Chapter 3

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_ CHAPTER THREE

The name was no indication. None remembered that Dowlands was the name of Henry the Eight's favourite lute player, and there was nothing in the snug masonry to suggest an aestheticism of any kind. The dulcimers, lutes and virginals surprised the visitor coming in from the street, and he stayed his steps as he might on the threshold of a fairy land.

The villas, of which Dowlands was one, were a builder's experiment. They had been built in the hopes of attracting wealthy business West-end shopkeepers; but Dulwich had failed to become a fashionable suburb. Many had remained empty, and when Mr. Innes had entered into negotiations with the house agents, they declared themselves willing to entertain all his proposals, and finally he had acquired a lease at a greatly reduced rental.

In accordance with his and Mrs. Innes's wishes, the house had been considerably altered. Partition walls had been taken away, and practically the whole ground floor converted into class-rooms, leaving free only one little room at the back where they had their meals. During his wife's lifetime the house suited their requirements. The train service from Victoria was frequent, and on the back of their notepaper was printed a little map, whereby pupils coming and going from the station could find their way. On the second floor was Mr. Innes's workshop, where he restored the old instruments or made new ones after the old models. There was Evelyn's bedroom--her mother had re-furnished it before she died--and she often sat there; it was, in truth, the most habitable room in the house. There was Evelyn's old nursery, now an unoccupied room; and there were two other empty rooms. She had tried to convert one into a little oratory. She had placed there a statue of the Virgin, and hung a crucifix on the wall, and bought a _prie-Dieu_ and put it there. But the room was too lonely, and she found she could say her prayers more fervently by her bedside. Their one servant slept downstairs in a room behind the kitchen. So the house often had the appearance of a deserted house; and Evelyn, when she returned from London, where she went almost daily to give music lessons, often paused on the threshold, afraid to enter till her ear detected some slight sound of her servant at work. Then she cried, "Is that you, Margaret?" and she advanced cautiously, till Margaret answered, "Yes, miss."

The last summer and autumn had been the pleasantest in her life since her mother's death. Her pupils interested her--she had some six or seven. Her flow of bright talk, her eager manner, her beautiful playing of the viola da gamba, her singing of certain old songs, her mother's fame, and the hopes she entertained of one day achieving success on the stage made her a heroine among her little circle of friends. Her father was a remarkable man, but he seemed to her the most wonderful of men. It was exciting to go to London with him, to bid him good-bye at Victoria--she to her lessons, he to his--to meet him in the evenings, and in conjunction to arrange the programme of their next concert. These interests and ambitions had sufficed to fill her life, and to keep the greater ambition out of sight; and since her mother's death she had lived happily with her father, helping him in his work. But lately things had changed. Some of her pupils had gone abroad, others had married, and interest in the concerts declined. For a little while the old music had seemed as if it were going to attract sufficient attention, but already their friends had heard enough, and Mr. Innes had been compelled to postpone the next, which had been announced for the beginning of February. There would be no concert now till March, perhaps not even then; so there was nothing for her to look forward to, and the wet windy weather which swept the suburb contributed to her disheartenment. The only event of the day seemed to be her father's departure in the morning. Immediately after breakfast he tied up his music in a brown paper parcel and put his violin into its case; he spoke of missing his train, and, from the windows of the music-room, she saw him hastening down the road. She had asked him if there were any MSS. he wished copied in the British Museum; absent-mindedly he had answered "No;" and, drumming on the glass with her fingers, she wondered how the day would pass. There was nothing to do; there was nothing even to think about. She was tired of thinking that a pupil might come back--that a new pupil might at any moment knock at the door. She was tired of wondering if her father's concerts would ever pay--if the firm of music publishers with whom he was now in treaty would come to terms and enable him to give a concert in their hall, or if they would break off negotiations, as many had done before. And, more than of everything else, she was tired of thinking if her father would ever have money to send her abroad, or if she would remain in Dulwich always.

