Chapter 3

________________________________________________
_ CHAPTER III

I had the very slightest acquaintance with the basement of the Benton house. I knew it was dry and orderly, and with that my interest in it ceased. It was not cemented, but its hard clay floor was almost as solid as macadam. In one end was built a high potato-bin. In another corner two or three old pews from the church, evidently long discarded and showing weather-stains, as though they had once served as garden benches, were up-ended against the whitewashed wall. The fruit-closet, built in of lumber, occupied one entire end, and was virtually a room, with a door and no windows.

Maggie had, she said, found it locked and had had an itinerant locksmith fit a key to it.

"It's all scrubbed and ready," she said. "I found that preserved melon-rind you had for lunch in a corner. 'Twouldn't of kept much longer, so I took it up and opened it. She's probably got all sorts of stuff spoiling in the locked part. Some folks're like that."

Most of the shelves were open, but now, holding the lamp high, I saw that a closet with a door occupied one end. The door was padlocked. At the time I was interested, but I was, as I remember, much more occupied with Maggie's sense of meum and tuum, which I considered deficient, and of a small lecture on other people's melon rinds, which I delivered as she sullenly put away the jelly.

But that night, after I had gone to bed, the memory of that padlock became strangely insistent. There was nothing psychic about the feeling I had. It was perfectly obvious and simple. The house held, or had held, a secret. Yet it was, above stairs, as open as the day. There was no corner into which I might not peer, except--Why was that portion of the fruit-closet locked?

At two o'clock, finding myself unable to sleep, I got up and put on my dressing-gown and slippers. I had refused to repeat the experiment of being locked in. Then, with a candle and a box of matches, I went downstairs. I had, as I have said, no longer any terror of the lower floor. The cat lay as usual on the table in the back hall. I saw his eyes watching me with their curious unblinking stare, as intelligent as two brass buttons. He rose as my light approached, and I made a bed for him of a cushion from a chair, failing my Paisley shawl.

It was after that that I had the curious sense of being led. It was as though I knew that something awaited my discovery, and that my sole volition was whether I should make that discovery or not. It was there, waiting.

I have no explanation for this. And it is quite possible that I might have had it, to find at the end nothing more significant than root-beer, for instance, or bulbs for the winter garden.

And indeed, at first sight, what awaited me in the locked closet amounted to anti-climax. For when I had broken the rusty padlock open with a hatchet, and had opened doors with nervous fingers, nothing more startling appeared than a number of books. The shelves were piled high with them, a motley crew of all colors, but dark shades predominating.

I went back to bed, sheepishly enough, and wrapped my chilled feet in an extra blanket. Maggie came to the door about the time I was dozing off and said she had heard hammering downstairs in the cellar some time ago, but she had refused to waken me until the burglars had gone.

"If it was burglars," she added, "you're that up-and-ready, Miss Agnes, that I knew if I waked you you'd be downstairs after them. What's a bit of silver to a human life?"

I got her away at last, and she went, muttering something about digging up the cellar floor and finding an uneasy spirit. Then I fell asleep.

I had taken cold that night, and the following morning I spent in bed. At noon Maggie came upstairs, holding at arm's length a book. She kept her face averted, and gave me a slanting and outraged glance.

"This is a nice place we've come to," she said, acidly. "Murder in the telephone and anti-Christ in the fruit cellar!"

"Why, Maggie," I expostulated.

"If these books stay, I go, and that's flat, Miss Agnes," was her ipse dixit. She dropped the book on the bed and stalked out, pausing at the door only to throw back, "If this is a clergyman's house, I guess I'd be better out of the church."

I took up the book. It was well-worn, and in the front, in a heavy masculine hand, the owner had written his name--written it large, a bit defiantly, perhaps. It had taken both courage and conviction to bring such a book into that devout household.

I am not quick, mentally, especially when it comes to logical thought. I daresay I am intuitive rather than logical. It was not by any process of reasoning at all, I fancy, that it suddenly seemed strange that there should be books locked away in the cellar. Yet it was strange. For that had been a bookish household. Books were its stock in trade, one may say. Such as I had borrowed from the library had been carefully tended. Torn leaves were neatly repaired. The reference books were alphabetically arranged. And, looking back on my visit to the cellar, I recalled now as inconsistent the disorder of those basement shelves.

