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Peck's Sunshine, a fiction by George W. Peck |
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The Girl That Was Hugged To Death |
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_ We are sorry to see so many of the humorous papers find any fun in the incident of the girl at Keokuk who was hugged to death by her lover. He had proposed to her, in her father's parlor, and she had accepted him, and in a moment of ecstacy he hugged her to his breast, and she died at once. The young man was horror stricken, and called her parents. It is supposed that she died of heart disease. The case was very sad, indeed, and papers should not make fun of an occurrence that brings so much sadness. However, while this case is fresh in the minds of old and young, we will embrace the opportunity, and embrace it gently, for fear we will kill it, to again impress upon young people what we have so often advised, and that is to be unusually careful about how they hug girls. Many a young man hugs a girl almost to death, and he never knows how near he comes to being a murderer. Girls now-a-days are not what they used to be when you and I were young, Maggie. They cannot stand as much grief now as girls did twenty years ago. Somehow, they don't seem to be put up for hugging. If a man puts his arm around a seven-teen-year-old girl of the present day, and sort of closes in on the belt, he expects to hear something break. Many a humane man lets go before he has got a girl half hugged because the girl looks so frail that he is afraid he will break her in two. Of course there are exceptions to the frail girls, but the majority are too much like a bundle of asparagus. Some of the girls of the present day are robust, and seem to be offended if a person lets up on the hugging on their account, and it is said they hug back with a vigor which reminds a man of the days of long ago, but they are few and far between. Too much care cannot be exercised in putting arms around the young girls of to-day, and we would wish to impress this fact upon the minds of the young men who are just coming upon the stage of action. Of course, men along in years do not need advice. The boys are apt to put more force into the right arm than they are aware of, a hundred per cent, more than they would be apt to do in sawing wood, or in carrying up a scuttle of coal. They should bear in mind that girls are too valuable to be used in developing the muscles, as you would a gymnasium. You don't have to squeeze a girl till her liver is forced from its normal position, and she chokes and catches her breath, to show her that you love her. A gentle squeeze of the hand, the stealing of the arm around her waist when she is not looking, and the least pressure upon her belt is all that the law requires. She can tell by your face whether you love her, as you sit there in the twilight looking into the guiding star eyes, as well as though you grabbed her as you would a sack of wheat, and hung on like a dog to a root.
There is one way to settle this matter, and that is when she plays Hamlet. Let the stage manager put a large spider in the skull of Yorick, and when Hamlet takes up the skull and says, "Alas, poor Yorick, I was pretty solid with him," let the spider crawl out of one of the eye holes onto Hamlet's hand, and proceed to walk up Miss Dickinson's sleeve. If Hamlet simply shakes the spider off, and goes on with the funeral, unconcerned, then Miss Dickinson is a man. But if Hamlet screams bloody murder, throws the skull at the grave digger, falls over into the grave, tears his shirt, jumps out of the grave and shakes his imaginary skirts, gathers them all up in his hands and begins to climb up the scenes like a Samantha cat chased by a dog, and gets on top of the first fly and raises Hamlet's back and spits, then Miss Dickinson is a woman. The country will watch eagerly for the result of the test, which we trust will be made at the Boston Theatre next week. _ |
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