Region 1 - Monti

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_ REGION I - MONTI

'Monti' means 'The Hills,' and the device of the Region represents three, figuring those enclosed within the boundaries of this district; namely, the Quirinal, the Esquiline and the Coelian. The line encircling them includes the most hilly part of the mediaeval city; beginning at the Porta Salaria, it runs through the new quarter, formerly Villa Ludovisi, to the Piazza Barberini, thence by the Tritone to the Corso, by the Via Marforio, skirting the eastern side of the Capitoline Hill and the eastern side of the Roman Forum to the Colosseum, which it does not include; on almost to the Lateran, back again, so as to include the Basilica, by San Stefano Rotondo, and out by the Navicella to the now closed Porta Metronia. The remainder of the circuit is completed by the Aurelian wall, which is the present wall of the city, though the modern Electoral Wards extend in some places beyond it. The modern gates included in this portion are the Porta Salaria, the Porta Pia, the new gate at the end of the Via Montebello, the next, an unnamed opening through which passes the Viale Castro Pretorio, then the Porta Tiburtina, the Porta San Lorenzo, the exit of the railway, Porta Maggiore, and lastly the Porta San Giovanni.

The Region of the Hills takes in by far the largest area of the fourteen districts, but also that portion which in later times has been the least thickly populated, the wildest districts of mediaeval and recent Rome, great open spaces now partially covered by new though hardly inhabited buildings, but which were very lately either fallow land or ploughed fields, or cultivated vineyards, out of which huge masses of ruins rose here and there in brown outline against the distant mountains, in the midst of which towered the enormous basilicas of Santa Maria Maggiore and Saint John Lateran, the half-utilized, half-consecrated remains of the Baths of Diocletian, the Baths of Titus, and over against the latter, just beyond the southwestern boundary, the gloomy Colosseum, and on the west the tall square tower of the Capitol with its deep-toned bell, the 'Patarina,' which at last was sounded only when the Pope was dead, and when Carnival was over on Shrove Tuesday night.

It must first be remembered that each Region had a small independent existence, with night watchmen of its own, who dared not step beyond the limits of their beat; defined by parishes, there were separate charities for each Region, separate funds for giving dowries to poor girls, separate 'Confraternite' or pious societies to which laymen belonged, and, in a small way, a sort of distinct nationality. There was rivalry between each Region and its neighbours, and when the one encroached upon the other there was strife and bloodshed in the streets. In the public races, of which the last survived in the running of riderless horses through the Corso in Carnival, each Region had its colours, its right of place, and its separate triumph if it won in the contest. There was all that intricate opposition of small parties which arose in every mediaeval city, when children followed their fathers' trades from generation to generation, and lived in their fathers' houses from one century to another; and there was all the individuality and the local tradition which never really hindered civilization, but were always an insurmountable barrier against progress.

Some one has called democracy Rome's 'Original Sin.' It would be more just and true to say that most of Rome's misfortunes, and Italy's too, have been the result of the instinct to oppose all that is, whether good or bad, as soon as it has existed for a while; in short, the original sin of Italians is an original detestation of that unity of which the empty name has been a fetish for ages. Rome, thrown back upon herself in the dark times, when she was shorn of her possessions, was a true picture of what Italy was before Rome's iron hand had bound the Italian peoples together by force, of what she became again as soon as that force was relaxed, of what she has grown to be once more, now that the delight of revolution has disappeared in the dismal swamp of financial disappointment, of what she will be to all time, because, from all time, she has been populated by races of different descent, who hated each other as only neighbours can.

The redeeming feature of a factional life has sometimes been found in a readiness to unite against foreign oppression; it has often shown itself in an equal willingness to submit to one foreign ruler in order to get rid of another. Circumstances have made the result good or bad. In the year 799, the Romans attacked and wounded Pope Leo the Third in a solemn procession, almost killed him and drove him to flight, because he had sent the keys of the city to Charles the Great, in self-protection against the splendid, beautiful, gifted, black-hearted Irene, Empress of the East, who had put out her own son's eyes and taken the throne by force. Two years later the people of Rome shouted "Life and Victory to Charles the Emperor," when the same Pope Leo, his scars still fresh, crowned Charlemagne in Saint Peter's. One remembers, for that matter, that Napoleon Bonaparte, crowned in French Paris by another Pope, girt on the very sword of that same Frankish Charles, whose bones the French had scattered to the elements at Aix. Savonarola, of more than doubtful patriotism, to whom Saint Philip Neri prayed, but whom the English historian, Roscoe, flatly calls a traitor, would have taken Florence from the Italian Medici and given it to the French king. Dante was for German Emperors against Italian Popes. Modern Italy has driven out Bourbons and Austrians and given the crown of her Unity to a house of Kings, brave and honourable, but in whose veins there is no drop of Italian blood, any more than their old Dukedom of Savoy was ever Italian in any sense. The glory of history is rarely the glory of any ideal; it is more often the glory of success.

The Roman Republic was the result of internal opposition, and the instinct to oppose power, often rightly, sometimes wrongly, will be the last to survive in the Latin race. In the Middle Age, when Rome had shrunk from the boundaries of civilization to the narrow limits of the Aurelian walls, it produced the hatred between the Barons and the people, and within the people themselves, the less harmful rivalry of the Regions and their Captains.

These Captains held office for three months only. At the expiration of the term, they and the people of their Region proceeded in procession, all bearing olive branches, to the temple of Venus and Rome, of which a part was early converted into the Church of Santa Maria Nuova, now known as Santa Francesca Romana, between the Forum and the Colosseum, and just within the limits of 'Monti.' Down from the hills on the one side the crowd came; up from the regions of the Tiber, round the Capitol from Colonna, and Trevi, and Campo Marzo, as ages before them the people had thronged to the Comitium, only a few hundred yards away. There, before the church in the ruins, each Region dropped the names of its own two candidates into the ballot box, and chance decided which of the two should be Captain next. In procession, then, all round the Capitol, they went to Aracoeli, and the single Senator, the lone shadow of the Conscript Fathers, ratified each choice. Lastly, among themselves, they used to choose the Prior, or Chief Captain, until it became the custom that the captain of the First Region, Monti, should of right be head of all the rest, and in reality one of the principal powers in the city.

And the principal church of Monti also held preeminence over others. The Basilica of Saint John Lateran was entitled 'Mother and Head of all Churches of the City and of the World'; and it took its distinctive name from a rich Roman family, whose splendid house stood on the same spot as far back as the early days of the Empire. Even Juvenal speaks of it.

