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Evelyn Innes, a novel by George Augustus Moore |
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Chapter 6 |
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_ CHAPTER SIX
When man ceased to capture women, he reflected, man invented art whereby he might win them. The first melody blown through a reed pipe was surely intended for woman's ears. The first verses were composed in a like intention. Afterwards man began to take an interest in art for its own sake.... Women, having no necessity for art, have not been artists. The idea amused him, and he remembered that while Evelyn's romantic eyes and gold hair were sufficient to win his regard, he had availed himself of a dozen devices to tempt her. Suddenly his face grew grave, and he asked himself how this flirtation was to end. As a sufficient excuse for seeing her he was taking music lessons; he wrote to her every other day and often sent her books and music. They had met in London.... He had been observed walking with her, and at Lady Ascott's lunch the conversation had suddenly turned on a tall girl with gold hair and an undulating walk. Pointed observations had been made.... Lady Lovedale had looked none too well pleased. He didn't wish to be cynical, but he did want to know whether he was going to fall in love?... They had now arrived at that point when love-making or an interruption in their intimacy was imperative. He did not regret having offered her the money to go abroad to study, it was well he should have done so, but he should not have said, "But _I'll_ go to see you in Paris." She was a clever girl, and knew as well as he how such adventures must end.... She was a religious girl, a devout Catholic, and as he had himself been brought up in that religion, he knew how it restrained the sexual passion or fashioned it in the mould of its dogma. But we are animals first, we are religious animals afterwards. Religious defences must yield before the pressure of the more original instinct, unless, indeed, hers was a merely sexual conscience. The lowest forms of Anglicanism are reduced to perceiving conscience nowhere except in sex. The Catholic was more concerned with matters of faith. Not in France, Italy or Spain did Catholicism enter so largely into the private life of the individual as it did in England. The foreign, or to be more exact, the native Catholic had worn the yoke till it fitted loose on his shoulders. His was a more eclectic Christianity; he took what suited him and left the rest. But in England Romanism had never shaken itself free from the Anglican conscience. The convert never acquired the humanities of Rome, and in addition the lover had to contend against the confessional. But in Evelyn's case he could set against the confessional the delirium of success, the joy of art, the passion of emulation, jealousy and ambition, and last, but far from least, the ache of her own passionate body. Remembering the fear and humility with which he had been used to approach the priest, and the terror of eternal fire in which he had waited for him to pronounce absolution, Owen paused to think how far such belief was from him now. Yet he had once believed--in a way. He wondered at the survival of such a belief in the nineteenth century, and asked himself if confession were not inveterate in man. The artist in his studio, the writer in his study, strive to tell their soul's secret; the peasant throws himself at the feet of the priest, for, like them, he would unburden himself of that terrible weight of inwardness which is man. Is not the most mendacious mistress often taken with the desire of confession ... the wish to reveal herself? Upon this bed rock of human nature the confessional has been built. And Owen admired the humanity of Rome. Rome was terribly human. No Church, he reflected, was so human. Her doctrine may seem at times quaint, medieval, even gross, but when tested by the only test that can be applied, power to reach to human needs, and administer consolation to the greatest number, the most obtuse-minded cannot fail to see that Rome easily distances her rivals. Her dogma and ceremonial are alike conceived in extraordinary sympathy with man's common nature.... Our lives are enveloped in mystery, the scientist concedes that, and the woof of which the stuff of life is woven is shot through with many a thread of unknown origin, untraceable to any earthly shuttle. There is a mystery, and in the elucidation of that mystery man never tires; the Sovereign Pontiff and the humblest crystal gazer are engaged in the same adventure. The mystery is so intense, and lives so intimately in all, that Rome dared to come forward with a complete explanation. And her necessarily perfunctory explanation she drapes in a ritual so magnificent, that even the philosopher ceases to question, and pauses abashed by the grandeur of the symbolism. High Mass in its own home, under the arches of a Gothic cathedral, appealed alike to the loftiest and humblest intelligence. Owen paused to think if there was not something vulgar in the parade of the Mass. A simple prayer breathed by a burdened heart in secret awaked a more immediate and intimate response in him. That was Anglicanism. Perhaps he preferred Anglicanism. The truth was, he was deficient in the religious instinct. Awaking from his reverie, he raised himself from the mantelpiece against which he was leaning. Never