I did not reach the truth until, that afternoon, I made a second visit to the cellar. Mrs. Graves had been mistaken. If not all Carlo Benton's proscribed books were hidden there, at least a large portion of his library was piled, in something like confusion, on the shelves. Yet she maintained that they had searched the house, and she herself had been present when the books were packed and taken away to the river.

That afternoon I returned Mrs. Graves's visit. She was at home, and in a sort of flurried neatness that convinced me she had seen me from far up the road. That conviction was increased by the amazing promptness with which a tea-tray followed my entrance. I had given her tea the day she came to see me, and she was not to be outdone. Indeed, I somehow gained the impression that tray and teapot, and even little cakes, had been waiting, day by day, for my anticipated visit.

It was not hard to set her talking of Carlo Benton and his wickedness. She rose to the bait like a hungry fish. Yet I gathered that, beyond his religious views or lack of them, she knew nothing. But on the matter of the books she was firm.

"After the box was ready," she said, "we went to every room and searched it. Miss Emily was set on clearing out every trace. At the last minute I found one called 'The Fallacy of Christianity' slipped down behind the dresser in his room, and we put that in."

It was "The Fallacy of Christianity" that Maggie had brought me that morning.

"It is a most interesting story," I observed. "What delicious tea, Mrs. Graves! And then you fastened up the box and saw it thrown into the river. It was quite a ceremony."

"My dear," Mrs. Graves said solemnly, "it was not a ceremony. It was a rite--a significant rite."

How can I reconcile the thoughts I had that afternoon with my later visit to Miss Emily? The little upper room in the village, dominated and almost filled by an old-fashioned bed, and Miss Emily, frail and delicate and beautifully neat, propped with pillows and holding a fine handkerchief, as fresh as the flutings of her small cap, in her hand. On a small stand beside the bed were her Bible, her spectacles, and her quaint old-fashioned gold watch.

And Miss Emily herself? She was altered, shockingly altered. A certain tenseness had gone, a tenseness that had seemed to uphold her frail body and carry her about. Only her eyes seemed greatly alive, and before I left they, too, had ceased their searching of mine and looked weary and old.

And, at the end of my short visit, I had reluctantly reached this conclusion: either Miss Emily had done the thing she confessed to doing, incredible as it might appear, or she thought she had done it; and the thing was killing her.

She knew I had found the confession. I knew that. It was written large over her. What she had expected me to do God only knows. To stand up and denounce her? To summon the law? I do not know.

She said an extraordinary thing, when at last I rose to go. I believe now that it was to give me my chance to speak. Probably she found the suspense intolerable. But I could not do it. I was too surprised, too perplexed, too--well, afraid of hurting her. I had the feeling, I know, that I must protect her. And that feeling never left me until the end.

"I think you must know, my dear," she said, from her pillows, "that I have your Paisley shawl."

I was breathless. "I thought that, perhaps"--I stumbled.

"It was raining that night," she said in her soft, delicate voice. "I have had it dried and pressed. It is not hurt. I thought you would not mind," she concluded.

"It does not matter at all--not in the least," I said unhappily.

I am quite sure now that she meant me to speak then. I can recall the way she fixed her eyes on me, serene and expectant. She was waiting. But to save my life I could not. And she did not. Had she gone as far as she had the strength to go? Or was this again one of those curious pacts of hers--if I spoke or was silent, it was to be?

I do not know.

I do know that we were both silent and that at last, with a quick breath, she reached out and thumped on the floor with a cane that stood beside the bed until a girl came running up from below stairs.

"Get the shawl, Fanny, dear," said Miss Emily, "and wrap it up for Miss Blakiston."

I wanted desperately, while the girl left the room to obey, to say something helpful, something reassuring. But I could not. My voice failed me. And Miss Emily did not give me another opportunity. She thanked me rather formally for the flowers I had brought from her garden, and let me go at last with the parcel under my arm, without further reference to it. The situation was incredible.

Somehow I had the feeling that Miss Emily would never reopen the subject again. She had given me my chance, at who knows what cost, and I had not taken it. There had been something in her good-by--I can not find words for it, but it was perhaps a finality, an effect of a closed door--that I felt without being able to analyze.