Overthrown by earthquake, erected again at once, twice burned and immediately rebuilt, five times the seat of Councils of the Church, enlarged even in our day at enormous cost, it seems destined to stand on the same spot for ages, and to perpetuate the memory of the Laterans to all time, playing monument to an obscure family of rich citizens, whose name should have been almost lost, but can never be forgotten now.

Constantine, sentimental before he was great, and great before he was a Christian, gave the house of the Roman gentleman to Pope Sylvester. He bought it, or it fell to the crown at the extinction of the family, for he was not the man to confiscate property for a whim; and within the palace he made a church, which was called by more than one name, till after nearly six hundred years it was finally dedicated to Saint John the Baptist; until then it had been generally called the church 'in the Lateran house,' and to this day it is San Giovanni in Laterano. Close by it, in the palace of the Annii, Marcus Aurelius, last of the so-called Antonines, and last of the great emperors, was born and educated; and in his honour was made the famous statue of him on horseback, which now stands in the square of the Capitol. The learned say that it was set up before the house where he was born, and so found itself also before the Lateran in later times, with the older Wolf, at the place of public justice and execution.

In the wild days of the tenth century, when the world was boiling with faction, and trembling at the prospect of the Last Judgment, clearly predicted to overtake mankind in the thousandth year of the Christian era, the whole Roman people, without sanction of the Emperor and without precedent, chose John the Thirteenth to be their Pope. The Regions with their Captains had their way, and the new Pontiff was enthroned by their acclamation. Then came their disappointment, then their anger. Pope John, strong, high-handed, a man of order in days of chaos, ruled from the Lateran for one short year, with such wisdom as he possessed, such law as he chanced to have learnt, and all the strength he had. Neither Barons nor people wanted justice, much less learning. The Latin chronicle is brief: 'At that time, Count Roffredo and Peter the Prefect,'--he was the Prior of the Regions' Captains,--'with certain other Romans, seized Pope John, and first threw him into the Castle of Sant' Angelo, but at last drove him into exile in Campania for more than ten months. But when the Count had been murdered by one of the Crescenzi,'--in whose house Rienzi afterwards lived,--'the Pope was released and returned to his See.'

Back came Otto the Great, Saxon Emperor, at Christmas time, as he came more than once, to put down revolution with a strong hand and avenge the wrongs of Pope John by executing all but one of the Captains of the Regions. Twelve of them he hanged. Peter the Prefect, or Prior, was bound naked upon an ass with an earthen jar over his head, flogged through the city, and cruelly put to death; and at last his torn body was hung by the hair to the head of the bronze horse whereon the stately figure of Marcus Aurelius sat in triumph before the door of the Pope's house, as it sits today on the Capitol before the Palace of the Senator. And Otto caused the body of murdered Roffredo to be dragged from its grave and quartered by the hangman and scattered abroad, a warning to the Regions and their leaders. They left Pope John in peace after that, and he lived five years and held a council in the Lateran, and died in his bed. Possibly after his rough experience, his rule was more gentle, and when he was dead he was spoken of as 'that most worthy Pontiff.' Who Count Roffredo was no one can tell surely, but his name belongs to the great house of Caetani.

It is hard to see past terror in present peace; it is not easy to fancy the rough rabble of Rome in those days, strangely clad, more strangely armed, far out in the waste fields about the Lateran, surging up like demons in the lurid torchlight before the house of the Pope, pressing upon the mailed Count's stout horse, and thronging upon the heels of the Captains and the Prefect, pounding down the heavy doors with stones, and with deep shouts for every heavy blow, while white-robed John and his frightened priests cower together within, expecting death. Down goes the oak with a crash like artillery, that booms along the empty corridors; a moment's pause, and silence, and then the rush, headed by the Knight and the leaders who mean no murder, but mean to have their way, once and for ever, and buffet back their furious followers when they have reached the Pope's room, lest he should be torn in pieces. Then, the subsidence of the din, and the old man and his priests bound and dragged out and forced to go on foot by all the long dark way through the city to the black dungeons of Sant' Angelo beyond the rushing river.

It seems far away. Yet we who have seen the Roman people rise, overlaid with burdens and maddened by the news of a horrible defeat, can guess at what it must have been. Those who saw the sea of murderous pale faces, and heard the deep cry, 'Death to Crispi,' go howling and echoing through the city can guess what that must have been a thousand years ago, and many another night since then, when the Romans were roused and there was a smell of blood in the air.

But today there is peace in the great Mother of Churches, with an atmosphere of solemn rest that one may not breathe in Saint Peter's nor perhaps anywhere else in Rome within consecrated walls. There is mystery in the enormous pillars that answer back the softest whispered word from niche to niche across the silent aisle; there is simplicity and dignity of peace in the lofty nave, far down and out of jarring distance from the over-gorgeous splendour of the modern transept. In Holy Week, towards evening at the Tenebrae, the divine tenor voice of Padre Giovanni, monk and singer, soft as a summer night, clear as a silver bell, touching as sadness itself, used to float through the dim air with a ring of Heaven in it, full of that strange fatefulness that followed his short life, till he died, nearly twenty years ago, foully poisoned by a layman singer in envy of a gift not matched in the memory of man.

Sometimes, if one wanders upward towards the Monti when the moon is high, a far-off voice rings through the quiet air--one of those voices which hardly ever find their way to the theatre nowadays, and which, perhaps, would not satisfy the nervous taste of our Wagnerian times. Perhaps it sounds better in the moonlight, in those lonely, echoing streets, than it would on the stage. At all events, it is beautiful as one hears it, clear, strong, natural, ringing. It belongs to the place and hour, as the humming of honey bees to a field of flowers at noon, or the desolate moaning of the tide to a lonely ocean coast at night. It is not an exaggeration, nor a mere bit of ill nature, to say that there are thousands of fastidiously cultivated people today who would think it all theatrical in the extreme, and would be inclined to despise their own taste if they felt a secret pleasure in the scene and the song. But in Rome even such as they might condescend to the romantic for an hour, because in Rome such deeds have been dared, such loves have been loved, such deaths have been died, that any romance, no matter how wild, has larger probability in the light of what has actually been the lot of real men and women. So going alone through the winding moonlit ways about Tor de' Conti, Santa Maria dei Monti and San Pietro in Vincoli, a man need take no account of modern fashions in sensation; and if he will but let himself be charmed, the enchantment will take hold of him and lead him on through a city of dreams and visions, and memories strange and great, without end. Ever since Rome began there must have been just such silvery nights; just such a voice rang through the same air ages ago; just as now the velvet shadows fell pall-like and unrolled themselves along the grey pavement under the lofty columns of Mars the Avenger and beneath the wall of the Forum of Augustus.

