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October Vagabonds, essay(s) by Richard Le Gallienne |
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Chapter 11. Apple-Land |
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_ CHAPTER XI. APPLE-LAND
From a corn-growing country, we were evidently passing into a country whose beautiful business was apples. Orchards began more or less to line the road, and wagons with those same apple-barrels became a feature of the highway. Another of its features was the number of old ruined farmhouses we came on, standing side by side with the new, more ambitious homesteads. We seldom came on a prosperous-looking house but a few yards away was to be seen its aged and abandoned parent, smothered up with bushes, roof fallen in, timbers ready to collapse, the deserted hearth choked with debris and overgrown with weeds--the very picture of a haunted house. Here had been the original home, always small, seldom more than four rooms, and when things had begun to prosper, a more spacious, and often, to our eyes, a less attractive, structure had been built, and the old home left to the bats and owls, with a complete abandonment that seemed to us--sentimental travellers as we were--as cynical as it was curiously wasteful. Putting sentiment out of the question, we had to leave unexplained why the American farmer should thus allow so much good building material to go to waste. Besides, as we also noted much farm machinery rusting unhoused in the grass, we wondered why he did not make use of these old buildings for storage purposes. But the American farmer has puzzled wiser heads than ours, so we gave it up and turned our attention once more to our own fanciful business, one highly useful branch of which was the observation of the names on the tin letter-boxes thrusting themselves out at intervals along the road. The history of American settlement could, I suppose, be read in those wayside letter-boxes, in such names, for instance, as "Theo. Leveque" and "Paul Fugle," which, like wind-blown exotics from other lands, we found within a few yards of each other. One name, that of "Silvernail," we decided could only lawfully belong to a princess in a fairy tale. Such childishness as this, I may say, is of the essence of a walking trip, in which, from moment to moment, you take quite infantile interest in all manner of idle observation and quite useless lore. That is a part of the game you are playing, and the main thing is that you are out in the open air, on the open road, with a simple heart and a romantic appetite. Here is a little picture of a wayfaring day which I made while Colin was sketching one of those ruined farms:
The hillside hung with woods and dreams, Along the highroad all the day From Autumn's apron, as she goes A singing heart, a laughing road, The apple-ladder in the trees, The silver babble of the creek, |