One morning, as she was returning from Dulwich, where she had gone to pay the weekly bills, she discovered that she was no longer happy. She stopped, and, with an empty heart, saw the low-lying fields with poultry pens, and the hobbled horse grazing by the broken hedge. The old village was her prison, and she longed as a bird longs. She had trundled her hoop there; she ought to love it, but she didn't, and, looking on its too familiar aspect, her aching heart asked if it would never pass from her. It seemed to her that she had not strength nor will to return home. A little further on she met the vicar. He bowed, and she wondered how he could have thought that she could care for him. Oh, to live in that Rectory with him! She pitied the young man who wore brown clothes, and whose employment in a bank prevented him from going abroad for his health. These people were well enough, but they were not for her. She seemed to see beyond London, beyond the seas, whither she could not say, and she could not quell the yearning which rose to her lips like a wave, and over them.

Formerly, when there was choir practice at St. Joseph's, she used to go there and meet her father, but lately, for some reason which she could not explain to herself, she had refrained. The thought of this church had become distasteful to her, and she returned home indifferent to everything, to music and religion alike. Her eyes turned from the pile of volumes--part of Bach's interminable works--and all the old furniture, and she stood at the window and watched the rain dripping into the patch of black garden in front of the house, surrounded by a low stone wall. The villas opposite suggested a desolation which found a parallel in her heart; the sloppy road and the pale brown sky frightened her, so menacing seemed their monotony. She knew all this suburb; it was all graven on her mind, and all that ornamental park where she must go, if it cleared a little, for her afternoon walk. She must tramp round that park once more. She strove to keep out of her mind its symmetrical walls, its stone basins, where the swans floated like white china ornaments, almost as lifeless. But worse even than these afternoons were the hours between six and eight. For very often her father was detained, and if he missed the half-past six train he had to come by the half-past seven, and in those hours of waiting the dusk grew oppressive and fearful in the music-room. Startled by a strange shadow, she crouched in her armchair, and when the feeling of dread passed she was weak from want of food. Why did her father keep her waiting? Hungry, faint and weary of life, she opened a volume of Bach; but there was no pleasure for her in the music, and if she opened a volume of songs she had neither strength nor will to persevere even through the first, and, rising from the instrument, she walked across the room, stretching her arms in a feverish despair. She had not eaten for many hours, and out of the vacuity of the stomach a dimness rose into her eyes. Pressing her eyes with her hand, she leaned against the door.

One evening she walked into the garden. The silence and damp of the earth revived her, and the sensation of the cold stone, against which she was leaning, was agreeable. Little stars speckled a mauve and misty sky, and out of the mysterious spring twilight there came a strange and ultimate yearning, a craving which nothing she had ever known could assuage. But those stars--could they tell her nothing? One, large almost as the moon itself, flamed up in the sky, and a voice within her whispered that that was her star, that it held the secret of her destiny. She gazed till her father called to her from the gate; and all that evening she could think of nothing else. The conviction flowed within her that the secret of her destiny was there; and as she lay in bed the star seemed to take a visible shape.

A face rose out of the gulf beneath her. She could not distinguish whether it was the face of man or woman; it was an idea rather than a face. The ears were turned to her for her to take the earrings, the throat was deeply curved, the lips were large and rose-red, the eyes were nearly closed, and the hair was curled close over a straight, low forehead. The face rose up to hers. She looked into the subtle eyes, and the thrill of the lips, just touching hers, awakened a sense of sin, and her eyes when they opened were frightened and weary. And as she sat up in her bed, trembling, striving vainly to separate the real from the unreal, she saw the star still shining. She hid her face in the pillow, and was only calmed by the thought that it was watching her.