had he thought so brilliantly, and he regretted that no magical stenographer should be there to register his thoughts as they passed. But they were gone.... Resuming his position against the mantelpiece, he continued his interrupted train of thoughts. There would be the priest's interdiction ... unless, indeed, he could win Evelyn to agnosticism. In his own case he could imagine a sort of religious agnosticism. But is a woman capable of such a serene contemplation and comprehension of the mystery, which perforce we must admit envelops us, and which often seems charged with murmurs, recollections and warnings of the under world? Does not woman need the grosser aid of dogma to raise her sensual nature out of complete abjection? But all this was very metaphysical. The probability was that Evelyn would lead the life of the ordinary prima donna until she was fifty, that she would then retire to a suburb in receipt of a handsome income, and having nothing to do, she would begin to think again of the state of her soul. The line of her chin deflected; some would call it a weak chin, but he had observed the same in men of genius--her father, for instance. None could be more resolute than he in the pursuance of his ideas. The mother's thin, stubborn mouth must find expression somewhere in her daughter. But where? Evelyn's mouth was thin and it drooped at the ends.... But she was only twenty; at five-and-twenty, at thirty, she might be possessed by new ideas, new passions.... The moment we look into life and examine the weft a little, what a mystery it becomes, how occult the design, and out of what impenetrable darkness the shuttle passes, weaving a strange pattern, harmonious in a way, and yet deducible to none of our laws! This little adventure, the little fact of his becoming Evelyn's lover, was sown with every eventuality.... If, instead of his winning her to agnosticism, she should win him to Rome! They then would have to separate or marry, otherwise they would burn in hell for ever. But he would never be fool enough as to accept such a story as that again. That God should concern himself at all in our affairs was strange enough, that he should do so seemed little creditable to him, but that he should manage us to the extent of the mere registration of a cohabitation in the parish books was--. Owen flung out his arms in an admirable gesture of despair, and crossed the room. After a while he returned to the fireplace calmer, and he considered the question anew. By no means did he deny the existence of conscience; his own was particularly exact on certain points. In money matters he believed himself to be absolutely straight. He had never even sold a friend a horse knowing it to be unsound; and he had always avoided--no, not making love to his friends' wives (to whose wives are you to make love if not to your friends'?)--he had avoided making women unhappy. But much more than in morals his conscience found expression in art. That Evelyn should use her voice except for the interpretation of masterpieces would shock him quite as much as an elopement would shock the worthy Fathers of St. Joseph's. He smiled at his thoughts, and remembered that it was through fear of not making a woman happy that he had not married. He hated unhappiness. His wish had always been to see people happy. Was not that why he wished to go away with Evelyn? A particularly foolish woman had once told him that she liked going out hunting because she liked to see people amused.... He did not pretend to such altruism as hers, and he remembered how he used to watch for her at the window as she came across the square with her dog. But Evelyn was quite different. He could not have her to luncheon or tea, and send her back to her father. Somehow, it would not seem fair to her. No; he must break with her, or they must go away together. Which was it to be? Mrs. Hartrick had written three times that week! And there was Lady Lovedale. She had promised to come to tea on Friday. Was he going to renounce the list, or was he going to put all his eggs in one basket? The list promised much agreeable intercourse, but it was wholly lacking in unexpectedness. He had been through it all before, and knew how each story would end. In mutual indifference or in a tiff because he wearied of accompanying her to all racecourses and all theatres. Another would pretend that her husband was jealous, and that she daren't come to see him any more. But Evelyn would be quite different. In her case, he could not see further than driving to Charing Cross and getting into the mail train for Paris. She was worth the list, not a doubt of it. If he were only sure that he loved her, he would not hesitate. He was interested in her, he admired her, but did he love her? A genuine passion alone would make an elopement excusable. One of his moralities was that a man who did not love his mistress was a beast, and that a man who loved a woman who wasn't, was a fool. Another was that although every man of the world knew a _liaison_ would not last for ever, he should not begin one unless it seemed as if it were going to. In other words, you should not be able to see the end before you began. But he had never even kissed Evelyn, and it was impossible even to guess, even approximately, if you were going to like a girl before you had kissed her. There could be no harm in kissing her. Then, if he was sure he loved her, they might go away together. Of