I walked back to the house, refusing the offices of Mr. Staley, who met me on the road. I needed to think. But thinking took me nowhere. Only one conclusion stood out as a result of a mile and a half of mental struggle. Something must be done. Miss Emily ought to be helped. She was under a strain that was killing her.

But to help I should know the facts. Only, were there any facts to know? Suppose--just by way of argument, for I did not believe it--that the confession was true; how could I find out anything about it? Five years was a long time. I could not go to the neighbors. They were none too friendly as it was. Besides, the secret, if there was one, was not mine, but was Miss Emily's.

I reached home at last, and smuggled the shawl into the house. I had no intention of explaining its return to Maggie. Yet, small as it was in its way, it offered a problem at once. For Maggie has a penetrating eye and an inquiring nature. I finally decided to take the bull by the horns and hang it in its accustomed place in the hall, where Maggie, finding it at nine o'clock that evening, set up such a series of shrieks and exclamations as surpassed even her own record.

I knitted that evening. It has been my custom for years to knit bedroom-slippers for an old ladies' home in which I am interested. Because I can work at them with my eyes shut, through long practise, I find the work soothing. So that evening I knitted at Eliza Klinordlinger's fifth annual right slipper, and tried to develop a course of action.

I began with a major premise--to regard the confession as a real one, until it was proved otherwise. Granted, then, that my little old Miss Emily had killed a woman.

1st--Who was the woman?

2nd--Where is the body?

3rd--What was the reason for the crime?

Question two I had a tentative answer for. However horrible and incredible it seemed, it was at least possible that Miss Emily had substituted the body for the books, and that what Mrs. Graves described as a rite had indeed been one. But that brought up a picture I could not face. And yet--

I called up the local physician, a Doctor Lingard, that night and asked him about Miss Emily's condition. He was quite frank with me.

"It's just a breaking up," he said. "It has come early, because she has had a trying life, and more responsibility than she should have had."

"I have been wondering if a change of scene would not be a good thing," I suggested. But he was almost scornful.

"Change!" he said. "I've been after her to get away for years. She won't leave. I don't believe she has been twelve miles away in thirty years."

"I suppose her brother was a great care," I observed.

It seemed to me that the doctor's hearty voice was a trifle less frank when he replied. But when I rang off I told myself that I, too, was becoming neurasthenic and suspicious. I had, however, learned what I had wanted to know. Miss Emily had had no life outside Bolivar County. The place to look for her story was here, in the immediate vicinity.

That night I made a second visit to the basement. It seemed to me, with those chaotic shelves before me, that something of the haste and terror of a night five years before came back to me, a night when, confronted by the necessity for concealing a crime, the box upstairs had been hurriedly unpacked, its contents hidden here and locked away, and some other content, inert and heavy, had taken the place of the books.

Miss Emily in her high bed, her Bible and spectacles on the stand beside her, her starched pillows, her soft and highbred voice? Or another Miss Emily, panting and terror-stricken, carrying down her armfuls of forbidden books, her slight figure bent under their weight, her ears open for sounds from the silent house? Or that third Miss Emily, Martin Sprague's, a strange wild creature, neither sane nor insane, building a crime out of the fabric of a nightmare? Which was the real Emily Benton?

Or was there another contingency that I had not thought of? Had some secret enemy of Miss Emily's, some hysterical girl from the parish, suffering under a fancied slight, or some dismissed and revengeful servant, taken this strange method of retaliation, done it and then warned the little old lady that her house contained such a paper? I confess that this last thought took hold on me. It offered a way out that I clutched at.

I had an almost frantic feeling by that time that I must know the truth. Suspense was weighing on me. And Maggie, never slow to voice an unpleasant truth, said that night, as she brought the carafe of ice-water to the library, "You're going off the last few days, Miss Agnes." And when I made no reply: "You're sagging around the chin. There's nothing shows age like the chin. If you'd rub a little lemon-juice on at night you'd tighten up some."

