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_ For many years he had lived withdrawn from the world in which he had
once played so active and even turbulent a part. The study of Tuscan
art was his only pursuit, and it was to help him in the
classification of his notes and documents that I was first called to
his villa. Colonel Alingdon had then the look of a very old man,
though his age can hardly have exceeded seventy. He was small and
bent, with a finely wrinkled face which still wore the tan of
youthful exposure. But for this dusky redness it would have been
hard to reconstruct from the shrunken recluse, with his low
fastidious voice and carefully tended hands, an image of that young
knight of adventure whose sword had been at the service of every
uprising which stirred the uneasy soil of Italy in the first half of
the nineteenth century.
Though I was more of a proficient in Colonel Alingdon's later than
his earlier pursuits, the thought of his soldiering days was always
coming between me and the pacific work of his old age. As we sat
collating papers and comparing photographs, I had the feeling that
this dry and quiet old man had seen even stranger things than people
said: that he knew more of the inner history of Europe than half the
diplomatists of his day.
I was not alone in this conviction; and the friend who had engaged
me for Colonel Alingdon had appended to his instructions the
injunction to "get him to talk." But this was what no one could do.
Colonel Alingdon was ready to discuss by the hour the date of a
Giottesque triptych, or the attribution of a disputed master; but on
the history of his early life he was habitually silent.
It was perhaps because I recognized this silence and respected it
that it afterward came to be broken for me. Or it was perhaps merely
because, as the failure of Colonel Alingdon's sight cut him off from
his work, he felt the natural inclination of age to revert from the
empty present to the crowded past. For one cause or another he _did_
talk to me in the last year of his life; and I felt myself mingled,
to an extent inconceivable to the mere reader of history, with the
passionate scenes of the Italian struggle for liberty. Colonel
Alingdon had been mixed with it in all its phases: he had known the
last Carbonari and the Young Italy of Mazzini; he had been in
Perugia when the mercenaries of a liberal Pope slaughtered women and
children in the streets; he had been in Sicily with the Thousand,
and in Milan during the _Cinque Giornate_.
"They say the Italians didn't know how to fight," he said one day,
musingly--"that the French had to come down and do their work for
them. People forget how long it was since they had had any fighting
to do. But they hadn't forgotten how to suffer and hold their
tongues; how to die and take their secrets with them. The Italian
war of independence was really carried on underground: it was one of
those awful silent struggles which are so much more terrible than
the roar of a battle. It's a deuced sight easier to charge with your
regiment than to lie rotting in an Austrian prison and know that if
you give up the name of a friend or two you can go back scot-free to
your wife and children. And thousands and thousands of Italians had
the choice given them--and hardly one went back."
He sat silent, his meditative fingertips laid together, his eyes
fixed on the past which was the now only thing clearly visible to
them.
"And the women?" I said. "Were they as brave as the men?"
I had not spoken quite at random. I had always heard that there had
been as much of love as of war in Colonel Alingdon's early career,
and I hoped that my question might give a personal turn to his
reminiscences.
"The women?" he repeated. "They were braver--for they had more to
bear and less to do. Italy could never have been saved without
them."
His eye had kindled and I detected in it the reflection of some
vivid memory. It was then that I asked him what was the bravest
thing he had ever known of a woman's doing.
The question was such a vague one that I hardly knew why I had put
it, but to my surprise he answered almost at once, as though I had
touched on a subject of frequent meditation.
"The bravest thing I ever saw done by a woman," he said, "was
brought about by an act of my own--and one of which I am not
particularly proud. For that reason I have never spoken of it
before--there was a time when I didn't even care to think of it--but
all that is past now. She died years ago, and so did the Jack
Alingdon she knew, and in telling you the story I am no more than
the mouthpiece of an old tradition which some ancestor might have
handed down to me."
He leaned back, his clear blind gaze fixed smilingly on me, and I
had the feeling that, in groping through the labyrinth of his young
adventures, I had come unawares upon their central point. _
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