Chapter 4

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_ CHAPTER IV

Soon after sunrise the Senator came and unlocked the doors of Ortensia's day-room. That had always been his custom, for he kept the key under his pillow, as has been said, and he would as soon have thought of sending a servant to liberate the girl and the woman in the morning as of letting any one but himself lock them in at night.

'The master's eye fattens the horse,' he said to himself, quoting a Spanish proverb without much regard for metaphors.

It was his wont to open the door, and to look into the large room before going away, for he was sure that his eye would at once detect the slightest disarrangement of the furniture, or anything else unusual which might warrant suspicion.

But this morning he did more: he entered the room, shut the door behind him and looked about. He went to the window and examined the fastenings carefully, opened it wide, went out into the loggia and looked down into the garden. Everything was in order there, not one flower-pot had been upset by the squall, not a branch of the cypress-tree was broken or even bent.

Then he came in again and tapped sharply at the door of the dressing-room where Pina slept. She appeared instantly, already dressed; but she laid one finger on her lips, to keep him silent, and came out into the room before she spoke.

She said that Ortensia had been kept awake half the night by the storm, and was now sound asleep.

'A thief tried to get into the house after midnight,' said Pignaver. 'Did you hear any noise?'

'I should think I did!' cried Pina promptly. 'I was going to tell your lordship of it. I was up with the young lady, and when the first squall was over and she was more quiet, I thought I would just come in here to see if any water had run in under the window as it sometimes does. Just then I saw a glare of light beyond the garden wall, and I opened the window at once and heard the Signor of the Night challenging a thief, and directly afterwards there was a splash in the canal, and then silence, and the light went away slowly. I hope the man was drowned, my lord!'

While she was speaking, Pignaver had nodded repeatedly, for her little story bore the stamp of truth.

'I grieve to say that the villain got away,' he answered. 'At daybreak an officer from the Signors of the Night was waiting downstairs to inform me of the attempt. The Signors' boat searched the canal for the body of the man during more than an hour, but found nothing. He must have been on the garden wall when he was seen, and he threw himself into the water to escape, leaving the rope by which he had climbed up.'

'Mercy!' cried Pina. 'We might have all been murdered in our beds!'

'No one shall get upon that wall again,' answered the master of the house. 'I will have the coping stuck full of broken glass from end to end before night.'

'Would it not be well to set a watch in the garden, too, my lord? We should sleep soundly then!'

'We shall see, we shall see,' answered Pignaver, repeating the words slowly, as he went off. 'We shall see,' he said once more, as he went out.

As soon as he was gone, Pina hastened to Ortensia's room.

'He is safe!' she cried as she entered. 'They searched the canal for a whole hour, and could not find him!'

Ortensia uttered a little cry and sat up in bed suddenly; but she could scarcely believe the news, till Pina had repeated all that the Senator had said. When she heard that the wall was to be crowned with broken glass, however, her face fell, for she saw in a flash of imagination how Stradella would climb up confidently in the dark and would cut his hand to the bone when he grasped the jagged points on the top.

'You must warn him!' cried Ortensia. 'You must go out and find him, and tell him not to come again!'

'I will find him,' answered Pina.

They had never spoken of Stradella before the night that was just past. Day after day, while the lessons were going on, Pina had left the two together, and Ortensia had silently accepted the nurse's conduct without understanding its cause; she was too proud to speak of it when they were together, or too shy, but she was sure from the first that Pina would stand by her, though it was the woman's sole business never to let her be out of her sight for a moment.

'And what shall I tell him?' Pina asked. 'What message shall he have from you? I will faithfully deliver your words.'

Ortensia covered her eyes with one hand, leaning on the other behind her, to steady herself as she sat up.

'Tell him that--that we must wait--and hope----'

'For what?' asked Pina bluntly. 'For the end of the world?'

Ortensia uncovered her eyes and looked up, surprised at the change of tone.

'Will you wait till you are the Senator's wife?' Pina asked, her grey eyes hardening suddenly. 'Will you hope that by that time the broken glass on the wall will have softened in the rain till it will not cut his hands? Or that you will be more free when you are married? You will not be. That is not the way in Venice. I am a serving-woman, and, besides, I am neither young nor pretty--I was once!--so I may go and come on your business and walk alone from the Piazza to Santa Maria dell' Orto. But you noble ladies, you are born in a cage, you live in bondage, and you die in prison! Will you wait? Will you hope? What for?'