I ignored her elaborately, but I knew she was right. Heat and sleepless nights and those early days of fear had told on me. And although I usually disregard Maggie's cosmetic suggestions, culled from the beauty columns of the evening paper, a look in the mirror decided me. I went downstairs for the lemon. At least, I thought it was for the lemon. I am not sure. I have come to be uncertain of my motives. It is distinctly possible that, sub-consciously, I was making for the cellar all the time. I only know that I landed there, with a lemon in my hand, at something after eleven o'clock.

The books were piled in disorder on the shelves. Their five years of burial had not hurt them beyond a slight dampness of the leaves. No hand, I believe, had touched them since they were taken from the box where Mrs. Graves had helped to pack them. Then, if I were shrewd, I should perhaps gather something from their very disorder, But, as a matter of fact, I did not.

I would, quite certainly, have gone away as I came, clueless, had I not attempted to straighten a pile of books, dangerously sagging--like my chin!--and threatening a fall. My effort was rewarded by a veritable Niagara of books. They poured over the edge, a few first, then more, until I stood, it seemed, knee-deep in a raging sea of atheism.

Somewhat grimly I set to work to repair the damage, and one by one I picked them up and restored them. I put them in methodically this time, glancing at each title to place the volume upright. Suddenly, out of the darkness of unbelief, a title caught my eye and held it, "The Handwriting of God." I knew the book. It had fallen into bad company, but its theology was unimpeachable. It did not belong. It--

I opened it. The Reverend Samuel Thaddeus had written his own name in it, in the cramped hand I had grown to know. Evidently its presence there was accidental. I turned it over in my hands, and saw that it was closed down on something, on several things, indeed. They proved to be a small black note-book, a pair of spectacles, a woman's handkerchief.

I stood there looking at them. They might mean nothing but the accidental closing of a book, which was mistakenly placed in bad company, perhaps by Mrs. Graves. I was inclined to doubt her knowledge of religious literature. Or they might mean something more, something I had feared to find.

Armed with the volume, and the lemon forgotten--where the cook found it the next day and made much of the mystery--I went upstairs again.

Viewed in a strong light, the three articles took on real significance. The spectacles I fancied were Miss Emily's. They were, to all appearances, the duplicates of those on her tidy bedside stand. But the handkerchief was not hers. Even without the scent, which had left it, but clung obstinately to the pages of the book, I knew it was not hers. It was florid, embroidered, and cheap. And held close to the light, I made out a laundry-mark in ink on the border. The name was either Wright or Knight.

The note-book was an old one, and covered a period of almost twenty years. It contained dates and cash entries. The entries were nearly all in the Reverend Samuel Thaddeus's hand, but after the date of his death they had been continued in Miss Emily's writing. They varied little, save that the amounts gradually increased toward the end, and the dates were further apart. Thus, in 1898 there were six entries, aggregating five hundred dollars. In 1902-1903 there were no entries at all, but in 1904 there was a single memorandum of a thousand dollars. The entire amount must have been close to twenty-five thousand dollars. There was nothing to show whether it was money saved or money spent, money paid out or come in.

But across the years 1902 and 1903, the Reverend Thaddeus had written diagonally the word "Australia." There was a certain amount of enlightenment there. Carlo Benton had been in Australia during those years. In his "Fifty Years in Bolivar County," the father had rather naively quoted a letter from Carlo Benton in Melbourne. A record, then, in all probability, of sums paid by this harassed old man to a worthless son.

Only the handkerchief refused to be accounted for.

I did not sleep that night. More and more, as I lay wide-eyed through the night, it seemed to me that Miss Emily must be helped, that she was drifting miserably out of life for need of a helping hand.

Once, toward morning, I dozed off, to waken in a state of terror that I recognized as a return of the old fear. But it left me soon, although I lay awake until morning.

That day I made two resolves--to send for Willie and to make a determined effort to see the night telephone-operator. My letter to Willie off, I tried to fill the day until the hour when the night telephone-operator was up and about, late in the afternoon.

The delay was simplified by the arrival of Mrs. Graves, in white silk gloves and a black cotton umbrella as a sunshade. She had lost her air of being afraid I might patronize her, and explained pantingly that she had come on an errand, not to call.

"I'm at my Christmas presents now," she said, "and I've fixed on a bedroom set for Miss Emily. I suppose you won't care if I go right up and measure the dresser-top, will you?"

