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The Playboy of the Western World, a play by J. M. Synge |
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Act 2 |
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_ ACT II SCENE, [as before. Brilliant morning light. Christy, looking bright and cheerful, is cleaning a girl's boots.] CHRISTY Half a hundred beyond. Ten there. A score that's above. Eighty jugs. Six cups and a broken one. Two plates. A power of glasses. Bottles, a school-master'd be hard set to count, and enough in them, I'm thinking, to drunken all the wealth and wisdom of the County Clare. (He puts down the boot carefully.) (He puts them down and goes by degrees to the looking-glass.) (He takes the looking-glass from the wall and puts it on the back of a chair; then sits down in front of it and begins washing his face.) (He starts.) (He looks out.) (He looks out.) [He gathers up his coat and the looking-glass, and runs into the inner room. The door is pushed open, and Susan Brady looks in, and knocks on door.] SUSAN. NELLY SUSAN. HONOR NELLY. SARA If they are, there should be his father's track on them. Did you never read in the papers the way murdered men do bleed and drip? SUSAN. SARA That's bog water, I'm thinking, but it's his own they are surely, for I never seen the like of them for whity mud, and red mud, and turf on them, and the fine sands of the sea. That man's been walking, I'm telling you. [She goes down right, putting on one of his boots.] SUSAN Maybe he's stolen off to Belmullet with the boots of Michael James, and you'd have a right so to follow after him, Sara Tansey, and you the one yoked the ass cart and drove ten miles to set your eyes on the man bit the yellow lady's nostril on the northern shore. [She looks out.] SARA Don't be talking, and we fooled to-day. (Putting on other boot.) HONOR SARA. (He puts in his head.) CHRISTY She's above on the cnuceen, seeking the nanny goats, the way she'd have a sup of goat's milk for to colour my tea. SARA. CHRISTY I am, God help me! SARA Then my thousand welcomes to you, and I've run up with a brace of duck's eggs for your food today. Pegeen's ducks is no use, but these are the real rich sort. Hold out your hand and you'll see it's no lie I'm telling you. CHRISTY They're a great and weighty size. SUSAN. CHRISTY. HONOR. NELLY. CHRISTY. [He feels it with the back of his hand, in which he holds the presents.] SARA. (She slips round behind him.) [Girls giggle.] CHRISTY I'm very thankful to you all to-day... WIDOW QUIN Sara Tansey, Susan Brady, Honor Blake! What in glory has you here at this hour of day? GIRLS That's the man killed his father. WIDOW QUIN I know well it's the man; and I'm after putting him down in the sports below for racing, leaping, pitching, and the Lord knows what. SARA That's right, Widow Quin. I'll bet my dowry that he'll lick the world. WIDOW QUIN. (Taking presents.) CHRISTY. WIDOW QUIN Well, you're the lot. Stir up now and give him his breakfast. (To Christy.) (she puts him on bench beside her while the girls make tea and get his breakfast) CHRISTY It's a long story; you'd be destroyed listening. WIDOW QUIN. CHRISTY It was not. We were digging spuds in his cold, sloping, stony, divil's patch of a field. WIDOW QUIN. CHRISTY. WIDOW QUIN. CHRISTY A walking terror from beyond the hills, and she two score and five years, and two hundredweights and five pounds in the weighing scales, with a limping leg on her, and a blinded eye, and she a woman of noted misbehaviour with the old and young. GIRLS Glory be. WIDOW QUIN. CHRISTY He was letting on I was wanting a protector from the harshness of the world, and he without a thought the whole while but how he'd have her hut to live in and her gold to drink. WIDOW QUIN. CHRISTY I did not. "I won't wed her," says I, "when all know she did suckle me for six weeks when I came into the world, and she a hag this day with a tongue on her has the crows and seabirds scattered, the way they wouldn't cast a shadow on her garden with the dread of her curse." WIDOW QUIN That one should be right company. SARA Don't mind her. Did you kill him then? CHRISTY. [He sits up, brandishing his mug.] SARA. CHRISTY With that the sun came out