Perhaps it is true that the impressions which Rome makes upon a thoughtful man vary more according to the wind and the time of day than those he feels in other cities. Perhaps, too, there is no capital in all the world which has such contrasts to show within a mile of each other--one might almost say within a dozen steps. One of the most crowded thoroughfares of Rome, for instance, is the Via del Tritone, which is the only passage through the valley between the Pincian and the Quirinal hills, from the region of Piazza Colonna towards the railway station and the new quarter. During the busy hours of the day a carriage can rarely move through its narrower portions any faster than at a foot pace, and the insufficient pavements are thronged with pedestrians. In a measure, the Tritone in Rome corresponds to Galata bridge in Constantinople. In the course of the week most of the population of the city must have passed at least once through the crowded little street, which somehow in the rain of millions that lasted for two years, did not manage to attract to itself even the small sum which would have sufficed to widen it by a few yards. It is as though the contents of Rome were daily drawn through a keyhole. In the Tritone are to be seen magnificent equipages, jammed in the line between milk carts, omnibuses and dustmen's barrows, preceded by butcher's vans and followed by miserable cabs, smart dogcarts and high-wheeled country vehicles driven by rough, booted men wearing green-lined cloaks and looking like stage bandits; even saddle horses are led sometimes that way to save time; and on each side flow two streams of human beings of every type to be found between Porta Angelica and Porta San Giovanni. A prince of the Holy Roman Empire pushes past a troop of dirty school children, and is almost driven into an open barrel of salt codfish, in the door of a poor shop, by a black-faced charcoal man carrying a sack on his head more than half as high as himself. A party of jolly young German tourists in loose clothes, with red books in their hands, and their field-glasses hanging by straps across their shoulders, try to rid themselves of the flower-girls dressed in sham Sabine costumes, and utter exclamations of astonishment and admiration when they themselves are almost run down by a couple of the giant Royal Grenadiers, each six feet five or thereabouts, besides nine inches, or so, of crested helmet aloft, gorgeous, gigantic and spotless. Clerks by the dozen and liveried messengers of the ministries struggle in the press; ladies gather their skirts closely, and try to pick a dainty way where, indeed, there is nothing 'dain' (a word which Doctor Johnson confesses that he could not find in any dictionary, but which he thinks might be very useful); servant girls, smart children with nurses and hoops going up to the Pincio, black-browed washerwomen with big baskets of clothes on their heads, stumpy little infantry soldiers in grey uniforms, priests, friars, venders of boot-laces and thread, vegetable sellers pushing hand-carts of green things in and out among the horses and vehicles with amazing dexterity, and yelling their cries in super-humanly high voices--there is no end to the multitude. If the day is showery, it is a sight to see the confusion in the Tritone when umbrellas of every age, material and colour are all opened at once, while the people who have none crowd into the codfish shop and the liquor seller's and the tobacconist's, with traditional 'con permesso' of excuse for entering when they do not mean to buy anything; for the Romans are mostly civil people and fairly good-natured. But rain or shine, at the busy hours, the place is always crowded to overflowing with every description of vehicle and every type of humanity.

Out of Babel--a horizontal Babel--you may turn into the little church, dedicated to the 'Holy Guardian Angel.' It stands on the south side of the Tritone, in that part which is broader, and which a little while ago was still called the Via dell' Angelo Custode--Guardian Angel Street. It is an altogether insignificant little church, and strangers scarcely ever visit it. But going down the Tritone, when your ears are splitting, and your eyes are confused with the kaleidoscopic figures of the scurrying crowd, you may lift the heavy leathern curtain, and leave the hurly-burly outside, and find yourself all alone in the quiet presence of death, the end of all hurly-burly and confusion. It is quite possible that under the high, still light in the round church, with its four niche-like chapels, you may see, draped in black, that thing which no one ever mistakes for anything else; and round about the coffin a dozen tall wax candles may be burning with a steady yellow flame. Possibly, at the sound of the leathern curtain slapping the stone door-posts, as it falls behind you, a sad-looking sacristan may shuffle out of a dark corner to see who has come in; possibly not. He may be asleep, or he may be busy folding vestments in the sacristy. The dead need little protection from the living, nor does a sacristan readily put himself out for nothing. You may stand there undisturbed as long as you please, and see what all the world's noise comes to in the end. Or it may be, if the departed person belonged to a pious confraternity, that you chance upon the brothers of the society--clad in dark hoods with only holes for their eyes, and no man recognized by his neighbour--chanting penitential psalms and hymns for the one whom they all know because he is dead, and they are living.

Such contrasts are not lacking in Rome. There are plenty of them everywhere in the world, perhaps, but they are more striking here, in proportion as the outward forms of religious practice are more ancient, unchanging and impressive. For there is nothing very impressive or unchanging about the daily outside world, especially in Rome.

Rome, the worldly, is the capital of one of the smaller kingdoms of the world, which those who rule it are anxious to force into the position of a great power. One need not criticise their action too hardly; their motives can hardly be anything but patriotic, considering the fearful sacrifices they impose upon their country. But they are not the men who brought about Italian unity. They are the successors of those men; they are not satisfied with that unification, and they have dreamed a dream of ambition, beside which, considering the means at their disposal, the projects of Alexander, Caesar and Napoleon sink into comparative insignificance. At all events, the worldly, modern, outward Italian Rome is very far behind the great European capitals in development, not to say wealth and magnificence. 'Lay' Rome, if one may use the expression, is not in the least a remarkable city. 'Ecclesiastic' Rome is the stronghold of a most tremendous fact, from whatever point of view Christianity may be considered. If one could, in imagination, detach the head of the Catholic Church from the Church, one would be obliged to admit that no single living man possesses the far-reaching and lasting power which in each succeeding papal reign belongs to the Pope. Behind the Pope stands the fact which confers, maintains and extends that power from century to century; a power which is one of the hugest elements of the world's moral activity, both in its own direct action and in the counteraction and antagonism which it calls forth continually.

It is the all-pervading presence of this greatest fact in Christendom which has carried on Rome's importance from the days of the Caesars, across the chasm of the dark ages, to the days of the modern popes; and its really enormous importance continually throws forward into cruel relief the puerilities and inanities of the daily outward world. It is the consciousness of that importance which makes old Roman society what it is, with its virtues, its vices, its prejudices and its strange, old-fashioned, close-fisted kindliness; which makes the contrast between the Saturnalia of Shrove Tuesday night and the cross signed with ashes upon the forehead on Ash Wednesday morning, between the careless laughter of the Roman beauty in Carnival, and the tragic earnestness of the same lovely face when the great lady kneels in Lent, before the confessional, to receive upon her bent head the light touch of the penitentiary's wand, taking her turn, perhaps, with a score of women of the people. It is the knowledge of an always present power, active throughout the whole world, which throws deep, straight shadows, as it were, through the Roman character, just as in certain ancient families there is a secret that makes grave the lives of those who know it.