She went into the garden every evening to see it rise, and a desire of worship grew up in her heart; and thinking of the daffodils, it occurred to her to lay these flowers on the wall as an offering. Even wilder thoughts passed through her brain; she could not keep them back, and more than once asked herself if she were giving way to an idolatrous intention. If so, she would have to tell the foolish story to her confessor. But she could hardly bring herself to tell him such nonsense.... If she didn't, the omission might make her confession a false one; and she was so much perplexed that it seemed to her as if the devil took the opportunity to insinuate that she might put off going to confession. This decided her. She resolved to combat the Evil One. To-day was Thursday. She would confess on Saturday, and go to Communion on Sunday.

Till quite lately her confessor had been Father Knight--a tall, spare, thin-lipped, aristocratic ecclesiastic, in whom Evelyn had expected to find a romantic personality. She had looked forward to thrilling confessions, but had been disappointed. The romance his appearance suggested was not borne out; he seemed unable to take that special interest in her which she desired; her confessions were barren of spiritual adventure, and after some hesitations her choice dropped upon Father Railston. In this selection the law of contrast played an important part. The men were very opposites. One walked erect and tall, with measured gait; the other walked according to the impulse of the moment, wearing his biretta either on one side of the head or the other. One was reserved; the other voluble in speech. One was of handsome and regular features; the other's face was plain but expressive. Evelyn had grown interested in Father Railston's dark, melancholy eyes; and his voice was a human voice vibrant with the terror and suffering of life. In listening to her sins he seemed to remember his own. She had accused herself of impatience at the circumstances which kept her at home, of even nourishing, she would not say projects, but thoughts, of escape.

"Then, my child, are you so anxious to change your present life for that of the stage?"

"Yes, Father."

"You weary of the simplicity of your present life, and sigh for the brilliancy of the stage?"

"I'm afraid I do." It was thrilling to admit so much, especially as the life of an actress was not in itself sinful. "I feel that I should die very soon if I were to hear I should never leave Dulwich."

The priest did not speak for a long while, and raising her eyes she watched his expression. It seemed to her that her confession of her desire of the world had recalled memories, and she wondered what were they.

"I am more than forty--I'm nearly fifty--and my life has passed like a dream."

He seemed about to tell her the secret of life, and had stopped. But the phrase lingered through her whole life, and eventually became part of it. "My life has passed like a dream." She did not remember what he had said after, and she had gone away wondering if life seemed to everyone like a dream when they were forty, and if his life would have seemed more real to him if he had given it to the world instead of to God? Her subsequent confessions seemed trite and commonplace. Not that Father Railston failed to listen with kind interest to her; not that he failed to divine that she was passing through a physical and spiritual crisis. His admonitions were comforting in her weariness of mind and body; but notwithstanding her affection for him, she felt that beyond that one phrase he had no influence over her. She almost felt that he was too gentle and indulgent, and the thought she would have liked a confessor who was severe, who would have inflicted heavier penances, compelled her to fast and pray, who would have listened in deeper sternness to the sins of thought which she with averted face shamefully owned to having entertained. She was disappointed that he did not warn her with the loss of her soul, that he did not invent specious expedients for her use, whereby the Evil One might be successfully checked.

One Sunday morning the servant told Mr. Innes that Miss Evelyn has left a little earlier, as she was going to Communion. She remained in church for High Mass, and when chided for such long abstinence, she smiled sadly and said that she did not think that it would do her much harm. During the following week he noticed that she hardly touched breakfast, and the only reason she gave was that she thought she would like to fast. No, she had not obtained leave from her confessor; she had not even consulted him. She, of course, knew that she was not obliged to fast, not being of age; but she was not doing any work; she had no pupils; the concert had been postponed; she thought she would like to fast. Father and daughter looked at each other; they felt that they did not understand, that there was nothing to be done, and Mr. Innes put his fiddle into its case and went to London, deeply concerned about his daughter, and utterly unable to arrive at any conclusion.

She fasted, and she broke through her fast, and as Lent drew to a close she asked her father if she might make a week's retreat in a convent at Wimbledon where she had some friends. There was no need for her at home; it would be at least change of air and she pressed him to allow her to go. He feared the influence the convent might have upon her, and admitted that his selfishness was largely accountable for this religious reaction. No doubt she wanted change, she was looking very poorly. He spoke of the sea, but who was to take her to Brighton or Margate? The convent seemed the only solution of the difficulty, and he had to consent to her departure.

