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BOOK I - THE OLD ORDER: CHAPTER 5
1.5.
Reluctantly, every year about the Epiphany, the old Marquess rode down
from Donnaz to spend two months in Turin. It was a service exacted by
King Charles Emanuel, who viewed with a jealous eye those of his nobles
inclined to absent themselves from court and rewarded their presence
with privileges and preferments. At the same time the two canonesses
descended to their abbey in the plain, and thus with the closing in of
winter the old Marchioness, Odo and his mother were left alone in the
castle.
To the Marchioness this was an agreeable period of spiritual compunction
and bodily repose; but to Donna Laura a season of despair. The poor
lady, who had been early removed from the rough life at Donnaz to the
luxurious court of Pianura, and was yet in the fulness of youth and
vivacity, could not resign herself to an existence no better, as she
declared, than that of any herdsman's wife upon the mountains. Here was
neither music nor cards, scandal nor love-making; no news of the
fashions, no visits from silk-mercers or jewellers, no Monsu to curl her
hair and tempt her with new lotions, or so much as a strolling
soothsayer or juggler to lighten the dullness of the long afternoons.
The only visitors to the castle were the mendicant friars drawn thither
by the Marchioness's pious repute; and though Donna Laura disdained not
to call these to her chamber and question them for news, yet their
country-side scandals were no more to her fancy than the two-penny wares
of the chapmen who unpacked their baubles on the kitchen hearth.
She pined for some word of Pianura; but when a young abate, who had
touched there on his way from Tuscany, called for a night at the castle
to pay his duty to Don Gervaso, the word he brought with him of the
birth of an heir to the duchy was so little to Donna Laura's humour that
she sprang up from the supper-table, and crying out to the astonished
Odo, "Ah, now you are for the Church indeed," withdrew in disorder to
her chamber. The abate, who ascribed her commotion to a sudden seizure,
continued to retail the news of Pianura, and Odo, listening with his
elders, learned that Count Lelio Trescorre had been appointed Master of
the Horse, to the indignation of the Bishop, who desired the place for
his nephew, Don Serafino; that the Duke and Duchess were never together;
that the Duchess was suspected of being in secret correspondence with
the Austrians, and that the young Marquess of Cerveno was gone to the
baths of Lucca to recover from an attack of tertian fever contracted the
previous autumn at the Duke's hunting-lodge near Pontesordo. Odo
listened for some mention of his humpbacked friend, or of Momola the
foundling; but the abate's talk kept a higher level and no one less than
a cavaliere figured on his lips. He was the only visitor of quality who
came that winter to Donnaz, and after his departure a fixed gloom
settled on Donna Laura's spirits. Dusk at that season fell early in the
gorge, fierce winds blew off the glaciers, and Donna Laura sat shivering
and lamenting on one side of the hearth, while the old Marchioness, on
the other, strained her eyes over an embroidery in which the pattern
repeated itself like the invocations of a litany, and Don Gervaso, near
the smoking oil-lamp, read aloud from the Glories of Mary or the Way of
Perfection of Saint Theresa.
On such evenings Odo, stealing from the tapestry parlour, would seek out
Bruno, who sat by the kitchen hearth with the old hound's nose at his
feet. The kitchen, indeed, on winter nights, was the pleasantest place
in the castle. The fire-light from its great stone chimney shone on the
strings of maize and bunches of dried vegetables that hung from the roof
and on the copper kettles and saucepans ranged along the wall. The wind
raged against the shutters of the unglazed windows, and the
maid-servants, distaff in hand, crowded closer to the blaze, listening
to the songs of some wandering fiddler or to the stories of a
ruddy-nosed Capuchin monk who was being regaled, by the steward's
orders, on a supper of tripe and mulled wine. The Capuchin's tales, told
in the Piedmontese jargon, and seasoned with strange allusions and
boisterous laughter, were of little interest to Odo, who would creep
into the ingle beside Bruno and beg for some story of his ancestors. The
old man was never weary of rehearsing the feats and gestures of the
lords of Donnaz, and Odo heard again and again how they had fought the
savage Switzers north of the Alps and the Dauphin's men in the west; how
they had marched with Savoy against Montferrat and with France against
the Republic of Genoa. Better still he liked to hear of the Marquess
Gualberto, who had been the Duke of Milan's ally and had brought home
the great Milanese painter to adorn his banqueting-room at Donnaz. The
lords of Donnaz had never been noted for learning, and Odo's grandfather
was fond of declaring that a nobleman need not be a scholar; but the
great Marquess Gualberto, if himself unlettered, had been the patron of
poets and painters and had kept learned clerks to write down the annals
of his house on parchment painted by the monks. These annals were locked
in the archives, under Don Gervaso's care; but Odo learned from the old
servant that some of the great Marquess's books had lain for years on an
upper shelf in the vestry off the chapel; and here one day, with Bruno's
aid, the little boy dislodged from a corner behind the missals and
altar-books certain sheepskin volumes clasped in blackened silver. The
comeliest of these, which bore on their title-page a dolphin curled
about an anchor, were printed in unknown characters; but on opening the
smaller volumes Odo felt the same joyous catching of the breath as when
he had stepped out on the garden-terrace at Pianura. For here indeed
were gates leading to a land of delectation: the country of the giant
Morgante, the enchanted island of Avillion, the court of the Soldan and
the King's palace at Camelot.