between the cloud and the hill, and it shining green in my face. "God have mercy on your soul," says he, lifting a scythe; "or on your own," says I, raising the loy. SUSAN. HONOR. CHRISTY He gave a drive with the scythe, and I gave a lep to the east. Then I turned around with my back to the north, and I hit a blow on the ridge of his skull, laid him stretched out, and he split to the knob of his gullet. [He raises the chicken bone to his Adam's apple.] GIRLS Well, you're a marvel! Oh, God bless you! You're the lad surely! SUSAN. WIDOW QUIN. SARA You're heroes surely, and let you drink a supeen with your arms linked like the outlandish lovers in the sailor's song. (She links their arms and gives them the glasses.) [Brandishing the bottle.] WIDOW QUIN. [They drink with their arms linked, he drinking with his left hand, she with her right. As they are drinking, Pegeen Mike comes in with a milk can and stands aghast. They all spring away from Christy. He goes down left. Widow Quin remains seated.] PEGEEN What is it you're wanting? SARA An ounce of tobacco. PEGEEN. SARA. PEGEEN. (To the Widow Quin, with more elaborate scorn.) WIDOW QUIN A penn'orth of starch. PEGEEN And you without a white shift or a shirt in your whole family since the drying of the flood. I've no starch for the like of you, and let you walk on now to Killamuck. WIDOW QUIN Well, you're mighty huffy this day, Pegeen Mike, and, you young fellow, let you not forget the sports and racing when the noon is by. [They go out.] PEGEEN Fling out that rubbish and put them cups away. (Christy tidies away in great haste). Shove in the bench by the wall. (He does so.) And hang that glass on the nail. What disturbed it at all? CHRISTY I was making myself decent only, and this a fine country for young lovely girls. PEGEEN Whisht your talking of girls. [Goes to counter right.] CHRISTY. PEGEEN. CHRISTY It was with a loy the like of that I killed my father. PEGEEN You've told me that story six times since the dawn of day. CHRISTY It's a queer thing you wouldn't care to be hearing it and them girls after walking four miles to be listening to me now. PEGEEN Four miles. CHRISTY Didn't himself say there were only four bona fides living in the place? PEGEEN. (With meaning and emphasis.) [She goes into room left.] CHRISTY Is it news of my murder? PEGEEN Murder, indeed. CHRISTY A murdered da? PEGEEN There was not, but a story filled half a page of the hanging of a man. Ah, that should be a fearful end, young fellow, and it worst of all for a man who destroyed his da, for the like of him would get small mercies, and when it's dead he is, they'd put him in a narrow grave, with cheap sacking wrapping him round, and pour down quicklime on his head, the way you'd see a woman pouring any frish-frash from a cup. CHRISTY Oh, God help me. Are you thinking I'm safe? You were saying at the fall of night, I was shut of jeopardy and I here with yourselves. PEGEEN You'll be shut of jeopardy no place if you go talking with a pack of wild girls the like of them do be walking abroad with the peelers, talking whispers at the fall of night. CHRISTY And you're thinking they'd tell? PEGEEN Who knows, God help you. CHRISTY What joy would they have to bring hanging to the likes of me? PEGEEN. CHRISTY If there's that terror of them, it'd be best, maybe, I went on wandering like Esau or Cain and Abel on the sides of Neifin or the Erris plain. PEGEEN It would, maybe, for I've heard the Circuit Judges this place is a heartless crew. CHRISTY It's more than Judges this place is a heartless crew. (Looking up at her.) PEGEEN. CHRISTY It's well you know what call I have. It's well you know it's a lonesome thing to be passing small towns with the lights shining sideways when the night is down, or going in strange places with a dog nosing before you and a dog nosing behind, or drawn to the cities where you'd hear a voice kissing and talking deep love in every shadow of the ditch, and you passing on with an empty, hungry stomach failing from your heart. PEGEEN. CHRISTY. PEGEEN. CHRISTY How would a lovely handsome woman the like of you be lonesome when all men should be thronging around to hear the sweetness of your voice, and the little infant children