The Roman Forum and the land between it and the Colosseum, though strictly within the limits of Monti, were in reality a neutral ground, the chosen place for all struggles of rivalry between the Regions. The final destruction of its monuments dates from the sacking of Rome by Robert Guiscard with his Normans and Saracens in the year one thousand and eighty-four, when the great Duke of Apulia came in arms to succour Hildebrand, Pope Gregory the Seventh, against the Emperor Henry the Fourth, smarting under the bitter humiliation of Canossa; and against his Antipope Clement, more than a hundred years after Otto had come back in anger to avenge Pope John. There is no more striking picture of the fearful contest between the Church and the Empire.

Alexis, Emperor of the East, had sent Henry, Emperor of the Holy Roman Empire, one hundred and forty-four thousand pieces of gold, and one hundred pieces of woven scarlet, as an inducement to make war upon the Norman Duke, the Pope's friend. But the Romans feared Henry and sent ambassadors to him, and on the twenty-first of March, being the Thursday before Palm Sunday, the Lateran gate was opened for him to enter in triumph. The city was divided against itself, the nobles were for Hildebrand, the people were against him. The Emperor seized the Lateran palace and all the bridges. The Pope fled to the Castle of Sant' Angelo, an impregnable fortress in those times, ever ready and ever provisioned for a siege. Of the nobles Henry required fifty hostages as earnest of their neutrality. On the next day he threw his gold to the rabble and they elected his Antipope Gilbert, who called himself Clement the Third, and certain bishops from North Italy consecrated him in the Lateran on Palm Sunday.

Meanwhile Hildebrand secretly sent swift riders to Apulia, calling on Robert Guiscard for help, and still the nobles were faithful to him, and though Henry held the bridges, they were strong in Trastevere and the Borgo, which is the region between the Castle of Sant' Angelo and Saint Peter's. So it turned out that when Henry tried to bring his Antipope in solemn procession to enthrone him in the Pontifical chair, on Easter day, he found mailed knights and footmen waiting for him, and had to fight his way to the Vatican, and forty of his men were killed and wounded in the fray, while the armed nobles lost not one. Yet he reached the Vatican at last, and there he was crowned by the false Pope he had made, with the crown of the Holy Roman Empire. The chronicler apologizes for calling him an emperor at all. Then he set to work to destroy the dwellings of the faithful nobles, and laid siege to the wonderful Septizonium of Severus, in which the true Pope's nephew had fortified himself, and began to batter it down with catapults and battering-rams. Presently came the message of vengeance, brought by one man outriding a host, while the rabble were still building a great wall to encircle Sant' Angelo and starve Hildebrand to death or submission, working day and night like madmen, tearing down everything at hand to pile the great stones one upon another. Swiftly came the terrible Norman from the south, with his six thousand horse, Normans and Saracens, and thirty thousand foot, forcing his march and hungry for the Emperor. But Henry fled, making pretext of great affairs in Lombardy, promising great and wonderful gifts to the Roman rabble, and entrusting to their care his imperial city.

Like a destroying whirlwind of fire and steel Robert swept on to the gates and into Rome, burning and slaying as he rode, and sparing neither man, nor woman, nor child, till the red blood ran in rivers between walls of yellow flame. And he took Hildebrand from Sant' Angelo, and brought him back to the Lateran through the reeking ruins of the city in grim and fearful triumph of carnage and destruction.

That was the end of the Roman Forum, and afterwards, when the blood-soaked ashes and heaps of red-hot rubbish had sunk down and hardened to a level surface, the place where the shepherd fathers of Alba Longa had pastured their flocks was called the Campo Vaccino, the Cattle Field, because it was turned into the market for beeves, and rows of trees were planted, and on one side there was a walk where ropes were made, even to our own time.

It became also the fighting ground of the Regions. Among the strangest scenes in the story of the city are those regular encounters between the Regions of Monti and Trastevere which for centuries took place on feast days, by appointment, on the site of the Forum, or occasionally on the wide ground before the Baths of Diocletian. They were battles fought with stones, and far from bloodless. Monti was traditionally of the Imperial or Ghibelline party; Trastevere was Guelph and for the Popes. The enmity was natural and lasting, on a small scale, as it was throughout Italy. The challenge to the fray was regularly sent out by young boys as messengers, and the place and hour were named and the word passed in secret from mouth to mouth. It was even determined by agreement whether the stones were to be thrown by hand or whether the more deadly sling was to be used.

At the appointed time, the combatants appear in the arena, sometimes as many as a hundred on a side, and the tournament begins, as in Homeric times, with taunts and abuse, which presently end in skirmishes between the boys who have come to look on. Scouts are placed at distant points to cry 'Fire' at the approach of the dreaded Bargello and his men, who are the only representatives of order in the city and not, indeed, anxious to face two hundred infuriated slingers for the sake of making peace.

One boy throws a stone and runs away, followed by the rest, all prudently retiring to a safe distance. The real combatants wrap their long cloaks about their left arms, as the old Romans used their togas on the same ground, to shield their heads from the blows; a sling whirls half a dozen times like lightning, and a smooth round stone flies like a bullet straight at an enemy's face, followed by a hundred more in a deadly hail, thick and fast. Men fall, blood flows, short deep curses ring through the sunny air, the fighters creep up to one another, dodging behind trees and broken ruins, till they are at cruelly short range; faster and faster fly the stones, and scores are lying prostrate, bleeding, groaning and cursing. Strength, courage, fierce endurance and luck have it at last, as in every battle. Down goes the leader of Trastevere, half dead, with an eye gone, down goes the next man to him, his teeth broken under his torn lips, down half a dozen more, dead or wounded, and the day is lost. Trastevere flies towards the bridge, pursued by Monti with hoots and yells and catcalls, and the thousands who have seen the fight go howling after them, women and children screaming, dogs racing and barking and biting at their heels. And far behind on the deserted Campo Vaccino, as the sun goes down, women weep and frightened children sob beside the young dead. But the next feast day would come, and a counter-victory and vengeance.