course, there were hypocrites who would say that he had seduced her, that he had ruined her, robbed Mr. Innes of his only daughter. But he was not concerned with conventional, but with real morality. If he did not go away with her, what would happen? He had told her the truth in the park that morning, and he believed every word he had said.... If she did not leave her father she would learn to hate him. It was terrible to think of, but it was so, and nothing could change it. He tried to recall his exact words, and easily imagined her father stricken with remorse, and Evelyn looking across the table, hating him in spite of herself. But if he could persuade her to leave him for two years he would engage to bring her back a great singer. And what an interest it would be to watch the development of that voice, surely the most beautiful soprano he had ever heard! She might begin with "Margaret" and "Norma," if she liked, for in singing these popular operas she would acquire the whole of her voice, and also the great reputation which should precede and herald the final stage of her career. "Isolde," "Brunnhilde," "Kundry," Wagner's finest works, had remained unsung--they en merely howled. Evelyn should be the first to sing them. His eyes glowed with subdued passion as he thought of an afternoon, some three years hence, in the great theatre planned by the master himself, when he should see her rush in as the Witch Kundry. The marvellous evocation of Arabia flashed upon him.... Would he ever hear her sing it?... Yes, if she would consent to go away with him he would hear her sing it. But would she go away with him? Her love of her father, and her religion, might prevent her.... She might not even care for him.... She might be thinking of marrying him. Was it possible that she was such a fool! What good would it do her to marry him? She could not go on the stage as Lady Asher. Lady Asher as Kundry! Could anything be more grotesque? How beset life was with difficulties! Without her vocation she was no longer the Evelyn Innes he was in love with.... Someone else, a pretty, interesting girl, the daughter of a suburban organist. To marry her now would be to ruin her. But he might marry her five or six years hence, for there was no reason why she should continue singing "Isolde" and "Brunnhilde" till she had no shred of voice left. When she had established a standard she would have achieved her mission, then it would be for others to maintain the standard. In the full blaze of her glory she might become Lady Asher. He would have to end his life somehow, that way as well as another. Five years are a long while--anything might happen. She might leave him for someone else ... anything--anything--anything might happen. It was impossible to divine the turn human lives would take. The simple fact of his elopement contained a dozen different stories in germ. Each would find opportunities of development; they would struggle for mastery; which would succeed?... Keep women you couldn't; he had long ago found out that. Marry them, and they came to hate the way you walked across the room; remain their lover, and they jilted you at the end of six months. He had hardly ever heard of a _liaison_ lasting more than a year or eighteen months, and Evelyn would meet all the nicest men in Europe. All Europe would be his rival--really it would be better to give her up.... She was the kind of woman who, if she once let herself go, would play the devil. Turning from the fire he looked into the glass.... He admitted to eight-and-thirty, he was forty--a very well-preserved forty. There were times when he did not look more than five-and-thirty. His hair was paler than it used to be; it was growing a little thin on the forehead, otherwise he was the same as when he was five-and-twenty. But he was forty, and a man of forty cannot marry a prima donna of twenty. Five pleasant years they might have together, five delicious years; it were vain to expect more. But he would not get her to go away with him under a promise of marriage; all such deception he held to be as dishonourable as cheating at cards. So in their next interview it would have to be suggested that there could be no question of marriage, at least for the present. At the same time he would have her understand that he intended to shirk no responsibility. But if he were to tire of her! That was another possibility, and a hateful one; he would prefer that she should jilt him. Perhaps it would be better to give her up, and throw his fate in with the list. But he was tired of country houses, with or without a _liaison_, and felt that he could not go through another season's hunting; he had no horses that suited him, and didn't seem to be able to find any. To go abroad with Evelyn, watch over the cultivation of her voice, see her fame rising, that was his mission! The only question to decide was whether he was in love with her. He would not hesitate a moment if he were only sure of that. He thought of the women he knew. Georgina was the first to come up in his mind. He had been to see her, and had come away at a loss to understand what he had ever seen in her. She had struck him as vulgar and middle-class, sly, with a taste for intrigue. He remembered that was how she had struck him when he first saw her. But if anyone had described her as vulgar and middle-class six months ago. Good heavens! _ |
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