I took her up, and her sharp eyes roved over the stairs and the upper hall.

"That's where Carlo died," she said. "It's never been used since, unless you--" she had paused, staring into Miss Emily's deserted bedroom. "It's a good thing I came," she said. "The eye's no use to trust to, especially for bureaus."

She looked around the room. There was, at that moment, something tender about her. She even lowered her voice and softened it. It took on, almost comically, the refinements of Miss Emily's own speech.

"Whose photograph is that?" she asked suddenly. "I don't know that I ever saw it before. But it looks familiar, too."

She reflected before it. It was clear that she felt a sort of resentment at not recognizing the young and smiling woman in the old walnut frame, but a moment later she was measuring the dresser-top, her mind set on Christmas benevolence.

However, before she went out, she paused near the photograph.

"It's queer," she said. "I've been in this room about a thousand times, and I've never noticed it before. I suppose you can get so accustomed to a thing that you don't notice it."

As she went out, she turned to me, and I gathered that not only the measurement for a gift had brought her that afternoon.

"About those books," she said. "I run on a lot when I get to talking. I suppose I shouldn't have mentioned them. But I'm sure you'll keep the story to yourself. I've never even told Mr. Graves."

"Of course I shall," I assured her. "But--didn't the hackman see you packing the books?"

"No, indeed. We packed them the afternoon after the funeral, and it was the next day that Staley took them off. He thought it was old bedding and so on, and he hinted to have it given to him. So Miss Emily and I went along to see it was done right."

So I discovered that the box had sat overnight in the Benton house. There remained, if I was to help Miss Emily, to discover what had occurred in those dark hours when the books were taken out and something else substituted.

The total result of my conversation that afternoon on the front porch of the small frame house on a side street with the night telephone-operator was additional mystery.

I was not prepared for it. I had anticipated resentment and possibly insolence. But I had not expected to find fright. Yet the girl was undeniably frightened. I had hardly told her the object of my visit before I realized that she was in a state of almost panic.

"You can understand how I feel," I said. "I have no desire to report the matter, of course. But some one has been calling the house repeatedly at night, listening until I reply, and then hanging up the receiver. It is not accidental. It has happened too often."

"I'm not supposed to give out information about calls."

"But--just think a moment," I went on. "Suppose some one is planning to rob the house, and using this method of finding out if we are there or not?"

"I don't remember anything about the calls you are talking about," she parried, without looking at me. "As busy as I am--"

"Nonsense," I put in, "you know perfectly well what I am talking about. How do I know but that it is the intention of some one to lure me downstairs to the telephone and then murder me?"

"I am sure it is not that," she said. For almost the first time she looked directly at me, and I caught a flash of something--not defiance. It was, indeed, rather like reassurance.

"You see, you know it is not that." I felt all at once that she did know who was calling me at night, and why. And, moreover, that she would not tell. If, as I suspected, it was Miss Emily, this girl must be to some extent in her confidence.

"But--suppose for a moment that I think I know who is calling me?" I hesitated. She was a pretty girl, with an amiable face, and more than a suggestion of good breeding and intelligence about her. I made a quick resolve to appeal to her. "My dear child," I said, "I want so very much, if I can, to help some one who is in trouble. But before I can help, I must know that I can help, and I must be sure it is necessary. I wonder if you know what I am talking about?"

"Why don't you go back to the city?" she said suddenly. "Go away and forget all about us here. That would help more than anything."

"But--would it?" I asked gently. "Would my going away help--her?"

To my absolute amazement she began to cry. We had been sitting on a cheap porch seat, side by side, and she turned her back to me and put her head against the arm of the bench.

"She's going to die!" she said shakily. "She's weaker every day. She is slipping away, and no one does anything."

But I got nothing more from her. She had understood me, it was clear, and when at last she stopped crying, she knew well enough that she had betrayed her understanding. But she would not talk. I felt that she was not unfriendly, and that she was uncertain rather than stubborn. In the end I got up, little better off than when I came.

"I'll give you time to think it over," I said. "Not so much about the telephone calls, because you've really answered that. But about Miss Emily. She needs help, and I want to help her. But you tie my hands."