should be pestering your steps I'm thinking, and you walking the roads. PEGEEN. CHRISTY. PEGEEN. CHRISTY. [Going to door.] PEGEEN Well, it's a story I'm not understanding at all why you'd be worse than another, Christy Mahon, and you a fine lad with the great savagery to destroy your da. CHRISTY. (turning to go), PEGEEN Christy! (He turns round.) (He goes towards her.) CHRISTY. PEGEEN I'm after going down and reading the fearful crimes of Ireland for two weeks or three, and there wasn't a word of your murder. (Getting up and going over to the counter.) CHRISTY It's making game of me you were (following her with fearful joy), PEGEEN. CHRISTY And I'll have your words from this day filling my ears, and that look is come upon you meeting my two eyes, and I watching you loafing around in the warm sun, or rinsing your ankles when the night is come. PEGEEN I'm thinking you'll be a loyal young lad to have working around, and if you vexed me a while since with your leaguing with the girls, I wouldn't give a thraneen for a lad hadn't a mighty spirit in him and a gamey heart. [Shawn Keogh runs in carrying a cleeve on his back, followed by the Widow Quin.] SHAWN I was passing below, and I seen your mountainy sheep eating cabbages in Jimmy's field. Run up or they'll be bursting surely. PEGEEN. [She puts a shawl over her head and runs out.] CHRISTY I'd best go to her aid maybe. I'm handy with ewes. WIDOW QUIN She can do that much, and there is Shaneen has long speeches for to tell you now. [She sits down with an amused smile.] SHAWN Do you see that, mister? CHRISTY The half of a ticket to the Western States! SHAWN I'll give it to you and my new hat (pulling it out of hamper); (pulling it off); (giving him the coat); CHRISTY And for what is it you're wanting to get shut of me? SHAWN I'm a poor scholar with middling faculties to coin a lie, so I'll tell you the truth, Christy Mahon. I'm wedding with Pegeen beyond, and I don't think well of having a clever fearless man the like of you dwelling in her house. CHRISTY And you'd be using bribery for to banish me? SHAWN Let you not take it badly, mister honey, isn't beyond the best place for you where you'll have golden chains and shiny coats and you riding upon hunters with the ladies of the land. [He makes an eager sign to the Widow Quin to come to help him.] WIDOW QUIN It's true for him, and you'd best quit off and not have that poor girl setting her mind on you, for there's Shaneen thinks she wouldn't suit you though all is saying that she'll wed you now. [Christy beams with delight.] SHAWN (He makes the movement of strangling with his hands.) WIDOW QUIN Fit them clothes on you anyhow, young fellow, and he'd maybe loan them to you for the sports. (Pushing him towards inner door.) CHRISTY I will then. I'd like herself to see me in them tweeds and hat. [He goes into room and shuts the door.] SHAWN WIDOW QUIN It's true all girls are fond of courage and do hate the like of you. SHAWN Oh, Widow Quin, what'll I be doing now? I'd inform again him, but he'd burst from Kilmainham and he'd be sure and certain to destroy me. If I wasn't so God-fearing, I'd near have courage to come behind him and run a pike into his side. Oh, it's a hard case to be an orphan and not to have your father that you're used to, and you'd easy kill and make yourself a hero in the sight of all. (Coming up to her.) WIDOW QUIN. SHAWN You? WIDOW QUIN. SHAWN I would surely, and I'd give you the wedding-ring I have, and the loan of a new suit, the way you'd have him decent on the wedding-day. I'd give you two kids for your dinner, and a gallon of poteen, and I'd call the piper on the long car to your wedding from Crossmolina or from Ballina. I'd give you... WIDOW QUIN. [Christy comes in very natty in the new clothes. Widow Quin goes to him admiringly.] WIDOW QUIN. CHRISTY I'm not going. If this is a poor place itself, I'll make myself contented to be lodging here. [Widow Quin makes a sign to Shawn to leave them.] SHAWN. WIDOW QUIN Well, you're mighty spruce, young fellow. Sit down now while you're quiet till you talk with me. CHRISTY I'm going abroad on the hillside for to seek Pegeen. WIDOW QUIN. CHRISTY. (he swaggers to the door, tightening his belt), (He