Chapter 26. The White Slave

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_ CHAPTER XXVI. THE WHITE SLAVE

Carton had sprung to his feet at the direct charge and was facing Ogleby.

"Is that true--about the Montmartre?" he demanded.

Ogleby fairly sputtered. "She lies," he almost hissed.

"Just a moment," interrupted Dorgan. "What has that to do with Miss Blackwell, anyhow?"

Sybil Seymour did not pause.

"It is true," she reiterated. "This is what it has to do with Betty Blackwell. Listen. He is the man who led me on, who would have done the same to Betty Blackwell. I yielded, but she fought. They could not conquer her--neither by drugs nor drink, nor by clothes, nor a good time, nor force. I saw it all in the Montmartre and the beauty parlour--all."

"Lies--all lies," hissed Ogleby, beside himself with anger.

"No, no," cried Sybil. "I do not lie. Mr. Carton and this good woman, Miss Kendall, who is working for him, are the first people I have seen since you, Martin Ogleby, brought me to the Montmartre, who have ever given me a chance to become again what I was before you and your friends got me."

"Have a care, young woman," interrupted Dorgan, recovering himself as she proceeded. "There are laws and--"

"I don't care a rap about laws such as yours. As for gangs--that was what you were going to say--I'd snap my fingers in the face of Ike the Dropper himself if he were here. You could kill me, but I would tell the truth.

"Let me tell you my case," she continued, turning in appeal to the rest of us, "the case of a poor girl in a small city near New York, who liked a good time, liked pretty clothes, a ride in an automobile, theatres, excitement, bright lights, night life. I liked them. He knew that. He led me on, made me like him. And when I began to show the strain of the pace--we all show it more than the men--he cast me aside, like a squeezed-out lemon."

Sybil Seymour was talking rapidly, but she was not hysterical.

"Already you know Betty Blackwell's story--part of it," she hurried on. "Miss Kendall has told me--how she was bribed to disappear. But beyond that--what?"

For a moment she paused. No one said a word. Here at last was the one person who held the key to the mystery.

"She did disappear. She kept her word. At last she had money, the one thing she had longed for. At last she was able to gratify those desires to play the fashionable lady which her family had always felt. What more natural, then, than while she must keep in hiding to make one visit to the beauty parlour to which so many society women went--Margot's? It was there that she went on the day that she disappeared."

We were hanging breathlessly now on the words of the girl as she untangled the sordid story.

"And then?" prompted Kennedy.

"Then came into play another arm of the System," she replied. "They tried to make sure that she would disappear. They tried the same arts on her that they had on me--this man and the gang about him. He played on her love of beauty and Madame Margot helped him. He used the Montmartre and the Futurist to fascinate her, but still she was not his. She let herself drift along, perhaps because she knew that her family was every bit the equal socially of his own. Madame Margot tried drugs; first the doped cigarette, then drugs that had to be forced on her. She kept her in that joint for days by force; and there where I went for relief day after day from my own bitter thoughts I saw her, in that hell which Miss Kendall now by her evidence will close forever. Still she would not yield.

"I saw it all. Maybe you will say I was jealous because I had lost him. I was not. I hated him. You do not know how close hate can be to love in the heart of a woman. I could not help it. I had to write a letter that might save her.

"Miss Kendall has told me about the typewritten letters; how you, Professor Kennedy, traced them to the Montmartre. I wrote them, I admit, for these people. I wrote that stuff about drugs for Dr. Harris. And I wrote the first letter of all to the District Attorney. I wrote it for myself and signed it as I am--God forgive me--'An Outcast.'"

The poor girl, overwrought by the strain of the confession that laid bare her very soul, sank back in her chair and cried, as Miss Kendall gently tried to soothe her.

Dorgan and Ogleby listened sullenly. Never in their lives had they dreamed of such a situation as this.

There was no air of triumph about Kennedy now over the confession, which with the aid of Miss Kendall, he had staged so effectively. Rather it was a spirit of earnestness, of retribution, justice.

"You know all this?" he inquired gently of the girl.

"I saw it," she said simply, raising her bowed head.

Dorgan had been doing some quick thinking. He leaned over and whispered quickly to Ogleby.

"Why was she not discovered then when these detectives broke into the private house--an act which they themselves will have to answer for when the time comes?" demanded Ogleby.