She had a sort of gift for silence. As I grew later on to know Anne Bullard better, I realized that even more. So now she sat silent, and let me talk.

"What I want," I said, "is to have Miss Emily know that I am friendly--that I am willing to do anything to--to show my friendliness. Anything."

"You see," she said, with a kind of dogged patience, "it isn't really up to you, or to me either. It's something else." She hesitated. "She's very obstinate," she added.

When I went away I was aware that her eyes followed me, anxious and thoughtful eyes, with something of Miss Emily's own wide-eyed gaze.

Willie came late the next evening. I had indeed gone up-stairs to retire when I heard his car in the drive. When I admitted him, he drew me into the library and gave me a good looking over.

"As I thought!" he said. "Nerves gone, looks gone. I told you Maggie would put a curse on you. What is it?"

So I told him. The telephone he already knew about. The confession he read over twice, and then observed, characteristically, that he would be eternally--I think the word is "hornswoggled."

When I brought out "The Handwriting of God," following Mrs. Graves's story of the books, he looked thoughtful. And indeed by the end of the recital he was very grave.

"Sprague is a lunatic," he said, with conviction. "There was a body, and it went into the river in the packing-case. It is distinctly possible that this Knight--or Wright--woman, who owned the handkerchief, was the victim. However, that's for later on. The plain truth is, that there was a murder, and that Miss Emily is shielding some one else."

And, after all, that was the only immediate result of Willie's visit--a new theory! So that now it stood: there was a crime. There was no crime. Miss Emily had committed it. Miss Emily had not committed it. Miss Emily had confessed it, but some one else had committed it.

For a few hours, however, our attention was distracted from Miss Emily and her concerns by the attempted robbery of the house that night. I knew nothing of it until I heard Willie shouting downstairs. I was deeply asleep, relaxed no doubt by the consciousness that at last there was a man in the house. And, indeed, Maggie slept for the same reason through the entire occurrence.

"Stop, or I'll fire!" Willie repeated, as I sat up in bed.

I knew quite well that he had no weapon. There was not one in the house. But the next moment there was a loud report, either a door slamming or a pistol-shot, and I ran to the head of the stairs.

There was no light below, but a current of cool night air came up the staircase. And suddenly I realized that there was complete silence in the house.

"Willie!" I cried out, in an agony of fright. But he did not reply. And then, suddenly, the telephone rang.

I did not answer it. I know now why it rang, that there was real anxiety behind its summons. But I hardly heard it then. I was convinced that Willie had been shot.

I must have gone noiselessly down the stairs, and at the foot I ran directly into Willie. He was standing there, only a deeper shadow in the blackness, and I had placed my hand over his, as it lay on the newel-post, before he knew I was on the staircase. He wheeled sharply, and I felt, to my surprise, that he held a revolver in his hand.

"Willie! What is it?" I said in a low tone.

"'Sh," he whispered. "Don't move--or speak."

We listened, standing together. There were undoubtedly sounds outside, some one moving about, a hand on a window-catch, and finally not particularly cautious steps at the front door. It swung open. I could hear it creak as it moved slowly on its hinges.

I put a hand out to steady myself by the comfort of Willie's presence before me, between me and that softly-opening door. But Willie was moving forward, crouched down, I fancied, and the memory of that revolver terrified me.

"Don't shoot him, Willie!" I almost shrieked.

"Shoot whom?" said Willie's cool voice, just inside the door.

I knew then, and I went sick all over. Somewhere in the hall between us crouched the man I had taken for Willie, crouched with a revolver in his right hand. The door was still open, I knew, and I could hear Willie fumbling on the hall-stand for matches. I called out something incoherent about not striking a light; but Willie, whistling softly to show how cool he was, struck a match. It was followed instantly by a report, and I closed my eyes.

When I opened them, Willie was standing unhurt, staring over the burning match at the door, which was closed, and I knew that the report had been but the bang of the heavy door.

"What in blazes slammed that door?" he said.

"The burglar, or whatever he is," I said, my voice trembling in spite of me. "He was here, in front of me. I laid my hand on his. He had a revolver in it. When you opened the door, he slipped out past you."

Willie muttered something, and went toward the door. A moment later I was alone again, and the telephone was ringing. I felt my way back along the hall. I touched the cat, which had been sleeping on the telephone-stand. He merely turned over.