That has always been the temper of the Romans; but few know how fiercely it used to show itself in those days. It would have been natural enough that men should meet in sudden anger and kill each other with such weapons as they chanced to have or could pick up, clubs, knives, stones, anything, when fighting was half the life of every grown man. It is harder to understand the murderous stone throwing by agreement and appointment. In principle, indeed, it approached the tournament, and the combat of champions representing two parties is an expression of the ancient instinct of the Latin peoples; so the Horatii and Curiatii fought for Rome and Alba--so Francis the First of France offered to fight the Emperor Charles the Fifth for settlement of all quarrels between the Kingdom and the Empire--and so the modern Frenchman and Italian are accustomed to settle their differences by an appeal to what they still call 'arms,' for the sake of what modern society is pleased to dignify by the name of 'honour.'

But in the stone-throwing combats of Campo Vaccino there was something else. The games of the circus and the bloody shows of the amphitheatre were not forgotten. As will be seen hereafter, bull-fighting was a favourite sport in Rome as it is in Spain today, and the hand-to-hand fights between champions of the Regions were as much more exciting and delightful to the crowd as the blood of men is of more price than the blood of beasts.

The habit of fighting for its own sake, with dangerous weapons, made the Roman rabble terrible when the fray turned quite to earnest; the deadly hail of stones, well aimed by sling and hand, was familiar to every Roman from his childhood, and the sight of naked steel at arm's length inspired no sudden, keen and unaccustomed terror, when men had little but life to lose and set small value on that, throwing it into the balance for a word, rising in arms for a name, doing deeds of blood and flame for a handful of gold or a day of power.

Monti was both the battlefield of the Regions and also, in times early and late, the scene of the most splendid pageants of Church and State. There is a strange passage in the writings of Ammianus Marcellinus, a pagan Roman of Greek birth, contemporary with Pope Damasus in the latter part of the fourth century. Muratori quotes it, as showing what the Bishopric of Rome meant even in those days. It is worth reading, for a heathen's view of things under Valens and Valentinian, before the coming of the Huns and the breaking up of the Roman Empire, and, indeed, before the official disestablishment, as we should say, of the heathen religion; while the High Priest of Jupiter still offered sacrifices on the Capitol, and the six Vestal Virgins still guarded the Seven Holy Things of Rome, and held their vast lands and dwelt in their splendid palace in all freedom of high privilege, as of old.

'For my part,' says Ammianus, 'when I see the magnificence in which the Bishops live in Rome, I am not surprised that those who covet the dignity should use force and cunning to obtain it. For if they succeed, they are sure of becoming enormously rich by the gifts of the devout Roman matrons; they will drive about Rome in their carriages, as they please, gorgeously dressed, and they will not only keep an abundant table, but will give banquets so sumptuous as to outdo those of kings and emperors. They do not see that they could be truly happy if instead of making the greatness of Rome an excuse for their excesses, they would live as some of the Bishops of the Provinces do, who are sparing and frugal, poorly clad and modest, but who make the humility of their manners and the purity of their lives at once acceptable to their God and to their fellow worshippers.'

So much Ammianus says. And Saint Jerome tells how Praetextatus, Prefect of the City, when Pope Damasus tried to convert him, answered with a laugh, 'I will become a Christian if you will make me Bishop of Rome.'

Yet Damasus, famous for the good Latin and beautiful carving of the many inscriptions he composed and set up, was undeniably also a good man in the evil days which foreshadowed the great schism.

And here, in the year 366, in the Region of Monti, in the church where now stands Santa Maria Maggiore, a great and terrible name stands out for the first time in history. Orsino, Deacon of the Holy Roman Catholic and Apostolic Church, rouses a party of the people, declares the election of Damasus invalid, proclaims himself Pope in his stead, and officiates as Pontiff in the Basilica of Sicininus. Up from the deep city comes the roaring crowd, furious and hungry for fight; the great doors are closed and Orsino's followers gather round him as he stands on the steps of the altar; but they are few, and those for Damasus are many; down go the doors, burst inward with battering-rams, up shoot the flames to the roof, and the short, wild fray lasts while one may count five score, and is over. Orsino and a hundred and thirty-six of his men lie dead on the pavement, the fire licks the rafters, the crowd press outward, and the great roof falls crashing down into wide pools of blood. And after that Damasus reigns eighteen years in peace and splendour. No one knows whether the daring Deacon was of the race that made and unmade popes afterwards, and held half Italy with its fortresses, giving its daughters to kings and taking kings' daughters for its sons, till Vittoria Accoramboni of bad memory began to bring down a name that is yet great. But Orsino he was called, and he had in him much of the lawless strength of those namesakes of his who outfought all other barons but the Colonna, for centuries; and romance may well make him one of them.

Three hundred years later, and a little nearer to us in the dim perspective of the dark ages, another scene is enacted in the same cathedral. Martin the First was afterwards canonized as Saint Martin for the persecutions he suffered at the hands of Constans, who feared and hated him and set up an antipope in his stead, and at last sent him prisoner to die a miserable death in the Crimea. Olympius, Exarch of Italy, was the chosen tool of the Emperor, sent again and again to Rome to destroy the brave Bishop and make way for the impostor. At last, says the greatest of Italian chroniclers, fearing the Roman people and their soldiers, he attempted to murder the Pope foully, in hideous sacrilege. To that end he pretended penitence, and begged to be allowed to receive the Eucharist from the Pope himself at solemn high Mass, secretly instructing one of his body-guards to stab the Bishop at the very moment when he should present Olympius with the consecrated bread.

Up to the basilica they went, in grave and splendid procession. One may guess the picture, with its deep colour, with the strong faces of those men, the Eastern guards, the gorgeous robes, the gilded arms, the high sunlight crossing the low nave and falling through the yellow clouds of incense upon the venerable bearded head of the holy man whose death was purposed in the sacred office. First, the measured tread of the Exarch's band moving in order; then, the silence over all the kneeling throng, and upon it the bursting unison of the 'Gloria in Excelsis' from the choir. Chant upon chant as the Pontiff and his Ministers intone the Epistle and the Gospel and are taken up by the singers in chorus at the first words of the Creed. By and by, the Pope's voice alone, still clear and brave in the Preface. 'Therefore with Angels and Archangels, and all the company of Heaven,' he chants, and again the harmony of many voices singing 'Holy, Holy, Holy, Lord God of Sabaoth.' Silence then, at the Consecration, and the dark-browed Exarch bowing to the pavement, beside the paid murderer whose hand is already on his dagger's hilt. 'O Lamb of God, that takest away the sins of the world,' sings the choir in its sad, high chant, and Saint Martin bows, standing, over the altar, himself communicating, while the Exarch holds his breath, and the slayer fixes his small, keen eyes on the embroidered vestments and guesses how they will look with a red splash upon them.

