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Our Italy, a non-fiction book by Charles Dudley Warner |
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Chapter 18. On The Brink Of The Grand Canon... |
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_ CHAPTER XVIII. ON THE BRINK OF THE GRAND CANON.--THE UNIQUE MARVEL OF NATURE The way seemed long. With the heat and dust and slow progress, it was exceedingly wearisome. Our modern nerves are not attuned to the slow crawling of a prairie-wagon. There had been growing for some time in the coach a feeling that the journey did not pay; that, in fact, no mere scenery could compensate for the fatigue of the trip. The imagination did not rise to it. "It will have to be a very big canon," said the duchess. Late in the afternoon we entered an open pine forest, passed through a meadow where the Indians had set their camp by a shallow pond, and drove along a ridge, in the cool shades, for three or four miles. Suddenly, on the edge of a descent, we who were on the box saw through the tree-tops a vision that stopped the pulse for a second, and filled us with excitement. It was only a glimpse, far off and apparently lifted up--red towers, purple cliffs, wide-spread apart, hints of color and splendor; on the right distance, mansions, gold and white and carmine (so the light made them), architectural habitations in the sky it must be, and suggestions of others far off in the middle distance--a substantial aerial city, or the ruins of one, such as the prophet saw in a vision. It was only a glimpse. Our hearts were in our mouths. We had a vague impression of something wonderful, fearful--some incomparable splendor that was not earthly. Were we drawing near the "City?" and should we have yet a more perfect view thereof? Was it Jerusalem or some Hindoo temples there in the sky? "It was builded of pearls and precious stones, also the streets were paved with gold; so that by reason of the natural glory of the city, and the reflection of the sunbeams upon it, Christian with desire fell sick." It was a momentary vision of a vast amphitheatre of splendor, mostly hidden by the trees and the edge of the plateau. We descended into a hollow. There was the well, a log-cabin, a tent or two under the pine-trees. We dismounted with impatient haste. The sun was low in the horizon, and had long withdrawn from this grassy dell. Tired as we were, we could not wait. It was only to ascend the little steep, stony slope--300 yards--and we should see! Our party were straggling up the hill: two or three had reached the edge. I looked up. The duchess threw up her arms and screamed. We were not fifteen paces behind, but we saw nothing. We took the few steps, and the whole magnificence broke upon us. No one could be prepared for it. The scene is one to strike dumb with awe, or to unstring the nerves; one might stand in silent astonishment, another would burst into tears. There are some experiences that cannot be repeated--one's first view of Rome, one's first view of Jerusalem. But these emotions are produced by association, by the sudden standing face to face with the scenes most wrought into our whole life and education by tradition and religion. This was without association, as it was without parallel. It was a shock so novel that the mind, dazed, quite failed to comprehend it. All that we could grasp was a vast confusion of amphitheatres and strange architectural forms resplendent with color. The vastness of the view amazed us quite as much as its transcendent beauty. [Illustration: GRAND CANON OF THE COLORADO--VIEW FROM THE HANSE TRAIL.] We had expected a canon--two lines of perpendicular walls 6000 feet high, with the ribbon of a river at the bottom; but the reader may dismiss all his notions of a canon, indeed of any sort of mountain or gorge scenery with which he is familiar. We had come into a new world. What we saw was not a canon, or a chasm, or a gorge, but a vast area which is a break in the plateau. From where we stood it was twelve miles across to the opposite walls--a level line of mesa on the Utah side. We looked up and down for twenty to thirty miles. This great space is filled with gigantic architectural constructions, with amphitheatres, gorges, precipices, walls of masonry, fortresses terraced up to the level of the eye, temples mountain size, all brilliant with horizontal lines of color--streaks of solid hues a few feet in width, streaks a thousand feet in width--yellows, mingled white and gray, orange, dull red, brown, blue, carmine, green, all blending in the sunlight into one transcendent suffusion of splendor. Afar off we saw the river in two places, a mere thread, as motionless and smooth as a strip of mirror, only we knew it was a turbid, boiling torrent, 6000 feet below us. Directly opposite the overhanging ledge on which we stood was a mountain, the sloping base of which was ashy gray and bluish; it rose in a series of terraces to a thousand-feet wall of dark red sandstone, receding upward, with ranges of columns and many fantastic sculptures, to a finial row of gigantic opera-glasses 6000 feet above the river. The great San Francisco Mountain, with its snowy crater, which we