I have tried, in living that night over again, to record things as they impressed me. For, after all, this is a narrative of motive rather than of incidents, of emotions as against deeds. But at the time, the brief conversation over the telephone seemed to me both horrible and unnatural.

From a great distance a woman's voice said, "Is anything wrong there?"

That was the first question, and I felt quite sure that it was the Bullard girl's voice. That is, looking back from the safety of the next day, I so decided. At the time I had no thought whatever.

"There is nothing wrong," I replied. I do not know why I said it. Surely there was enough wrong, with Willie chasing an armed intruder through the garden.

I thought the connection had been cut, for there was a buzzing on the wire. But a second or so later there came an entirely different voice, one I had never heard before, a plaintive voice, full, I thought, of tears.

"Oh, please," said this voice, "go out and look in your garden, or along the road. Please--quickly!"

"You will have to explain," I said impatiently. "Of course we will go and look, but who is it, and why--"

I was cut off there, definitely, and I could not get "central's" attention again.

Willie's voice from the veranda boomed through the lower floor. "This is I," he called, "No boiling water, please. I am coming in."

He went into the library and lighted a lamp. He was smiling when I entered, a reassuring smile, but rather a sheepish one, too.

"To think of letting him get by like that!" he said. "The cheapest kind of a trick. He had slammed the door before to make me think he had gone out, and all the time he was inside. And you--why didn't you scream?"

"I thought it was you," I told him.

The library was in chaos. Letters were lying about, papers, books. The drawer of the large desk-table in the center of the room had been drawn out and searched. "The History of Bolivar County," for instance, was lying on the floor, face down, in a most ignoble position. In one place books had been taken from a recess by the fireplace, revealing a small wall cupboard behind. I had never known of the hiding-place, but a glance into it revealed only a bottle of red ink and the manuscript of a sermon on missions.

Standing in the disorder of the room, I told Willie about the telephone-message. He listened attentively, and at first skeptically.

"Probably a ruse to get us out of the house, but coming a trifle late to be useful," was his comment. But I had read distress in the second voice, and said so. At last he went to the telephone.

"I'll verify it," he explained. "If some one is really anxious, I'll get the car and take a scout around."

But he received no satisfaction from the Bullard girl, who, he reported, listened stoically and then said she was sorry, but she did not remember who had called. On his reminding her that she must have a record, she countered with the flat statement that there had been no call for us that night.

Willie looked thoughtful when he returned to the library. "There's a queer story back of all this," he said. "I think I'll get the car and scout around."

"He is armed, Willie," I protested.

"He doesn't want to shoot me, or he could have done it," was his answer. "I'll just take a look around, and come back to report."

It was half-past three by the time he was ready to go. He was, as he observed, rather sketchily clad, but the night was warm. I saw him off, and locked the door behind him. Then I went into the library to wait and to put things to rights while I waited.

The dawn is early in August, and although it was not more than half-past four when Willie came back, it was about daylight by that time. I went to the door and watched him bring the car to a standstill. He shook his head when he saw me.

"Absolutely nothing," he said. "It was a ruse to get me out of the house, of course. I've run the whole way between here and town twice."

"But that could not have taken an hour," I protested.

"No," he said. "I met the doctor--what's his name?--the local M.D. anyhow--footing it out of the village to a case, and I took him to his destination. He has a car, it seems, but it's out of order. Interesting old chap," he added, as I led the way into the house. "Didn't know me from Adam, but opened up when he found who I was."

I had prepared the coffee machine and carried the tray to the library. While I lighted the lamp, he stood, whistling softly, and thoughtfully. At last he said:

"Look here, Aunt Agnes, I think I'm a good bit of a fool, but--some time this morning I wish you would call up Thomas Jenkins, on the Elmburg road, and find out if any one is sick there."

But when I stared at him, he only laughed sheepishly. "You can see how your suspicious disposition has undermined and ruined my once trusting nature," he scoffed.

He took his coffee, and then, stripping off his ulster, departed for bed. I stopped to put away the coffee machine, and with Maggie in mind, to hang up his motor-coat. It was then that the flashlight fell out. I picked it up. It was shaped like a revolver.