'What do you mean?' asked Ortensia in a frightened voice. 'Am I never to see him again? Is my message to him to be a good-bye?'

'Good-bye is easily said,' Pina answered, shaking her head enigmatically.

The young girl let herself sink back on her pillow, and turned her face against her bare arm, so that at least her eyes were hidden from the nurse.

'I cannot!' she whispered to herself, drawing a breath that almost choked her.

'Yes,' Pina repeated harshly, 'it is easy to say farewell; and as for any hope after that, the devil lends it us at usury, and if we cannot pay on the day of reckoning he takes possession!'

'What cruel things you say!' Ortensia cried in a half-broken tone, turning her head slowly from side to side, with her face hidden in the soft hollow of her elbow.

'What hope will there be for you, child, when you are your uncle's wife? The hope of dying young--that is all the hope you will have left!'

The woman laughed bitterly, and Ortensia felt that she was going to cry, or wished that she could, she was not quite sure which.

'Therefore I say it is folly to send a man such a message. "Wait and hope," indeed! How long? His lifetime? Yours? You are both young, and you may wait and hope fifty years, till your hair and teeth fall out, and you discover that there is nothing in hope after all! Better say good-bye outright, though it kill you! Better try and forget than make a martyrdom of remembering! Better anything than hope!'

The grey-eyed woman's voice shook with an emotion which Ortensia could not have understood if she had noticed it, for she was dreadfully miserable just then. Pina bent down over her, smoothed her hair and patted her bare arm softly.

'Why hope for what you can take, if you have the courage?' she asked, dropping her voice to a whisper, as she glanced behind her towards the door.

Ortensia lifted her head and looked up, her lips parting in surprise.

'Why should you waste time in waiting?' Pina asked, still whispering. 'That is the message I would send if I were you,' she added. 'Shall I take it?'

'But how?--I do not understand--he cannot come to me here.'

'We can go to him,' answered the nurse. 'Is it not easy? The next time you confess at the Frari he will meet us. It is simple enough. Two long brown cloaks with hoods, such as old women wear, a few hundred yards to walk from the Frari to the Tolentini, his gondola there, and out by Santa Chiara to the mainland and Padua--who shall catch us then? You are young and strong, and I am tough; we shall not die of the fatigue; and by the next morning we shall all three be out of Venetian territory. What is easier?'

Ortensia listened to this bold plan in silence, too much surprised to ask why Pina was so ready to propose it, and a little frightened too, for she was a mere girl, and all the world beyond Venice was a mysterious immensity of Cimmerian gloom in the midst of which little pools of brilliant light marked the great and wonderful places she had heard described, such as Rome, Florence, and Milan, and royal Paris, and imperial Vienna.

'But my uncle would send men after us,' Ortensia objected. 'The Council of Ten will do anything he asks! They will give him soldiers, ships, anything! How can we possibly escape from him? We shall be caught and brought back!'

Pina smiled at such fears.

'Beyond the Venetian border they can do nothing,' she said. 'Do we mean to rob the Senator or murder him, that Venice should send an ambassador to claim us for trial under the laws of the Republic? Is it a crime for young people to love, and to run away and marry?'

'You do not know how powerful my uncle is,' Ortensia said.

Pina's face changed at once, and her expression became stony and impenetrable.

'You are wrong,' she answered in a hard voice. 'I know he is powerful. But if you fear him, as I do not, then wait and hope! Wait and hope!'

She laughed very strangely as she repeated the words, and her voice cracked on the last one, with a discordant note that frightened Ortensia, who was weary and overwrought.

'What is it, Pina?' asked the young girl quickly. 'What has happened?'

The nurse was already herself again, and pretended to cough a little.

'It is nothing,' she said presently. 'Something in my throat, just as I was speaking. It often happens. And as for what we were speaking of, there is no hurry. I will find the Maestro Alessandro before noon, and warn him not to come near our garden wall again, and I will tell him from you anything you wish, except that you do not care what becomes of him, for that would not be true!'