had passed on the way, might have been set down in the place of this one, and it would have been only one in a multitude of such forms that met the eye whichever way we looked. Indeed, all the vast mountains in this region might be hidden in this canon. Wandering a little away from the group and out of sight, and turning suddenly to the scene from another point of view, I experienced for a moment an indescribable terror of nature, a confusion of mind, a fear to be alone in such a presence. With all this grotesqueness and majesty of form and radiance of color, creation seemed in a whirl. With our education in scenery of a totally different kind, I suppose it would need long acquaintance with this to familiarize one with it to the extent of perfect mental comprehension. The vast abyss has an atmosphere of its own, one always changing and producing new effects, an atmosphere and shadows and tones of its own--golden, rosy, gray, brilliant, and sombre, and playing a thousand fantastic tricks to the vision. The rich and wonderful color effects, says Captain Dutton, "are due to the inherent colors of the rocks, modified by the atmosphere. Like any other great series of strata in the plateau province, the carboniferous has its own range of colors, which might serve to distinguish it, even if we had no other criterion. The summit strata are pale gray, with a faint yellowish cast. Beneath them the cross-bedded sandstone appears, showing a mottled surface of pale pinkish hue. Underneath this member are nearly 1000 feet of the lower Aubrey sandstones, displaying an intensely brilliant red, which is somewhat marked by the talus shot down from the gray cherty limestone at the summit. Beneath the lower Aubrey is the face of the Red Wall limestone, from 2000 to 3000 feet high. It has a strong red tone, but a very peculiar one. Most of the red strata of the West have the brownish or vermilion tones, but these are rather purplish red, as if the pigment had been treated to a dash of blue. It is not quite certain that this may not arise in part from the intervention of the blue haze, and probably it is rendered more conspicuous by this cause; but, on the whole, the purplish cast seems to be inherent. This is the dominant color of the canon, for the expanse of the rock surface displayed is more than half in the Red Wall group." I was continually likening this to a vast city rather than a landscape, but it was a city of no man's creation nor of any man's conception. In the visions which inspired or crazy painters have had of the New Jerusalem, of Babylon the Great, of a heaven in the atmosphere, with endless perspective of towers and steeps that hang in the twilight sky, the imagination has tried to reach this reality. But here are effects beyond the artist, forms the architect has not hinted at; and yet everything reminds us of man's work. And the explorers have tried by the use of Oriental nomenclature to bring it within our comprehension, the East being the land of the imagination. There is the Hindoo Amphitheatre, the Bright Angel Amphitheatre, the Ottoman Amphitheatre, Shiva's Temple, Vishnu's Temple, Vulcan's Throne. And here, indeed, is the idea of the pagoda architecture, of the terrace architecture, of the bizarre constructions which rise with projecting buttresses, rows of pillars, recesses, battlements, esplanades, and low walls, hanging gardens, and truncated pinnacles. It is a city, but a city of the imagination. In many pages I could tell what I saw in one day's lounging for a mile or so along the edge of the precipice. The view changed at every step, and was never half an hour the same in one place. Nor did it need much fancy to create illusions or pictures of unearthly beauty. There was a castle, terraced up with columns, plain enough, and below it a parade-ground; at any moment the knights in armor and with banners might emerge from the red gates and deploy there, while the ladies looked down from the balconies. But there were many castles and fortresses and barracks and noble mansions. And the rich sculpture in this brilliant color! In time I began to see queer details: a Richardson house, with low portals and round arches, surmounted by a Nuremberg gable; perfect panels, 600 feet high, for the setting of pictures; a train of cars partly derailed at the door of a long, low warehouse, with a garden in front of it. There was no end to such devices. It was long before I could comprehend the vastness of the view, see the enormous chasms and rents and seams, and the many architectural ranges separated by great gulfs, between me and the wall of the mesa twelve miles distant. Away to the north-east was the blue Navajo Mountain, the lone peak in the horizon; but on the southern side of it lay a desert level, which in the afternoon light took on the exact appearance of a blue lake; its edge this side was a wall thousands of feet high, many miles in length, and straightly horizontal; over this seemed to fall water. I could see the foam of it at the foot of the cliff; and below that was a lake of shimmering silver, in which the giant precipice and the fall and their color were mirrored. Of course there was no silver lake, and the reflection