Home > Authors Index > Robert W. Chambers > Fighting Chance > This page
The Fighting Chance, a novel by Robert W. Chambers |
||
Chapter 5. A Winning Loser |
||
< Previous |
Table of content |
Next > |
________________________________________________
_ CHAPTER V. A WINNING LOSER The week passed swiftly, day after day echoing with the steady fusillade from marsh to covert, from valley to ridge. Guns flashed at dawn and dusk along the flat tidal reaches haunted of black mallard and teal; the smokeless powder cracked through alder swamp and tangled windfall where the brown grouse burst away into noisy blundering flight; where the woodcock, wilder now, shrilled skyward like feathered rockets, and the big northern hares, not yet flecked with snowy patches of fur, loped off into swamps to the sad undoing of several of the younger setters. There was a pheasant drive at Black Fells to which the Ferralls' guests were bidden by Beverly Plank--a curious scene, where ladies and gentlemen stood on a lawn, backed by an army of loaders and gun-bearers, while another improvised army of beaters drove some thousands of frightened, bewildered, homeless foreign pheasants at the guns. And the miserable aliens that escaped the guns were left to perish in the desolation of a coming winter which they were unfitted to withstand. So the first week of the season sped gaily, ending on Saturday with a heavy flight of northern woodcock and an uproarious fusillade among the silver birches. Once Ferrall loaded two motor cars with pioneers for a day beyond his own boundaries; and one day was spent ingloriously with the beagles; but otherwise the Shotover estate proved more than sufficient for good bags or target practice, as the skill of the sportsmen developed. Lord Alderdene, good enough on snipe and cock, was driven almost frantic by the ruffed grouse; Voucher did better for a day or two, and then lost the knack; Marion Page attended to business in her cool and thorough style, and her average on the gun-room books was excellent, and was also adorned with clever pen-and-ink sketches by Siward. Leroy Mortimer had given up shooting and established himself as a haunter of cushions in sunny corners. Tom O'Hara had gone back to Lenox; Mrs. Vendenning to Hot Springs. Beverly Plank, master of Black Fells, began to pervade the house after a tentative appearance; and he and Major Belwether pottered about the coverts, usually after luncheon--the latter doing little damage with his fowling-piece, and nobody knew how much with his gossiping tongue. Quarrier appeared in the field methodically, shot with judgment, taking no chances for a brilliant performance which might endanger his respectable average. As for the Page boys, they kept the river ducks stirring whenever Eileen Shannon and Rena Bonnesdel could be persuaded to share the canoes with them. Otherwise they haunted the vicinity of those bored maidens, suffering snubs sorrowfully, but persistently faithful. They were a great nuisance in the evening, especially as their sister did not permit them to lose more than ten dollars a day at cards. Cards--that is Bridge and Preference--ruled as usual; and the latter game being faster suited Mortimer and Ferrall, but did not aid Siward toward recouping his Bridge losses. Noticing this, late in the week, Major Belwether kindly suggested Klondyke for Siward's benefit, which proved more quickly disastrous to him than anything yet proposed; and he went back to Bridge, preferring rather to "carry" Agatha Caithness at intervals than crumble into bankruptcy under the sheer deadly hazard of Klondyke. Two matters occupied him; since "cup day" he had never had another opportunity to see Sylvia Landis alone; that was the first matter. He had touched neither wine nor spirits nor malt since the night Ferrall had found him prone, sprawling in a stupor on his disordered bed. That was the second matter, and it occupied him, at times required all his attention, particularly when the physical desire for it set in, steadily, mercilessly, mounting inexorably like a tide. ... But, like the tide, it ebbed at last, particularly when a sleepless night had exhausted him. He had gone back to his shooting again after a cool review of the ethics involved. It even amused him to think that the whimsical sermon delivered him by a girl who had cleverness enough to marry many millions, with Quarrier thrown in, could have so moved him to sentimentality. He had ceded the big cup of antique silver to Quarrier, too--a matter which troubled him little, however, as in the irritation of the reaction he had been shooting with the brilliancy of a demon; and the gun-room books were open to any doubting guests' inspection. Time, therefore, was never heavy on his hands, save when the tide threatened--when at night he stirred and awoke, conscious of its crawling advance, aware of its steady mounting menace. Moments at table, when the aroma of wine made him catch his breath, moments in the gun-room redolent of spicy spirits; a maddening volatile fragrance clinging to the card-room, too! Yes, the long days were filled with such moments for him. But afield the desire faded; and even during the day, indoors, he shrugged desire aside. It was night that he dreaded--the long hours, lying there tense, stark-eyed, sickened with desire. As for Sylvia, she and Grace Ferrall had taken to motoring, driving away into the interior or taking long flights north and south along the coast. Sometimes they took Quarrier, sometimes, when Mrs. Ferrall drove, they took in ballast in the shape of a superfluous Page boy and a girl for him. Once Grace Ferrall asked Siward to join them; but no definite time being set, he was scarcely surprised to find them gone when he returned from a morning on the snipe meadows. And Sylvia, leagues away by that time, curled up in the tonneau beside Grace Ferrall, watched the dark pines flying past, cheeks pink, eyes like stars, while the rushing wind drove health into her and care out of her--cleansing, purifying, overwhelming winds flowing through and through her, till her very soul within her seemed shining through the beauty of her eyes. Besides, she had just confessed.