As the soldier looks, the sunlight falls more brightly on the gold, the incense curls in mystic spiral wreaths, its strong perfume penetrates and dims his senses; little by little, his thoughts wander till they are strangely fixed on something far away, and he no longer sees Pope nor altar nor altar-piece beyond, and is wrapped in a sort of waking sleep that is blindness. Olympius kneels at the steps within the rail, and his heart beats loud as the grand figure of the Bishop bends over him, and the thin old hand with its strong blue veins offers the sacred bread to his open lips. He trembles, and tries to glance sideways to his left with downcast eyes, for the moment has come, and the blow must be struck then or never. Not a breath, not a movement in the church, not the faintest clink of all those gilded arms, as the Saint pronounces the few solemn words, then gravely and slowly turns, with his deacons to right and left of him, and ascends the altar steps once more, unhurt. A miracle, says the chronicler. A miracle, says the amazed soldier, and repeats it upon solemn oath. A miracle, says Olympius himself, penitent and converted from error, and ready to save the Pope by all means he has, as he was ready to slay him before. But he only, and the hired assassin beside him, had known what was to be, and the people say that the Exarch and the Pope were already reconciled and agreed against the Emperor.

The vast church has had many names. It seems at one time to have been known as the Basilica of Sicininus, for so Ammianus Marcellinus still speaks of it. But just before that, there is the lovely legend of Pope Liberius' dream. To him and to the Roman patrician, John, came the Blessed Virgin in a dream, one night in high summer, commanding them to build her a church wheresoever they should find snow on the morrow. And together they found it, glistening in the morning sun, and they traced, on the white, the plan of the foundation, and together built the first church, calling it 'Our Lady of Snows,' for Damasus to burn when Orsino seized it,--but the people spoke of it as the Basilica of Liberius. It was called also 'Our Lady of the Manger,' from the relic held holy there; and Sixtus the Third named it 'Our Lady, Mother of God'; and under many popes it was rebuilt and grew, until at last, for its size, it was called, as it is today, 'The Greater Saint Mary's.' At one time, the popes lived near it, and in our own century, when the palace had long been transferred to the Quirinal, a mile to northward of the basilica, Papal Bulls were dated 'From Santa Maria Maggiore.'

It is too gorgeous now, too overladen, too rich; and yet it is imposing. The first gold brought from South America gilds the profusely decorated roof, the dark red polished porphyry pillars of the high altar gleam in the warm haze of light, the endless marble columns rise in shining ranks, all is gold, marble and colour.

Many dead lie there, great men and good; and one over whom a sort of mystery hangs, for he was Bartolommeo Sacchi, Cardinal Platina, historian of the Church, a chief member of the famous Roman Academy of the fifteenth century, and a mediaeval pagan, accused with Pomponius Letus and others of worshipping false gods; tried, acquitted for lack of evidence; dead in the odour of sanctity; proved at last ten times a heathen, and a bad one, today, by inscriptions found in the remotest part of the Catacombs, where he and his companions met in darkest secret to perform their extravagant rites. He lies beneath the chapel of Sixtus the Fifth, but the stone that marked the spot is gone.

Strange survivals of ideas and customs cling to some places like ghosts, and will not be driven away. The Esquiline was long ago the haunt of witches, who chanted their nightly incantations over the shallow graves where slaves were buried, and under the hideous crosses whereon dead malefactors had groaned away their last hours of life. Maecenas cleared the land and beautified it with gardens, but still the witches came by stealth to their old haunts. The popes built churches and palaces on it, but the dark memories never vanished in the light; and even in our own days, on Saint John's Eve, which is the witches' night of the Latin race, as the Eve of May-day is the Walpurgis of the Northmen, the people went out in thousands, with torches and lights, and laughing tricks of exorcism, to scare away the powers of evil for the year.

On that night the vast open spaces around the Lateran were thronged with men and women and children; against the witches' dreaded influence they carried each an onion, torn up by the roots with stalk and flower; all about, on the outskirts of the place, were kitchen booths, set up with boughs and bits of awnings, yellow with the glare of earthen and iron oil lamps, where snails--great counter-charms against spells--were fried and baked in oil, and sold with bread and wine, and eaten with more or less appetite, according to the strength of men's stomachs. All night, till the early summer dawn, the people came and went, and wandered round and round, and in and out, in parties and by families, to go laughing homeward at last, scarce knowing why they had gone there at all, unless it were because their fathers and mothers had done as they did for generations unnumbered.

And the Lateran once had another half-heathen festival, on the Saturday after Easter, in memory of the ancient Floralia of the Romans, which had formerly been celebrated on the 28th of April. It was a most strange festival, now long forgotten, in which Christianity and paganism were blended together. Baracconi, from whom the following account is taken, quotes three sober writers as authority for his description. Yet there is a doubt about the very name of the feast, which is variously called the 'Coromania' and the 'Cornomania.'

On the afternoon of the Saturday in Easter week, say these writers, the priests of the eighteen principal 'deaconries'--an ecclesiastical division of the city long ago abolished and now somewhat obscure--caused the bells to be rung, and the people assembled at their parish churches, where they were received by a 'mansionarius,'--probably meaning here 'a visitor of houses,'--and a layman, who was arrayed in a tunic, and crowned with the flowers of the cornel cherry. In his hand he carried a concave musical instrument of copper, by which hung many little bells. One of these mysterious personages, who evidently represented the pagan element in the ceremony, preceded each parish procession, being followed immediately by the parish priest, wearing the cope. From all parts of the city they went up to the Lateran, and waited before the palace of the Pope till all were assembled.

The Pope descended the steps to receive the homage of the people. Immediately, those of each parish formed themselves into wide circles round their respective 'visitors' and priests, and the strange rite began. In the midst the priest stood still. Round and round him the lay 'visitor' moved in a solemn dance, striking his copper bells rhythmically to his steps, while all the circle followed his gyrations, chanting a barbarous invocation, half Latin and half Greek: 'Hail, divinity of this spot! Receive our prayers in fortunate hour!' and many verses more to the same purpose, and quite beyond being construed grammatically.

The dance is over with the song. One of the parish priests mounts upon an ass, backwards, facing the beast's tail, and a papal chamberlain leads the animal, holding over its head a basin containing twenty pieces of copper money. When they have passed three rows of benches--which benches, by the bye?--the priest leans back, puts his hand behind him into the basin, and pockets the coins.