The retreat was to last four days, but Evelyn begged that she might stay on till Easter Tuesday. This would give her a clear week away from home, and the improvement that this little change wrought in her was surprising. The convent had made her cheeks fair as roses, and given her back all her sunny happiness and abundant conversation. She delighted in telling her father of her week's experience. For four days she had not spoken (perhaps that was the reason she was talking so much now), and during these four days they were nearly always in chapel; but somehow it hadn't seemed long, the services were so beautiful. The nuns wore grey serge robes and head-dresses, the novices white head-dresses; what had struck her most was the expression of happy content on their faces.

"I wish, father, you had seen them come into church--their long robes and beautiful white faces. I don't think there is anything as beautiful as a nun."

The mother prioress was a small woman, with an eager manner. She looked so unimportant that Evelyn had wondered why she had been chosen, but the moment she spoke you came under the spell of her keen, grey eyes and clear voice.... Mother Philippa, the mistress of the novices, was quite different--stout and middle-aged, and she wore spectacles. She was beautiful notwithstanding; her goodness was like a soft light upon her face. ...Evelyn paused. She could not find words to describe her; at last she said--

"When she comes into the room, I always feel happy."

She could not say which she liked the better, but branched off into a description of the Carmelite who had given the retreat--strong, eagle-faced man, with thin hair drawn back from his forehead, and intense eyes. He wore sandals, and his white frock was tied with a leather belt, and every word he spoke had entered into her heart. He gave the meditations, which were held in the darkened library. They could not see each other's faces; they could only see the white figure at the end of the room.

She had had her meals in the parlour with two other ladies who had come to the convent for the retreat. They were both elderly women, and Evelyn fancied that they belonged to the grandest society. She could tell that by their voices. The one she liked best had quite white hair, and her expression was almost that of a nun. She was tall, very stout, and walked with a stick. On Easter Sunday this old lady had asked her if she would care to come into the garden with her. It was such a beautiful morning, she said, that it would do both of them good. The old lady walked very slowly with her stick. But though Evelyn thought that she must be at least a countess, she did not think she was very rich--she had probably lost her money. The black dress she wore was thin and almost threadbare, and it was a little too long for her; she held it up in her left hand as she walked--a most beautiful hand for an old woman. Both these ladies had been very kind to her; she had often walked with them in the garden--a fine old garden. There were tall, shady trees; these were sprinkled with the first tiny leaves; and the currant and raspberry bushes were all out. And there was a fishpond swarming with gold fish, and they were so tame that they took bread from the novices' hands.

The conversation had begun about the convent, and after speaking of its good sisters, the old lady, whose hair was quite white, had asked Evelyn about herself. Had she ever thought of being a nun? Evelyn had answered that she had not. She had never considered the question whether she had a vocation.... She had been brought up to believe that she was going on the stage to sing grand opera.

"It is hardly for me to advise you. But I know how dangerous the life of an opera singer is. I shall pray God that He may watch over you. Promise me always to remember our holy religion. It is the only thing we have that is worth having; all the rest passes."

"Father, we were close by the edge of the fishpond, and all the greedy fish swarmed to the surface, thinking we had come to feed them. She said, 'I cannot walk further without resting; come, my dear, let me sit down on that bench, and do you sing me a little song, very low, so that no one shall hear you but I.' I sang her "John, come kiss me now," and she said, "My dear, you have a beautiful voice, I pray that you make good use of it."

But not in one day could all Evelyn's convent experiences be related, and it was not until the end of the week that Evelyn told how Mother Philippa, at the end of a long talk in which she had spoken to Evelyn about the impulses which had led her to embrace a religious life (she had been twenty years in this convent), had taken her upstairs to the infirmary to see Sister Bonaventure, an American girl, only twenty-one, who was dying of consumption. She lay on a couch in grey robes, her hands and face waxen white, and a smile of happy resignation on her lips and in her eyes.