"Yes--a number of times. He was silly enough to do it, and I let him." "Did--did he say--" "I don't know what he said; I was all nerves--confused--scared--a perfect stick in fact! ... I don't believe he'd care to try again." Then Mrs. Ferrall deliberately settled down in her furs to extract from the girl beside her every essential detail; and the girl, frank at first, grew shy and silent--reticent enough to worry her friend into a silence which lasted a long while for a cheerful little matron of her sort. Presently they spoke of other matters--matters interesting to pretty women with much to do in the coming winter between New York, Hot Springs, and Florida; surmises as to dinners, dances, and the newcomers in the younger sets, and the marriages to be arranged or disarranged, and the scandals humanity is heir to, and the attitude of the bishop toward divorce. And the new pavillion to be built for Saint Berold's Hospital, and the various states of the various charities each was interested in, and the chances of something new at the opera, and the impossibility of saving Fifth Avenue from truck traffic, and the increasing importance of Washington as a social centre, and the bad manners of a foreign ambassador, and the better manners of another diplomat, and the lack of discrimination betrayed by our ambassador to a certain great Power in choosing people for presentation at court, and the latest unhappy British-American marriage, and the hopelessness of the French as decent husbands, and the recent accident to the Claymores' big yacht, and the tendency of well-born young men toward politics, and the anything but distinguished person of Lord Alderdene, which was, however, vastly superior to the demeanour and person of others of his rank recently imported, and the beauty of Miss Caithness, and the chance that Captain Voucher had if Leila Mortimer would let him alone, and the absurdity of the Page twins, and the furtive coarseness of Leroy Mortimer and his general badness, and the sadness of Leila Mortimer's lot when she had always been in love with other people,--and a little scandalous surmise concerning Tom O'Hara, and the new house on Seventy-ninth Street building for Mrs. Vendenning, and that charming widow's success at last year's horse show--and whether the fashion of the function was reviving, and whether Beverly Plank had completely broken into the social sets he had besieged so long, or whether a few of the hunting and shooting people merely permitted him to drive pheasants for them, and why Katharyn Tassel made eyes at him, having sufficient money of her own to die unwed, and--and--and then, at last, as the big motor car swung in a circle at Wenniston Cross-Roads, and poked its brass and lacquer muzzle toward Shotover, the talk swung back to Siward once more--having travelled half the world over to find him. "He is the sweetest fellow with his mother," sighed Grace; "and that counts heavily with me. But there's trouble ahead for her--sorrow and trouble enough for them both, if he is a true Siward." "Heredity again!" said Sylvia impatiently. "Isn't he man enough to win out? I'll bet you he settles down, marries, and--" "Marries? Not he! How many girls do you suppose have believed that--were justified in believing he meant anything by his attractive manner and nice ways of telling you how much he liked you? He had a desperate affair with Mrs. Mortimer--innocent enough I fancy. He's had a dozen within three years; and in a week Rena Bonnesdel has come to making eyes at him, and Eileen gives him no end of chances which he doesn't see. As for Marion Page, the girl had been on the edge of loving him for years! You laugh? But you are wrong; she is in love with him now as much as she ever can be with anybody." "You mean--" "Yes I do. Hadn't you suspected it?" And as Sylvia had suspected it she remained silent. "If any woman in this world could keep him to the mark, she could," continued Mrs. Ferrall. "He's a perfect fool not to see how she cares for him." Sylvia said: "He is indeed." "It would be a sensible match, if she cared to risk it, and if he would only ask her. But he won't." "Perhaps," ventured Sylvia, "she'll ask him. She strikes me as that sort. I do not mean it unkindly--only Marion is so tailor-made and cigaretteful--" Mrs. Ferrall looked up at her. "Did he propose to you?" "Yes--I think so." "Then it's the first time for him. He finds women only too willing to play with him as a rule, and he doesn't have to be definite. I wonder what he meant by being so definite with you?" "I suppose he meant marriage," said Sylvia serenely; yet there was the slightest ring in her voice; and it amused Mrs. Ferrall to try her a little further. "Oh, you think he really intended to commit himself?" "Why not?" retorted Sylvia, turning red. "Do you think he found me over-willing, as you say he finds others?" "You were probably a new sensation for him," inferred Mrs. Ferrall musingly. "You mustn't take him seriously, child--a man with his record. Besides, he has the same facility with a girl that he has with everything else he tries; his pen--you know how infernally clever he is; and he can make good verse, and write witty jingles, and he can carry home with him any opera and play it decently, too, with the proper harmonies. Anything he finds amusing he is clever with--dogs, horses, pen, brush, music, women"--that was too malicious, for Sylvia had flushed up painfully, and Grace Ferrall dropped her gloved hand on the hand of the girl beside her: "Child, child," she said, "he is not that sort; no decent man ever is unless the girl is too." Sylvia, sitting up very straight in her furs, said: "He found me anything but difficult--if that's what you mean." "I don't. Please don't be vexed, dear. I plague everybody when I see an opening. There's really only one thing that worries me about it all." "What is that?" asked Sylvia without interest. "It's that you might be tempted to care a little for him, which, being useless, might be unwise." "I am ... tempted." "Not seriously!" "I don't know." She turned in a sudden nervous impatience foreign to her. "Howard Quarrier is too perfectly imperfect for me. I'm glad I've said it. The things he knows about and doesn't know have been a revelation in this last week with him. There is too much surface, too much exterior admirably fashioned. And inside is all clock-work. I've said it; I'm glad I have. He seemed different at Newport; he seemed nice at Lenox. The truth is, he's a horrid disappointment--and I'm bored to death at my brilliant prospects." The low whizzing hum of the motor filled a silence that produced considerable effect upon Grace Ferrall. And, after mastering her wits, she said in a subdued voice: "Of course it's my meddling." "Of course it isn't. I asked your opinion, but I knew what I was going to do. Only, I did think him personally possible--which made the expediency, the mercenary view of it easier to contemplate." She was becoming as frankly brutal as she knew how to be, which made the revolt the more ominous. "You don't think you could endure him for an hour or two a day, Sylvia?" "It is not that," said the girl almost sullenly. "But--" "I'm afraid of myself--call it inherited mischief if you like! If I let a man do to me what Mr. Siward did when I was only engaged to Howard, what might I do--" "You are not that sort!" said Mrs. Ferrall bluntly. "Don't be exotic, Sylvia." "How do you know--if I don't know? Most girls are kissed; I--well I didn't expect to be. But I was! I tell you, Grace, I don't know what I am or shall be. I'm unsafe; I know that much." "It's moral and honest to realize it," said Mrs. Ferrall suavely; "and in doing so you insure your own safety. Sylvia dear, I wish I hadn't meddled; I'm meddling some more I suppose when I say to you, don't give Howard his conge for the present. It is a horridly common thing to dwell upon, but Howard is too materially important to be cut adrift on the impulse of the moment." "I know it." "You are too clever not to. Consider the matter wisely, dispassionately, intelligently, dear; then if by April you simply can't stand it--talk the thing over with me again," she ended rather vaguely and wistfully; for it had been her heart's desire to wed Sylvia's beauty and Quarrier's fortune, and the suitability of the one for the other was apparent enough to make even sterner moralists wobbly in their creed. Quarrier, as a detail of modern human architecture, she supposed might fit in somewhere, and took that for granted in laying the corner stone for her fairy palace which Sylvia was to inhabit. And now!