She laughed again, but quite gently this time, and began to busy herself about the room, making preparations for Ortensia to dress. The girl had laid her head on her pillow again, looking up at the little pink silk rosette in the middle of the canopy, and she was sure that it had a much less sad look now than it had worn in the small hours by the flickering night light. This seemed quite natural to Ortensia, for the familiar little objects in a girl's own room have a different expression for every hour of her life, to sympathise with each joy and sorrow, great or small, and with every hope, and surprise, and disappointment.

But Ortensia herself could not have told what she felt just then, for it was a sensation of startled unrest, in which great happiness and great fear were striving with each other to possess her; and she knew that if she yielded to the fear, she would lose the happiness, but that if she opened her heart to the happiness, the fear would at once become a terror so awful that she must certainly die of it.

She did not ask why her nurse was so ready to help her to run away. The fact was enough. The plan looked easy, and Stradella was the man to carry it out. She had only to consent, and in a week, or less, all would be done, and she would be joined to him for ever. If she refused, she must inevitably become the wife of Pignaver in a few months. She writhed on her pillow at the mere thought.

Two hours later she was standing before the big open window, watching three masons who were working on the top of the garden wall; they spread thick layers of stiff grey mortar over the old coping, and then stuck in sharp bits of broken glass, patting and pressing down the cement against each piece, to make the hold quite firm. The murderous splinters gleamed in the sunshine, and the men set them so near together that one could hardly have laid a finger anywhere between them.

Ortensia watched the work, and now and then she looked at the top of the cypress-tree, half-unconsciously wondering how many days would pass before she saw it for the last time. But in the broad daylight she lived over and over again every instant of that short night meeting that was the greatest event in all her life. If she only drooped her lids a little she saw Stradella there before her in his dripping clothes by the rays of the little lamp, his face was close to hers again, her lips touched his, and a delicate thrill ran through all her body and reminded her faintly but very sweetly of what she had felt when he kissed her.

Meanwhile, Pina had found the musician's lodging, near Santa Maria dell' Orto, which was a long way from the Senator's palace, for that quarter lies on the extreme outer edge of Venice, looking across the lagoon towards Murano. The door was opened for her by a hunchback, with a large, intellectual face, beardless and strongly modelled, such a face as Giotto would have taken as a model for a Doctor of the Church. The sad blue eyes looked up to Pina's with cold gravity; but when she explained that she came from the Palazzo Pignaver with a message, they brightened a little, and the man at once stood aside for her to enter.

She touched his hump lightly for luck in passing, as every Italian woman will to this day if she finds herself close to a hunchback in the street, and this act is rarely resented. Pina thought it a piece of unexampled good-fortune and of the best possible augury that the door should have been opened by a 'bringer-of-fortune,' and the deformed servant smiled gently at her touch, quite understanding. As he led the way in, after shutting the outer door, Pina saw that nature had meant him for a man of large proportions, and that his short stature was chiefly due to the terrible deformity of his back and chest, for his slightly bowed legs looked as sturdy as a street porter's, and his powerful arms were so long that his hands swung well below his knees when he walked. He wore plain brown clothes, and a broad white collar, and Pina, who was observant, noticed the neatness of his dress.

Stradella received her with a politeness to which, as a serving-woman, she was little accustomed, and he made her sit down in a comfortable chair before asking for news of Ortensia. He himself was none the worse for his wetting. The hunchback waited a moment as if expecting some order, but Stradella only nodded to him, and he went out.

'My young lady is well, and greets you, sir,' Pina said in answer to the Maestro's question, when the door was shut. 'She bids you be warned and not try to climb the wall again, for it is already being crowned with broken glass, which would cut your hands; and, moreover, the Senator will probably set a watch in the garden, since you were fortunately mistaken for a thief last night.'

Stradella listened to this business-like statement attentively, and watched Pina's face while she was speaking. Her hard grey eyes met his with perfect frankness.

'I see that you know everything,' he said. 'Tell me, then, how can I see the lady Ortensia? Surely you are not come to tell me that I am not to see her again.'