Then all the priests lay garlands at the feet of the Pope. But the priest of Santa Maria in Via Lata also lets a live fox out of a bag, and the little creature suddenly let loose flies for its life, through the parting crowd, out to the open country, seeking cover. It is like the Hebrew scapegoat. In return each priest receives a golden coin from the Pontiff's hand. The rite being finished, all return to their respective parishes, the dancing 'visitor' still leading the procession. Each priest is accompanied then by acolytes who bear holy water, branches of laurel, and baskets of little rolls, or of those big, sweet wafers, rolled into a cylinder and baked, which are called 'cialdoni,' and are eaten to this day by Romans with ice cream. From house to house they go; the priest blesses each dwelling, sprinkling water about with the laurel, and then burning the branch on the hearth and giving some of the rolls to the children. And all the time the dancer slowly dances and chants the strange words made up of some Hebrew, a little Chaldean and a leavening of nonsense.

Jaritan, jaritan, iarariasti
Raphaym, akrhoin, azariasti!

One may leave the interpretation of the jargon to curious scholars. As for the rite itself, were it not attested by trustworthy writers, one would be inclined to treat it as a mere invention, no more to be believed than the legend of Pope Joan, who was supposed to have been stoned to death near San Clemente, on the way to the Lateran.

An extraordinary number of traditions cling to the Region of Monti, and considering that in later times a great part of this quarter was a wilderness, the fact would seem strange. As for the 'Coromania' it seems to have disappeared after the devastation of Monti by Robert Guiscard in 1084, and the general destruction of the city from the Lateran to the Capitol is attributed to the Saracens who were with him. But a more logical cause of depopulation is found in the disappearance of water from the upper Region by the breaking of the aqueducts, from which alone it was derived. The consequence of this, in the Middle Age, was that the only obtainable water came from the river, and was naturally taken from it up-stream, towards the Piazza del Popolo, in the neighbourhood of which it was collected in tanks and kept until the mud sank to the bottom and it was approximately fit to drink.

In Imperial times the greater number of the public baths were situated in the Monti. The great Piazza di Termini, now re-named Piazza delle Terme, before the railway station, took its name from the Baths of Diocletian--'Thermae,' 'Terme,' 'Termini.' The Baths of Titus, the Baths of Constantine, of Philippus, Novatus and others were all in Monti, supplied by the aqueduct of Claudius, the Anio Novus, the Aqua Marcia, Tepula, Julia, Marcia Nova and Anio Vetus. No people in the world were such bathers as the old Romans; yet few cities have ever suffered so much or so long from lack of good water as Rome in the Middle Age. The supply cut off, the whole use of the vast institutions was instantly gone, and the huge halls and porticos and playgrounds fell to ruin and base uses. Owing to their peculiar construction and being purposely made easy of access on all sides, like the temples, the buildings could not even be turned to account by the Barons for purposes of fortification, except as quarries for material with which to build their towers and bastions. The inner chambers became hiding-places for thieves, herdsmen in winter penned their flocks in the shelter of the great halls, grooms used the old playground as a track for breaking horses, and round and about the ruins, on feast days, the men of Monti and Trastevere chased one another in their murderous tournaments of stone throwing. A fanatic Sicilian priest saved the great hall of Diocletian's Baths from destruction in Michelangelo's time.

The story is worth telling, for it is little known. In a little church in Palermo, in which the humble priest Antonio Del Duca officiated, he discovered under the wall-plaster a beautiful fresco or mosaic of the Seven Archangels, with their names and attributes. Day after day he looked at the fair figures till they took possession of his mind and heart and soul, and inspired him with the apparently hopeless desire to erect a church in Rome in their honour. To Rome he came, persuaded of his righteous mission, to fail of course, after seven years of indefatigable effort. Back to Palermo then, to the contemplation of his beloved angels. And again they seemed to drive him to Rome. Scarcely had he returned when in a dream he seemed to see his ideal church among the ruins of the Baths of Diocletian, which had been built, as tradition said, by thousands of condemned Christians. To dream was to wake with new enthusiasm, to wake was to act. In an hour, in the early dawn, he was in the great hall which is now the Church of Santa Maria degli Angeli, 'Saint Mary of the Angels.'

But it was long before his purpose was finally accomplished. Thirty years of his life he spent in unremitting labour for his purpose, and an accident at last determined his success. He had brought a nephew with him from Sicily, a certain Giacomo Del Duca, a sculptor, who was employed by Michelangelo to carve the great mask over the Porta Pia. Pope Pius the Fourth, for whom the gate was named, praised the stone face to Michelangelo, who told him who had made it. The name recalled the sculptor's uncle and his mad project, which appealed to Michelangelo's love of the gigantic. Even the coincidence of appellation pleased the Pope, for he himself had been christened Angelo, and his great architect and sculptor bore an archangel's name. So the work was done in short time, the great church was consecrated, and one of the noblest of Roman buildings was saved from ruin by the poor Sicilian,--and there, in 1896, the heir to the throne of Italy was married with great magnificence, that particular church being chosen because, as a historical monument, it is regarded as the property of the Italian State, and is therefore not under the immediate management of the Vatican. Probably not one in a thousand of the splendid throng that filled the church had heard the name of Antonio Del Duca, who lies buried before the high altar without a line to tell of all he did. So lies Bernini, somewhere in Santa Maria Maggiore, so lies Platina,--he, at least, the better for no epitaph,--and Beatrice Cenci and many others, rest unforgotten in nameless graves.

From the church to the railway station stretch the ruins, continuous, massive, almost useless, yet dear to all who love old Rome. On the south side, there used to be a long row of buildings, ending in a tall old mansion of good architecture, which was the 'Casino' of the great old Villa Negroni. In that house, but recently gone, Thomas Crawford, sculptor, lived for many years, and in the long, low studio that stood before what is now the station, but was then a field, he modelled the great statue of Liberty that crowns the Capitol in Washington, and Washington's own monument which stands in Richmond, and many of his other works. My own early childhood was spent there, among the old-time gardens, and avenues of lordly cypresses and of bitter orange trees, and the moss-grown fountains, and long walks fragrant with half-wild roses and sweet flowers that no one thinks of planting now. Beyond, a wild waste of field and broken land led up to Santa Maria Maggiore; and the grand old bells sent their far voices ringing in deep harmony to our windows; and on the Eve of Saint Peter's day, when Saint Peter's was a dream of stars in the distance and the gorgeous fireworks gleamed in the dark sky above the Pincio, we used to climb the high tower above the house and watch the still illumination and the soaring rockets through a grated window, till the last one had burst and spent itself, and we crept down the steep stone steps, half frightened at the sound of our own voices in the ghostly place.

And in that same villa once lived Vittoria Accoramboni, married to Francesco Peretti, nephew of Cardinal Montalto, who built the house, and was afterwards Sixtus the Fifth, and filled Rome with his works in the five years of his stirring reign. Hers also is a story worth telling, for few know it, even among Romans, and it is a tale of bloodshed, and of murder, and of all crimes against God and man, and of the fall of the great house of Orsini. But it may better be told in another place, when we reach the Region where they lived and fought and ruled, by terror and the sword.