--oh, vexation!--the neglected but essentially constructive detail of human architecture had buckled, knocking the dream palace and its princess and its splendour about her ears. "Things never happen in real life," she observed plaintively; "only romances have plots where things work out. But we people in real life, we just go on and on in a badly constructed, plotless sort of way with no villains, no interesting situations, no climaxes, no ensemble. No, we grow old and irritable and meaner and meaner; we lose our good looks and digestions, and we die in hopeless discord with the unity required in a dollar and a half novel by a master of modern fiction." "But some among us amass fortunes," suggested Sylvia, laughing. "But we don't live happy ever after. Nobody ever had enough money in real life." "Some fall in love," observed Sylvia, musing. "And they are not content, silly!" "Why? Because nobody ever had enough love in real life," mocked Sylvia. "You have said it, child. That is the malady of the world, and nobody knows it until some pretty ninny like you babbles the truth. And that is why we care for those immortals in romance, those fortunate lovers who, in fable, are given and give enough of love; those magic shapes in verse and tale whose hearts are satisfied when the mad author of their being inks his last period and goes to dinner." Sylvia laughed awhile, then, chin on wrist, sat musing there, muffled in her furs. "As for love, I think I should be moderate in the asking, in the giving. A little--to flavour routine--would be sufficient for me I fancy." "You know so much about it," observed Mrs. Ferrall ironically. "I am permitted to speculate, am I not?" "Certainly. Only speculate in sound investments, dear." "How can you make a sound investment in love? Isn't it always sheerest speculation?" "Yes, that is why simple matrimony is usually a safer speculation than love." "Yes, but--love isn't matrimony." "Match that with its complementary platitude and you have the essence of modern fiction," observed Mrs. Ferrall. "Love is a subject talked to death, which explains the present shortage in the market I suppose. You're not in love and you don't miss it. Why cultivate an artificial taste for it? If it ever comes naturally, you'll be astonished at your capacity for it, and the constant deterioration in quantity and quality of the visible supply. Goodness! my epigrams make me yawn--or is it age and the ill humour of the aged when the porridge spills over on the family cat?" "I am the cat, I suppose," asked Sylvia, laughing. "Yes you are--and you go tearing away, back up, fur on end, leaving me by the fire with no porridge and only the aroma of the singeing fur to comfort me. ... Still there's one thing to comfort me." "What?" "Kitty-cats come back, dear." "Oh, I suppose so. ... Do you believe I could induce him to wear his hair any way except pompadour? ... and, dear, his beard is so dreadfully silky. Isn't there anything he could take for it?" "Only a razor I'm afraid. Those long, thick, soft, eyelashes of his are ominous. Eyes of that sort ruin a man for my taste. He might just as reasonably wear my hat." "But he can't follow the fashions in eyes," laughed Sylvia. "Oh, this is atrocious of us--it is simply horrible to sit here and say such things. I am cold-blooded enough as it is--material enough, mean, covetous, contemptible--" "Dear!" said Grace Ferrall mildly, "you are not choosing a husband; you are choosing a career. To criticise his investments might be bad taste; to be able to extract what amusement you can out of Howard is a direct mercy from Heaven. Otherwise you'd go mad, you know." "Grace! Do you wish me to marry him?" "What is the alternative, dear?" "Why, nothing--self-respect, dowdiness, and peace." "Is that all?" "All I can see." "Not Stephen Siward?" "To marry? No. To enjoy, yes. ... Grace, I have had such a good time with him; you don't know! He is such a boy--sometimes; and I--I believe that I am rather good for him. ... Not that I'd ever again let him do that sort of thing. ... Besides, his curiosity is quenched; I am the sort he supposed. Now he's found out he will be nice. ... It's been days since I've had a talk with him. He tried to, but I wouldn't. Besides, the major has said nasty things about him when Howard was present; nothing definite, only hints, smiling silences, innuendoes on the verge of matters rather unfit; and I had nothing definite to refute. I could not even appear to understand or notice--it was all done in such a horridly vague way. But it only made me like him; and no doubt that actress he took to the Patroons is better company than he finds in nine places out of ten among his own sort." "Oh," said Grace Ferrall slowly, "if that is the way you feel, I don't see why you shouldn't play with Mr. Siward whenever you like." "Nor I. I've been a perfect fool not to. ... Howard hates him." "How do you know?" "What a question! A woman knows such things. Then, you remember that caricature--so dreadfully like Howard? Howard has no sense of humour; he detests such things. It was the most dreadful thing that Mr. Siward could have done to him." "Meddled again!" groaned Grace. "Doesn't Howard know that I did that?" "Yes, but nothing I can say alters his conviction that the likeness was intended. You know it was a likeness! And if Mr. Siward had not told me that it was not intended, I should never have believed it to be an accident." After a prolonged silence Sylvia said, overcarelessly: "I don't quite understand Howard. With me anger lasts but a moment, and then I'm open to overtures for peace ... I think Howard's anger lasts." "It does," said Grace. "He was a muff as a boy--a prig with a prig's memory under all his shallow, showy surface. I'm frank with you; I never could take my cousin either respectfully or seriously, but I've known him to take his own anger so seriously that years after he has visited it upon those who had really wronged him. And he is equipped for retaliation if he chooses. That fortune of his reaches far. ... Not that I think him capable of using such a power to satisfy a mere personal dislike. Howard has principles, loads of them. But--the weapon is there." "Is it true that Mr. Siward is interested in building electric roads?" asked Sylvia curiously. "I don't know, child. Why?" "Nothing. I wondered." "Why?" "Mr. Mortimer said so." "Then I suppose he is. I'll ask Kemp if you like. Why? Isn't it all right to build them?" "I suppose so. Howard is in it somehow. In fact Howard's company is behind Mr. Siward's, I believe." Grace Ferrall turned and looked at the girl beside her, laughing outright. "Oh, Howard doesn't do mysterious financial things to nice young men because they draw impudent pictures of him running after his dog--or for any other reason. That, dear, is one of those skilfully developed portions of an artistic plot; and plots exist only in romance. So do villains; and besides, my cousin isn't one. Besides that, if Howard is in that thing, no doubt Kemp and I are too. So your nice young man is in very safe company." "You draw such silly inferences," said Sylvia coolly; but there was a good deal of colour in her cheeks; and she knew it and pulled her big motor veil across her face, fastening it under her chin. All of which amused Grace Ferrall infinitely until the subtler significance of the girl's mental processes struck her, sobering her own thoughts. Sylvia, too, had grown serious in her preoccupation; and the partie-a-deux terminated a few minutes later in a duet of silence over the tea-cups in the gun-room. The