Pina unfolded her plan with a clearness and precision that first surprised him, and then roused his suspicion. For a few moments after she had ceased speaking he was silent, and examined his left hand with thoughtful interest, gently rubbing with his thumb the callous places made on the tips of his fingers by playing on stringed instruments. The woman puzzled him, for he understood well enough from her tone that she was not moved to help him merely by affection for her mistress, and she could certainly not be supposed to be actuated by any sudden devotion to himself. Besides, she must be aware that he was not a rich man, and could not requite with any large sum of money such a service as she offered. Her motive was a mystery. At last he spoke.

'Listen to me,' he said, watching her eyes. 'Your plan is good, and perfectly feasible. If you are in earnest, it can be carried out to-morrow, or whenever the lady Ortensia is ready. I will reward you as well as I can, but you must remember that I am a poor musician and not a Venetian senator----'

Pina's grey eyes were like steel, and her tone was cold, and not without a certain dignity.

'Have I asked money of you, sir?'

'Oh, no!' answered Stradella readily. 'I only wished----'

She interrupted him, as if she were his equal.

'Even a servant may love something better than a bribe!' she said.

'I beg your pardon,' Stradella found himself saying, a good deal to his own surprise, for he had not expected to hurt a serving-woman's feelings by speaking of money. 'I misunderstood you.'

'You did indeed, sir!' answered Pina. 'All I ask of you is that you will take me with you in your flight, for the Senator will certainly have me murdered if I am left behind. Afterwards, if my lady does not want me, I will look for another place, or live by lace-making.'

Stradella did not like the answer. The Sicilian character has grave defects: it is revengeful, over-proud, violent, and sometimes cruel; but it is generally truthful, and it is, above all, direct.

'You talk lightly of leaving your mistress,' said the musician. 'It is not for love of her that you are ready to help us.'

Pina faced him fearlessly.

'You are right,' she answered. 'And yet she is the one living being I love at all. Affection is not the only motive one may have, sir.'

'Nor love of money either,' Stradella said thoughtfully. 'The third is hate. Last of all comes charity!'

'I am not a saint, sir,' said Pina. 'So you are answered. I hate my master, and I have the right to hate him. That is my affair. If I dared kill him, I would, but I should not have the courage to bear being tortured if I were arrested and tried. I am only a woman, and I fear bodily pain more than anything. That is why I did not kill the Senator twenty years ago.'

The musician watched the cold, resentful face that had once been so handsome, and though he could not guess her story he partly understood her.

'You are frank,' he said. 'I see that you are in earnest, and that I can trust you.'

'Trust me for anything, sir, except to resist torture,' Pina answered. 'I know what it is,' she added in a low voice, and avoiding his eyes as if she were suddenly ashamed. 'As for my master,' she went on, turning to Stradella again a moment later, 'I believe he would rather die than be made a laughing-stock. I know that he yesterday announced to his friends his betrothal to his niece, which has been a secret for several weeks. I can hear the fine ladies and gentlemen laughing at him when they learn that she has run away with her music-master on the eve of her marriage! I can fancy the jests and the sarcasms the Senator will have to put up with!'

She laughed herself, rather savagely, and Stradella smiled. Provided he could carry off Ortensia, he did not even object to becoming the instrument of a serving-woman's vengeance.

They agreed upon the details of the flight. On the next day but one, being the feast of one of the many Franciscan saints, Stradella was to sing an air at Vespers in the Church of the Frari. It was therefore arranged that Ortensia and Pina should go to the church at that hour on pretence of confession. At the monument of Pietro Bernardini, near the main entrance, Stradella's hunchback servant would be waiting for them with two brown cloaks and hoods, which they were to put on immediately. They were then to kneel down quietly in the shadow and to wait till Stradella had finished singing, when they were to leave the church without waiting for him; his man would lead them through by-ways to the gondola, which was to wait on the farther side of the Tolentini. Stradella himself would slip away from the loft as soon as the Benediction began, after Vespers, just when all the other musicians would be very busy. He would probably reach the gondola almost as soon as Ortensia and the two servants, and in five minutes they would be well out of the city.

'And pray, sir,' asked Pina, 'what is your man's name?'

'Cucurullo,' Stradella answered.

'What a strange name!' Pina exclaimed.

'It is common enough in Naples.' _

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