In this region Odo spent many blissful hours. His fancy ranged in the
wake of heroes and adventurers who, for all he knew, might still be
feasting and fighting north of the Alps, or might any day with a blast
of their magic horns summon the porter to the gates of Donnaz. Foremost
among them, a figure towering above even Rinaldo, Arthur and the Emperor
Frederic, was that Conrad, father of Conradin, whose sayings are set
down in the old story-book of the Cento Novelle, "the flower of gentle
speech." There was one tale of King Conrad that the boy never forgot:
how the King, in his youth, had always about him a company of twelve
lads of his own age; how when Conrad did wrong, his governors, instead
of punishing him, beat his twelve companions; and how, on the young
King's asking what the lads were being punished for, the pedagogues
replied:
"For your Majesty's offences."
"And why do you punish my companions instead of me?"
"Because you are our lord and master," he was told.
At this the King fell to thinking, and thereafter, it is said, in pity
for those who must suffer in his stead he set close watch on himself,
lest his sinning should work harm to others. This was the story of King
Conrad; and much as Odo loved the clash of arms and joyous feats of
paladins rescuing fair maids in battle, yet Conrad's seemed to him, even
then, a braver deed than these.
In March of the second year the old Marquess, returning from Turin, was
accompanied, to the surprise of all, by the fantastical figure of an
elderly gentleman in the richest travelling dress, with one of the new
French toupets, a thin wrinkled painted face, and emitting with every
movement a prodigious odour of millefleurs. This visitor, who was
attended by his French barber and two or three liveried servants, the
Marquess introduced as the lord of Valdu, a neighbouring seigneurie of
no great account. Though his lands marched with the Marquess's, it was
years since the Count had visited Donnaz, being one of the King's
chamberlains and always in attendance on his Majesty; and it was amazing
to see with what smirks and grimaces, and ejaculations in Piedmontese
French, he complimented the Marchioness on her appearance, and exclaimed
at the magnificence of the castle, which must doubtless have appeared to
him little better than a cattle-grange. His talk was unintelligible to
Odo, but there was no mistaking the nature of the glances he fixed on
Donna Laura, who, having fled to her room on his approach, presently
descended in a ravishing new sacque, with an air of extreme surprise,
and her hair curled (as Odo afterward learned) by the Count's own
barber.
Odo had never seen his mother look handsomer. She sparkled at the
Count's compliments, embraced her father, playfully readjusted her
mother's coif, and in the prettiest way made their excuses to the Count
for the cold draughts and bare floors of the castle. "For having lived
at court myself," said she, "I know to what your excellency is
accustomed, and can the better value your condescension in exposing
yourself, at this rigorous season, to the hardships of our
mountain-top."
The Marquess at this began to look black, but seeing the Count's
pleasure in the compliment, contented himself with calling out for
dinner, which, said he, with all respect to their visitor, would stay
his stomach better than the French kick-shaws at his Majesty's table.
