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The Romance of Zion Chapel, a novel by Richard Le Gallienne |
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Chapter 20. In Which Jenny Cries |
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_ CHAPTER XX. IN WHICH JENNY CRIES
She had been fighting all day to gain strength for this hour, and her will was bravely set to speak what must be spoken. But she must firmly choke back all the sweetness of the memories which sprang to her with kind eyes, as the familiar little room that had not changed opened its arms to her, alas! an ironical symbol of unchangeableness. One touch of tenderness too vivid and she would break down. And here was Theophil rising from his desk and coming to her with true love in his eyes, as he had done so many, many happy nights. Was it, after all, a dream--that terrible picture of two lighted figures that was for ever in her eyes? No, there was a voice that went day and night with the dream, a voice of terrible tenderness that kept crying: "Meantime I bless thee ... "--"I bless thy lamp to oil, thy cup to wine ..." Ah, no, it was real, real. The trial was not to pass from her in a dream. Theophil had knelt down at her side and taken her hand gently and would have kissed her, but that her eyes were so full of pain as she turned them to meet his. Besides, strange words to hear! she was asking him not to kiss her. "Theophil dear, don't kiss me yet. I have something to say, and if you kiss me I shall have no strength to say it." "Jenny!" "Dear," she began with a voice that seemed to bleed at every word, "I want to be so kind. I don't want to hurt you with a single word. You'll believe that, won't you?" Theophil pressed her hand for assent, but already in a flash the whole revelation was upon him. Jenny knew he loved Isabel. This awful pain that was all over her was the lightning from which they had willed to save her. "Theophil," Jenny had gone on, and there seemed a death in every word, "I know that you love Isabel." "O Jenny!" "I saw you together, dear, in the vestry last night. It was an accident. You didn't hear me." "O my Jenny! I would rather have died than this." "Yes, I think you would, dear. But you must not be too sad. Life is terrible,--like this. I understand it now. I know it was not you, or Isabel, or me. It was just fate--and we must try and help each other. Don't think I have been only sorry for myself. Don't think that of me. But I think you should have trusted me, dear." "We longed to tell you," said Theophil, with his head bowed in distress in Jenny's lap, while she softly stroked his hair with an absent tenderness, though her eyes looked straight in front of her, and her voice was as if she were talking to herself. "We longed to tell you," he repeated. "O I wish you had." "We feared it, dear." "Yes, yes, I know. I was only a little child the day before yesterday. I have never been worthy to be your wife, dear. I have known it all the time. I should never have taken your love. It has never been mine...." "But ..." she continued, "I will give it all back now. It is not too late. I have kept it pure ... for Isabel. I can give it to her, darling, with a kind heart--for she is worthy. She was born for you, dear. We were not born for each other, after all--were we, dear? I am the woman of that poem, not Isabel. It is I who must say good-bye. I can do it. I am a woman now, love--not a little child any more. 'Look in my face and see.'" The tangle of Theophil's emotions and thoughts, as he listened to Jenny in silence, was a revelation to him of the strange heart of love, and of the insufficiency of those formulas by which we image ourselves to ourselves. How little we know of ourselves till we are tested by the powerful reagents of love and danger, and in how many ways must those tests be applied before we learn anything of the elements of which we are composed! One love will reveal to us one side of our natures and its needs, another will reveal to us another with its needs; and till we grow old we can never be certain that there are not other sides to us that have never been illuminated, other needs that have never been awakened, by an emotion. A man may love two women equally: the woman he most needs and the woman who needs him most,--and in a crisis of choice he will probably choose the latter. Again, the power of the woman we have loved first has wonderful reserves to draw upon, humble pawns of feelings, memories, associations, not so brilliant to the imagination as the royalties of romance and sentiment on the other side, but incalculably useful in a battle. Too humble are some of these to gain acknowledgment; indeed they are often so submerged in a total of vague impulses that they escape any individualisation. In the very hour where all seemed lost to Jenny, Theophil's love for her was passing in the fire of this ordeal from a love whose elements had never, perhaps, quite combined, into that miraculous metal of true love, which can never again be separated into anything but itself,--the true gold of love which, in some magical second of projection, has suddenly sprung out of those troubled ingredients of earth and iron, silver, honey, and pearl. This does not mean that Theophil's love for Isabel had grown any less real, but that his love for Jenny had grown more real. For the first time in its history it moved on the stage of the heroic. Up till now it had lived secure, domestic days; there had been no danger to test its truth, no lights of tragedy or romance thrown across it, it had seemed a simple little earthborn love; whereas Theophil's love for Isabel had, from its very conditions, walked from the first the high heaven of dreams. Isabel, indeed, still remained the heavenly love, but those who understand will know the strength of Jenny when I say that she became confirmed in this hour of trial as the household love of Theophil's life. Isabel remained the Muse, but it was Jenny, after all, in spite of those solemn words in the Wood of Silence, that was the wife; and if, at first sound, there seems less of heaven in such a love, it is surely only because when heaven has become incarnated upon earth we forget to call it heaven. In the few moments of silence which followed Jenny's words, it was some such turmoil of feelings and thoughts, questionings and conclusions, which passed through Theophil's mind, at last resolving itself into words that sounded unexpected even in his own ears. "Jenny," he said, "it is quite true that I love Isabel and that she loves me. But it is true that I love you too, love you more truly in this moment than I have ever loved you, and that no other woman can ever take your place. If you give me up for Isabel's sake, it will be no gain to her, for I would not go to her. I love you, indeed I love you, and I want no other woman to be my wife." Jenny's face brightened for a moment; they were good words, and they sounded real. But then that embrace, how real that was; nothing again could ever be so real as that! "Ah, Theophil dear; but you stood as though you loved her so; your arms were so tender, it was just as though they said 'wife.' You are deceiving yourself, dear, believe me, you are. God knows how I love you; I have nothing in the world but you, and if...if..." "Jenny, try and believe; let me show you how I can love you. I seem never to have shown you before. Let us begin our love over again from to-night. I know your heart is bleeding, but let me heal it, dear. I know this sorrow must lie heavy upon us for a long while yet, but it will pass, you shall see. O you shall see how I love you. Let us be married soon, dear; let us wait no longer..." Theophil had raised his head, and as he spoke poured on Jenny all the appeal of his strong eyes; with all the might of his soul he willed her back to happiness, as Orpheus strove by his singing to bring back Eurydice from the shades. She could not look into his set longing face without feeling that he was speaking true words. Hope flickered for a moment in her sad eyes; yes! he wanted to come back to her; he wanted to be hers again. But was it not too late? Hadn't something gone forever, something been killed? Could even Theophil himself ever make her happy any more? Then the misery flooded over her again in an irresistible sea, in which all kind words fell powerless as snowflakes; her resolution broke down, and with terrible sobs she flung herself into Theophil's arms. "O Theophil, my heart is breaking, my heart is breaking." Theophil was to feel her crying thus against his bosom till the end of his life. He shuddered with dread at this terrible crying--it was as though all her life was leaving her in sobs, as though she were bleeding to death in tears. It was grief piteously prostrate, wild, convulsive, unutterable. Jenny was right. Her heart was breaking. Theophil's terror was right. It was too late to love her. This was the death-crying of a broken heart. _ |
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