It seemed as if the mere sound of his voice roused the girl.

"Because it was dangerous to keep her there any longer," she replied. "I heard the talk about the hotel, the rumour that someone was using this new French detective scheme. I heard them blame the District Attorney--who was clever enough to have others working on the case whom you did not know. While you were watching his officers, Mr. Kennedy and Miss Kendall were gathering evidence almost under your very eyes.

"But you were panic-stricken. You and your agents wanted to remove the danger of discovery. Dr. Harris and Marie Margot had a plan which you grasped at eagerly. There was Ike the Dropper, that scoundrel who lives on women. Between them you would spirit her away. You were glad to have them do it, little realizing that, with every step, they had you involved deeper and worse. You forgot everything, all honour and manhood in your panic; you were ready to consent, to urge any course that would relieve you--and you have taken the course that involves you worse than any other."

"Who will believe a story like that?" demanded Ogleby. "What are you--according to your own confession? Am I to be charged with everything this gang, as you call it, does? You are their agent, perhaps working for this blackmailing crew. But I tell you, I will fight, I will not be blackened by--"

Sybil laughed, half hysterically.

"Blackened?" she repeated. "You who would put this thing all off on others who worked for you, who played on your vices and passions, not because you were weak, but because you thought you were above the law!

"You did not care what became of that girl, so long as she was where she could not accuse you. You left her to that gang, to Ike, to Marie, to Harris." She paused a moment, and flashed a quick glance of scorn at him. "Do you want to know what has become of her, what you are responsible for?

"I will tell you. They had other ideas than just getting her out of the way of your selfish career. They are in this life for money. Betty Blackwell to them was a marketable article, a piece of merchandise in the terrible traffic which they carry on. If she had been yielding, like the rest of us, she might now be apparently free, yet held by a bondage as powerful and unescapable as if it were of iron, a life from which she could not escape. But she was not yielding. They would break her. Perhaps you have tried to ease your conscience, if you have any, by the thought that it is they, not you, who have her hidden away somewhere now. You cannot escape that way; it was you who made her, who made others of us, what we are."

"Let her rave, Ogleby," sneered Dorgan.

"Yes--raving, that's it," echoed Ogleby. But his expression belied him.

"There it is," she continued. "You have not even an opinion of your own. You repeat even the remarks of others. They have you in their power. You have put yourself there."

"All very pretty," remarked Dorgan with biting sarcasm. "All very cleverly thought out. So nice here! Wait until you have to tell that story in court. You know the first rule of equity? Do you go into court with clean hands? There is a day of reckoning coming to you, young woman, and to these other meddlers here--whether they are playing politics or meddling just because they are old-maidish busy-bodies."

She was facing the politician with burning cheeks.

"You," she scorned, "belong to an age that is passing away. You cannot understand these people like Miss Kendall, like Mr. Carton, who cannot be bought and controlled like your other creatures. You do not know how the underworld can turn on the upperworld. You would not pull us up--you shoved us down deeper, in your greed. But if we go down, we shall drag you, too. What have we to lose? You and your creatures, like Martin Ogleby, have taken everything from us. We--"

"Come, Ogleby," interposed Dorgan, deliberately turning his back on her and slowly placing his hat on his half-bald head. "We are indebted to Professor Kennedy for a pleasant entertainment. When he has another show equally original we trust he will not forget the first-nighters who have enjoyed this farce."

Dorgan had reached the door and had his hand on the knob. I had expected Kennedy to reply. But he said nothing. Instead his hand stole along the edge of the table beside which he was standing.

"Good-night," bowed Dorgan with mock solemnity. "Thank you for laying the cards on the table. We shall know how to play--"

Dorgan cut the words short.

Kennedy had touched the button of an electric attachment which was under the table by which he could lock every door and window of the laboratory instantly and silently.

"Well?" demanded Dorgan fiercely, though there was a tremble in his voice that had never been heard before.

"Where is Betty Blackwell?" demanded Craig, turning to Sybil Seymour. "Where did they take her?"

We hung breathlessly on the answer. Was she being held as a white slave in some obscure den? I knew that that did not mean that she was necessarily imprisoned behind locked doors and barred windows, although even that might be the case. I knew that the restraint might be just as effective, even though it was not actually or wholly physical.