weather had turned warm and misty; one of those sudden sea-coast changes had greyed the blue in the sky, spreading a fine haze over land and water, effacing the crisp sparkle of the sea, dulling the westering sun. A few moments later Sylvia, glancing over her shoulder, noticed that a fine misty drizzle had clouded the casements. That meant that her usual evening stroll on the cliffs with Quarrier, before dressing for dinner, was off. And she drew a little breath of unconscious relief as Marion Page walked in, her light woollen shooting-jacket, her hat, shoes, and the barrels of the fowling-piece tucked under her left arm-pit, all glimmering frostily with powdered rain drops. She said something to Grace Ferrall about the mist promising good point-shooting in the morning, took the order book from a servant, jotted down her request to be called an hour before sunrise, filled in the gun-room records with her score--the species and number bagged, and the number of shells used--and accepting the tea offered, drew out a tiny cigarette-case of sweet-bay wood heavily crusted with rose-gold. "With whom were you shooting?" asked Grace, as Marion dropped one well-shaped leg over the other and wreathed her delicately tanned features in smoke. "Stephen Siward and Blinky. They're at it yet, but I had some letters to write." She glanced leisurely at Sylvia and touched the ash-tray with the whitening end of her cigarette. "That dog you let Mr. Siward have is a good one. I'm taking him to Jersey next week for the cock-shooting." Sylvia returned her calm gaze blankly. An unreasonable and disagreeable shock had passed through her. "My North Carolina pointers are useless for close work," observed Marion indifferently; and she leaned back, watching the blue smoke curling upward from her cigarette. Sylvia, distrait, but with downcast eyes on fire under the fringed lids, was thinking of the cheque Siward had given her for Sagamore. The transaction, for her, had been a business one on the surface only. She had never meant to use the cheque. She had laid it away among a few letters, relics, pleasant souvenirs of the summer. To her the affair had been softened by a delicate hint of intimacy,--the delight he was to take in something that had once been hers had given her a faint taste of the pleasure of according pleasure to a man. And this is what he had done! The drizzle had turned to fog, through which rain was now pelting the cliffs; people were returning from the open; a motor-car came whizzing into the drive, and out of it tumbled Rena and Eileen and the faithful Pages, the girls irritable and ready for tea, and the boys like a pair of eager, wagging, setter puppies, pleased with everything and everybody, utterly oblivious to the sombre repose brooding above the tea-table. Their sister calmly refused them the use of her cigarettes. Eileen presented her pretty shoulder, Rena nearly yawned at them, but, nothing dampened, they recounted a number of incidents with reciprocal enthusiasm to Sylvia, who was too inattentive to smile, and to Grace Ferrall, who smiled the more sweetly through sheer inattention. Then Alderdene came in, blinking a greeting through his foggy goggles, sloppy, baggy, heavy shoes wheezing, lingered in the vicinity long enough to swallow his "peg" and acquire a disdainful opinion of his shooting from Marion, and then took himself off, leaving the room noisy with his laugh, which resembled the rattle of a startled kingfisher. In ones and twos the guests reported as the dusk-curtained fog closed in on Shotover. Quarrier came, dry as a chip under his rain-coat, but his silky beard was wet with rain, and moisture powdered his long, soft eyelashes and white skin; and his flexible, pointed fingers, as he drew off his gloves, seemed startling in their whiteness through the gathering gloom. "I suppose our evening walk is out of the question," he said, standing by Sylvia, who had nodded a greeting and then turned her head rather hastily to see who had entered the room. It was Siward, only a vague shape in the gloom, but perfectly recognisable to her. At the same moment Marion Page rose leisurely and strolled toward the billiard-room. "Our walk?" repeated Sylvia absently--"it's raining, you know." Yet only a day or two ago she had walked to church with Siward through the rain, the irritated Major feeling obliged to go with them. Her eyes followed Siward's figure, suddenly dark against the door of the lighted billiard-room, then brilliantly illuminated, as he entered, nodded acceptance to Mortimer's invitation, and picked up the cue just laid aside by Agatha Caithness, who had turned to speak to Marion. Then Mortimer's bulk loomed nearer; voices became gay and animated in the billiard-room. Siward's handsome face was bent toward Agatha Caithness in gay challenge; Mortimer's heavy laugh broke out; there came the rattle of pool-balls, and the dull sound of cue-butts striking the floor; then, crack! and the game began, with Marion Page and Siward fighting Mortimer and Miss Caithness for something or other. Quarrier had been speaking for some time before Sylvia became aware of it--something about a brisk walk in the morning somewhere; and she nodded impatiently, watching Marion's supple waist-line as she bent far over the illuminated table for a complicated shot at the enemy. His fiancee's inattention was not agreeable to Quarrier. A dozen things had happened since his arrival which had not been agreeable to him: her failure to meet him at the Fells Crossing, and the reason for her failure; and her informal acquaintance with Siward, whose presence at Shotover he had not looked for, and her sudden intimacy with the man he had never particularly liked, and whom within six months he had come to detest and to avoid. These things--the outrageous liberty Siward had permitted himself in caricaturing him, the mortifying caprice of Sylvia for Siward on the day of the Shotover cup-drive--had left indelible impressions in a cold and rather heavy mind, slow to waste effort in the indulgence of any vital emotion. In a few years indifference to Siward had changed to passive disapproval; that, again, to an emotionless dislike; and when the scandal at the Patroons Club occurred, for the first time in his life he understood what it was to fear the man he disliked. For if Siward had committed the insane imprudence which had cost him his title to membership, he had also done something, knowingly or otherwise, which awoke in Quarrier a cold, slow fear; and that fear was dormant, but present, now, and it, for the time being, dictated his attitude and bearing toward the man who might or might not be capable of using viciously a knowledge which Quarrier believed that he must possess. For that reason, when it was not possible to avoid Siward, his bearing toward him was carefully civil; for that reason he dampened Major Belwether's eagerness to tell everybody all he knew about the shamelessly imprudent girl who had figured with Siward in the scandal, but whose identity the press had not discovered. Silence was always desirable to Quarrier; silence concerning all matters was a trait inborn and congenially cultivated to a habit by him in every affair of life--in business, in leisure, in the methodical pursuits of such pleasures as a limited intellect permitted him, in personal and family matters, in public questions and financial problems. He listened always, but never invited confidences; he had no opinion to express when invited. And he became very, very rich. And over it all spread a thin membrane of vanity, nervous, not intellectual, sensitiveness; for all sense of humour was absent in this man, whose smile, when not a physical effort, was automatically and methodically responsive to certain fixed cues. He smiled when he said "Good morning," when declining or accepting invitations, when taking his leave, when meeting anybody of any financial importance, and when everybody except himself had begun to laugh in a theatre or a drawing-room. This limit to any personal manifestation he considered a generous one. And perhaps it was.