"But," exclaimed Evelyn, "they told me she would die within the fortnight, so she may be dead now; if not to-day, to-morrow or after. I hadn't thought of that.... I shall never forget her, every few minutes she coughed--that horrible cough! I thought she was going to die before my eyes, but in the intervals she chattered and even laughed, and no word of complaint escaped her. She was only twenty-one ... had known nothing of life; all was unknown to her, except God, and she was going to Heaven. She seemed quite happy, yet to me it seemed the saddest sight in the world.... She'll be buried in a few days in the sunniest corner of the garden, away from the house--that is their graveyard. The mother Prioress, the founder of the convent, is buried there; a little dedicatory chapel has been built, and on the green turf, tall wooden crosses mark the graves of six nuns; next week there'll be one more cross."

The conversation paused, and Evelyn sat looking into the corner of the room, her large clear eyes wide open and fixed. Presently she said--

"Father," I've often thought I should like to be a nun."

"You a nun! And with that voice!"

She looked at him, smiling a little.

"What matter?"

"What matter! Have you not thought--but I understand; you mean that your voice is wasted here, that we shall never have the means to go abroad.... But we shall."

"Father, dear, I wasn't thinking of that. I do believe that means will be found to send me abroad to study. But what then? Shall I be happy?"

"Fame, fortune, art!"

"Those nuns have none of those things, and they are happy. As that old lady said their happiness comes from within."

"And you'll be happy with those things, as happy as they are without them. You're in a melancholy mood; come, we'll think of the work before us. I've decided that we give our concert the week after next. That will give us ten clear days."

He entered into the reasons which had induced him to give this concert. But Evelyn had heard all about the firm of musical publishers, who possibly might ask him to bring up the old instruments to London, and give a concert in a fashionable West-end hall. Seeing that she was not listening, he broke off his narrative with the remark that he had received a letter that morning from Sir Owen.

"Is he coming home? I thought he was going round the world and would not be back for a year."

"He has changed his mind. This letter was posted at Malta--a most interesting letter it is;" and while Mr. Innes read Sir Owen's account of the discovery of the musical text of an ancient hymn which had been unearthed in his presence, Evelyn wondered if he had come home for her or--the thought entered her heart with a pang--if he had come home for the red-haired woman. Mr. Innes stopped suddenly in his reading, and asked her of what she was thinking.

"Nothing, father."

"You don't seem to take any interest. The text is incomplete, and some notes have been conjecturally added by a French musician." But much more interesting to Evelyn was his account of the storm that had overtaken his yacht on the coast of Asia Minor. He had had to take his turn at the helm, all the sailors being engaged at the sails, and, with the waves breaking over him, he had kept her head to the wind for more than two hours.

"I can hardly fancy him braving the elements, can you, Evelyn?"

"I don't know, father," she said, startled by the question, for at that moment she had seen him in imagination as clearly as if he were present. She had seen him leaning against the door-post, a half-cynical, half-kindly smile floating through his gold moustache. "Do you think he will like the music you are going to give at the next concert? He is coming, I suppose?"

"It is just possible he may arrive in time; but I should hardly think so. I've written to invite him; he'll like the music; it is the most interesting programme we've had--an unpublished sonata by Bach--one of the most interesting, too. If that is not good enough for him--by the way, have you looked through that sonata?"

"No, father, but I will do so this afternoon."

And while practising the sonata, Evelyn felt as if life had begun again. The third movement of the sonata was an exquisite piece of musical colour, and, if she played it properly, he could not fail to come and congratulate her.... But he would not be here in time for the concert ... not unless he came straight through, and he would not do that after having nearly escaped shipwreck. She was sure he would not arrive in time, but the possibility that he might gave her additional interest in the sonata, and every day, all through the week, she discovered more and more surprising beauties in it. _

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