An ordinary girl, I reasoned, with little knowledge of her rights or of the powers which she might call to her aid if she knew how to summon them, might she not be so hemmed in by the forces into whose hands she had fallen as to be practically held in bonds which she could not break?

Here was Sybil herself! Once she had been like Betty Blackwell. Indeed, when she seemed to have every chance to escape she did not. She knew how she could be pursued, hounded at every turn, forced back, and her only course was to sink deeper into the life. The thought of what might be accomplished by drugs startled me.

Clare bent over the poor girl reassuringly. What was it that seemed to freeze her tongue now? Was it still some vestige of the old fear under which she had been held so long? Clare strove, although we could not hear what she was saying, to calm her.

At last Sybil raised her head, with a wild cry, as if she were sealing her own doom.

"It was Ike. He kept us all in terror. Oh, if he hears he will kill me," she blurted out.

"Where did he take her?" asked Clare.

She had broken down the girl's last fear.

"To that place on the West Side--that black and tan joint, where Marie Margot came from before the gang took her in."

"Carton," called Kennedy. "You and Walter will take Miss Kendall and Miss Seymour. Let me see. Dorgan, Ogleby, and myself will ride in the taxicab."

Carton was toying ostentatiously with a police whistle as Dorgan hesitated, then entered the cab.

I think at the joint, as we pulled up with a rush after our wild ride downtown, they must have thought that a party of revellers had dropped in to see the sights. It was perhaps just as well that they did, for there was no alarm at first.

As we entered the black and tan joint, I took another long look at its forbidding exterior. Below, it was a saloon and dance hall; above, it was a "hotel." It was weatherbeaten, dirty, and unsightly, without, except for the entrance; unsanitary, ramshackle, within, except for the tawdry decorations. At every window were awnings and all were down, although it was on the shady side of the street in the daytime and it was now getting late. That was the mute sign post to the initiated of the character of the place.

Instead of turning downstairs where we had gone on our other visit, Kennedy led the way up through a door that read, "Hotel Entrance--Office."

A clerk at a desk in a little alcove on the second floor mechanically pushed out a register at us, then seeming to sense trouble, pulled it back quickly and with his foot gave a sharp kick at the door of a little safe, locking the combination.

"I'm looking for someone," was all Kennedy said. "This is the District Attorney. We'll go through--"

"Yes, you will!"

It was Ike the Dropper. He had heard the commotion, and, seeing ladies, came to the conclusion that it was not a police plainclothes raid, but some new game of the reformers.

He stopped short in amazement at the sight of Dorgan and Ogleby.

"Well--I'll be--"

"Carton! Walter!" shouted Kennedy. "Take care of him. Watch out for a knife or gun. He's soft, though. Carton--the whistle!"

Our struggle with the redoubtable Ike was short and quickly over. Sullen, and with torn clothes and bleeding face, we held him until the policeman arrived, and turned him over to the law.

At a room on the same floor Craig knocked.

"Come in," answered a woman's voice.

He pushed open the door. There was the woman who had fled so precipitately from the dope joint.

Evidently she did not recognize us. "You are under arrest," announced Kennedy.

The blonde woman laughed mockingly.

"Under arrest? For what?"

"You are Marie Margot. Never mind about your alias. All the arts of your employees and Dr. Harris himself cannot change you so that I cannot recognize you. You may feel safe from the portrait parle, but there are other means of detection that you never dreamed of. Where is Betty Blackwell? Marie, it's all off!"

All the brazen assurance with which she had met us was gone. She looked from one to the other and read that it was the end. With a shriek, she suddenly darted past us, out of the door. Down the hall was Ike the Dropper with the policeman and Carton. Beside her was a stairway leading to the upper floors. She chose the stairs.

Following Kennedy we hurried through the hotel, from one dirty room to another, with their loose and creaking floors, rotten and filthy, sagging as we walked, covered with matting that was rotting away. Damp and unventilated, the air was heavy and filled with foul odours of tobacco, perfumery, and cheap disinfectants. There seemed to have been no attempt to keep the place clean.

The rooms were small and separated by thin partitions through which conversations in even low tones could be heard. The furniture was cheap and worn with constant use.