I stopped in Willie's room on my way to my own, and held it out to him.

"Where did you get that?" I asked.

"Good heavens!" he said, raising himself on his elbow. "It belongs to the doctor. He gave it to me to examine the fan belt. I must have dropped it into my pocket."

And still I was nowhere. Suppose I had touched this flashlight at the foot of the stairs and mistaken it for a revolver. Suppose that the doctor, making his way toward the village and finding himself pursued, had faced about and pretended to be leaving it? Grant, in a word, that Doctor Lingard himself had been our night visitor--what then? Why had he done it? What of the telephone-call, urging me to search the road? Did some one realize what was happening, and take this method of warning us and sending us after the fugitive?

I knew the Thomas Jenkins farm on the Elmsburg road. I had, indeed, bought vegetables and eggs from Mr. Jenkins himself. That morning, as early as I dared, I called the Jenkins farm. Mr. Jenkins himself would bring me three dozen eggs that day. They were a little torn up out there, as Mrs. Jenkins had borne a small daughter at seven A.M.

When I told Willie, he was evidently relieved. "I'm glad of it," he said heartily. "The doctor's a fine old chap, and I'd hate to think he was mixed up in any shady business."

He was insistent, that day, that I give up the house. He said it was not safe, and I was inclined to agree with him. But although I did not tell him of it, I had even more strongly than ever the impression that something must be done to help Miss Emily, and that I was the one who must do it.

Yet, in the broad light of day, with the sunshine pouring into the rooms, I was compelled to confess that Willie's theory was more than upheld by the facts. First of all was the character of Miss Emily as I read it, sternly conscientious, proud, and yet gentle. Second, there was the connection of the Bullard girl with the case. And third, there was the invader of the night before, an unknown quantity where so much seemed known, where a situation involving Miss Emily alone seemed to call for no one else.

Willie put the matter flatly to me as he stood in the hall, drawing on his driving gloves.

"Do you want to follow it up?" he asked. "Isn't it better to let it go? After all, you have only rented the house. You haven't taken over its history, or any responsibility but the rent."

"I think Miss Emily needs to be helped," I said, rather feebly.

"Let her friends help her. She has plenty of them. Besides, isn't it rather a queer way to help her, to try to fasten a murder on her?"

I could not explain what I felt so strongly--that Miss Emily could only be helped by being hurt, that whatever she was concealing, the long concealment was killing her. That I felt in her--it is always difficult to put what I felt about Miss Emily into words--that she both hoped for and dreaded desperately the light of the truth.

But if I was hardly practical when it came to Miss Emily, I was rational enough in other things. It is with no small pride--but without exultation, for in the end it cost too much--that I point to the solution of one issue as my own.

With Willie gone, Maggie and I settled down to the quiet tenure of our days. She informed me, on the morning after that eventful night, that she had not closed an eye after one o'clock! She came into the library and asked me if I could order her some sleeping-powders.

"Fiddlesticks!" I said sharply. "You slept all night. I was up and around the house, and you never knew it."

"Honest to heaven, Miss Agnes, I never slep' at all. I heard a horse galloping', like it was runnin' off, and it waked me for good."

And after a time I felt that, however mistaken Maggie had been about her night's sleep, she was possibly correct about the horse.

"He started to run about the stable somewhere," she said. "You can smile if you want. That's the heaven's truth. And he came down the drive on the jump and out onto the road."

"We can go and look for hoof-marks," I said, and rose. But Maggie only shook her head.

"It was no real horse, Miss Agnes," she said. "You'll find nothing. Anyhow, I've been and looked. There's not a mark."

But Maggie was wrong. I found hoof-prints in plenty in the turf beside the drive, and a track of them through the lettuce-bed in the garden. More than that, behind the stable I found where a horse had been tied and had broken away. A piece of worn strap still hung there. It was sufficiently clear, then, that whoever had broken into the house had come on horseback and left afoot. But many people in the neighborhood used horses. The clue, if clue it can be called, got me nowhere. _

Read next: Chapter 4

Read previous: Chapter 2

Table of content of Confession


GO TO TOP OF SCREEN

Post your review
Your review will be placed after the table of content of this book