that simulated it was only the sun on the lower part of the immense wall. Some one said that all that was needed to perfect this scene was a Niagara Falls. I thought what figure a fall 150 feet high and 3000 long would make in this arena. It would need a spy-glass to discover it. An adequate Niagara here should be at least three miles in breadth, and fall 2000 feet over one of these walls. And the Yosemite--ah! the lovely Yosemite! Dumped down into this wilderness of gorges and mountains, it would take a guide who knew of its existence a long time to find it. The process of creation is here laid bare through the geologic periods. The strata of rock, deposited or upheaved, preserve their horizontal and parallel courses. If we imagine a river flowing on a plain, it would wear for itself a deeper and deeper channel. The walls of this channel would recede irregularly by weathering and by the coming in of other streams. The channel would go on deepening, and the outer walls would again recede. If the rocks were of different material and degrees of hardness, the forms would be carved in the fantastic and architectural manner we find them here. The Colorado flows through the tortuous inner chasm, and where we see it, it is 6000 feet below the surface where we stand, and below the towers of the terraced forms nearer it. The splendid views of the canon at this point given in Captain Dutton's report are from Point Sublime, on the north side. There seems to have been no way of reaching the river from that point. From the south side the descent, though wearisome, is feasible. It reverses mountaineering to descend 6000 feet for a view, and there is a certain pleasure in standing on a mountain summit without the trouble of climbing it. Hance, the guide, who has charge of the well, has made a path to the bottom. The route is seven miles long. Half-way down he has a house by a spring. At the bottom, somewhere in those depths, is a sort of farm, grass capable of sustaining horses and cattle, and ground where fruit-trees can grow. Horses are actually living there, and parties descend there with tents, and camp for days at a time. It is a world of its own. Some of the photographic views presented here, all inadequate, are taken from points on Hance's trail. But no camera or pen can convey an adequate conception of what Captain Dutton happily calls a great innovation in the modern ideas of scenery. To the eye educated to any other, it may be shocking, grotesque, incomprehensible; but "those who have long and carefully studied the Grand Canon of the Colorado do not hesitate for a moment to pronounce it by far the most sublime of all earthly spectacles." I have space only to refer to the geologic history in Captain Dutton's report of 1882, of which there should be a popular edition. The waters of the Atlantic once overflowed this region, and were separated from the Pacific, if at all, only by a ridge. The story is of long eras of deposits, of removal, of upheaval, and of volcanic action. It is estimated that in one period the thickness of strata removed and transported away was 10,000 feet. Long after the Colorado began its work of corrosion there was a mighty upheaval. The reader will find the story of the making of the Grand Canon more fascinating than any romance. Without knowing this story the impression that one has in looking on this scene is that of immense antiquity, hardly anywhere else on earth so overwhelming as here. It has been here in all its lonely grandeur and transcendent beauty, exactly as it is, for what to us is an eternity, unknown, unseen by human eye. To the recent Indian, who roved along its brink or descended to its recesses, it was not strange, because he had known no other than the plateau scenery. It is only within a quarter of a century that the Grand Canon has been known to the civilized world. It is scarcely known now. It is a world largely unexplored. Those who best know it are most sensitive to its awe and splendor. It is never twice the same, for, as I said, it has an atmosphere of its own. I was told by Hance that he once saw a thunder-storm in it. He described the chaos of clouds in the pit, the roar of the tempest, the reverberations of thunder, the inconceivable splendor of the rainbows mingled with the colors of the towers and terraces. It was as if the world were breaking up. He fled away to his hut in terror. The day is near when this scenery must be made accessible. A railway can easily be built from Flagstaff. The projected road from Utah, crossing the Colorado at Lee's Ferry, would come within twenty miles of the Grand Canon, and a branch to it could be built. The region is arid, and in the "sight-seeing" part of the year the few surface wells and springs are likely to go dry. The greatest difficulty would be in procuring water for railway service or for such houses of entertainment as are necessary. It could, no doubt, be piped from the San Francisco Mountain. At any rate, ingenuity will overcome the difficulties, and travellers from the wide world will flock thither, for there is revealed the long-kept secret, the unique achievement of nature. _ |
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