It was not until he had dressed for dinner that he saw her again, seated on the stairs with Marion Page--a new appearance of intimacy for both women, who heretofore had found nothing except a passing civility in common. Marion was discussing dog-breeding with that cool, crude, direct insouciance so unpleasant to some men. Sylvia was attentive, curious, and instinctively shrinking by turns, secretly dismayed at the overplainness of terms employed in kennel lore by the girl at her side. The conversation veered toward the Sagamore pup. Marion explained that Siward was too busy to do any Southern shooting, which was why he was glad to have her polish Sagamore on Jersey woodcock. "I thought it was not good for a dog to be used by anybody except his master," said Sylvia carelessly. "Only second-raters suffer. Besides, I have shot enough, now, with Mr. Siward to use his dog as he does." "He is an agreeable shooting companion, smiled Sylvia. "He is perfect," answered Marion coolly. "The only test for a thoroughbred is the field. He rings true." They exchanged carefully impersonal views on Siward's good qualities for a moment or two; then Marion said bluntly: "Do you know anything in particular about that Patroons Club affair?" "No," said Sylvia, "nothing in particular." "Neither do I; and I don't care to; I mean, that I don't care what he did; and I wish that gossiping old Major would stop trying to hint it to me." "My uncle!" "Oh! I forgot. Beg your pardon, you know, but--" "I'm not offended," observed Sylvia, with a shrug of her pretty, bare shoulders. Marion laughed. "Such a gadabout! Besides, I'm no prude, but he and Leroy Mortimer have no business to talk to unmarried women the way they do. No matter how worldly wise we are, men have no right to suppose we are." "Pooh!" shrugged Sylvia. "I have no patience to study out double-entendre, so it never shocks me. Besides--" She was going to add that she was not at all versed in doubtful worldly wisdom, but decided not to, as it might seem to imply disapproval of Marion's learning. So she went on: "Besides, what have innuendoes to do with Mr. Siward?" "I don't know whether I care to understand them. The Major hinted that the woman--the one who figured in it--is--rather exclusively Mr. Siward's 'property.'" "Exclusively?" repeated Sylvia curiously. "She's a public actress, isn't she?" "If you call the manoeuvres of a newly fledged chorus girl acting, yes, she is. But I don't believe Mr. Siward figures in that unfashionable role. Why, there are too many women of his own sort ready for mischief." Marion turned to Sylvia, her eyes hard with a cynicism quite lost on the other. "That sort of thing might suit Leroy Mortimer, but it doesn't fit Mr. Siward," she concluded, rising as their hostess appeared from above and the butler from below. And all through dinner an indefinitely unpleasant remembrance of the conversation lingered with Sylvia, and she sat silent for minutes at a time, returning to actualities with a long, curious side-glance across at Siward, and an uncomprehending smile of assent for whatever Quarrier or Major Belwether had been saying to her. Cards she managed to avoid after dinner, and stood by Quarrier's chair for half an hour, absently watching the relentless method and steady adherence to rule which characterised his Bridge-playing, the eager, unslaked brutality of Mortimer, the set, selfish face of his pretty wife, the chilled intensity of Miss Caithness. And Grace Ferrall's phrase recurred to her, "Nobody ever has enough money!"--not even these people, whose only worry was to find investment for the surplus they were unable to spend. Something of the meanness of it all penetrated her. Were these the real visages of these people, whose faces otherwise seemed so smooth and human? Was Leila Mortimer aware of the shrillness of her voice? Did Agatha Caithness realise how pinched her mouth and nose had grown? Did even Leroy Mortimer dream how swollen the pouches under his eyes were; how red and puffy his hands, shuffling a new pack; how pendulous and dreadful his red under-lip when absorbedly making up his cards? Instinctively she moved a step forward for a glimpse of Quarrier's face. The face appeared to be a study in blankness. His natural visage was emotionless and inexpressive enough, but this face, from which every vestige of colour had fled, fascinated her with its dead whiteness; and the hair brushed high, the long, black lashes, the silky beard, struck her as absolutely ghastly, as though they had been glued to a face of wax. She turned on her heel, restless, depressed, inclined for companionship. The Page boys had tempted Rena and Eileen to the billiard-room; Voucher, Alderdene, and Major Belwether were huddled over a table, immersed in Preference; Katharyn Tassel and Grace Ferrall sat together looking over the announcements of Sylvia's engagement in a batch of New York papers just arrived; Ferrall was writing at a desk, and Siward and Marion were occupied in the former's sketch for an ideal shooting vehicle, to be built on the buckboard principle, with a clever arrangement for dogs, guns, ammunition, and provisions. Siward's profile, as it bent in the lamplight over the paper, was very engaging. The boyish note predominated as he talked while he drew, his eyes now smiling, now seriously intent on the sketch which was developing so swiftly under his facile pencil. Marion's clean-cut blond head was close to his, her supple body twisted in her seat, one bare arm hanging over the back of the chair. Something in her attitude seemed to exclude intrusion; her voice, too, was hushed in comment, though his was pitched in his naturally agreeable key. Sylvia had taken a hesitating step toward them, but halted, turning irresolutely; and suddenly over her crept a sensation of isolation--something of that feeling which had roused her at midnight from her bed and driven her to Grace Ferrall for a refuge from she knew not what. The rustle of her silken dinner gown was scarcely perceptible as she turned. Siward, moving his head slightly, glanced up, then brought his sketch to a brilliant finish. "Don't you think something of this sort is practicable?" he asked pleasantly, including Mrs. Ferrall and Katharyn Tassel in a general appeal which brought them into the circle of two. Grace Ferrall leaned forward, looking over Marion's shoulder, and Siward rose and stepped back, with a quick glance into the hall--in time to catch a glimmer of pale blue and lace on the stairs. "I suppose my cigarettes are in my room as usual," he said aloud to himself, wheeling so that he could not have time to see Marion's offer of her little gold-encrusted case, or notice her quickly raised eyes, bright with suspicion and vexation. For she, too, had observed Sylvia's distant entrance, had been perfectly aware of Siward's cognizance of Sylvia's retreat; and when Siward went on sketching she had been content. Now she could not tell whether he had deliberately and skillfully taken his conge to follow Sylvia, or whether, in his quest for his cigarettes, chance might meddle, as usual. Even if he returned, she could not know with certainty how much of a part hazard had played on the landing above, where she already heard the distant sounds of Sylvia's voice mingling with Siward's, then a light footfall or two, and silence.
