. (Holding out petticoat and shawl.) WIDOW QUIN. CHRISTY Leave me go, will you? when I'm thinking of my luck to-day, for she will wed me surely, and I a proven hero in the end of all. [They try to fasten petticoat round him.] WIDOW QUIN. CHRISTY You'll be taking me from her? You're jealous, is it, of her wedding me? Go on from this. [He snatches up a stool, and threatens them with it.] WIDOW QUIN It's in the mad-house they should put him, not in jail, at all. We'll go by the back-door, to call the doctor, and we'll save him so. [She goes out, with Sara, through inner room. Men crowd in the doorway. Christy sits down again by the fire.] MICHAEL Is the old lad killed surely? PHILLY. [They peer in at Christy.] MICHAEL Look at the way he is. Twist a hangman's knot on it, and slip it over his head, while he's not minding at all. PHILLY. SHAWN. PEGEEN. CHRISTY. SHAWN Come on to the peelers, till they stretch you now. CHRISTY. MICHAEL. CHRISTY. (To Pegeen.) PEGEEN. (To Men.) CHRISTY And it's yourself will send me off, to have a horny-fingered hangman hitching his bloody slip-knots at the butt of my ear. MEN Come on, will you? [He is pulled down on the floor.] CHRISTY Cut the rope, Pegeen, and I'll quit the lot of you, and live from this out, like the madmen of Keel, eating muck and green weeds, on the faces of the cliffs. PEGEEN. (To men.) SHAWN. PHILLY. SHAWN. (To Pegeen.) PEGEEN Leave go now, young fellow, or I'll scorch your shins. CHRISTY. (His voice rising and growing stronger.) SHAWN Keep a good hold, Philly. Be wary, for the love of God. For I'm thinking he would liefest wreak his pains on me. CHRISTY If I do lay my hands on you, it's the way you'll be at the fall of night, hanging as a scarecrow for the fowls of hell. Ah, you'll have a gallous jaunt I'm saying, coaching out through Limbo with my father's ghost. SHAWN Make haste, will you? Oh, isn't he a holy terror, and isn't it true for Father Reilly, that all drink's a curse that has the lot of you so shaky and uncertain now? CHRISTY. [He squirms round on the floor and bites Shawn's leg.] SHAWN My leg's bit on me. He's the like of a mad dog, I'm thinking, the way that I will surely die. CHRISTY You will then, the way you can shake out hell's flags of welcome for my coming in two weeks or three, for I'm thinking Satan hasn't many have killed their da in Kerry, and in Mayo too. [Old Mahon comes in behind on all fours and looks on unnoticed.] MEN Bring the sod, will you? PEGEEN God help him so. (Burns his leg.) CHRISTY O, glory be to God! [He kicks loose from the table, and they all drag him towards the door.] JIMMY Will you look what's come in? [They all drop Christy and run left.] CHRISTY Are you coming to be killed a third time, or what ails you now? MAHON. CHRISTY. MICHAEL It is the will of God that all should guard their little cabins from the treachery of law, and what would my daughter be doing if I was ruined or was hanged itself? MAHON It's little I care if you put a bag on her back, and went picking cockles till the hour of death; but my son and myself will be going our own way, and we'll have great times from this out telling stories of the villainy of Mayo, and the fools is here. (To Christy, who is freed.) CHRISTY. (Pushing Mahon.) MAHON. CHRISTY. MAHON Glory be to God! (With a broad smile.) [Goes.] CHRISTY. [He goes out.] MICHAEL. SHAWN It's a miracle Father Reilly can wed us in the end of all, and we'll have none to trouble us when his vicious bite is healed. PEGEEN Quit my sight. CURTAIN. -------------- THE PLAYBOY OF THE WESTERN WORLD was first produced by the National Theatre Society, Ltd., at the Abbey Theatre, on Saturday, 26th January, 1907, under the direction of W. G. Fay. Christopher Mahon, W. G. FAY Old Mahon, his father, a squatter, A. POWER. Michael James Flaherty (called "Michael James"), a publican, ARTHUR SINCLAIR. Margaret Flaherty (called "Pegeen Mike"), his daughter, MARIE O'NEILL. Shawn Keogh, her second cousin, a young farmer, F. J. FAY.
[THE END] _ |