opens door, then staggers back.) WIDOW QUIN What ails you? CHRISTY. WIDOW QUIN Is it that tramper? CHRISTY Where'll I hide my poor body from that ghost of hell? [The door is pushed open, and old Mahon appears on threshold. Christy darts in behind door.] WIDOW QUIN Cod save you, my poor man. MAHON Did you see a young lad passing this way in the early morning or the fall of night? WIDOW QUIN. MAHON. WIDOW QUIN What kind was he? MAHON. WIDOW QUIN. MAHON. (He takes off a big hat, and shows his head in a mass of bandages and plaster, with some pride.) WIDOW QUIN That was a great blow. And who hit you? A robber maybe? MAHON. WIDOW You'd best be wary of a mortified scalp, I think they call it, lepping around with that wound in the splendour of the sun. It was a bad blow surely, and you should have vexed him fearful to make him strike that gash in his da. MAHON. WIDOW QUIN Aye. And isn't it a great shame when the old and hardened do torment the young? MAHON Torment him is it? And I after holding out with the patience of a martyred saint till there's nothing but destruction on, and I'm driven out in my old age with none to aid me. WIDOW QUIN It's a sacred wonder the way that wickedness will spoil a man. MAHON. WIDOW QUIN. MAHON. WIDOW QUIN What way was he so foolish? It was running wild after the girls may be? MAHON Running wild, is it? If he seen a red petticoat coming swinging over the hill, he'd be off to hide in the sticks, and you'd see him shooting out his sheep's eyes between the little twigs and the leaves, and his two ears rising like a hare looking out through a gap. Girls, indeed! WIDOW QUIN. MAHON. WIDOW QUIN [clasping her hands.] MAHON. WIDOW QUIN. MAHON. WIDOW QUIN. MAHON. WIDOW QUIN I'm thinking I seen him. MAHON An ugly young blackguard. WIDOW QUIN. MAHON. WIDOW QUIN. MAHON. WIDOW QUIN. (She points to the door). [Mahon goes abruptly.] WIDOW QUIN Let you give him a good vengeance when you come up with him, but don't put yourself in the power of the law, for it'd be a poor thing to see a judge in his black cap reading out his sentence on a civil warrior the like of you. [She swings the door to and looks at Christy, who is cowering in terror, for a moment, then she bursts into a laugh.] WIDOW QUIN. CHRISTY What'll Pegeen say when she hears that story? What'll she be saying to me now? WIDOW QUIN. CHRISTY To be letting on he was dead, and coming back to his life, and following after me like an old weazel tracing a rat, and coming in here laying desolation between my own self and the fine women of Ireland, and he a kind of carcase that you'd fling upon the sea... WIDOW QUIN There's talking for a man's one only son. CHRISTY His one son, is it? May I meet him with one tooth and it aching, and one eye to be seeing seven and seventy divils in the twists of the road, and one old timber leg on him to limp into the scalding grave. (Looking out.) WIDOW QUIN Have you no shame? (putting her hand on his shoulder and turning him round.) CHRISTY Amn't I after seeing the love-light of the star of knowledge shining from her brow, and hearing words would put you thinking on the holy Brigid speaking to the infant saints, and now she'll be turning again, and speaking hard words to me, like an old woman with a spavindy ass she'd have, urging on a hill. WIDOW QUIN. CHRISTY It's her like is fitted to be handling merchandise in the heavens above, and what'll I be doing now, I ask you, and I a kind of wonder was jilted by the heavens when a day was by. [There is a distant noise of girls' voices. Widow Quin looks from window and comes to him, hurriedly.] WIDOW QUIN. CHRISTY You're like me, so. WIDOW QUIN. CHRISTY. WIDOW QUIN. VOICES Christy! Christy Mahon! Christy! CHRISTY. WIDOW QUIN. CHRISTY. (Widow Quin gets up and goes to window.) WIDOW QUIN. VOICES CHRISTY They're coming. Will you swear to aid and save me for the love of Christ? WIDOW QUIN If I aid you, will you swear to give me a right of way I want, and a mountainy ram, and a load of dung at Michaelmas, the time that you'll be master here? CHRISTY. WIDOW QUIN. CHRISTY. WIDOW QUIN. [Girls run in.] SUSAN. SARA TANSEY. HONOR. CHRISTY. SARA. CHRISTY. [He runs out followed by the girls.] WIDOW QUIN. [She goes out.] CURTAIN _ |