"Is it headache, or are you too in quest of cigarettes?" he asked, as he stopped in passing her where she stood, one slender hand on the knob of her door. "I don't smoke, you know," she said, looking up at him with a cool little laugh. "It isn't headache either. I was--boring myself, Mr. Siward." "Is there any virtue in me as a remedy?" "Oh, I have no doubt you have lots of virtues. ... Perhaps you might do as a temporary remedy--first aid to the injured." She laughed again, uncertainly. "But you are on a quest for cigarettes." "And you?" "A rendezvous--with the Sand-Man. ... Good night." "Good night ... if you must say it." "It's polite to say something ... isn't it?" "It would be polite to say, 'With pleasure, Mr. Siward!'" "But you haven't invited me to do anything--not even to accept a cigarette. Besides, you didn't expect to meet me up here?" The trailing accent made it near enough a question for him to say, "Yes, I did." "How could you?" "I saw you leave the room." "You were sketching for Marion Page. Do you wish me to believe that you noticed me--" "--And followed you? Yes, I did follow you." She looked at him, then past him toward a corner of the wide hall where a maid in cap and apron sat pretending to be sewing. "Careful!" she motioned with smiling lips, "servants gossip. ... Good night, again." "Won't you--" "Oh, dear! you mustn't speak so loud," she motioned, with her fresh, sweet lips curving on the edge of that adorable smile once more. "Couldn't we have a moment--" "No--" "One minute--" "Hush! I must open my door"--lingering. "I might come out again, if you have anything particularly important to communicate to me." "I have. There's a big bay-window at the end of the other corridor. Will you come?" But she opened her door, with a light laugh, saying "good night" again, and closed it noiselessly behind her. He walked on, turning into his corridor, but kept straight ahead, passing his own door, on to the window at the end of the hall, then north along a wide passageway which terminated in a bay-window overlooking the roof of the indoor swimming tank. Rain rattled heavily, against the panes and on the lighted roof of opalescent glass below, through which he could make out the shadowy fronds of palms. It appeared that he had cigarettes enough, for he lighted one presently, and, leaving his chair, curled up in the cushioned and pillowed window-seat, gathering his knees together under his arm. The cigarette he had lighted went out. He had bitten into it and twisted it so roughly that it presently crumbled; and he threw the rags of it into a metal bowl, locking his jaws in silence. For the night threatened to be a bad one for him. A heavy fragrance from his neighbour's wine-glass at dinner had stirred up what had for a time lain dormant; and, by accident, something--some sweetmeat he had tasted--was saturated in brandy. Now, his restlessness at the prospect of a blank night had quickened to uneasiness, with a hint of fever tinting his skin, but, as yet, the dull ache in his body was scarcely more than a premonition. He had his own devices for tiding him over such periods--reading, tobacco, and the long, blind, dogged tramps he took in town. But here, to-night, in the rain, one stood every chance of walking off the cliffs; and he was sick of reading himself sightless over the sort of books sent wholesale to Shotover; and he was already too ill at ease, physically, to make smoking endurable. Were it not for a half-defiant, half-sullen dread of the coming night, he might have put it from his mind in spite of the slowly increasing nervous tension and the steady dull consciousness of desire. He drew another Sirdar from his case and sat staring at the rain-smeared night, twisting the frail fragrant cigarette to bits between his fingers. After a while he began to walk monotonously to and fro the length of the corridor, like a man timing his steps to the heavy ache of body or mind. Once he went as far as his own door, entered, and stepping to the wash-basin, let the icy water run over hands and wrists. This sometimes helped to stimulate and soothe him; it did now, for a while--long enough to change the current of his thoughts to the girl he had hoped might have the imprudence to return for a tryst, innocent enough in itself, yet unconventional and unreasonable enough to prove attractive to them both. Probably she wouldn't come; she had kept her fluffy skirts clear of him since Cup Day--which simply corroborated his vague estimate of her. Had she done the contrary, his estimate would have been the same; for, unconsciously but naturally, he had prejudged her. A girl who could capture Quarrier at full noontide, and in the face of all Manhattan, was a girl equipped for anything she dared--though she was probably too clever to dare too much; a girl to be interested in, to amuse and be amused by; a girl to be reckoned with. His restlessness and his fever subdued by the icy water, he stood drying his hands, thinking, coolly, how close he had come to being seriously in love with this young girl, whose attitude was always a curious temptation, whose smile was a charming provocation, whose youth and beauty were to him a perpetual challenge. He admitted to himself, calmly, that he had never seen a woman he cared as much for; that for the brief moment of his declaration he had known an utterly new emotion, which inevitably must have become the love he had so quietly declared it to be. He had never before felt as he felt then, cared as he cared then. Anything had been possible for him at that time--any degree of love, any devotion, any generous renunciation. Clear-sighted, master of himself, he saw love before him, and knew it when he saw it; recognised it, was ready for it, offered it, emboldened by her soft hands so eloquent in his. And in his arms he held it for an instant, he thought, spite of the sudden inertia, spite of the according of cold lips and hands still colder, relaxed, inert; held it until he doubted. That was all; he had been wise to doubt such sudden miracles as that. She, consummate and charming, had soon set him right. And, after all, she liked him; and she had been sure enough of herself to permit the impulse of a moment to carry her with him--a little way, a very little way--merely to the formal symbol of a passion the germ of which she recognised in him. Then she had become intelligent again, with a little laughter, a little malice, a becoming tint of hesitation and confusion; all the sense, all the arts, all the friendly sweetness of a woman thorough in training, schooled in self-possession, clear enough to be audacious and perverse without danger to herself, to the man, or to the main chance. Standing there alone in his lighted room, he wondered whether, had her trained and inbred policy been less precise, less worldly, she might have responded to such a man as he. Perfectly conscious that he had been capable of loving her; aware, too, that his experience had left him on that borderland only through his cool refusal to cross it and face a hopeless battle already lost, he leisurely and mentally took the measure of his own state of mind, and found all well, all intact; found himself still master of his affections, and probably clear-minded enough to remain so under the circumstances. To such a man as he, impulse to love, capacity to love, did not mean instant capsizing with a flop into sentimental tempests, where swamped, ardent and callow youth raises a hysterically selfish clamour for reciprocity or death. His nature partly, partly his character, accounted for this balance; and, in part, a rather wide experience with women of various degrees counted more. So, by instinct and experience, normally temperate, only what was abnormal and inherited might work a mischief in this man. His listlessness, his easy acquiescence, were but consequent upon the self-knowledge of self-control. But mastery of the master-vice required something different; he was sick of a sickness; and because, in this sickness, will, mind, and body are tainted too, reason and logic lack clarity; and, to the signals of danger his reply had always been either overconfident or weak--and it had been always the same reply: "Not yet. There is time." And now, this last week, it had come upon him that the time was now; the skirmish was already on; and it had alarmed him suddenly to find that the skirmish was already a battle, and a rough one.