Downstairs we could hear the uproar as the news spread that the District Attorney was raiding the place. As fast as they could the sordid crowd in the dance hall and cabaret was disappearing. Now and then we could hear a door bang, a hasty conference, and then silence as some of the inmates realized that upstairs all escape was cut off.

On the top floor we came to a door, locked and bolted. With all the force that he could gather in the narrow hall, Kennedy catapulted himself against it. It yielded in its rottenness with a crash.

A woman, in all her finery, lay across the foot of a bed, a formless heap. Kennedy turned her over. It was Marie, motionless, but still breathing faintly. In an armchair, with his hands hanging limply down almost to the floor, his head sagging forward on his chest, sprawled Harris.

Kennedy picked up a little silver receptacle on the floor where it lay near his right hand. It was nearly empty, but as he looked from it quickly to the two insensible figures before us he muttered: "Morphine. They have robbed the law of its punishment."

He bent over the suicides, but it was too late to do anything for them. They had paid the price.

"My heavens!" he exclaimed suddenly, as a thought flashed over his mind. "I hope they have not carried the secret of Betty Blackwell with them to the grave. Where is Miss Kendall?"

Down the hall, cut off from the rest of the hotel into a sort of private suite, Clare had entered one of the rooms and was bending over a pale, wan shadow of a girl, tossing restlessly on a bed. The room was scantily furnished with a dilapidated bureau in one corner and a rickety washstand equipped with a dirty washbowl and pitcher. A few cheap chromos on the walls were the only decorations, and a small badly soiled rug covered a floor innocent for many years of soap.

I looked sharply at the girl lying before us. Somehow it did not occur to me who she was. She was so worn that anyone might safely have transported her through the streets and never have been questioned, in spite of the fact that every paper in the country which prints pictures had published her photograph, not once but many times.

It was Betty Blackwell at last, struggling against the drugs that had been forced on her, half conscious, but with one firm and acute feeling left--resistance to the end.

Kennedy had dropped on his knees before her and was examining her closely.

"Open the windows--more air," he ordered. "Walter, see if you can find some ice water and a little stimulant."

While Craig was taking such restorative measures as were possible on the spur of the moment, Miss Kendall gently massaged her head and hands.

She seemed to understand that she was in the hands of friends, and though she did not know us her mute look of thanks was touching.

"Don't get excited, my dear," breathed Miss Kendall into her ear. "You will be all right soon."

As the wronged girl relaxed from her constant tension of watching, it seemed as if she fell into a stupor. Now and then she moaned feebly, and words, half-formed, seemed to come to her lips only to die away.

Suddenly she seemed to have a vision more vivid than the rest.

"No--no--Mr. Ogleby--leave me. Where--my mother--oh, where is mother?" she cried hysterically, sitting bolt upright and staring at us without seeing us.

Kennedy passed the broad palm of his hand over her forehead and murmured, "There, there, you are all right now." Then he added to us: "I did not send for her mother because I wasn't sure that we might find her even as well as this. Will someone find Carton? Get the address and send a messenger for Mrs. Blackwell."

Sybil was on her knees by the bedside of the giri, holding Betty's hand in both of her own.

"You poor, poor girl," she cried softly. "It is--dreadful."

She had sunk her head into the worn and dirty covers of the bed. Kennedy reached over and took hold of her arm. "She will be all right, soon," he said reassuringly. "Miss Kendall will take good care of her."

As we descended the stairs, we could see Carton at the foot. A patrol wagon had been backed up to the curb in front and the inmates of the place were being taken out, protesting violently at being detained.

Further down the hall, by the "office," Dorgan and Ogleby were storming, protesting that "influence" would "break" everyone concerned, from Carton down to the innocent patrolmen.

Kennedy listened a moment, then turned to Clare Kendall.

"I will leave Miss Blackwell in your care," he said quietly. "It is on her we must rely to prove the contents of the Black Book."

Clare nodded, as, with a clang, Carton drove off with his prisoners to see them safely entered on the "blotter."

"Our work is over," remarked Kennedy, turning again to Miss Kendall, in a tone as if he might have said more, but refrained.

Looking Craig frankly in the eye, she extended her hand in that same cordial straight-arm shake with which she had first greeted us, and added, "But not the memory of this fight we have won." _

Read next: Chapter 27. The Election Night

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