Whether the Count was of the same mind, it was impossible to say, though
Odo could not help observing that the stewed venison and spiced boar's
flesh seemed to present certain obstacles either to his jaws or his
palate, and that his appetite lingered on the fried chicken-livers and
tunny-fish in oil; but he cast such looks at Donna Laura as seemed to
declare that for her sake he would willingly have risked his teeth on
the very cobblestones of the court. Knowing how she pined for company,
Odo was not surprised at his mother's complaisance; yet wondered to see
the smile with which she presently received the Count's half-bantering
disparagement of Pianura. For the duchy, by his showing, was a place of
small consequence, an asylum of superannuated fashions; whereas no
Frenchman of quality ever visited Turin without exclaiming on its
resemblance to Paris, and vowing that none who had the entree of
Stupinigi need cross the Alps to see Versailles. As to the Marquess's
depriving the court of Donna Laura's presence, their guest protested
against it as an act of overt disloyalty to the sovereign; and what most
surprised Odo, who had often heard his grandfather declaim against the
Count as a cheap jackanapes that hung about the court for what he could
make at play, was the indulgence with which the Marquess received his
visitor's sallies. Father and daughter in fact vied in amenities to the
Count. The fire was kept alight all day in his rooms, his Monsu waited
on with singular civility by the steward, and Donna Laura's own woman
sent down by her mistress to prepare his morning chocolate.
Next day it was agreed the gentlemen should ride to Valdu; but its lord
being as stiff-jointed as a marionette, Donna Laura, with charming tact,
begged to be of the party, and thus enabled him to attend her in her
litter. The Marquess thereupon called on Odo to ride with him; and
setting forth across the mountain they descended by a long defile to the
half-ruined village of Valdu. Here, for the first time, Odo saw the
spectacle of a neglected estate, its last penny wrung from it for the
absent master's pleasure by a bailiff who was expected to extract his
pay from the sale of clandestine concessions to the tenants. Riding
beside the Marquess, who swore under his breath at the ravages of the
undyked stream and the sight of good arable land run wild and choked
with underbrush, the little boy obtained a precocious insight into the
evils of a system which had long outlived its purpose, and the idea of
feudalism was ever afterward embodied for him in his glimpse of the
peasants of Valdu looking up sullenly from their work as their suzerain
and protector thrust an unfamiliar painted smile between the curtains of
his litter.
What his grandfather thought of Valdu (to which the Count on the way
home referred with smirking apologies as the mountain-lair of his
barbarous ancestors) was patent enough even to Odo's undeveloped
perceptions; but it would have required a more experienced understanding
to detect the motive that led the Marquess, scarce two days after their
visit, to accord his daughter's hand to the Count. Odo felt a shock of
dismay on learning that his beautiful mother was to become the property
of an old gentleman whom he guessed to be of his grandfather's age, and
whose enamoured grimaces recalled the antics of her favourite monkey,
and the boy's face reflected the blush of embarrassment with which Donna
Laura imparted the news; but the children of that day were trained to a
passive acquiescence, and had she informed him that she was to be
chained in the keep on bread and water, Odo would have accepted the fact
with equal philosophy. Three weeks afterward his mother and the old
Count were married in the chapel of Donnaz, and Donna Laura, with many
tears and embraces, set out for Turin, taking her monkey but leaving her
son behind. It was not till later that Odo learned of the social usage
which compelled young widows to choose between remarriage and the
cloister; and his subsequent views were unconsciously tinged by the
remembrance of his mother's melancholy bridal.
Her departure left no traces but were speedily repaired by the coming of
spring. The sun growing warmer, and the close season putting an end to
the Marquess's hunting, it was now Odo's chief pleasure to carry his
books to the walled garden between the castle and the southern face of
the cliff. This small enclosure, probably a survival of medieval
horticulture, had along the upper ledge of its wall a grass walk
commanding the flow of the stream, and an angle turret that turned one
slit to the valley, the other to the garden lying below like a tranquil
well of scent and brightness: its box trees clipped to the shape of
peacocks and lions, its clove pinks and simples set in a border of
thrift, and a pear tree basking on its sunny wall. These pleasant
spaces, which Odo had to himself save when the canonesses walked there
to recite their rosary, he peopled with the knights and ladies of the
novelle, and the fantastic beings of Pulci's epic: there walked the Fay
Morgana, Regulus the loyal knight, the giant Morgante, Trajan the just
Emperor and the proud figure of King Conrad; so that, escaping thither
from the after-dinner dullness of the tapestry parlour, the boy seemed
to pass from the most oppressive solitude to a world of warmth and
fellowship.
Content of BOOK I - THE OLD ORDER: CHAPTER 5 [Edith Wharton's novel: The Valley Of Decision]
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