He could distinguish by their voices, by their laughter and step, the people who were mounting the stairway and lingering for gossip or passing through the various corridors to court the sleep denied him; he heard Mortimer's heavy tread and the soft shuffling step of Major Belwether as they left the elevator; and the patter of his hostess's satin slippers, and her gay "good night" on the stairs. Little by little the tumult died away. Quarrier's measured step came, passed; Marion Page's cool, crisp voice and walk, and the giggle and amble of the twins, and Rena and Eileen,--the last laggards, with Ferrall's brisk, decisive tones and stride to close the procession. He turned and looked grimly at his bed, then, shutting off the lights, he opened his door and went out into the deserted corridor, where the elevator shaft was dark and only the dim night-lights burned at angles in the passageways. He had his rain-coat and cap with him, not being certain of what he might be driven to; but for the present he found the bay-window overlooking the swimming tank sufficient to begin the vigil. Secure from intrusion, as there were no bedrooms on that corridor, he tossed coat and cap into the window-seat, walked to and fro for a while listening to the rain, then sat down, his well-shaped head between his hands. And in silence he faced the Enemy. How long he had sat there he did not know. When he raised his face, all gray and drawn with the tension of conflict, his eyes were not very clear, nor did the figure standing there in the dim light from the hall mean anything for a moment. "Mr. Siward?" in an uncertain voice, almost a whisper. He stood up mechanically, and she saw his face. "Are you ill? What is it?" "Ill? No." He passed his hand over his eyes. "I fancy I was close to the edge of sleep." Some colour came back into his face; he stood smiling now, the significance of her presence dawning on him. "Did you really come?" he asked. "This isn't a very lovely but impalpable astral vision, is it?" "It's horridly imprudent, isn't it?" she murmured, still considering the rather drawn and pallid face of the man before her. "I came out of pure curiosity, Mr. Siward." She glanced about her. He moved a big bunch of hothouse roses so she could pass, and she settled down lightly on the edge of the window-seat. When he had piled some big downy cushions behind her back, she made a quick gesture of invitation. "I have only a moment," she said, as he seated himself beside her. "Part of my curiosity is satisfied in finding you here; I didn't suppose you so faithful." "I can be fairly faithful. What else are you curious about?" "You said you had something important--" "--To tell you? So I did. That was bribery, perjury, false pretences, robbery under arms, anything you will! I only wanted you to come." "That is a shameful confession!" she said; but her smile was gay enough, and she noiselessly shook out her fluffy skirts and settled herself a trifle more deeply among the pillows. "Of course," she observed absently, "you are dreadfully mortified at yourself." "Naturally," he admitted. The patter of the rain attracted her attention; she peered out through the blurred casements into the blackness. Then, picking up his cap and indicating his raincoat, "Why?" she asked. "Oh--in case you hadn't come--" "A walk? By yourself? A night like this on the cliffs! You are not perfectly mad, are you?" "Not perfectly." Her face grew serious and beautiful. "What is the matter, Mr. Siward?" "Things." "Do you care to be more explicit?" "Well," he said, with a humourous glance at her, "I haven't seen you for ages. That's not wholesome for me, you know." "But you see me now; and it does not seem to benefit you." "I feel much better," he insisted, laughing; and her blue eyes grew very lovely as the smile broke from them in uncertain response. "So you had nothing really important to tell me, Mr. Siward?" "Only that I wanted you." "Oh! ... I said important." But he did not argue the question; and she leaned forward, broke a rose from its stem, then sank back a little way among the cushions, looking at him, idly inhaling the hothouse perfume. "Why have you so ostentatiously avoided me, Mr. Siward?" she asked languidly. "Well, upon my word!" he said, with a touch of irritation. "Oh, you are so dreadfully literal!" she shrugged, brushing her straight, sensitive nose with the pink blossom; "I only said it to give you a chance. ... If you are going to be stupid, good night!" But she made no movement to go. ... "Yes, then; I have avoided you. And it doesn't become you to ask why." "Because I kissed you?" "You hint at the true reason so chivalrously, so delicately," she said, "that I scarcely recognise it." The cool mockery of her voice and the warm, quick colour tinting neck and face were incongruous. He thought with slow surprise that she was not yet letter-perfect in her role of the material triumphant over the spiritual. A trifle ashamed, too, he sat silent, watching the silken petals fall one by one as she slowly detached them with delicate, restless lips. "I am sorry I came," she said reflectively. "You don't know why I came, do you? Sheer loneliness, Mr. Siward; there is something of the child in me still, you see. I am not yet sufficiently resourceful to take it out in a quietly tearful obligato; I never learned how to produce tears. ... So I came to you." She had stripped the petals from the rose, and now, tossing the crushed branch from her, she leaned forward and broke from its stem a heavy, perfumed bud, half unfolded. "It seems my fate to pass my life in bidding you good night," she said, straightening up and turning to him with the careless laughter touching mouth and eyes again. Then, resting her weight on one hand, her smooth, white shoulder rounded beside her cheek, she looked at him out of humourous eyes: "What is it that women find so attractive in you? The man's experienced insouciance? The boy's unconscious cynicism? The mystery of your self-sufficiency? The faulty humanity in you? The youth in you already showing traces of wear that hint of future scars? What will you be at thirty-five? At forty? ... Ah," she added softly, "what are you now? For I don't know, and you cannot tell me if you would. ... Out of these little windows called eyes we look at one another, and study surfaces, and try to peep into neighbours' windows. But all is dark behind the windows--always dark, in there where they tell us souls hide." She laid the shell-pink bud against her cheek that matched it, smiling with wise sweetness to herself. "What counts with you?" he asked after a moment. "Counts? How?" "In your affections. What prepossesses you?" She laughed audaciously: "Your traits--some of them--all of them that you reveal. You must be aware of that much already, considering everything--" "Then, what is it I lack? Where do I fail?" "But you don't lack--you don't fail! I ask nothing more of you, Mr. Siward." "A man from whom a woman desires nothing is already convicted of insufficiency. ... You would recognise this very quickly if I made love to you." "Is that the only way I am to discover your insufficiency, Mr. Siward?" "Or my sufficiency. ... Have you enough curiosity to try?" "Oh! I thought you were to try." Then, quickly: "But I think you have already experimented; and I did not notice your shortcomings. So there is