Chapter 1. Marie

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_ CHAPTER I. MARIE

Marie was tired. She had been walking nearly the whole day, and now the sun was low in the west, and long level rays of yellow light were spreading over the country, striking the windows of a farmhouse here and there into sudden flame, or resting more softly on tree-tops and hanging slopes. They were like fiddle-bows, Marie thought; and at the thought she held closer something that she carried in her arms, and murmured over it a little, as a mother coos over her baby. It seemed a long time since she had run away from the _troupe_: she would forget all about them soon, she thought, and their ugly faces. She shivered slightly as she recalled the face of "Le Boss" as it was last bent upon her, frowning and dark, and as ugly as a hundred devils, she was quite sure. Ah, he would take away her violin--Le Boss! he would give it to his own girl, whom she, Marie, had taught till she could play a very little, enough to keep the birds from flying away when they saw her, as they otherwise might; she was to have the violin, the Lady, one's own heart and life, and Marie was to have a fiddle that he had picked up anywhere, found on an ash-heap, most likely! Ah, and now he had lost the Lady and Marie too, and who would play for him this evening, and draw the children out of the houses? _he_! let some one tell Marie that! It had not been hard, the running away, for no one would ever have thought of Marie's daring to do such a thing. She belonged to Le Boss, as much as the tent or the ponies, or his own ugly girl: so they all thought in the _troupe_, and so Marie herself had thought till that day; that is, she had not thought at all. While she could play all the time, and had often quite enough to eat, and always something, a piece of bread in the hand if no more,--and La Patronne, Le Boss's wife, never too unkind, and sometimes even giving her a bit of ribbon for the Lady's neck when there was to be a special performance,--why, who would have thought of running away? she had been with them so long, those others, and that time in France was so long ago,--hundreds of years ago!

So no one had thought of noticing when she dropped behind to tune her violin and practise by herself; it was a thing she did every day, they all knew, for she could not practise when the children pulled her gown all the time, and wanted to dance. She had chosen the place well, having been on the lookout for it all day, ever since Le Boss told her what he meant to do,--that infamy which the good God would never have allowed, if He had not been perhaps tired with the many infamies of Le Boss, and forgotten to notice this one. She had chosen the place well! A little wood dipped down to the right, with a brook running beyond, and across the brook a sudden sharp rise, crowned with a thick growth of birches. She had played steadily as she passed through the wood and over the stream, and only ceased when she gained the brow of the hill and sprang like a deer down the opposite slope. No one had seen her go, she was sure of that; and now they could never tell which way she had turned, and would be far more likely to run back along the road. How they would shout and scream, and how Le Boss would swear! Ah, no more would he swear at Marie because people did not always give money, being perhaps poor themselves, or unwilling to give to so ugly a face as his girl's, who carried round the dish. No more! And La Patronne would be sorry perhaps a little,--she had the good heart, La Patronne, under all the fat,--and Old Billy, he would be too sorry, she was sure. Poor Old Billy! it was cruel to leave him, when he had such joy of her playing, the good old man, and a hard life taking care of the beasts, and bearing all the blame if any of them died through hunger. But it would have been sadder for Old Billy to see her die, Marie, and she would have died, of course she would! To live without the Lady, a pretty life that would be! far sooner would one go at once to the good God, where the angels played all day, even if one were not allowed to play oneself just at first. Afterward, of course, when they found out how she had played down here, it would be otherwise.

Meanwhile, all these thoughts did not keep Marie from being tired, and hungry too; and she was glad enough to see some brown roofs clustered together at a little distance, as she turned a corner of the road. A village! good! Here would be children, without doubt; and where there were children, Marie was among friends. She stopped for a moment, to push back her hair, which had fallen down in the course of her night, and to tie the blue handkerchief neatly over it, and shake the dust from her bare feet. They were pretty feet, so brown and slender! She had shoes, but they were in the wagon; La Patronne took care of all the Sunday clothes, and there had been no chance to get at anything, even if she could have been hampered by such things as shoes, with the Lady to carry. It did not in the least matter about shoes, when it was summer: when the road was hot, one walked in the cool grass at the side; when there was no grass--eh, one waited till one came to some. They were only for state, these shoes. They were stiff and hard, and the heel-places hurt: it was different for La Patronne, who wore stockings under hers. But here were the houses, and it was time to play. They were pleasant-looking houses, Marie thought, they looked as if persons lived in them who stayed at home and spun, as the women did in Brittany. Ah, that it was far away, Brittany! she had almost forgotten it, and now it all seemed to come back to her, as she gazed about her at the houses, some white, some brown, all with an air of thrift and comfort, as becomes a New England village. That white house there, with the bright green blinds! That pleased her eye. And see! there was a child's toy lying on the step, a child's face peeping out of the window. Decidedly, she had arrived.

Marie took out her violin, and tuned it softly, with little rustling, whispering notes, speaking of perfect accord between owner and instrument; then she looked up at the child and smiled, and began to play "En revenant d'Auvergne." It was a tune that the little people always loved, and when one heard it, the feet began to dance before the head. Sure enough, the door opened in another moment, and the child came slipping out: not with flying steps, as a city child would come, to whom wandering musicians were a thing of every day; but shyly, with sidelong movements, clinging to the wall as it advanced, and only daring by stealth to lift its eyes to the strange woman with the fiddle, a sight never seen before in its little life. But Marie knew all about the things that children think. What was she but a child herself? she had little knowledge of grown persons, and regarded them all as ogres, more or less, except Old Billy, and La Patronne, who really meant to be kind.

"Come, lit' girl!" she said in her clear soft voice. "Come and dance! for you I play, for you I sing too, if you will. Ah, the pretty song, 'En revenant d'Auvergne!'" And she began to sing as she played:

"Eh, gai, Coco!
Eh, gai, Coco!
Eh, venez voir la danse
Du petit marmot!
Eh, venez voir la danse
Du petit marmot!"

The little girl pressed closer against the wall, her eyes wide open, her finger in her mouth, yet came nearer and nearer, drawn by the smile as well as the music. Presently another came running up, and another; then the boys, who had just brought their cows home and were playing marbles on the sly, behind the brown barn, heard the sound of the fiddle and came running, stuffing their gains into their pockets as they ran. Then Mrs. Piper, who was always foolish about music, her neighbors said, came to her door, and Mrs. Post opposite, who was as deaf as her namesake, came to see what Susan Piper was after, loitering round the door when the men-folks were coming in to their supper: and so with one thing and another, Marie had quite a little crowd around her, and was feeling happy and pleased, and sure that when she stopped playing and carried round her handkerchief knotted at the four corners so as to form a bag, the pennies would drop into it as fast, yes, and maybe a good deal faster, than if Le Boss's ugly daughter was carrying it, with her nose turned up and one eye looking round the corner to see where her hair was gone to. Ah, Le Boss, what was he doing this evening for his music, with no Marie and no Lady!

And it was just at this triumphant moment that Jacques De Arthenay came round the corner and into the village street. _

Read next: Chapter 2. "D'arthenay, Tenez Foi!"


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