Near the Baths of Diocletian, and most probably on the site of that same Villa Negroni, too, was that vineyard, or 'villa' as we should say, where Caesar Borgia and his elder brother, the Duke of Gandia, supped together for the last time with their mother Vanozza, on the night of the 14th of June, in the year 1497. There has always been a dark mystery about what followed. Many say that Caesar feared his brother's power and influence with the Pope. Not a few others suggest that the cause of the mutual hatred was a jealousy so horrible to think of that one may hardly find words for it, for its object was their own sister Lucrezia. However that may be, they supped together with their mother in her villa, after the manner of Romans in those times, and long before then, and long since. In the first days of summer heat, when the freshness of spring is gone and June grows sultry, the people of the city have ever loved to breathe a cooler air. In the Region of Monti there were a score of villas, and there were wide vineyards and little groves of trees, such as could grow where there was not much water, or none at all perhaps, saving what was collected in cisterns from the roofs of the few scattered houses, when it rained.

In the long June twilight the three met together, the mother and her two sons, and sat down under an arbour in the garden, for the air was dry with the south wind and there was no fear of fever. Screened lamps and wax torches shed changing tints of gold and yellow on the fine linen, and the deep-chiselled dishes and vessels of silver, and the tall glasses and beakers of many hues. Fruit was piled up in the midst, such as the season afforded, cherries and strawberries, and bright oranges from the south. One may fancy the dark-browed woman of forty years, in the beauty of maturity almost too ripe, with her black eyes and hair of auburn, her jewelled cap, her gold laces just open at her marble throat, her gleaming earrings, her sleeves slashed to show gauze-fine linen, her white, ring-laden fingers that delicately took the finely carved meats in her plate--before forks were used in Rome--and dabbled themselves clean from each touch in the scented water the little page poured over them. On her right, her eldest, Gandia, fair, weak-mouthed, sensually beautiful, splendid in velvet, and chain of gold, and deep-red silk, his blue eyes glancing now and then, half scornfully, half anxiously at his strong brother. And he, Caesar, the man of infamous memory, sitting there the very incarnation of bodily strength and mental daring; square as a gladiator, dark as a Moor, with deep and fiery eyes, now black, now red in the lamplight, the marvellous smile wreathing his thin lips now and then, and showing white, wolfish teeth, his sinewy brown hands direct in every little action, his soft voice the very music of a lie to those who knew the terrible brief tones it had in wrath.

Long they sat, sipping the strong iced wine, toying with fruits and nuts, talking of State affairs, of the Pope, of Maximilian, the jousting Emperor,--discussing, perhaps, with a smile, his love of dress and the beautiful fluted armour which he first invented;--of Lewis the Eleventh of France, tottering to his grave, strangest compound of devotion, avarice and fear that ever filled a throne; of Frederick of Naples, to whom Caesar was to bear the crown within a few days; of Lucrezia's quarrel with her husband, which had brought her to Rome; and at her name Caesar's eyes blazed once and looked down at the strawberries on the silver dish, and Gandia turned pale, and felt the chill of the night air, and stately Vanozza rose slowly in the silence, and bade her evil sons good-night, for it was late.

Two hours later, Gandia's thrice-stabbed corpse lay rolling and bobbing at the Tiber's edge, as dead things do in the water, caught by its silks and velvets in wild branches that dipped in the muddy stream; and the waning moon rose as the dawn forelightened.

If the secrets of old Rome could be known and told, they would fill the world with books. Every stone has tasted blood, every house has had its tragedy, every shrub and tree and blade of grass and wild flower has sucked life from death, and blossoms on a grave. There is no end of memories, in this one Region, as in all the rest. Far up by Porta Pia, over against the new Treasury, under a modern street, lie the bones of guilty Vestals, buried living, each in a little vault two fathoms deep, with the small dish and crust and the earthen lamp that soon flickered out in the close damp air; and there lies that innocent one, Domitian's victim, who shrank from the foul help of the headsman's hand, as her foot slipped on the fatal ladder, and fixed her pure eyes once upon the rabble, and turned and went down alone into the deadly darkness. Down by the Colosseum, where the ruins of Titus' Baths still stand in part, stood Nero's dwelling palace, above the artificial lake in which the Colosseum itself was built, and whose waters reflected the flames of the great fire. To northward, in a contrast that leaps ages, rise the huge walls of the Tor de' Conti, greatest of mediaeval fortresses built within the city, the stronghold of a dim, great house, long passed away, kinsmen of Innocent the Third. What is left of it helps to enclose a peaceful nunnery.

There were other towers, too, and fortresses, though none so strong as that, when it faced the Colosseum, filled then by the armed thousands of the great Frangipani. The desolate wastes of land in the Monti were ever good battlefields for the nobles and the people. But the stronger and wiser and greater Orsini fortified themselves in the town, in Pompey's theatre, while the Colonna held the midst, and the popes dwelt far aloof on the boundary, with the open country behind them for ready escape, and the changing, factious, fighting city before.

The everlasting struggle, the furious jealousy, the always ready knife, kept the Regions distinct and individual and often at enmity with each other, most of all Monti and Trastevere, hereditary adversaries, Ghibelline and Guelph. Trastevere has something of that proud and violent character still. Monti lost it in the short eruption of 'progress' and 'development.' In the wild rage of speculation which culminated in 1889, its desolate open lands, its ancient villas and its strange old houses were the natural prey of a foolish greediness the like of which has never been seen before. Progress ate up romance, and hundreds of acres of wretched, cheaply built, hideous, unsafe buildings sprang up like the unhealthy growth of a foul disease, between the Lateran gate and the old inhabited districts. They are destined to a graceless and ignoble ruin. Ugly cracks in the miserable stucco show where the masonry is already parting, as the hollow foundations subside, and walls on which the paint is still almost fresh are shored up with dusty beams lest they should fall and crush the few paupers who dwell within. Filthy, half-washed clothes of beggars hang down from the windows, drying in the sun as they flap and flutter against pretentious moulded masks of empty plaster. Miserable children loiter in the high-arched gates, under which smart carriages were meant to drive, and gnaw their dirty fingers, or fight for a cold boiled chestnut one of them has saved. Squalor, misery, ruin and vile stucco, with a sprinkling of half-desperate humanity,--those are the elements of the modern picture,--that is what the 'great development' of modern Rome brought forth and left behind it. Peace to the past, and to its ashes of romance and beauty. _

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