no use in pursuing that line of investigation any farther--is there?" And always with her the mischief lay in the trailing upward inflection; in the confused sweetness of her eyes, and their lovely uncertainty. One slim white hand held the rose against her cheek; the other lay idly on her knee, fresh and delicate as a fallen petal; and he laid both hands over it and lifted it between them. "Mr. Siward, I am afraid this is becoming a habit with you." The gay mockery was not quite genuine; the curve of lips too sensitive for a voice so lightly cynical. He smiled, bending there, considering her hand between his; and after a moment her muscles relaxed, and bare round arm and hand lay abandoned to him. "Quite flawless--perfect," he said aloud to himself. "Do you--read hands?" "Vaguely." He touched the smooth palm: "Long life, clear mind, and"--he laughed--"heart supreme over reason! There is written a white lie--but a pretty one." "It is no lie." He laughed again, unconvinced. "It is the truth," she said, seriously insisting and bending sideways above her own hand where it lay in his. "It is a miserable confession to admit it, but I'm afraid intelligence would fight a losing battle with heart if the conflict ever came. You see, I know, having nobody to study except myself all these years. ... There is the proof of it--that selfish, smooth contour, where there should be generosity. Then, look at the tendency of imagination toward mischief!" She laid her right forefinger on the palm of the left hand which he held, and traced the developments arising in the Mount of Hermes. "Is it not a horrid hand, Mr. Siward? I don't know how much you know about palms, but--" She suddenly flushed, and attempted to close her hand, doubling the thumb over. There was a little half-hearted struggle, freeing one of his arms, which fell, settling about her slender waist; a silence, a breathless moment, and he had kissed her. Her lips were warm, this time. She recovered herself, avoiding his eyes, and moved backward, shielding her face with pretty upflung elbows out-turned. "I told you it was becoming a habit with you!" The loud beating of her pulses marred her voice. "Must I establish a dead-line every time I commit the folly of being alone with you?" "I'll draw that line," he said, taking her in his arms. "I--I beg you will draw it quickly, Mr. Siward." "I do; it passes through your heart and mine!" "Is--do you mean a declaration--again? You are compromising yourself, you know. I warn you that you are committing yourself." "So are you. Look at me!" In his arms, her own arms pressed against his breast, resisting, she raised her splendid youthful eyes; and through and through her shot pulse on pulse, until every nerve seemed aquiver. "While I'm still sane," he said with a dry catch in his throat, "before I tell you that I love you, look at me." "I will, if you wish," she said with a trembling smile, "but it is useless--" "That is what I shall find out in time. ... You must meet my eyes. That is well; that is frank and sweet--" "And useless--truly it is. ... Please don't tell me--anything." "You will not listen?" "There is no chance for you--if you mean love. I--I tell you in time, you see. ... I am utterly frivolous--quite selfish and mercenary." "I take my chance!" "No, I give you none! Why do you interfere! A--a girl's policy costs her something if it be worth anything; whatever it costs it is worth it to me. ... And I do not love you. In so short a time how could I?" Then in his arms she fell a-trembling. Something blinded her eyes, and she turned her head sharply, only to encounter his lips on hers in a deep, clinging embrace that left her dazed, still resisting with the fragments of breath and voice. "Not again--I beg--you. Let me go now. It is not best. Oh! truly, truly it is all wrong with us now." She bent her head, blinded with tears, swaying, stunned; then, with a breathless sound, turned in his arms to meet his lips, her hands contracting in his; and, confronting, they paused, suspending the crisis, young faces close, and hearts afire. "Sylvia, I love you." For an instant their lips clung; she had rendered him his kiss. Then, tremblingly, "It is useless ... even though I loved you." "Say it!" "I do." "Say it!" "I--I cannot! ... And it is no use--no use! I do not know myself--this way. My eyes--are wet. It is not like me; there is nothing of me in this girl you hold so closely, so confidently. ... I do care for you--how can I help it? How could any woman help it? Is not that enough?" "Until you are a bride, yes." "A bride? Stephen!--I cannot--" "You cannot help it, Sylvia." "I must! I have my way to go." "My way lies that way." "No! no! I cannot do it; it is not best for me--not best for you. ... I do care for you; you have taught me how to say it. But--you know what I have done--and mean to do, and must carry through. Then, how can you love a girl like that?" "Dear, I know the woman I love." "Silly, she is what her life has made her--material, passionately selfish, unable to renounce the root of all evil. ... Even if this--this happiness were ours always--I mean, if this madness could last our wedded life--I am not good enough, not noble enough, to forget what I might have had, and put away. ... Is it not dreadful to admit it? Do you not know that self-contempt is part of the price? ... I have no money. I know what you have. ... I asked. And it is enough for a man who remains unmarried. ... For I cannot 'make things do'; I cannot 'contrive'; I will not cling to the fringe of things, or play that heartbreaking role of the shabby expatriated on the Continent. ... No person in this world ever had enough. I tell you I could find use for every flake of metal ever mined! ... You see you do not know me. From my pretty face and figure you misjudge me. I am intelligent--not intellectual, though I might have been, might even be yet. I am cultivated, not learned; though I care for learning--or might, if I had time. ... My role in life is to mount to a security too high for any question as to my dominance. ... Can you take me there?" "There are other heights, Sylvia." "Higher?" "Yes, dear." "The spiritual; I know. I could not breathe there, if I cared to climb. ... And I have told you what I am--all silk and lace and smooth-skinned selfishness." She looked at him wistfully. "If you can change me, take me." And she rose, facing him. "I do not give you up," he said, with a savage note hardening his voice; and it thrilled her to hear it, and every drop of blood in her body leaped as she yielded to his arms again, heavy-lidded, trembling, confused, under the piercing sweetness of contact. The perfume of her mouth, her hair, the consenting fingers locked in his, palm against palm, the lips, acquiescent, then afire at last, responsive to his own; and her eyes opening from the dream under the white lids--these were what he had of her till every vein in him pulsed flame. Then her voice, broken, breathless: "Good night. Love me while you can--and forgive me! ... Good night. ... Where are we? All--all this must have stunned me, blinded me. ... Is this my door, or yours? Hush! I am half dead with fear--to be here under the light again. ... If you take me again, my knees will give way. ... And I must find my door. Oh, the ghastly imprudence of it! ... Good night ... good night. I--I love you!" _ |